D.A.S. Audio gets in the Groove Cruise

Thursday, 29 March 2012
D.A.S. Audio gets in the Groove CruiseThe world's largest fully charted dance music cruise experience, is geared toward those who love dance music
USA - The Groove Cruise, the world's largest fully charted dance music cruise experience, is geared toward those who love dance music. Involving 2,200 people, 40-plus artists, two islands, plus a massive cruise ship - with everything taking place over a period of 72 hours, the Groove Cruise is one of numerous vacation packages offered by Miami Beach, FL-based Whet Travel.

With crowds like these, the sound reinforcement systems need to pack plenty of punch. That's why on a recent trip between Miami and the Bahamas, several systems drawn from the catalogue of D.A.S. Audio were out in full force.

Miami-based Master Sound Productions, a full service production company providing stage, sound, and lighting plus turnkey logistic management services, handles the technical aspects for Whet Travel's Groove Cruise. Frank Gonzalez, Master Sound's sales and production manager, discussed his decision to deploy several D.A.S. Audio sound systems for a recent cruise that took place between 27-30 January.

"For the recent January outing," Gonzalez explained, "we had four systems on the ship-one for the main stage, another at the pool, plus two mobile setups. The fact that every system on this project was self-powered was a crucial factor in the success of this effort, as it simplified setup times. Some of the shows begin well before the ship sets sail, so simplified cabling and the fact that there's no need to transport racks of heavy power amps is an important consideration in this type of environment."

The largest D.A.S. loudspeaker setup occurred on in the Stardust Theatre. Here, the Master Sound crew deployed 10 D.A.S. Aero 12A powered, two-way, mid-high line array modules - five elements groundstacked per side. Each groundstack sat on top of two D.A.S. LX-218CA powered subwoofers. Each LX-218CA enclosure incorporates dual 18-inch transducers. In addition to these four subwoofers, two additional LX-218CA subs were placed on the ground in front of the stage. Avant 12A on tripods were used for DJ Monitors, as they were for every system on the ship.

At the pool stage, the Master Sound crew placed a combination of Aero 12A enclosures, Avant 12A compact enclosures, Avant 215A loudspeakers and Avant 118A subwoofers. These enclosures were arranged two Avant 118A subwoofers per side, with two Avant 215A's stacked on top. The Aero 12A's handled long throw coverage. Avant 12A's were used for DJ Monitors here as well.

"We had two mobile setups on this cruise," Gonzalez added. "For our 'Excursion System', we used four Aero CA-215A subwoofers, four Variant 112A enclosures, along with two Avant 12A loudspeakers. The Variant 112A's and Avant 12As were tripod mounted to get them up I the air. Our second portable setup, which was used for special events around the ship, consisted of two Avant 12A's for the mains plus an additional Avant 12A that served as the DJ's monitor system. These loudspeakers were all on tripods."

"This Groove Cruise had a lot of sound reinforcement gear," said Gonzalez. "While we certainly have considerable experience with projects like this, you never know what you might encounter-so customer support is important. On that note, we were very impressed with D.A.S. Audio's support services. When we had questions, D.A.S. was very responsive."

(Jim Evans)


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