For the larger venues, six hangs of 10 K2 topped with four K1 are suspended from the main truss
China - Almost 400 L-Acoustics cabinets were deployed as part of a mammoth PA system for Jacky Cheung’s 2017 A Classic Tour, which took in 21 venues, both indoor and outdoor, across mainland China at the beginning of the year, and continues through Hong Kong, Sinapore and Taiwan.
The show is performed in the round, with both complex stage machinery and the task of ensuring complete coverage of the audience offering a challenge for rental companies Haona, who supplied the system for the China dates, Unusual in Singapore and Taiwan’s Winly, who worked alongside L-Acoustics Chinese distributor, Rightway Audio Consultants to realise a complex design.
A Hong Kong-born singer, songwriter and actor, Jacky Cheung is one of the city’s ‘Four Heavenly Kings’ – a term created by Oriental Daily News in 1992 to describe the four biggest male entertainment artists in Hong Kong. Over his 30-year career, his popularity has known no bounds - he even set a Guinness World record in 2011 for the largest combined audience for a live act in 12 months, with a total audience figure of over two million, for his Jacky Cheung ½ Century World Tour.
For A Classic Tour, Cheung’s live performances were an electrifying three hours that combined his vocal talents, which have earned him the moniker ‘God of Songs’, with elements of both the theatre and circus.
The show design included a considerable number of moving elements for both lighting and staging, which had an influence on the number of cabinets used, and their position. “Due to the complex stage design, we decided to use six arrays of K2,” Daniel adds. In the case of the ‘ground up’ production, the weight of the speakers is a huge consideration. K2, being powerful and lightweight and with its stable horizontal polar response of 110 degrees, is the perfect choice to deliver great impact and coverage to every single member of the audience.”
The overall system comprised 48 K1, 120 K2, eight Kara, 24 KS28 and 24 SB28 subs, with 24 X15 HiQ and 24 115XT HiQ providing stage monitoring, all driven by a combination of 96 LA8 and 12 LA12X amplifiers.
(Jim Evans)

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