Renegade reaches new heights with Kasabian
The show - one of a series of events celebrating Mulberry's 40th birthday - was staged on the rooftop of the Skylight West building in New York's Midtown district.
The recently renovated venue offers the largest private event rooftop space in the city and superlative panoramic views scanning the downtown area. Both Mulberry and Kasabian are regular clients of Gray and his creative live visual design company, Renegade.
Used to working in unusual environments, Gray utilised the steel superstructure of a 60ft wide billboard that resides atop the building. After structural tests, this was used to hang a substantial proportion of the lighting rig, along with vertical trusses on floor bases which were installed at the back of the stage that was built in front of the billboard.
For moving lights, he specified 8 Clay Paky Alpha Beam 300s, that were positioned along the back of the lowest vertical bar of the billboard and 6 Vari*Lite V*L 2500 Spots, two of which were on the underside of the back rail of the board, with four on the floor. Six V*L 2500 Washes were also rigged to the back rail, with another two each on the front left and right hand corners of the stage. Front light is always minimal for the band, who prefer powerful, heavy, moody back lighting and dramatic silhouetting as a visual benchmark.
A series of 2-lite Moles were run up the centre of the vertical truss sections, together with 8 Atomic strobes.
The rig was completed with two DF50 fog machines, controlled together with all the lighting through a Hog 3 console operated by Paul Kell (PK), a regular Renegade programmer/operator, who has also been involved with other Kasabian's warm up shows ahead of the release of their new Velociraptor! album. All lighting equipment and technical production was sourced locally through Mulberry's event producers.
The show was a success and went down well with all the VIP guests, causing a stir and a buzz around town. However, the New York Police Department were not quite so impressed, asking for the volume to be turned down twice during the band's set.