ETC Source Four LED helps LA gaffer to do it all
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Staring at the monitor, cinematographer Larkin Seiple calls for level changes barely visible to the human eye. Bringing a fixture down to 4% output, Ardine explains, "If I were using incandescents, I would start seeing colour shift at around 26% and my crew would be spending time putting in NDA or full blue to compensate for the tungsten effect."
On a set with skylights, windows, fluorescents and practical table lamps, setting the perfect colour temperature can be challenging. "