Deutsches Theater Berlin (photo: Louise Stickland)
Germany - The Deutsches Theater in Berlin is one of Germany’s foremost producing houses. In the last year, the venue has added 20 x Robe T1 Profiles which are available across its stages, a move specified and overseen by head of lighting Robert Grauel and his team including Linus Zahn who is the lighting systems tech and person in charge of new technologies.
The main stage was originally built in 1850 and the building now consists of two adjoining stages – the 600-capacity main stage and the 280-seat Kammerspiele established by the legendary Max Reinhardt in 1906 for modern drama – sharing a common, classical façade.
The Box is a black box studio space located in the Kammerspiele foyer with seating for 80 people, and there are extensive rehearsal rooms, workshops, and storage facilities in a new building behind.
The Robe T1 Profiles were selected from a shortlist of three fixtures from different manufacturers explained Linus, who is part of a 35-strong lighting department working across all the stages and rehearsal areas.
Robe fixtures first appeared at the Deutsches Theater in 2016 for a production of Man in the Holocene directed by Thom Luz with lighting designed by Matthias Vogel.
They needed a compact moving light that had a sharp narrow beam that could shoot across the stage, reflect off five mirrors and interact with the main actor.
Like all theatres and any live entertainment venues, 2020 has been a tough year for Deutsches Theater due to the pandemic, but, looking forward to 2021, Linus is hopeful that the relationship with Robe will continue to grow as they ramp up their production schedules.
Right now, the Deutsches Theater – like all other cultural institutions – is closed to visitors and awaiting news of when it will be able to re-open.
Eight Robe ESPRITES, four more T1 Profiles, six Tarrantula LED wash beams, six ParFect 150s FW RGBAs and a RoboSpot system including RoboSpot MotionCameras have now joined the other Robe fixtures at the theatre.

Latest Issue. . .