The church is home to the Netherlands Philharmonic Orchestra and Dutch Chamber Orchestra
The Netherlands - Built in the 1920s, the domed and eye-catching Majella church in East Amsterdam is a large, imposing building. Its design was inspired by the Byzantine churches in Palestine visited by its architect, Jan Stuyt. From the very beginning of the church's life, its sheer size presented the parish with expensive maintenance issues.
Having first found a use hosting the Institute for Women's History, in 2012 it became home to the Netherlands Philharmonic Orchestra and Dutch Chamber Orchestra (NedPho/NKO). NedPho/NKO had for some time been seeking a new rehearsal space and with Stadherstel's expertise, the heart of church was altered to create an ideal facility. The space is also used for small-scale concerts, lectures and receptions and the NedPho Dome, as it is commonly known, is highly regarded as an important cultural hub.
To further enhance and improve the Dome, its management team recently addressed issues of sustainability at the venue and took the decision to replace its auditorium lighting with a system that required less maintenance and could significantly reduce energy consumption.
They also wished to improve the levels and quality of the lighting, for the benefit of the musicians and visitors alike. NedPho approached Hans Graafmans of Ampco Flashlight Sales, specialists in lighting sales and installation and invited him to submit detailed proposals for a solution. As the company's distributor in the Netherlands, Hans reserved a central role in the process for GDS. GDS provided a Dialux study of the venue and following site demonstrations followed by visits to other GDS installations, such as the Vereeniging Concert Hall in Nijmegen, NedPho gave the go ahead for GDS ArcSystem to be installed.
The existing provision comprised 64 PAR64 lamps of 500 watts each and these were replaced by the retro-fitting of 57 ArcSystem Pro 4 Cell Square fixtures. The 4 Cell fixtures were selected in white powder-coated finish to better blend in with their surroundings. Each having an output of 7641 lumens, the fixtures achieved a lux level of 900, comfortably exceeding the 800 required by the brief and easily met the coverage requirements.
The new system is operated wirelessly using GDS's ArcMesh protocol from wall panels with presets but can also be controlled by the in-house lighting console. It can be dimmed or turned off in sections to suit any given layout in the venue. Power consumption at NedPho was reduced from 32,000 watts to a mere 4,750 watts and the virtually maintenance-free system guaranteed perfect dimming and vastly improved quality of light.
Hans Graafmans, senior account and project manager at Ampco comments: "This installation is the latest in a series of ArcSystem solutions we have carried out in The Netherlands, including both The Hanzehof Theatre in Zutphen and The Vereeniging in Nijmegen. The benefits of GDS ArcSystem at NedPho are many. It is the ideal combination of performance and durability, look and feel as well as brightness. The 3000K colour temperature plays a hugely important role in creating a natural 'warmth' for the musicians and audience.”
Matt Lloyd, managing director of GDS puts the cost savings into context: "It might be said that the factors Hans describes would more than justify NedPho's investment in ArcSystem. The aesthetic benefits that ArcSystem brings to any setting provide an enhanced experience for all and in this case, performers, visitors and the staff at NedPho have vigorously voiced their approval. This however tells only part of the story. Sustainability sits at the heart of developing a better environment and the application of GDS technologies allows our end users to drastically reduce their carbon footprint, with no aesthetic compromise, whilst simultaneously saving significant sums of money.
“This particular installation will have paid for itself within four years and save an estimated €80,000 over a 10-year period - sweet music indeed to the ears of the management at NedPho!"
(Jim Evans)

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