plasa-showPLASA Show celebrates successful return to West London
Monday, 25 September 2017

UK - The 40th anniversary of the PLASA Show saw its refocussed direction paying dividends, with an increase in visitor numbers, a sold-out show floor and a 25% increase in the number of audio companies exhibiting. Exhibitors reported continually busy stands and a high quality of visitor across all three days, with a particular increase in the number of international attendees, whilst visitors were pleased with the number of brand new products on show and the content rich seminar programme.
“The quality of the people was bang on,” says Mick Hannaford from the show’s platinum sponsor, Robe. “The amazing thing from our point of view was the amount of lighting designers attending, especially on the Sunday, and not just from the UK, but mainland Europe, too. It was a really impressive. Undoubtedly, the move back to West London is making that happen. Every time I looked, there were lots of conversations going on around the show floor. I think every exhibitor should be happy. It was magic!”
Emphasising the increased appeal for the audio sector was the number of new products launched at the show, which included Harman’s Vi1000 digital mixing console on the stand of its UK distributor Sound Technology Ltd, Adamson’s IS-Series installation loudspeakers and KV2 Audio’s VHD 2.18J subwoofer. On the SSE Audio Group stand there was a line-up of new products on display including the recently launched DiGiCo SD12 digital mixing console and Sennheiser Digital 6000 Series microphones, Speechline Digital Wireless conference system and XS Wireless 1 and 2 voca

robe-temple-of-divine-providence-warsaw-tem181820306Robe at the Temple of Divine Providence
Monday, 25 September 2017

Poland - Robe Actor 6 and PARFect 100 LED fixtures are installed as part of the architectural lighting at the Temple of Divine Providence in Warsaw, one of the most significant Roman Catholic buildings in the country.
The Temple is in the final throes of construction bringing to fruition an idea that was first inspired in 1791 - shortly after the adoption of Poland’s first constitution.
The building project got properly underway in the trendy developing Wilanów district in the south of the Polish capital in 2002 - designed by architects Wojciech and Lech Szymborski.
Its capacious interiors – based on an 84m square base with four entrances - and imposing 60m high reinforced concrete columns that form the nave, culminate in a rotunda gallery and a central glass dome at the top, all making high visual impact and defining the space.
The pale coloured render of the columns and other interior features is perfect for lighting, so the Temple’s management company, The Centre of Divine Providence, reached out to lighting specialists Prolight Sp. z o.o. to design and specify a scheme that would transform a somewhat cold and austere interior into a dynamic, warm and interesting space.
Lighting was seen as an ideal way to reflect the changes in the church calendar and shift the mood accordingly.
In addition to being an important place of worship and a national religious symbol, cutting edge acoustic treatment makes the 3000 capacity Temple suitable for concerts, choral and orchestral recitals and televised music events, so it is a trul

db-workshopd&b workflow workshops scheduled for October
Monday, 25 September 2017

UK - Free to attend, the d&b Software and system fundamentals workshop covers all you need to know about the d&b workflow and system basics. Realising the best sound possible is unimaginable without the d&b software toolkit, a key component in the planning, optimization and control of any d&b system.
With a focus on the d&b software programmes, ArrayCalc for simulation, and R1 for remote control, the workshop is completely dedicated to the workflow methodology. Beginning with ArrayCalc, the session will guide you through the steps for simulating line array or point source systems, opening your project data in the intuitive R1user interface, and finally sending all relevant settings to the d&b amplifiers - with just a few clicks of the mouse.
The dates are: Tuesday 10 October – Dublin, Thursday 12 October – Belfast and Wednesday 25 October – Glasgow. Lunch will be provided and beer at the end of the day.
Spaces are limited. To register, visit the Education calendar on dbaudio.com
(Jim Evans)

dmxcatplasainnovationDMXcat wins PLASA Award for Innovation
Monday, 25 September 2017

UK - City Theatrical’s DMXcat Multifunction Test Tool received a 2017 PLASA Innovation Award at the PLASA Show in London.
The judges said DMXcat was "A compact multifunction DMX analyser that will be a useful addition to many technicians' toolboxes".
Earlier this year, DMXcat was also named the ABTT 2017 Lighting Product of the Year, and a Live Design Excellence Awards Product of the Year.
City Theatrical‘s DMXcat Multifunction Test Tool makes it easy for anyone to control, analyze, or test any DMX lighting fixture, whether it’s a simple LED PAR or a complex moving light. The system consists of a small hardware dongle and a suite of mobile applications. Together, they combine to bring wireless DMX and RDM control plus other useful functions to the user’s smartphone.
The DMXcat solves the problem faced by all users of modern lighting equipment: How to turn on and test DMX lighting gear without using a complicated lighting console. The DMXcat works with both Android and iPhones. The DMXcat hardware dongle is a compact battery powered unit, which fits easily in a pocket or tool pouch or may be worn on a belt.
(Jim Evans)

column-array-speakers-portable-line-arrayK-array solution for historic Florentine hall
Monday, 25 September 2017

Italy - The famed Salone dei 500 of Palazzo Vecchio has long held great importance for the city of Florence. Measuring 54m long, 23m wide, and 18m high, it is the largest and most important room in terms of artistic and historic value in the old place and the largest room in Italy made for a civil power palace.
Originally built during the Renaissance to host meetings for representatives of the democratic government of the Florentine Republic, or the Great Council of 500, the Salone dei 500 has changed overtime to accommodate every owner of the palace, transforming from a hall commemorating important battles with artworks to be commissioned by the two greatest Florentine artists of the time, Leonardo da Vinci and Michelangelo, to the boardroom of the Duke Cosimo I de’ Medici, where he received ambassadors and gave audience to the people.
Richly decorated and wildly popular with tourists, the Salone dei 500 has remained incredibly relevant through modern times by hosting private large-scale events including the filming of director Ron Howards’ movie adaptation of the Dan Brown novel, Inferno, starring Tom Hanks and Felicity Jones.
With the sheer number of events held in the hall, organizers saw the need for a fixed audio system with the ability to adapt to the different occasions. The audio installation required optimal coverage of the Salon di 500, keeping the visual impact as low as possible. Given their discreetness and powerful throw as well as their Florentine connection, K-array audio solutions was the choice.
The biggest chall

arthur-openSystems Workshop to distribute Arthur
Monday, 25 September 2017

UK - Switzerland-based Schertler Group has appointed Systems Workshop as UK distributor for its Arthur modular mixer. The Oswestry-based company will act as a showroom and distribution centre for the mixer, which has attracted a steadily growing list of international users during the 12 months since its release.
Arthur offers musicians and engineers a customizable mixing solution for live and studio applications. The mixer’s input and output modules can be assembled in virtually any combination or order, from a basic compact setup with a vocal or instrument preamp and L/R Master, to a DJ / keyboard mixer with stereo inputs for keys and playback devices, right through to a large multi-channel studio configuration with multiple mic and instrument inputs and aux sends. The mixer can be directly connected to a PA system and can be expanded over time as required, or as new modules become available.
“We are delighted to have Systems Workshop on board for Arthur,” says Drago Dujak, Schertler’s marketing & sales manager. “Arthur is a different product from anything else currently on the market. This is why customers need to experience first-hand how simple it is to configure and assemble the modules and how different configurations can be built for various studio and live applications. Phil Beaumont and his team will also be out and about with Arthur over the coming months, so it will be a great opportunity to see our modular mixer in action all over the UK.”
Phil Beaumont, managing director of Systems Workshop Distribution adds: “The Sche

kuzarProlight Concepts Group to distribute Kuzar Systems
Monday, 25 September 2017

UK - Prolight Concepts Group has taken on exclusive UK distribution of Kuzar Systems, a Spanish company located in Valencia, dedicated to the design, manufacture and distribution of lifters and lifting accessories for the lighting and sound industry.
Designed for the professional user in the event and rental industry, Kuzar lifters are manufactured in Europe to both BGV C1 and CE (2006/42/CE) standards, and are also backed by a two-year warranty. The lifters feature ‘KAT’ locks that offer two positions, one for raising the lifter and the second for locking the lifter while static at height for increased safety.
Each lifter features high quality, AL-KO winches loaded with steel cable and are available in either telescopic vertical lift for truss and lighting fixtures or front-loading for lifting truss and compact line array systems. When not in use the lifters pack down so they can be stored in a compact space and the majority feature casters making transportation easy. The accessories available make the lifters suitable for an even wider range of applications.
(Jim Evans)

etc-eu-merchandise-store-2ETC launches online merchandise store
Monday, 25 September 2017

Germany – Following the overwhelming success of the company’s US-based online shop, ETC has opened a new online merchandise store to serve its followers outside of North America ( Launched in response to popular demand, this European venture enables fans to purchase branded ETC items wherever they are in the world.
The new online shop is packed with high quality merchandise, branded with the distinctive ETC logo, including T-shirts, jackets, bags, polo shirts, hoodies and travel mugs. Those in the know will be thrilled to hear they can also get their hands on the much-coveted Source Four USB flash drives, says the company.
“ETC fans in North America can’t seem to get enough of ETC swag and we’ve started to see a similar trend in other regions,” says Rosi Marx, ETC’s European marketing manager. “Our dedicated followers across Europe have been urging us to make it possible for them to buy merchandise on this side of the pond, and now the time has come!
“At ETC, we pride ourselves on listening to our customers and are delighted to deliver the online shop they’ve been waiting for. We’re starting with a limited selection of items at launch, but we do have plans to expand the product offering in the future.” (Jim Evans)

moonrise20170812224925-8965alivecoverageClaypaky supports Moonrise 2017 in Baltimore
Monday, 25 September 2017

USA - Although the recent total eclipse of the sun dominated headlines another celestial-themed event also attracted crowds in August. Moonrise, the annual EDM festival held at Baltimore’s Pimlico Race Course, drew fans to its four stages where an array of Claypaky fixtures supported a line-up of DJs, bands and rappers.
Moonrise 2017, which grew out of the Starscape rave in Baltimore, marked its fourth year at the Pimlico location. It ran from noon to 11 pm on 12 1nd 13 August. David Hauss, of Denver-based Hauss Collective, served as production designer and production coordinator, designing the festival and handling production management for the fan-filled weekend. Light Action Productions in New Castle, Delaware was the lighting vendor.
Hauss tailored the lighting rigs to meet the needs of each of the four stages. The Stellar Stage exclusively hosted DJs in a giant structure custom designed by Hauss. He selected 56 Claypaky Mythos 2 for the stage placing eight each on the decks atop seven towers whose height varied from 40ft to low platforms. The towers also featured flame units and lasers. Custom plexiglass rain hoods “saved the day for the Mythos” when the weekend weather turned inclement, says Hauss.
A longtime Claypaky user, he chose Mythos 2 for the Stellar Stage for the “hybrid nature” of the fixture. “It’s the best of both worlds,” Hauss says. “I could use it as a beam light and as a profile. As a festival designer you want that flexibility to deal with the individual artists who might want either or both look

bring-me-the-horizon-2017-65Bring Me The Horizon on tour with d&b J-Series
Monday, 25 September 2017

UK - Sheffield based Bring Me the Horizon (BMTH) embarked on their first arena tour of the UK in the latter part of 2016. The tour came in the wake of a year of successes for the band, during which they released a fifth LP That’s The Spirit and played just before Metallica on the main stage at the Reading and Leeds Festivals.
Kicking off at Nottingham’s Motorpoint Arena, the tour represented the band’s largest gig to date. It saw other live shows played in Birmingham’s Barclaycard Arena, London’s O2, Sheffield Motorpoint Arena, and Manchester Arena, before wrapping up at Glasgow SSE Hydro.
d&b has long been a fixture at BMTH gigs, with the technology a favourite of front of house engineer Oliver Hutchinson – particularly the subs and the overall high quality of sound delivered.
“I am a huge fan of d&b and would happily never use another system ever again,” said Hutchinson. “It’s the only PA that can deliver what I want from all frequency bands; the crystal-clear clarity of the highs, the low punch of the mids, and the note perfect reproduction of the sub programme material. No other sub manages to reproduce all the notes of our sub bass tracks with such an even response combined with such trouser flapping power. With other systems, I find myself riding the notes to accommodate the lumpy and uneven sub response. Some of them just produce a flappy rumble resembling nothing like the audio I feed into them.”
BMTH, whose style ranges from deathcore through to metalcore, to rock, are known for their sound, which

gertonsBehind the Scenes Holiday Cards deadline
Monday, 25 September 2017

USA - The deadline for ordering 2017 Behind the Scenes Holiday Cards is just one week away. These cards were created especially for Behind the Scenes and are a great way to spread holiday cheer while bringing help and hope to your colleagues in need. The order deadline is 29 September - so place your order now at!
Three card ordering options are offered: personalised cards with a company logo and custom message, card packs of 10 with a standard greeting, and electronic versions for delivery by email. All proceeds benefit the Behind the Scenes charity which provides financial assistance to entertainment technology professionals who are seriously ill or injured.
This year’s designs are particularly evocative of the season and include the work of four students - Taylor Brooks, William Gerton, Delayne Henderson, and Cassidy Woodburn - from the Fine Arts Academy at Mt. Vernon Senior High School in Mount Vernon, Indiana. Robert Mendoza returns with another of his popular whimsical creations and Brian Fockler contributes a striking card featuring the BTS ghostlight.
For more information about Behind the Scenes, to donate, or to apply for a grant, visit
(Jim Evans)

metallicaMetallica rocks Europe with Flares and ProPlex
Monday, 25 September 2017

Europe - This month Metallica begins an extended European tour, shredding the continent through May 2018. While the music is Metallica’s own brand of traditional metal, lighting technology and control has come a long way since Metallica’s first gigs. The tour uses 50 Solaris Flare LED fixtures, and DMX distribution based around four ProPlex IQ Two 1616 Ethernet-DMX nodes, all supplied by Premier Global Production (PGP) of Nashville, Tennessee.
“The Flares are used 99% of the time for blasting the crowd,” says Geddy, PGP’s design manager. “Located atop the main centre cube structure and cable bridges, we’re hitting the audience all night with whites and saturated colours. About one-fifth of the Flares are the new brighter Q+ version, which we find mix perfectly with the original Flares.
“The Q+ Flares can be calibrated to match the earlier generation units, but we found that simply running them in their ‘Theatre Mode’ works just fine; you can’t see the difference between the old and new. Even with the Flare Q+ ‘padded’ a bit, we have all the brightness we need. And what you would expect at a Metallica concert. We have two other rigs out with Flares at the moment and we’re always looking for more. We can’t get enough of them!”
Geddy adds, “A large part of our data networking is handled with ease by four ProPlex IQ Two 1616 nodes. We’re using 18 universes of DMX for lighting alone, plus additional data for video and motion gags. These ProPlex units have proven their worth on the road, simple to operate yet very power

ncooper43hi1D.A.S. Audio reinforces Daily’s Place
Monday, 25 September 2017

USA - Located in Downtown Jacksonville, Florida, Daily’s Place is an outdoor amphitheatre connected to the south end of EverBank Field football stadium, and shares space with a "flex field" indoor practice facility for the Jacksonville Jaguars. As a multipurpose venue, the ability to ensure quality sound throughout the space was a crucial consideration for facility management. To address this challenge, loudspeakers from the Artec-300 series and HQ series product groups of Valencia, Spain-based D.A.S. Audio were placed into service.
Florida Sound Engineering Co, also of Jacksonville, FL, provides AV design, installation, and service of commercial audio and video systems for churches, theatres, ballrooms, stadiums, and other facilities. The company was contracted to install the new sound reinforcement system at Daily’s Place. Neil Cooper, senior project manager, handles system design and engineering, sales, project management, and serves as a technician for Florida Sound Engineering. He discussed the project and his experience with D.A.S. loudspeakers.
“The sound reinforcement setup at Daily’s Place is a large distributed system,” Cooper explained. “We used a combination of 24 D.A.S. Artec 315.96 2-way, passive enclosures along with HQ-218CX high power sub bass enclosures. The Artec loudspeakers are spaced evenly throughout the area and are mounted to the facility’s structural supports at a height of about 80 feet. Similarly, the HQ series subwoofers are evenly spread out around the area and mounted up high as well. For the actual loudspeaker

adlib-creamfields-2017-cf03-armin-van-buuren-photo-by-lorenzotnc-218Adlib light and sound for Creamfields 2017
Monday, 25 September 2017

UK - Adlib supplied sound, lighting and rigging to two main arenas at Creamfields 2017 - CF03 (Armada / Mega) and CF05 ‘The Curve” - plus CF10, the all-important VIP and hospitality area.
The four-day festival was staged at its regular site on the Daresbury Estate near Warrington. Adlib was working directly for creative production specialist LarMac LIVE.
On site, the Adlib crews were led by Hassane Es Siahi (Hass) who also designed the audio in CF03 and Adlib’s Kevin Byatt who was project manager over all of the disciplines.
CF03 (this year co-hosted by Armada and Mega) is a large tent built on a slope presenting immediate topographical challenges in getting even sound coverage. Added to this, the tent skins were swagged - hammock style - over the king poles, creating further reflections, so dealing with the sonic detractions involved conscientious detailing.
The main PA in CF03 comprised 12 a side L-Acoustics K2 hangs and 32 of the new L-Acoustics KS28 high power subs – a left-centre-right array of these all running in cardioid mode.
Four-a-side ARCS II speakers provided front-fill, and for the outfield, Hass positioned three KARA a side ground-stacked on flight cases, plus a delay stack on the tent king-poles at the back of the FOH position directly facing the main entrance.
Hass used a Soundcraft Vi600 console, chosen because it is “straightforward and simple”. Being DJs there wasn’t a need for multiple plug-ins and other magical tricks, “It’s all down to tuning, EQ’ing and controlling the system” confirmed

elation-awardElation enjoys exceptional PLASA 2017
Friday, 22 September 2017

UK - It’s hard to imagine how the 40th incarnation of the PLASA show could have gone any better for Elation Professional. Capping an exceptional show, the company’s new full-featured Artiste Dali LED moving head and IP-rated Proteus Hybrid discharge-lamp moving head were both recognized as exceptional innovation with a PLASA Award for Innovation.
On hand to accept the awards were Elation president Toby Velazquez and Elation sales director Eric Loader. “This PLASA will always be special,” Eric Loader said shortly after the ceremony. “We’re humbled and honoured to have won two PLASA awards for product innovation. We continue to listen to designers and rental houses about their needs and continue to break the glass ceiling of perception that quality must be expensive by bringing innovative products to market with excellent price-value ratios. The Artiste Dali and Proteus Hybrid are great examples of that. Congratulations to our entire Elation team who worked so hard on getting these new products to market.”
The Artiste Dali and Proteus Hybrid were acknowledged as ground-breaking innovation at a ceremony held Monday evening, 18 September at the Olympia Exhibition Centre in London. “This is the first time the judges have seen a diffracted laser in an LED spot luminaire, making for a very versatile product," the judging panel said of the Artiste Dali. Of the Proteus Hybrid, the judges stated, "The innovative approach to cooling has enabled this to be the first IP rated hybrid moving discharge luminaire."
Both products attracted a great de

claypaky-awardClaypaky K-EYE wins PLASA Award for Innovation
Friday, 22 September 2017

UK - The Claypaky K-EYE HCR has won the Plasa Award for Innovation. The award is assigned by a strict jury made up only of expert professionals in the field, who carefully analyse the various products. It is a highly significant prize specifically because it places great emphasis on product innovation, which is one of Claypaky's underlying key values, around which all the company's design efforts and products revolve.
The jury gave the following motivation for the award: “A new approach to accurate colour rendering starting at chip level rather than manipulating existing sources.”
Pio Nahum, Claypaky's CEO, welcomed this acknowledgement with great pleasure and illustrated the original specifications behind the K-EYE's design: "For years, our most demanding customers felt the need for a light that differed from the others not so much for the number of special effect devices, but also and especially for the 'quality' of the light it produced.
“This is a very difficult parameter to define, since it relates to perception: it is the sum of multiple factors such as diffusion uniformity, colour temperature, colour control features, and most of all a high colour rendering index. To meet these requirements, Claypaky and Osram have developed a technology named HCR, used in the K-EYE range and in ADB's Klemantis."
The heart of the K-EYE HCR wash light is a LED light source consisting of a module with six chips, each for a different colour: besides the three “classic” basic red, green and blue colours, Claypaky has added amber, cyan and lime. Th

zero-88-awardZerOS RigSync wins PLASA Award for Innovation
Friday, 22 September 2017

UK - Eaton’s popular Zero 88 lighting control brand continues its winning ways - collecting a coveted PLASA 2017 Award for Innovation for the inventive ‘RigSync’ feature, a feature available with the latest version of its powerful and flexible ZerOS console software.
RigSync demystifies the work of DMX addressing for console users, allowing them more time to focus on being imaginative - while the technical elements sort themselves out via the console communicating with the lighting rig.
The judges commented, “RigSync opens up lighting creativity opportunities for non-technical people in an entry-level environment.”
The PLASA Awards for Innovation aim to recognize and reward new product ideas, and are independently judged by a task-force of industry specialists.
“We live in a world where smartphones assist in accomplishing numerous complex tasks very straightforwardly on a daily basis” explained Eaton’s product manager for entertainment, Jon Hole.
“We adopted this same philosophy and approach to developing RigSync, which doesn’t just read the lighting rig or patch the console - it manages the set-up with no interaction required at all from the user - making the process simple, enjoyable and stress free!”
For a large percentage of small to medium sized shows and events and venues, technicians and operators do not need to be involved or concerned about specifics like DMX addresses - as long as their fixtures are functioning correctly. As any active practitioner in the performance and entertainment industry knows

adamsonAdamson & Atomic deliver in the Catskills
Friday, 22 September 2017

USA - Every summer, some of country music’s hottest acts head into Eastern New York’s Catskill Mountains to perform at the Taste of Country Music Festival, and every summer, the team at Atomic Professional Audio ensures the main stage sound is as pristine as its surroundings with an E-Series loudspeaker system from Adamson Systems Engineering.
“Atomic has been a proud Adamson house since the days of the Y-Axis series,” comments George Perone, Atomic’s head of audio. “Since the beginning, we’ve been impressed by every Adamson model we’ve heard, and we were an early E-Series partner based on that history of superior sounding loudspeakers. But on top of the sonic performance, we’ve also seen a substantial return on investment with Adamson every time we’ve bolstered our inventory.”
On the main RAM Trucks Stage, which featured performances by Jason Aldean, Miranda Lambert, Sam Hunt, and others, Atomic deployed a system comprised of 15 Adamson E15 three-way, true line source enclosures per side with two SpekTrix cabinets as down-fills and 20 T21 subwoofers per side kicking out the low end. Perone explains that the throw distance at the main stage is over 300 ft. uphill, and that the E15 covers that distance with ease year after year. “It can consistently take whatever you throw at it with zero problems,” Perone adds about the E-Series.
Kevin Margolin, the founder of Atomic Professional Audio, notes that the company’s Adamson systems not only offer a competitive edge in terms of sound performance, but also in terms of rid

july-30thPanasonic projection for Passchendaele ceremony
Friday, 22 September 2017

Belgium - Creative Technology has installed 58 Panasonic projectors as part of the 100th anniversary commemorations of the Battle of Passchendaele in Belgium.
As part of the two-day event, hosted by the BBC and The Department of Culture, Media and Sport, the imposing façade of the historic Cloth Hall, was illuminated with projection and light displays as a backdrop to a special live performance.
Marking the 100th anniversary since the battle, the content, designed by Creative Technology, was brought to life using a total of 58 projectors (49 x PT-DZ21K’s and 9 x PT-RZ31K’s), delivering spellbinding, high brightness images – particularly suitable for event and staging applications.
Lucy Meredith, product marketing specialist for Panasonic UK, says, “The use of our laser projectors for events as big as the Battle of Passchendaele’s memorial is rapidly growing, and we feel extremely privileged to be part of such an historic occasion.”
“It was a great honour to be a part of such a historic event. We got to use all of our cutting edge technology to bring the Cloth Hall to life in a stunning projection display”, adds Paul Seeger, project manager at Creative Technology.
The 20,000 lumens PT-DZ21K was supported by nine 30,000 lumens PT-RZ31K solid shine laser projectors. Available in both WUXGA and SXGA+, the PT-RZ31K series is the brightest in the Panasonic range with a compact and lightweight body harnessing powerful laser technology. In normal operation, the RZ31K is designed for 20,000 hours of maintenance free operation.

johnvarvatosAshly gear spotlights NYC John Varvatos store
Friday, 22 September 2017

USA - Fashion designer John Varvatos is synonymous with the rock ‘n roll look, and his nearly 30 stores around the world – from San Francisco to Mexico City to London to Moscow to Bangkok and beyond – attest to the global excitement for his uniquely put-together, yet authentically rebellious look.
When the Varvatos company added its fifth New York City location in the Westfield World Trade Centre mall, they hired Essential Communications (East Hanover, New Jersey) to design and install a killer music playback system worthy of the Varvatos name. Essential Communications relied on Ashly Audio’s four-channel nXp8004 DSP-equipped network multi-mode amplifier, paired with Ashly’s WR1.5 remote volume control & source/preset selector and Ashly’s custom iPad/iPhone remote control app.
“We specialise in retail, restaurant, and hotels where the client cares a lot about the aesthetics,” said David Schwartz, founder and president of Essential Communications. “Although we don’t design based on price, we have to be sensitive to it. Like us, our clients want an amazing sounding system that doesn’t cost a lot. Ashly is one of those rare companies that delivers great sounding products that are rock-solid reliable for way less than comparable products from other manufacturers. And they have a huge array of amplifier sizes: from two-, four-, or eight-channels, 75 to 3000 watts per channel, with or without network connectivity or DSP, so I can fit any project.”
At John Varvatos WTC, Schwartz opted for a four-channel Ashly nXp8004 Protea -ena

maverick-pyxisMaverick MK Pyxis creates unlimited looks
Friday, 22 September 2017

USA - The Maverick MK Pyxis derives its name from a constellation of stars in the galactic halo of the Milky Way. True to its celestial moniker, the newest member of Chauvet Professional’s Maverick family can produce an endless array of out of this world looks, thanks to a unique design that includes an outer ring of RGBW LEDs, a powerful zooming centre pixel, 360° continuous pan and tilt movement and a host of other performance features.
“The Pyxis blazes a new path in design possibilities by incorporating a variety of different design features in ways that have never been done before,” said Albert Chauvet, CEO of Chauvet. “Designers who we’ve shown Pyxis to have been shocked that one fixture can produce so many different looks.”
At the centre of the Pyxis is a single homogenous 60W RGBW LED with a fixed 3° beam angle. Surrounding this pixel is an outer ring made up of nine 15W RGBW LEDs with a 7°-45° zoom angle. Working together, the centre pixel and outer ring are capable of creating a dizzying variety of captivating beam, wash, atmospheric and set piece effects.
A built-in virtual gobo wheel with background colours can be used to make the outer ring appear as if it’s spinning. This effect combined with the retractable motion of the centre pixel and the 360° continuous pan and tilt movement can fill a stage of any size with dynamic high energy looks. Readily accessible built-in colour effects add to this pixel mappable fixture’s versatility.
In addition to creating moving looks, the Maverick MK Pyxis can also do double

mlb2017PixelFLEX LED sets the tone for FanFest
Friday, 22 September 2017

USA - As part of the annual Major League Baseball All-Star Game festivities, the FanFest is an indoor baseball theme park experience dedicated specifically to the fans of the game. With opportunities to take photos with MLB Legends, get free autographs, plus pitch, hit and run on an indoor baseball diamond, the FanFest is an event like none other.
Continuing the implementation of technology enhancements designed to heighten the fan experience, the producers once again worked with BaAM Productions and MSI Productions at the 2017 event, and together they created an LED video tunnel entrance using 3.9mm FLEXLite Plus from PixelFLEX.
“Major League Baseball made it known three years ago that they were going to implement a tiered series of capital improvements to the annual FanFest experience at the MLB All-Star Game,” began Tom Bollard, technical director, MSI Productions. “They wanted to bring more technology into the show to make it more dynamic for our younger audiences. Last year, we implemented the LED tunnel walls during phase one of the capital project, and this year we implemented phase two with the integration of the LED tunnel ceiling, both of which used the FLEXLite Plus 3.9mm LED video.”
“The nice thing about our relationship with PixelFLEX is that they can pretty much do anything with an LED video design,” continued Bollard. “When BaAM Productions started designing the show, we knew with confidence that we could handle any design they wanted. When we received their sketches, we sent them over to the PixelFLEX design team, and i

dsc8824Art-Net inventor Wayne Howell wins Gottelier award
Thursday, 21 September 2017

UK - Wayne Howell, founder of Artistic Licence and the inventor of the Art-Net ethernet lighting protocol, has been honoured with the 2017 Gottelier award at the PLASA London show.
Named in memory of Tony Gottelier, the renowned industry innovator and commentator, this annual award recognises product developers who have made significant long-term contributions to the advancement of entertainment, presentation or installation technology.
Wayne Howell founded Artistic Licence in 1988. He was a major contributor to the development of DMX512-A in the 1990s, and released his free, public domain Art-Net protocol a few years later. Art-Net is now in its fourth version and has been adopted by hundreds of manufacturers worldwide.
Wayne has continued to expand and diversify the Artistic Licence brand, and is well known for his books, articles and seminars.
Artistic Licence enjoyed a cracking show at London Olympia, with a hugely popular set based around a Van de Graaff generator to demonstrate the electrical resilience of its splitters and gateways.
Visitors were entertained as company mascot Captain DMX was repeatedly edged towards the generator, creating a 400,000V surge directly into the company's new product, DMX-Protect. On the output a DMX controller and fixture continued to function happily, and the DMX-Protect itself easily survived three days of continued abuse!
Also on show, the moody programmable LED controllers made for an eye-catching display, having been updated with a choice of cover plates in contemporary material finishes

dubai-operaDubai Opera upgrades with Claypaky investment
Thursday, 21 September 2017

UAE - Dubai Opera, located in what is claimed to be 'the most prestigious square kilometre in the world' in Downtown Dubai, has recently purchased 37 x Claypaky A.leda B-EYE K10s as part of a technical upgrade to the event space's lighting rigs.
Dubai Opera is considered a masterpiece of contemporary architecture. The 'dhow-shaped' building, designed by architect Janus Rostock, houses a flexible, 1900-seat venue which can be transformed into a theatre, concert hall or 'flat-floor' event space.
"Dubai Opera is a first-rate venue and we present and produce top-quality performances," explains Geoffrey Wheel, technical director of Dubai Opera. "Our audiences expect a high standard, and as such we always strive to be the best. We therefore invest in the very best equipment and this is demonstrated in our stake in the Claypaky brand. Its products are of an excellent quality."
The B-EYE K10 is a popular workhorse fixture for many designers across the globe, and the fact that it is widely available to hire in the Middle East market ensures that, alongside Dubai Opera's recent stock purchase, the venue can easily make additions on a production-by-production basis.
"Versatility is a key factor for us when investing in new fixtures," says Wheel, referring to the B-EYE K10's three modes of functionality - Wash, Beam and FX. "The fixture had to suit our main-stage concerts, meet the lighting and colour standard demanded by theatrical productions and adapt for use in our studio room and foyer for the more decorative lighting needs. Low power consumption, comb


Latest Issue. . .

Tweets from our Friends