The NNTT complex comprises the Opera Palace, Playhouse and The Pit
Japan - The New National Theatre, Tokyo (NNTT) has invested in a stock of Robert Juliat Oz 600W LED followspots for its three performance spaces. The new LED models replace conventional source followspots as part of an upgrade of the lighting inventory for this internationally important arts venue.
New National Theatre, Tokyo is Japan’s only one dedicated to the contemporary performing arts of opera, ballet, dance and drama. The NNTT complex comprises the Opera Palace, Playhouse and The Pit, and hosts over 300 performances a year to around 200,000 theatre goers.
Four of Robert Juliat’s Oz 7°-14° LED Top Control followspots were supplied by RJ distributor, Sogo Butai, initially for use in the small Pit Theatre, but also with the intention of relocating them to the larger spaces of the Playhouse and Opera Palace as needed.
“Because of its silent operation, Oz is extremely suitable for the open space within the smaller Pit Theatre,” says Takehito Suzuki, from NNTT’s technical department for lighting. “In venues like those of the New National Theatre, where many theatrical shows and contemporary dance performances are presented, we found Oz is the best followspot for lighting the performers at every distance.”
Suzuki also stresses that Oz was chosen because its quality met the high standards of the theatre. Its Top Control option was a prime example of this, enabling the operators to control both the dimming and iris smoothly and easily from the top of the fixture. “Amongst many LED followspots, what makes this fixture most remarkable is the Top Control,” Suzuki says. “I find it so finely designed that the operation is a pleasure.”
NNTT is familiar with Robert Juliat, having invested in Robert Juliat profiles when it first opened its doors in 1997. “Since the beginning we have used Robert Juliat Athos 914SNX and 910SNX profiles,” says Suzuki. “At the time these fixtures with discharge lamps were fully appreciated, and loved by every lighting designer who used them. They played important roles in so many performances as a key element of the lighting designs.”
(Jim Evans)

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