Sidekick delivers on live broadcast sets
Tuesday, 16 March 2021
sidekickSidekick is designed to be virtually invisible
Denmark - Sound recordists and production sound mixer Jono Cary has switched to Bubblebee Industries’ Sidekick in-ear monitors because they are “so comfortable that they can even be worn underneath headphones”.
“Comfort is such an important factor, especially when you have a long day ahead of you,” he says. “Sidekick fits into my workflow perfectly and makes monitoring the IFB feed when doing ‘lives’ so much easier. I’m able to wear the earpiece all day without any pain or discomfort.”
Designed to be virtually invisible, Bubblebee’s Sidekick in-ear monitor features a micro driver solution where the driver fits invisibly in the ear canal, eliminating the need for acoustic tubes outside the ear. This gives it a small and lightweight footprint and makes it a popular alternative to earwigs. With this IEM in place, the sound crew, presenters and talent on set can easily communicate with directors and sound mixers back in the studio while still hearing everything that is going on around them.
“The difference between Sidekick and other IEMs is literally night and day,” Jono says. “Normally on a live set, I’m listening to the feed from the gallery whilst monitoring my lav/boom mics from my sound recorder with headphones over the sidekick. The great thing about Sidekick is that it floats in the ear canal so it doesn’t block out all the other sounds around you when you have your headphones off.”
In 2020, as the Covid-19 pandemic hit, Jono was seconded to ITV to work on various shows with presenter Andi Peters, host of Dancing On Ice, Extra and The Big Reunion and decided to give the Sidekick a try.
“Andi wasn’t happy with his IEMs either and wanted something more comfortable,” Jono says. “Also, seeing wires trailing down a presenter’s neck really cheapens the look of a show and he wanted to know if there was a better looking alternative.”
The Sidekick IEMs solved both of these problems and were an immediate hit. “Neither of us could believe how strong they were,” Jono says. “I even tried to break the cable by pulling it with both hands, but it easily survived that test. Also, I wear headphones to monitor the radio microphones on set and I was able to wear them over the Sidekicks without having a wire digging into my ear. That was a real revelation. I’ve tried loads of earpieces in the past, and even tried DIY to adapt other earpieces but never found something that I could wear comfortably underneath my headphones.”
For Andi Peters, comfort and aesthetics were the deciding factor. “I’ve really enjoyed using the Sidekick,” he says. “Earpiece technology in TV hasn’t really moved on in 20 years but this new technology has been a tremendous game changer. It’s so lightweight that I’ve often forgotten that I’m wearing it. The sound quality is excellent and the cable very strong.”
Since investing in Sidekick, Jono has also discovered another advantage – using them on platforms such as Zoom when clients, especially corporate executives, need to conduct online streamed interviews for broadcast.
“It is very handy to be able to give the Sidekick, sanitised of course with a fresh ear tip, to the interviewee and have them hear the other side of the call via the earpiece,” he explains. “This means we don’t have to rely on audio coming through their computer and I can record crystal clear sound without bleed from the laptop speakers.”

Latest Issue. . .

Tweets from our Friends