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14 March 2016

The lighting for this special one-off - which also celebrated the start of moe.'s 25th year - was designed as a larger version of their recent touring system which had featured 12 x Pointes hung on a custom structure and used to create most of the signature looks.

For the New Year's Eve show, the Pointe count was upped to 24 ... plus a few wash lights and strobes. The additional 12 Pointes were flown on the venue's house bars and helped fill in the spaces with additional lighting.

Preston loves the almost endless variations on the beam offered by the Pointes.

"There's so much scope that I can keep a whole show fresh throughout just by using Pointes as the hard-

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14 March 2016

Despite having painstakingly kitted out his studio with a lot of coveted vintage outboard gear, his work involved so much travelling that it was often left unused. "Finding a set up that I can take with me is what I've been working on more recently," he explains. "I wanted it to be clean, reliable and mobile so I went straight for the ASP880 combined with the iD22. The clean sound and separation I get from the units is amazing; that combined with the quick ease of use is perfect for any project studio."

Hogan has always found himself drawn to production - even in the early days. He confesses, "Most of my time in the studio (when n

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14 March 2016

The striking video feature - which moves on all axes and rotates throughout the show - is at the hub of the spectacular and inventive set, lighting and visuals show created by Gunther Hecker.

In addition to displaying conventional playback video, its different fascias are used as alternative lightsources. In the second half of the show, three large sections of gold mirror surface rise up from ground level around three sides of the stage, and the video takes on yet another dimension with these used to bounce and reflect its ambient light back onto the stage.

The Wicreations team led by project manager Yves Vervloet, was approached by Ste

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14 March 2016

Stage manager Nik Rea approached All Access to provide the tour with a riser package. A multi-level riser system was put together with the decks in a diamond configuration which was filled in along the back from our stock triangular decks to produce areas for the band to move around on.

The production also used All Access rolling risers throughout the summer on their festival tour.

The All Access Versa system is designed so you can create the stage you require. Whether it is onstage risers or our proprietary rolling stage system.

(Jim Evans)

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14 March 2016

The Festspielhaus was built by STABAG (the general contractor) and designed by Delugan Meissl Associated Architects, Vienna. It seats over 862 people (there are 732 seats in the galleries and 130 removable seats in the orchestra pit area) and has the largest orchestra pit in the world (160 sq.m / 190 sq.yd.). The building covers no less than 7000 sq.m / 8372 sq.yd. Johannes Laugwitz (CA GmbH) from Königsbrunn was called in as technical lighting manager and grandMA2 operator for El Juez.

During his task, he was able to count on Clay Paky A.leda Wash K10s, A.leda Wash K20s and Alpha Wash 1500s.

Laugwitz faced a real challenge owing to budget and rigging limitations: the lighting technicians, led by Andrea Steiner, Ludwig Sigel and Roger Irman, only ha

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14 March 2016

The company, based in the lively, colourful and historically significant Xochimilco district of Mexico City, purchased 20 x Pointes which went straight out on tour with Mexican superstar rock singer Alejandra Guzman, whose lighting is designed by Martin Contreras.

MIXPRO's commercial director Ricardo Dabne had wanted to expand the company's lighting division with a new moving light purchase, and so began asking people what brands and models of lights they would recommend. This included Martin Contreras, who was one of the first LDs in Mexico to use Pointes on a previous tour.

MIXPRO made the decision to purchase based on this research, on Martin's good experiences with the fixtures and also the excellent after

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14 March 2016

Performance communications is an important element in Esplanade's daily operations, ensuring that all show cues are executed accurately on time and that the performances run smoothly. The existing partyline system was producing constant 'hum' and 'buzz' noises that are inherent in typical analogue systems. The noise was audible and at times, affected the quality of some of the quieter performances, so the decision w

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14 March 2016

Lighting designers Dave Charman & William Barrett of Liteworx AV LTD designed the ceiling with all equipment supplied by Liteworx AV LTD. The W-DMX System was specified and supplied by Nick Teryll from UK W-DMX distributor Whitelight.

Charman explains, "The W-DMX system was used solely to transmit data to the moving triangle pixel tubes, while the motor dat

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14 March 2016

The stadium's artificial turf and competition track were recently upgraded, but for several years, its sound system had been unreliable and fans often complained about intelligibility.

In 2014, the Conroe school district chose TASC A/V to provide a new sound system. TASC designed a system based on Community R6-51 high-output, horn-loaded loudspeaker systems. TASC Project Manager, Anthony DiDonato explained, "Our only real option for locating the loudspeakers was at the scoreboard. So, we needed an extra-long-throw box to cover over 150 yards. Plus, this is Texas football - we needed high SPL at long distance to g

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14 March 2016

Lighting designer Lars Murasch of TLT Event AG used nearly 100 Robe moving lights on his rig this year - 64 Pointes, 16 x MMX Spots and 18 x MMX WashBeams. The event featured all-action performances by Tony Christie, Tokio Hotel, Laith Al Deen, star violinist David Garrett and mezzo-soprano Katherine Jenkins, David Hasselhoff, the Hermes House Band and many more who were enjoyed by around a million visitors and broadcast live on Germany's National ZDF channel.

The Pointes - more than on last year's show which was also designed by Lars - were dotted all

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14 March 2016

B&A is located in Madrid, with warehouses in the outskirts of the city to keep a stock and support customers efficiently.

"They are recognized as a premier firm with the proven ability to successfully provide flexible and effective solutions at short notice. They truly have solid knowledge and 25-year strong experience of technologies and special needs of cu

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14 March 2016

The PLASA (formerly ESTA) Foundation's Behind the Scenes charity has been assisting industry members in North America since 2006, providing financial assistance to entertainment technology professionals, or their immediate family, who are seriously ill or injured.

Originally modelled on the UK-based Light Relief charity, Behind the Scenes was recently extended to cover the UK entertainment technology industry as well, and brings Light Relief under its umbrella.

Under the charity's Pledge a Product programme, Chroma-Q North American master distributor, A.C. Lighting Inc., will make a contribution for every Color One

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14 March 2016

Candidate information, including eligibility requirements and applications, is available on the ETCP website (http://etcp.plasa.org/usitt2015.html). Materials can also be mailed by contacting Meredith Moseley-Bennett, ETCP Certification Manager, at 212-244-1505 or etcp@plasa.org.

Those unable to make it to USITT are encouraged to register and take an exam at one of over 190 computer based testing cen

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14 March 2016

The show, which is created in association with the Robert Stigwood Organisation, and is based on the classic 70s disco film of the same name, is directed by Ryan McBryde and choreographed by Andrew Wright.

This new production includes a multi-surface set which moves and changes throughout the show creating an ever-changing projection canvas. Andrzej Goulding's design calls for a combination of rear and front projection with content mapped on to both the moving and static elements.

XL's Project Manager, Ed Cooper worked with Goulding to specify the package of projectors and media servers to satisfy the design brief.

For rear-projected billboards, XL Video supplied

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14 March 2016

There was the non-stop energy, the down-home rapport with the crowd, the dazzling pearly white smile, the exhilarating dance moves, the hard driving music and, to set an appropriately powerful visual tone for it all -- a dynamic lightshow that included 104 ÉPIX Strip 2.0 pixel mapping strips from Chauvet Professional.

Lighting designer Justin Kitchenman of Fadeup Design Group wanted the large collection of pixel mapped EPIX Strips to serve as a kind of electrifying visual link that tied his power-packed multi-dimensional design togeth

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14 March 2016

Project managed for HSL by Lee Farrell, this year's clutch of productions saw HSL working with a host of talented theatre lighting designers, including Nick Richings, Ben Cracknell, Matt Clutterham and others.

Some intense logistics included dispatching 23 trucks from HSL containing approximately 1013 moving lights, 838 generics, 74 standard strobes and over a thousand egg strobes fitted into festoon.

This year HSL purchased 1051 new moving light gobos and 234 new generic gobos to supplement the already massive Qdos gobo stock managed by the company. Over all the 21 shows, HSL fitted in excess of 2000 gobos into moving lights and dispatched over 8

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14 March 2016

"The DIGI Awards recognises the service providers who have gone the extra mile to ensure success for their clients, thereby furthering the digital signage industry as a whole. The Judges Choice Award winner impressed the team of experienced judges for its innovative use of technology and mass audience engagement, in a way that went beyond normal 'digital signage'," said David Keene, executive editor at NewBay Media's Digital Signage Magazine, and chairman of the Judges Committee for the DIGI Awards.

Vivid Sydney is an 18-day festival of light, music and ideas - the largest of its kind in the Southern Hemis

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14 March 2016

The legendary band included three sets of performances that were peppered with their classic hits and covers. When the countdown clock struck midnight, Auld Lang Syne gave way to Burning Down the House to a Rolling Stones cover and ultimately, Pharrell's Happy.

Hoffman augmented the band's touring lighting system from the fall with tweaks to take advantage of all the available space in the arena, and to pack in a few surprises for the big countdown to midnight.

"My preferred list of equipment changes and evolves over the years as new technolo

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14 March 2016

"It began innocently enough," said Pepin Clout of John Henry's audio division (JH Audio). "We attended a demo of the new d&b audiotechnik Y-Series at CSSD in late October. The point source versions tickled our fancy, the Y10P in particular."

The Y-Series features both point source and line array cabinets; the feature of the Y10P that caught Clout's ear was the constant directivity of 110° x 40° (h x v) down to 500Hz. "The demand for a wide dispersion is not unique for cabinets that are designed to be deployed pole mounted on a sub, but the outstanding sonic perf

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14 March 2016

Rock Revival - The four surviving members of the Grateful Dead are coming back to life for a series of farewell concerts. Mickey Hart, Bill Kreutzmann, Phil Lesh and Bob Weir will reunite at Chicago's Soldier Field, nearly 20 years to the day of the last Grateful Dead concert, which took place at the same venue. The band is celebrating its 50th anniversary, and the shows from 3 to 5 July will mark their final performance.

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14 March 2016

Lighting professionals and enthusiasts from around the world are invited to take part in the CUE conference. Attendees of all skill levels will be able to increase their knowledge and apply what they learn to their daily work - all ETC asks is that attendees can speak English, as translators cannot be provided. ETC is also able to offer assistance with US entry requirements for those who need it.

ETC is ramping up the schedule for CUE 2015 to include two learning tracks that will help attendees get the most out of the conference. The Technical Theatre and Continuing Education track is aimed at students

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14 March 2016

"The museum and specifically the Whale Room are very active, so the biggest challenge was having time in the space. We needed to be flexible with our schedule and footprint," Warren-Wisniewski said. "It is also a very old building, so many of the conveniences in new buildings just aren't there - for instance, there is no real loading dock where a large truck will fit." Acting as on-site manager, Warren-Wisniewski dealt with a myriad of issues so Brill could concentrate on the design.

Also instrumental were staff lighting

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14 March 2016

Held 21-30 November at the LA Convention Centre, the Los Angeles Auto Show is one of the most influential auto shows in the world and production companies Christie Lites and TLS Productions, Inc. played a major role in the event, delivering nearly 2000 Elation Design PARs to light cars and scenic elements for some of the world's top car brands.

TLS Productions, Inc. has provided for the automotive industry for nearly 60 years and relied heavily on the Design PAR 575 for the Toyota, Lexus and Scion booths at the LA Auto Show.

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14 March 2016

"It was a phenomenal three days and I personally feel like the richest person alive with the knowledge that together we have made such an unforgettable impact on the teenagers and the next generation," said Karen Burt.

Messages on facebook started rolling in from the participants shortly after the workshop ended, a testimony to what Inspired Stages meant to everyone.

"I personally find it interesting to note how many times Inspired Stages is referred to as family, specifically as many of thes