As part of its ramp up of European Operations, High End Systems has announced the following appointments: Grif Palmer, vice-president of sales, has now assumed additional responsibilities for High End's European Operations and London office. David Catterall, former sales and marketing manager of Flying Pig Systems Ltd will now be responsible for both High End Systems and Flying Pig products throughout Europe, whilst David March, former operations manager for Vari-Lite UK, has been named European operations manager and will also be based in London. Claas Ernst, former business development manager for Eastern Europe, has been appointed regional sales manager for Central Europe and continues to be based in Munich, Germany.High End is now looking in the greater London area for offices to house both Flying Pig Systems and High End Systems personnel, as well as future training and demonstration facilities.
The European Music Awards were recorded on the evening of 11th November in Dublin.The lighting for the show was designed by the man who has become Mr music TV, particularly for the special gala event, Alex Gurdon. His rig comprised Icons, Studio Colours, Pars Lycian spots, Source 4 profiles and Terra Strobes, sourced from Light & Sound Design.
The drama department of Queen Margaret University College recently moved into the refurbished Gateway Theatre at Scotland's International Drama Centre. Edinburgh-based GB Audio were asked to design a radio production facility which could also operate as a basic recording studio. GB Audio's Chief Designer, Graham Bodenham, and QMUC's subject leader in lighting and sound, George Tarbuck, came up with a system based around a Yamaha EMX2000 mixing desk. This provides a comprehensive control surface for microphones, instruments, stereo line inputs and talkback, plus a host of outputs to run control room monitors, studio playback monitors, two headphone circuits, tape routing and master output logging.Wall-mounted Denon SCM5K mini monitors are used in the control room with Tascam MD801 minidisc machines, Revox B77s, microphones and headphones by Audio-Technica. ATM multicores connect the studio and control room via simple patch panels.
Richard Martin Lighting (RML) has recently added a further 48 Clay Paky Stage Zoom 1200s to its hire stock, taking the total Stage Zoom stock to 60. The company's inventory also includes Clay Paky's Golden Scans, Mini Scans and a variety of Stage Line 300s. RML now hold over 300 Clay Paky fixtures - the largest stock of Clay Paky moving lights in the UK.The Stage Zooms are currently starring on Later With Jools Holland, Top of the Pops, Star for a Night, Casting Couch and Des O'Connor Tonight.
London-based Lighting Technology Projects were the specialist lighting supplier and installer for the Olympic Spirit Sports Museum, a recently-opened themed attraction in Munich, Germany. The attraction has a dedicated area for each of 33 Olympic sports. A distributed DMX control network was installed, with the dimmers for each area located within the sport experience zone. The majority of the zones also included complex audio-visual displays that interfaced with the lighting.A GrandMaster Flash PC-based system from Artistic Licence was selected for control, as it enables each zone to be treated as an individual light show, while also allowing overall control when required, such as special events, for example. Specially-manufactured three-circuit lighting track recessed into 48mm diameter tubes were used around all of the zones to allow flexibility in the positioning of the luminaires for the lighting consultant, as well as for ease of installation. The venue designer was Event Design Services, and the lighting consultant was Malcolm Innes of Jonathan Spiers & Associates.
ETC's Australian distributor, Jands Electronics, has announced that the Queensland Art Gallery has replaced its total architectural lighting control system with ETC's new Unison system, controlling 26 racks of HP6 wall-mount dimmers. The system was sold through the Production Shop, and installed by O'Donnell Griffin. Lighting levels are critical in the gallery, especially where photographs and works on paper are concerned, as levels above 50 lux can be damaging. The new Unison system ensures that lighting levels meet the correct conservation standards in all the Gallery's exhibition spaces. The control rack houses a central processor with battery back-up memory for storage, and a floppy disk drive. The rack provides network connection to wall stations, PCs for on-line control, and other Unison racks with output via a single DMX512 data system. A DMX512 input is also provided with powerful supporting programming options.
Numark DJ equipment was used on site for vinyl promotion at the 4th Dance Music Conference in Amsterdam in October. The conference is Europe's largest forum for International DJs and music professionals to discuss issues of Dance Music as a cultural phenomenon. The three-day conference was supplied exclusively with Numark professional DJ equipment by Amsterdam-based Interstate Audio. The 12 proTT-1 direct-drive turntables and six proSM-1 two-channel mixers were used to provide 'listening stations' for all the participants in the main foyer of the conference centre.
Advanced Plasmavision Ltd, appointed AV rental supplier to the Rugby World Cup, delivered over 500 42inch Fujitsu Plasma display units in one month. Following a tough bidding process, Advanced Plasmavision was selected as the sole supplier of Plasma display products to three major UK Rugby World Cup venues - the Millennium Stadium, Cardiff, Twickenham and Murrayfield. Working closely with Steljes professional trade hire and Fujitsu UK, the company undertook all the technical and logistical demands required to supply multiple plasma displays and video source delivery systems at all three venues simultaneously.
The Entertainment Laser Association (ELA) has begun a major programme of research and development on the safety of audience scanning techniques. The work will cost around £15,000 to complete of which half will come from the Health and Safety Executive who are co-funding the programme. It will be managed and co-ordinated by Paul Tozer of Lasermet who will work in conjunction with other companies from the ELA and will report to Steve Walker, the HSE project manager. The project is the first research work ever undertaken by the UK laser display industry, on the laser display industry and at the behest of the laser display industry. The research will cover Measurement of typical emission levels; Examination of the regularity of laser pulse hits in audience members; Accurate measurement of typical beam divergences out of scanning systems and Evaluation of maximum scanning speeds and scan angles.
LMC Audio has supplied a multiple Soundweb package to Home, Big Beat's new seven-storey nightclub in London's Leicester Square. The programmable DSP system is at the heart of the multi-zone sound system, and includes 12 Soundweb 9088 boxes, three 9000 Mk II hubs and three 9010 'Jellyfish' remote controllers. The system was designed by BSS Audio's Matthew Bate, with LMC Audio's London sales manager, Ian Woodall, in conjunction with Home's technical manager, Andy Kayll. Of the seven floors at Home, the only level not directly under Soundweb control is the third floor. This features the Steve Dash Phazon system, where, as at Cream in Liverpool, all the processing is managed and stored in a BSS Omnidrive, which is fed by Soundweb.
Roscolab Ltd has announced a restructuring of its European Sales and Marketing divisions. The changes include the development of its specialist sales team, the launch of a new Customer Service Department and expansion of the Marketing Department. Gordon Tomkins, who has extensive sales and account management experience, has been promoted to sales manager for the UK & Scandinavia and a new Customer Service Department has also been developed, headed by Kirsten Smith. Another newcomer to Rosco is Duncan Smith, who joins Joanna Shapley and Denise Piguet in the marketing department as marketing projects manager.
Installation of some 250 Selecon luminaires has begun at the Tallinn City Theatre in Estonia bringing to life the performance venues in this complex of fifteenth-century buildings which house eight different stages. The Hell Stage, opened in November 1997 and acknowledged as the most unusual stage in the Tallinn City Theatre, was the first performance site to benefit from the choice of Selecon fittings. Originally planned as an understage, this vast irregular-shaped hall lies six metres underground, hence the name. Aboveground, is the Heaven Stage which is due to open in December.
London's latest high profile venue, The Loop in the capital's West End, features an all-JBL sound system, with the equipment line-up reading like a wish-list from the company's extensive range. Project manager Ed Manwaring of Music Marketing Services Ltd who installed the system specified the JBL system. Coverage for the Dance Floor is provided by two VS3115 3-way loudspeaker systems and VS125HS low frequency speaker systems from JBL's Venue Series, together with six Sound Power SP212-9 2-way full range loudspeakers. A pair of EON 15P powered loudspeakers are used for monitoring. JBL Control 25s provide background music for the restaurant, with eight Marquis MS28s used in the Basement Bar. The Upper Bar is served by six Control 28s and this area is also the location for the amp-racks comprising six MPX600 and seven MPX1200 amplifiers, again from JBL.
The papers have been full of the trials and tribulations of Sheffield's National Centre for Popular Music. The £15 million pound project has run up debts of over £1million since it first opened in March this year (see L&SI March 99). Things didn't look too good for the Centre recently, but following a creditors meeting this week, its future has been safeguarded by the 200 creditors agreeing to a package offering just a tenth of what they are owed. The Centre has failed to attract the visitors levels anticipated and has also suffered staff cutbacks.
Adlib Audio has taken delivery of a new 48-channel Soundcraft FIVE Monitor desk in time for the new UK tour by long-term clients Texas. Ordered at the PLASA show in September, the FIVE Monitor console was specially requested by Marc Peers, Texas' monitor engineer. The spec also features a Soundcraft Series FIVE front-of-house desk, operated by Adlib principal Andy Dockerty, a Martin Audio PA and a quantity of the latest BSS processing equipment. October is a busy month for Adlib as they also are providing PA for The Longpigs and Gomez tours. Playing their first major tour of the UK since winning the 1998 Mercury Prize, Gomez is using Adlib's proprietary DF2 PA system, supported by dozens of new Crown amps. Again, it is a console double for Soundcraft: Chris Leckie is using a Series FIVE on front-of-house, while 'Brains' is using a Soundcraft SM24 in monitor world.
A new night club has recently been added to the London club scene which boasts a highly sophisticated lighting and sound system. Supplied and installed by Audio Tek of Dublin, the audio system is based around JBL Venue Series speakers MPX amplifiers. The largest dance floor has the most impressive system with almost 30,000W of amplification and a calculated maximum SPL in excess of 148dB. A major crowd-pleaser, and a first for the UK, is the installation of a 'body-sonic' dance floor where bass drivers mounted in a cavity below the dance floor make it vibrate with low frequency sound.
Freelance sound recordist Chris Corner has been using a Yamaha 01V digital mixing console for live sound recording on the set of a new film being made by Illumination Television for the BBC, based on Gloriana, the opera composed by Benjamin Britten for the coronation of Queen Elizabeth II. Corner chose the 01V after finding other options either too expensive or lacking in facilities. A live performance of the opera was recorded using over 50 radio microphones, via the 01V onto a 48-track digital recorder. The 110-minute film is scheduled to broadcast on BBC2 at the end of the year.
Pulsar have announced that the range of training seminars on offer for the year 2000 has been extended, in a continuation of their Training for Excellence programme. The training will encompass all aspects of Masterpiece operating and programming and technical services for the Clay Paky product range. Pulsar will also offer a series of open days which can be tailor made to suit the requirements of colleges, installation companies and corporate users.
John Henry Enterprises' new sales facility opened its doors last month with rock legend Jimmy Page as guest of honour. The Attic, taking its name from the top-floor showroom devoted to instrument and backline sales, is to be managed by Martin Gravestock. The Attic will stock backline equipment from Marshall, Trace Elliot, Hughes & Ketner, Mesa Boogie, Hammond, Pearl, Sonar and Yamaha, as well as Roland digital mixers and Sony's Freedom series wireless microphones.
Rainmaker, the Sussex-based corporate, industrial, special event and theatrical lighting design specialist, has enjoyed a busy Autumn, producing ideas, equipment and crew for a raft of high profile clients. In Greece, the company worked on a job for production company Purchasepoint with Novartis Pharmaceuticals at the Astir Palace Resort, Athens. Closer to home, it also provided lighting and production for a prestigious one-off charity evening with the English National Ballet at The Mansion House, the Lord Mayor's London residence. Finally, the company's Jim Hepplewhite presented an eye-catching creative lighting scheme for a recent conference in Hall 1 of the ICC, Birmingham for supermarket giants Tesco.
The three original venues of the Queensland Performing Arts Centre (QPAC) in Brisbane, have undergone an extensive lighting overhaul. The 2,000-seat Lyric Theatre, the 2000-seat Concert Hall and the 320-seat Cremorne Theatre opened in 1985 and, together with the 850-seat Optus Playhouse, now form the largest installation of ETC lighting and control systems in Australia. The Cremorne uses one of two Express 250 consoles purchased for QPAC's two new rehearsal studios, but will inherit an Obsession II from the Lyric when it is replaced by an Obsession II 1500. The Concert Hall uses two Express 72/144 desks, while the 850-seat Optus Playhouse boasts an Obsession II 1500 channel desk with full tracking back-up, as well as the largest installation of ETC Source Fours in Australia, with 457 Source Fours and 20 Source Four Pars.
New Zealand-based luminaire manufacturer Selecon has released the latest CD-ROM version of its product catalogue. The CD-ROM includes full details of the company's architectural and entertainment fixtures, as a well as a virtual test lab which allows the user to try the fixtures, a lux calculator, DXF files to download, cut sheets ready to print out and details of the company's distribution network.
Coe-tech Ltd. has supplied no less than 53 Studio Due Mini City and 24 Coemar Panorama Cyc 1800s to Light & Sound Design in Birmingham for immediate general hire and for use on LSD's own major architectural projects. The first of these will be for the Rugby World Cup Semi-Finals at Twickenham followed by the Final itself at the new Cardiff Millennium Stadium.
Lighting and sound rental company, CAV, has purchased a Flying Pig Systems Whole Hog II lighting console to add to its stock of lighting equipment. According to CAV proprietor, Hans Beier, the purchase was made following repeated client requests for the Hog. CAV will be offering the console for hire with the option of twin LCD flat panel monitors in a single pre-configured flightcase. The company's inventory also includes Avolites Diamond 3, Pearl 2000 and Jands Hog 600 consoles, plus a wide range of intelligent lighting units including Studio Colors, Cyberlights, Technobeams and Mac 500s and 600s. The company will soon be purchasing additional Mac 250+ and 300s, and High End Systems' Studio Spots.