Front-of-house engineer Simon Honywill is using a new Yamaha DM2000 digital console to mix Chris Rea, currently on the front leg of his European tour. Playing a wide variety of venues seating anywhere between 1500 and 5000 people, the tour is carrying a compact production rig including the RG Jones/Ampco ProRent Synco PA system.
Simon Honywill has been involved with the DM2000 since its launch in the UK, and RG Jones has been considering purchasing one of the digital consoles for inventory. But the main reason for ordering the new desk from Marquee Audio was the Rea tour. "It's a one-truck tour," explains Honywill, "which meant that we were looking for equipment that was as compact and bijou as possible. The DM2000 makes a lot of sense, primarily because of its small size, and the opportunity it allows for us to cut down on a load of outboard."
He describes the new Chris Rea material on this tour as "stripped-down blues. It's a relatively simple show: I'm using 27 or 28 channels plus FX - I've got the whole band on the first layer of inputs. The music is very analogue, and I admit, I wasn't sure how the DM2000 was going to feel sonically, but I was easily persuaded by a Japanese meal with Mike Case of Yamaha! We've gone the whole hog and minimized all the analogue cable runs, and those that remain have been kept as short as possible, so it sounds clean."
(Ruth Rossington)
Bandit Lites UK is supplying the king of horror-rock theatre Alice Cooper with a dramatic, and somewhat gruesome lighting rig for the European section of his current Dragontown World tour. The lighting designer for this spectacular heavy metal mayhem is Mick Thornton, who has designed a colourful contrasting show that captures a myriad of moods.
These include all the normal Cooperesque antics like the nightly baby massacre, a melange of cod violence and destruction, lunatics being straight-jacketed and hauled off to the asylum (bit like a day in the L&SI office). The onstage entertainment culminates with the guillotining of Pop Princess Britney Spears - the ultimate axis of evil in Alice’s dark world - as played by his daughter Calico.
Thornton needed a versatile lighting rig to match the intricate stage set and the manic pace of action onstage. At the aorta of the set is the Rejuvenator chamber, plus an assortment of macabre props and body parts. This was designed by Rob Roth who also choreographed the show, and was constructed by Colorado-based Distortions. For the supply of the rig, Thornton returned to Bandit Lites, who he’d used earlier in the year on the Moody Blues tour.
The rig is a three-truss system, with each truss jauntily hinged in several segments and raked for an anarchic appearance. The fixtures are based around a moving light core of Martin MAC 500s and MAC 300s, which are the workhorses of the show. There’s 24 six lamp bars for some PAR can overkill, featured most specifically in the show’s second half, plus Atomic Strobes, 4
John MacPhail’s Edinburgh-based Studio 4 recently won the contract to upgrade the sound system in The Cavendish - a landmark venue in the Scottish capital - for operators, Luminar Leisure.
The two-level nightclub at Tollcross - affectionately known as The Cav - has now taken possession of a series of Wharfedale Programme 50s and 52s as part of a complete refit. The recently-launched two-way ported trapezoidal enclosures - designed to meet the requirements of high-output, nearfield reproduction - have been used creatively to deliver peripheral sound throughout the club’s off-dancefloor areas. Eight of the Programme 50s and four of the Programme 52s feature in the installation. The Programme 50 features a 5.5" woofer and 3/4" titanium driver, while the Programme 52 features a pair of woofers and 3/4" titanium driver.
(Ruth Rossington)
Theatrical sound design and rental specialist Autograph Sound Recording has recently been involved in a concert tour of Les Misérables across Scandinavia - the first time that the concert production of the world-famous musical has toured multiple cities. The concert, which captured the atmosphere of the stage production by using giant cinema screens, live video and stills from the production, commenced in late October and ran throughout November, taking in Denmark, Sweden, Norway and Finland along the way.
Autograph has been involved with Les Misérables since chairman Andrew Bruce designed the original London production in 1985. To address the scale of the tour, the company supplied an extensive Meyer Sound M3D Line Array Loudspeaker System in a sound design realised by Autograph's Nick Lidster, who also mixed the shows. Lidster was a member of the original sound team on the London production and has gone on to design and mix all concert versions of the show performed in the UK, including the Tenth Anniversary celebration at the Royal Albert Hall in 1995.
Autograph used a computer-controlled Cadac J type front of house console with over 120 input channels and a 56-channel Midas Heritage monitor console for the tour. More than 110 high quality microphones from AKG, Sennheiser, Schoeps, ElectroVoice, Shure, Beyer and Neumann were employed across the 80-piece Royal Philharmonic Concert Orchestra, 200-member choir, 40-piece ensemble and lead performers. The main PA consists of 24 self-powered Meyer M3Ds, with 30 Meyer Sound MSL-4s available for sidefill and delay systems
Audio-Visual company 6th Sense Solutions (UK) Ltd has recently moved to new premises in Cheltenham, following six years of growth that have seen the business grow to need four times as much space as at its old premises.
The company specializes in audio visual production and hire and sale of AV equipment. Its clients range from those requiring a simple audio-visual presentation at a small event to large-scale productions for conferences, outdoor concerts and festivals. Clients include household names such as the BBC, Leeds City Council, Dyson Appliances, The Salvation Army, Pfizer and Dairy Crest. Matt McCarty, managing director at 6th Sense Solutions, told us: "The move will enable us to be more efficient and give us greater opportunities to display our technology. We need to continually invest in the latest equipment in order to satisfy our clients’ expectations."
The past year has seen the company involved in a number of key projects, including the first Cheltenham Festival of Science and The Cheltenham Festival of Literature, now in its 53rd year, which saw faster ticket sales at more venues than ever before. Over 56,000 tickets were sold in total for the ten-day Festival - which included over 300 events involving some 400 leading authors. 6th Sense Solutions provided extensive audio-visual support in the form of plasma screens, data projectors and custom sets, designed and constructed in-house at their new premises.
Further afield, the company’s project managers provided outdoor LED screens for concerts at Westonbirt Arboretum, installations
Thursday 12th December will see audio experts John Woodgate and Peter Mapp deliver keynote lectures on two important current issues - Electromagnetic Compatibility and speech intelligibility. John Woodgate's ‘New Creatures in the EMC and Safety Jungle’ introduces some strange new animals to an already crowded zoo, whilst Peter Mapp uses ‘Everything You Wanted to Ask About RaSTI but were Afraid to Know! or How Accurate Really are RaSTI and STI Measurements?’ to illustrate his many years of research into all aspects of speech intelligibility.
The event, which is being organized by the ISCE, will take at Brooklands College in Weybridge. There is a special entrance rate for PLASA Members of £25. Further details are available from Cathy Mackenzie on +44 151 639 5211.
(Ruth Rossington)
In a prime location in Kuala Lumpur, an old Panasonic warehouse has been expertly converted into the new premises for the immense Petaling Jaya Evangelical Free Church. The main church seats 1,800 in the auditorium, with a balcony, which has been acoustically treated throughout, and has installed a PA system supplied by Wembley Loudspeaker Co Ltd.
The job was set up after a meeting at the PALA show in Hong Kong, with Paul MacCallum, MD of Wembley, subsequently visiting Kuala Lumpur. The company has recently launched a new series of cabinets to suit a variety of applications (from 150W to 1200W), with high quality sound throughout the range. Having surveyed the ‘venue’, MacCallum specified a system that is more likely to be found in a club than a church. The reason for the spec was that the church has services twice a week, incorporating music from a full 11-piece rock/gospel band with 10 singers.
"The project was great to work on from the aspect that the clients were very keen to have high quality sound for every member of the congregation," said MacCallum. "The sheer scale of the church dictated the size of the PA and we worked with recording studio builders to acoustically treat the walls and ceiling, to prevent unwanted echos, reverberation or bass traps."
The main system installed in Kuala Lumpur consisted of a flown centre cluster of four Spyder (full range, trapezoidal, 600W) speaker cabinets with the new Nemesys (1200W) concert cabs at either side, which were launched at this year’s PLASA Show. QSC and Zeck amplifiers were
Music Live 2002, held recently at the NEC, consolidated its reputation as one of the UK’s leading public music shows, with a strong programme of acts and demos underlining the event’s increasing popularity. With a billing which included an acoustic set by Simon Fowler and Oscar Harrison of top UK rock band Ocean Colour Scene, HK Audio’s comprehensive range of pro audio systems was once again the preferred choice of show organizers, Mammoth Events. HK Audio systems were placed in a wide variety of show applications, right from the 7.2kW 12 x box R-Series main stage rig to a number of PA applications across the show.
As a result of HK Audio’s performance at Music Live 2002, HK has been confirmed once again as the sound reinforcement marque of choice for Music Live 2003. Additionally, another music show has been introduced to the annual show rota, this time it’s the London Guitar Show. Scheduled to be held at Wembley Conference Centre on May 10th - 11th 2003, HK Audio has been chosen to provide a full range of PA applications for the show.
(Ruth Rossington)
Several years ago Théâter Zingaro, the French equestrian theatre troupe travelled to the United States and mesmerized sell-out crowds in Brooklyn with their ballet/equestrian art form. The troupe returned for exclusive West Coast performances of Triptyk: Dance of the Centaurs - top bill for the recent Eclectic Orange Festival, Orange County, California.
Bartabas, lighting designer and founder for Théâter Zingaro, and Loïc Merrien, lighting manager have made full use of 70 Selecon Acclaim Zoomspots and 24 Acclaim PCs in creating a surreal, living, theatrical picture, which aims to portray the horses as almost magical creatures. The precise beam control of the zoomspots and crisp edge and clarity of the PCs help provide the dramatic results demanded in this, the seventh Zingaro production created by Bartabas portraying the mystical relationship of man and horse.
The month-long season of Triptyk took place in a 1,500-capacity arena tent enclosing a 262ft by 394ft performance area built using 18 stagehands, three forklift drivers, 10 electricians and tons of compacted soil, limestone and red clay surrounded by a ring of sand. To gain access to the tent, audiences walked through the pocket world of Zingaro Village (created by film industry veteran Roger Wadham), an exotic, gypsy-like encampment inspired by the nomadic peoples of India, Persia and the Middle East.
When not on tour, Théâter Zingaro is based in the Paris suburb of Aubervilliers, where the troupe lives on site with its horses in a quasi-nomadic village. Selecon dealer and neighbour of Thé
The Moving Light Company has recently supplied equipment to shows at three of Britain's leading regional theatres: the Royal Exchange in Manchester, the Crucible in Sheffield and the Theatre Royal in Plymouth. In each case, the lighting designers were seeking to combine equipment from a variety of manufacturers - a speciality of The Moving Light Company, which has rental stock including products from Vari-Lite, Martin, High End, City Theatrical, DHA Lighting, Amptown and others.
For the Royal Exchange Theatre, The Moving Light Company, together with White Light North supplied lighting designer Robert Bryan with four Vari-Lite VL1000s and four City Theatrical Autoyokes for a production of Othello. Both were specified for their tungsten light sources and low running noise - a particularly important consideration with the in-the-round arrangement of the Exchange. As with many other lighting designers, including Hugh Vanstone for his recent work at the RSC, on Breath Boom at the Haymarket and on Bombay Dreams at the Apollo Victoria, Bryan was also attracted by the VL1000's colour mixing, wide zoom range and framing shutters. Control in Manchester was from the theatre's in-house Strand 500-series consoles. The VL1000s proved so successful that the Exchange will continue to use them in their next main house production - Port, a new play by Simon Stephens, and for their Christmas show, Secret Heart.
At the Crucible Theatre in Sheffield, Hartley Kemp specified an even more diverse collection of products: High End StudioColors, Strand Pirouettes and DHA Digital Light Curtains an
The management of the Ampco Flashlight Group, led by CEO Eric de Bruyn, has announced that it has purchased all shares in Ampco Flashlight Holding Ltd. The deal makes the group of 10 sound and lighting sales and rental companies, and three service and support companies, with combined sales of 40 million in 2002, one of Europe’s largest privately-owned audio and lighting groups.
All shares in Ampco Flashlight Holding Ltd have been taken over by a new group of investors, consisting of members of the current Ampco Flashlight Holding management team and a number of managing directors of the 13 separate commercial units within the group. Ampco Pro Rent director Fred Heuves commented: "Rumours about this transaction have been circulating in many varieties lately, so we are very pleased to be able to make this official announcement to the world. The group is in an excellent financial position and with this take-over it is now under the full control of the people whose daily business it is to run the group’s companies. The fact that we have bought the company is testament to our faith in its future and to the expertise and commitment of all the investors and of the group’s employees."
Eric De Bruyn, who founded the Ampco Group in 1979 and also became CEO of Flashlight in January 2002, told us: "Our strong and experienced management team are now the owners, and we see a great future. With such a wide range of sales and rental products and services in virtually all sectors of both the audio and lighting markets, the group is very strong."
Entec Lighting continues its long and successful relationship with Jools Holland, for whom it has supplied lighting equipment through production manager, Andy Salmon for several years. This year's Small World Big Band Tour Part II two-month UK tour by Jools Holland and his Rhythm & Blues Orchestra once again covered all corners of the country, and was completely sold out soon after tickets being released.
Entec's touring relationship with Andy and Jools is in its eighth year and Steve Major, a veteran of all eight, has seen the rigs change each year. Lighting designer Simon Chandler-Honnor has illuminated Jools for the last 3 years, during which time the lighting rig has steadily grown from a basic Par can format to include several moving lights.
Last hear (Honnor's second pushing the buttons) he utilized Vari*Lites supplied by Entec, and this year he chose 10 Martin MAC 600s and four Vari*Lite VL2202s as his intelligent fixtures. This was in addition to eight bars of six and four Molefey units. They are also carrying two Pani follow spots for Jools and to highlight the various soloists as they come to the front to strut their stuff. The general lighting vibe mirrors that of the luscious, rich and warm big band sound. With 18 musicians and assorted guest vocalists and soloists entering and exiting stage, it's essential to ensure all are well lit throughout, whilst also setting the moods and matching the tempos of the songs.
Guest singers this year include Ruby Turner, Chris Difford (ex Squeeze) and Sam Brown. Nothing is definite in terms of a running order. Wit
Stagetec, the Slough-based pro lighting and audio sales and installation specialist, has launched a new website and two new logos. The logos represent Stagetec Distribution and Stagetec Sound & Lighting Projects, the two principal divisions within the Stagetec Group.
Having progressed enormously since the launch of Stagetec's first website in 1998, expanding from 10 pages to over 300, managing director Andy Stone explains that it was essential to "move with the times". The new site at website is quick, easy and logical to navigate, and is designed to offer visitors far more than just product and company information. It's been developed as an industry resource, containing a wealth of technical information on all types of sound and lighting products, which is available free to sound and lighting professionals and technicians.
Full technical support for the Compulite and LSC lighting ranges - for which Stagetec are the exclusive UK distributors - is also available for download. This section of the site includes the latest manuals, software updates and data sheets, plus project and product-specific news.
Extranet is a new and important feature: this allows customers access to information about their ongoing projects. Issued with a password to enter this secure area, the client can then access all the relevant information regarding their project, such as specifications, manuals, CAD drawings, equipment info, progress reports, proposed completion details, etc.
Extranet also incorporates a discussion group for each project, enabling clients to address queries and
The McKenzie Group has acquired its fifth live music venue which will allow for further expansion of the successful Academy brand to Scotland. The Group has concluded negotiations to purchase the former New Bedford Cinema on Eglington Street in Glasgow from Scottish property developers E.D.I. Group, and will fully refurbish the venue before its relaunch in March 2003.
MKG currently owns and operates three other Academy branded live music/club venues - Brixton Academy (London), Birmingham Academy and Bristol Academy; and also London’s Shepherd’s Bush Empire and Bar Academy in Birmingham City Centre.
An extensive £3,000,000 planned refurbishment programme will commence immediately by MKG’s in-house project team headed by Archie McIntosh - previously responsible for the refurbishment programme of McKenzie Group’s Birmingham Academy, Bristol Academy and Bar Academy - and Scotland’s award winning design company Burns Design. The new venue will feature a state-of-the-art sound and lighting system and a fully flexible capacity of 2,500 to cater for live gigs, dance events and club nights. The design of the new acquisition will also emulate the success of the McKenzie Group’s Birmingham and Bristol Academy venues to allow the Glasgow Academy the option of converting to a short hall format for events requiring a smaller 1,100 capacity, at an inclusive production complete rental package for concert promoters wishing to break new artists in a mid-range venue.
The McKenzie Group Limited is a privately owned company formed in 1998 by Ian Howard
Mellow rock band Toploader have been wooing audiences all over the UK this autumn on their latest tour – with a little help from Pulsar. Lighting designer Rob Davies (aka Bobby Dazzler) has worked with the band on and off for three years, having also designed shows for the likes of Marillion. For the current Toploader tour he was looking for a visual effect that had not been widely used and that would appeal to the band’s varied audience.
As a result, Davies designed no less than 32 Chromapanels into the tour set - and even went as far as creating an arch to use as a frame for any centre-stage action. "It turned out to be a very cost-effective way of covering a big area of the stage," he explained. The entire lighting system was supplied by Colour Sound Experiment, who helped Davies to prepare the ChromaPanels for life on the road. "The panels are very lightweight, so that they can be used in ceilings and so on - and CSE devised a very neat protective transport dolly that they clip into, and to provide rigging hardware to allow them to be clamped to the trusswork."
Davies is using three ChromaZones, driven by a Masterpiece 216. "It’s a favourite desk of mine for smaller venues, so I decided to split the lighting control for the show and have just the ChromaPanels and the LED starcloth under the control of the Masterpiece. In fact we also have some Pulsar dimmers and a decoder in the rig."
(Ruth Rossington)
This season’s opening at Madison Square Garden for the New York Rangers was a spectacular theatrical mix, featuring kabuki drops and FireFly projectors, along with dozens of moving lights. The Firefly projectors were used by Dierson to project large format images of the season’s players on to free-floating white drapery which then dropped, right on cue, to the ice.
Lighting designer Patrick Dierson and assistant lighting designer/programmer Demfis Fyssicopulos pre-programmed the entire show at the Prelite Studio in New York City. Their console of choice is the grandMA from MA Lighting, distributed in North America by A.C.T Lighting Inc, and supplied, along with the rest of the lighting equipment by Light Action of Willmington, Delaware.
"This was a pretty interesting show from the control point of view," said Dierson. "We were using the main grandMA console and the in-house grandMA Light console to control different parts of the rig. Demfis and I like working in close proximity where we can bounce ideas off of each other. This does mean, however, that in a huge venue such as this you don't have the advantage of a second pair of eyes in a different location. To get around this we would often use the grandMA offline software, running on a PC, to control one of the consoles remotely."
(Lee Baldock)
The newly opened Bar Trafik on Hoxton Square in EC1 is in one of London's most up and coming nightspots. Sporting a compact but powerful Crown-driven Nexo sound system installed by Bart Cameron, Bar Trafik is an intimate venue which offers food and drink in the early part of the evening, making way for a DJ later on.
LMC Audio in London supplied Bart Cameron with a total of six Nexo PS-8 compact loudspeakers and three LS-400 subs controlled by a PS-8TD controller. Power comes from a Nexo PS-8 amplifier with an additional built-in controller, which is supplemented by a Crown CE 4000 and a Crown MT2400. The system is distributed over two floors with the upstairs area being primarily for background music, while downstairs offers more of a bar/club environment. A Symetrix 308 VCA volume control/loudness EQ provides independent level control across the two zones.
LMC Audio's Paul McMullan explained that given the compact nature of the venue, the client was not looking for a physically big system, but it did need to be both powerful and of high quality. "He specifically wanted to avoid anything that looked and felt hi-fi," said Paul. "He was after a professional brand that was physically small enough not to be intrusive in an intimate environment, yet with enough power and quality to rock the place when the DJ comes on."
(Ruth Rossington)
Twenty-year laser industry and special effects veteran, Kevin McCarthy, has launched a new firm, Holo-Walls, specializing in producing large holographic environments and effects that are available for sale or rental to the entertainment and display industries.
Previously with Laser Media until 2001, he moved on to work with Hiro Yamagata, producing spectacular holographic art installations throughout the world - the largest being the critically acclaimed 'NGC6093' at the Ace Gallery in New York, which comprised of 25,000sq.ft of holographic mylar panels covering floors, walls and ceilings.
In his new venture McCarthy has a total of eight patterns with five patterns producing varying multi-coloured effects while three patterns simulate the raw look of steel such as galvanised metal, diamond deck or brushed aluminium. "Holo-Walls are basically a product that incorporates a thin film of my holographic mylar, laminated onto various materials such as Gatorboard panels, so, like bricks, you build colourful, 3D walls with each pattern," he says. The multi-coloured panels appear to have lights and lasers built into them when illuminated with any light source - sunlight or artificial. Typical applications include nightclubs, retail displays, trade shows, entertainment productions, exhibits, and many architectural installations including theme parks and showrooms.
(Ruth Rossington)
Lighting Services Inc, a leading US manufacturer of track, accent, display and fibre optic lighting systems, is opening a UK operation.
The New York-based architectural lighting company, whose new BP150 Series Metal Halide Image/Framing projector won the award for Debuting Product of the Year for Architectural Lighting at the recent LDI show in Las Vegas, already enjoys success in Europe through distributor Enliten. However, with the products in demand throughout Europe, and equipment in retail stores across the continent, plus other installations such as the Guggenheim Museum in Bilbao, the company is keen to establish a more formal presence in the European market. A UK operation will also enable the company to work directly with the designers who are now doing work all over the world.
"Lighting Services collaborates with designers worldwide and in recent years we have become increasingly impressed with the way our business is developing in the UK," says Lighting Services Inc's president, Daniel Gelman. "We have an extensive catalogue of CE approved products specifically for Europe, with the additional benefit of having the ability to customize and develop products to suit the individual requests of lighting designers. We also take a proactive approach to customer research, as opposed to R&D pushing products on the market, and provide a range of services to complement our products, such as an interactive online Q&A service."
Established in 1958 by the lighting designer on the former Tonight Show, Lighting Services Inc has won many awards, includ
Skye Media, the Toronto-based outdoor advertising specialist, has installed a giant Lighthouse LED video billboard - the first of its kind in the world - overlooking the city’s prestigious Dundas Square project in the centre of Toronto.
The 64-panel LVP1650 (15.875mm pixel pitch, 5000-nit brightness) screen is in an 8x8 configuration 26.7ft wide by 20ft high. The 13-bit panels utilize Lighthouse’s M4 uniformity control and the screen has an overall resolution of 512 x 384 pixels. Although the high brightness, high resolution LVP1650 screen has been installed at the new Seattle Seahawks stadium, this is the first billboard application for it worldwide.
Skye Media’s newest outdoor advertising location is in the heart of Toronto's retail, financial and theatre district, on the south-east corner of Yonge and Dundas Square. Overlooking the new Dundas Square project, which is modeled after New York’s Times Square, it will be a prominent location within the city and will host year-round PR and promotional events, adding to the redevelopment already underway. Along with the rejuvenation of The Eaton Centre and The Hard Rock Cafe, recent retail additions include Buffalo Jeans, Guess, Future Shop, Virgin Atlantic Megastore, and an Olympic Theme Complex.
Danny Starnino, founder of Skye Media, comments: "This is the highest resolution screen in the Dundas Square area, where a number of screens are located. We chose the new Lighthouse LVP1650 because we were determined to offer our advertisers the brightest, most eye-catching screen in the city."<
transtechnik Lichtsysteme is expanding its national sales network, adding four new dealers to further serve the German sales regions. The dealers will be authorized to sell an extensive portfolio of transtechnik Lichtsysteme, ETC, and Avab brand products.
The new transtechnik Lichtsysteme dealers are WIBA Theater-und Studio-Equipment of Cologne; Think Abele of Nufringen; Fischer Vertriebgesellschaft of Berlin and Lucifer of Wolfenbüttel. In Germany, ETC Source Four-line luminaires will continue to be distributed exclusively by Paderborn-based Lightpower, whilst WYSIWYG lighting-visualisation software will remain exclusively distributed by Arcus Licht-und Präsentationstechnik of Hoevelhof. transtechnik Lichtsysteme, which also supplies advanced studio automation systems and components, was acquired from parent company transtechnik GmbH by ETC (Electronic Theatre Controls, Inc.) in May 2002.
(Ruth Rossington)
S. Leonard Auerbach, ASTC, founder of Auerbach + Associates Inc. has announced that both of the company’s divisions have changed their names to more accurately reflect recent company expansion. The name of Auerbach + Associates, Theatre and Media Facilities Design Consultants, has been changed to Auerbach · Pollock · Friedlander, Performing Arts/Media Facilities Planning and Design. Auerbach + Glasow, Architectural Lighting Design, is now Auerbach · Glasow, Architectural Lighting Designers and Consultants.
"The new name recognizes the firm’s growth and evolution from a San Francisco-based consultancy to a national entity with a thriving New York City office and a busy Minneapolis project office, marking yet another step in the ongoing development of the firm," said Len Auerbach.
The change of name also reflects the rise of two of the company’s principals, Steve Pollock, ASTC and Steven Friedlander, ASTC. The two join S. Leonard Auerbach as principals in charge of all project work. Pollock has been with the San Francisco office since 1985 and has been responsible for the planning, programming, design and management of over 200 projects. Friedlander is in charge of the New York office and contributes over 16 years’ experience to the firm. Patricia Glasow, IALD, LC continues in her position in charge of the Auerbach · Glasow architectural lighting design group. Holly Auerbach continues as the firms’ Chief Financial Officer for both Auerbach · Pollock · Friedlander and Auerbach · Glasow. Finally, S. Leonard Auerbach, who devel
Syncrolite is offering a $10,000 reward for the return of an SX7K Xenon Skylight which was stolen from LDI 2002 in Las Vegas on October 22. In addition, the reward rises to $25,000 if information is provided which leads to the arrest and conviction of the thieves.
The SX7K is the flagship product of Syncrolite’s award-winning Xenon Skylight line and one of the largest theatrical lights in use today, so not something easily concealed. Its case measures 57" x 39" x 39" and weighs 560lbs. The company guarantees that all leads will be treated in confidence and the reward will be paid in two parts, $10,000 immediately on return of the light and $15,000 upon arrest and conviction of the perpetrators. If you have any information, contact Gary Carnes at Syncrolite on the e-mail below.
(Ruth Rossington)
Delta Sound Inc has once again supplied a complete sound and communications system for the Anniversary Convention of the International Association of Scientologists, now in its 17th year. More than 3,000 Scientologists from as far a field as Australia gathered at St Hill Manor in Sussex, the former home of Scientology founder L Ron Hubbard, for three days of talks, music and entertainment featuring guest artists Isaac Hayes, Dougie Fresh and the Jives and the Golden Era Musicians.
This is the fifth year that Delta has worked in conjunction with Golden Era Productions, a Scientology-owned company which produces all the association's events worldwide as well as its training videos, CDs and films. The convention was held in two venues, the 600-capacity Great Hall and an overflow tent which could accommodate a further 2,500 delegates. "The event gets bigger and bigger each year," says Delta's Jim Lambert. "The system design used in both venues has evolved over the years and has settled this year on an 80-cabinet d&b C4 and E9 and E3 system supported by B2 and 1801 subs. The sound designer Mick Sturgeon and the Golden Era sound chief Charlie Rush specify the system components and leave the logistics of rigging and supply to Delta."
Delta cut holes in the roof of the Great Hall and fitted custom rigging systems to fly the d&b C4s, E9s and E3s. An Innovason Grand Live console together with BSS Soundweb processing was used in the hall, with audio distributed via Cat 5 and controlled by a wireless LAN system, which allowed set up from anywhere in the room.