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14 March 2016

A design team from Complete Production Resources and Impulse Creative Group (both of Orlando) utilized this expanded area to inject a new level of dynamism and energy into the storied club with a beefed-up lighting rig that features an array of fixtures from Chauvet Professional.

Located in the 86-year-old Firestone Tire and Auto Building, Firestone Live! cut its teeth as a nightspot and concert venue during the early EDM boom of the 1990s. Rolling Stone and Billboard ran flattering pieces on Fires

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14 March 2016

"It was our eighth year doing the pageant," says Peralta. "It's always a challenge to recreate the excitement of the show; we're looking to enhance and improve the previous year's telecast. With three days devoted to pageant preliminaries, which are not broadcast, we got an opportunity to build the show on site. Friday and Saturday were camera rehearsal days then Sunday was the live show."

Kevin Lawson was respo

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14 March 2016

From a technical point of view, the show breaks new ground. The same is true backstage where Euro Media, the European leader in the provision of broadcast services who are responsible for bringing Rising Star to French TV screens, decided to call on Paris-based company Yasta

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14 March 2016

Martin Professional spoke to lighting designer Mark Cunniffe, Neg Earth MD Dave Ridgway and project manager Caroline Beverley to hear about the lighting design process and their experiences working with MAC Quantum for this major production.

Cunniffe worked closely with set designer, Ric Lipson from Stufish. Based on Lipson's initial stage design concept, Cunniffe designed the lighting. He also provided suggestions for additional stage e

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14 March 2016

Hundreds of thousands of visitors had come to Berlin on 9 November to celebrate the 25th anniversary of the fall of the Berlin Wall with luminaries from politics, business and society. Champions of reunification including former Soviet leader Mikhail Gorbachev and former Polish trade union leader Lech Wal

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14 March 2016

The previous experience that Ambion's Jesko Purmann and Michael 'Miwe' Wengerter had with Coda systems meant they were already convinced of the sound and manufacturing quality, rigging flexibility and simple operation of even the largest Coda systems. So when the company introduced its new Linus amplification and control platform at this year's ProLight+Sound, Ambion approached Audiovation about making a further major investment in Coda technology, to utilize the benefits of the new Linus platform.

"Ambion wanted to significantly expand its inventory of Coda lo

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14 March 2016

Designing the sound system for The Oldest Boy posed its own set of challenges; the first of which was the design of the stage itself. "The stage is a really beautiful, wooden formal circle in the middle of the theatre, and in designing the sound I wanted to be able to create layers from the centre out," says West. "We placed an enormous amount of speakers in the theatre to accomplish this, which gave us the added ability of being able to move the majority of the sounds around the room with ease. It was a

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14 March 2016

"This is the first time we have worked with DirectOut, and they couldn't have been more helpful," affirmed Aleksey Marko, head of procurement for 1+1 Media. "It's rather a long story and of course our political situation has not helped matters, but the short version is, that having purchased an Evertz video router for the new TV centre, we needed a solution to be able to combine all of our audio

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14 March 2016

Consultant Pieter-Jan Kapp - better known as Kappie - from PJK, created a technically sound and user-friendly venue that would do credit to any school in the country. For the lighting in the school hall he specified Philips Strand dimming, Philips Selecon Acclaim and Rama fixtures, a Philips Strand 250ML console, six Robe 250 AT Spots and a few faithful Longman LED Pars. DWR Distribution supplied this equipment, as well as a stage curtain track manufactured by Rob Young.

Kappie has had the opportunity of working on numerous inst

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14 March 2016

Route 91 Harvest was a big show, but true to Las Vegas' larger-than-life philosophy, it was only one of four huge music fests held there within a single month's time. The iHeart Radio festival (21 September) saw pop stars Iggy Azalea, Neon Trees, 5 Seconds of Summer and Fences take the stage; on 27 September the first iteration of the Boulevard Brew Fest brought rockers Kings of Leon, Young the Giant and Kongos

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14 March 2016

SJ Lighting received praise as theatrical lighting design consultants for the original design at Marquee when the club debuted in 2010 and were called on again to give the club a fresh makeover. "Any venue in an A market needs to update technologies to stay competitive because they play such a strong supporting role in creating the atmosphere," Steve Lieberman states. "At Marquee, we wanted to create a new design that would carry them through the next several years, som

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14 March 2016

Campbell, who was touring a floor package and augmenting his design with venue house rigs, was looking for fixtures that could bring more than one strong look to his design: "I wanted a really clubby vibe with lots of opportunity for strong, colorful high-contrast moments," explains Campbell. "I'm using the SL NITRO 510C strobes as block colour strobing and super-bright backlight wash effects. Both looks deliver a really striking feel."

The SL Nitro 510C strobes, supplied by lighting hire operation Siyan Ltd, feature six zones of control offering Campbell a much appreciated element of flexibility.

"They're incredibly bright

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14 March 2016

The 330,000sq.ft building was a collaboration between Theatre Projects, Barton Myers (design architect), HKS Architects (executive architect) and Baker Barrios (associate architect). It was a project nearly three decades in the making.

Theatre Projects first began planning an arts centre for Orlando in 1985 when city officials hired them to determine whether the city could support such a facility. At the time, it was decided that the city could not accommodate the performing arts centre, but a re-evaluation 10 years later found the ci

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14 March 2016

New exhibitors announced this week include Adlib Audio and HDPro Audio, Orbital Sound and FBT Audio UK, who will join the all-star list of exhibitors already at the show - including Robe, Ambersphere, White Light, Avolites, Chauvet, AED, Sennheiser, Bosch, NL Productions, JHS ProAudio, Warehouse Sound, LMC Audio, Polar Audio, Black Light, Trusslite, Total Solutions Group, UK Rigging, TMB and many more.

PLASA's Professional Development Programme will deliver two days of presentations, technical demonstrations and panel discussions, all designed to help visitors build their industry knowledge and improve their skill set. This year's programme focusses on the hot topi

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14 March 2016

The ultimate aim of the tour is for the 26 year old soul singer-songwriter to play a show in every country on the planet, so with performances widely spread across the globe the audio crew was travelling light. To ensure that the band's monitors were consistent wherever in the world they were, Walat looked for a mixing solution that offered full functionality in a compact footprint, finally settling on the iLive system after trying it out in rehearsals.

Twenty-one shows and 18 countries later, Walat enthused: "The iLive is an excellent sounding desk. Several band members commented on how nice things sounded, and it is also lightweight, compact and powerful, with

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14 March 2016

As with the previous highly successful Wireless Mastered sessions, this masterclass is aimed at all event production staff, and anyone that regularly uses wireless technology. The session covers all aspects of RF technology and wireless microphone operation, including discussions of the changing availability of RF spectrum use for live events.

Shure wireless technology will be used as a practical reference, including PSM900/PSM1000 in-ear monitoring, UHF-R, ULX-D a

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14 March 2016

To accommodate the 14 to 20 wireless microphones for the Music and Theatre Department productions, performing arts technician Frank Robinson chose the Soundcraft Si Performer 3 with 32 channels for sufficient capacity and room for future expansion. The sound booth that houses the console also allows for a simplified wiring network, and will permit elimination of much of the internal house wiring at a later date.

"We chose Soundcraft because we wanted a brand-new system within our budget that wor

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14 March 2016

The church is in the process of growing its technical equipment to enrich the quality of its in-services. Part of this expansion involves the increased use of media and lighting to add to the dynamic format of the services.

Video forms a main element of the set designs: video imagery is projected onto set pieces or run through plasma screens on stage and used as a backdrop to performances. This is enhanced by the generous use of LED lighting. The set is changed every four months to keep things fresh and new for the church attenders.

Images of the pastor, who alternates between Buckhead Church and North Point Community Church, two of the six NPMi campuses in the greater Atlanta area, are also project

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14 March 2016

In October, the arena, which opened in September 2003 and seats 18,000 for basketball and over 19,000 for concerts, installed a new L-Acoustics K2 sound system - the first K2 system permanently installed in a major professional sports arena.

The cap to a two-year AV makeover that included new HD video scoreboards, the sound system, designed in Soundvision by project consultant Wrightson, Johnson, Haddon & Williams and AV systems integrator LD Systems with support from the L-Acoustics US applications

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14 March 2016

Music Cube is a giant soundproof glass box, in which a range of artists performed over the weekend of 24-26 October at the Westfield London shopping centre, and 31 October - 2 November at Westfield Stratford City.

Kicking off at midday, performances by between three and six up-and-coming artists were followed by a set from a Kiss FM DJ and then two headline slots by more recognised performers.

Each session was witnessed by an audience of up to 300, all using Sennheiser's Urbanite headphones to enjoy the music.

Sennheiser UK provided equipment including evolution 2000 series wireless microphones for the artists, plus 300 sets of Urbanite headph

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14 March 2016

Newman and his management team have always believed in investing in great looking live shows, which has enabled Dan to creatively evolve the look and feel of the performances since he started working with the artist last year at a show at Settle Village Hall - Newman's home town.

On the first two tours, the focus was on imaginative lighting, however this time around video was introduced to work in parallel with this.

Dan has made film shorts and music videos for fun in the past, so his passion for moving images and effects coupled with John Newman's own interest in his visuality onstage ... produced a dynamic basis for the tour.

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14 March 2016

UWE is the first UK educational facility that HHB has supplied with Avid's new modular S6 control surface. The S6 was specified with two banks of eight faders, and complementary Process and Knob modules. Used in conjunction with Pro Tools HD software, S6 provides UWE's students with powerful hands-on control of all DAW functions.

UWE senior lecturer Martyn Harries has been a long-term customer of HHB since his days as an audio post production engineer for the BBC. Martyn explains that the S6 will equip students in UWE's new Broadcast Audio and Music Technology course with knowledge of the equipment used in the UK's leading studios. "The S6 will give our students an edge by exposing them to an incredibly powerful console. We place a strong

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14 March 2016

KM Productions of Hicksville, NY set up the lighting rig for the Halloween festival, which is put on by RPM Presents (New York). "This is a major event on the EDM calendar," said Kevin Mignone, president of KM Productions. "It's very DJ centric w

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14 March 2016

The display, which grew in size over time, marked each commonwealth casualty of WWI - 888,246 in total - with a hand-made red ceramic poppy "planted" by volunteers around the venue's exterior. Entertainment and event production supplier White Light has been closely involved in the event, providing lighting, sound, and video support services for the opening ceremony on 5 August and closing ceremony on 11 November (Remembrance Day) as well as providing lighting for the entire poppy display throughout its three-month installation.

White Light managing director Bryan Raven commented on event's significance saying, "The Tower Poppies have