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14 March 2016

Designed by the celebrated Catalan architect Lluis Domènech i Montaner, the Sant Pau Recinte Modernista is a complex of buildings erected in 1902 in what is today downtown Barcelona. The fully restored Modernista pavilions, designated a World Heritage Site by UNESCO in 1997, now house the historic archives of Hospital de la Santa Creu, a former infirmary dating back to 1401, a health info center, and an arts center that hosts all kinds of events from conferences and training to presentations and corporate parties.

The most handsome room in the Sant Pau Recinte Modernista administration pavilion is named after its architect Lluis Domènech i Montaner. Featuring plush appointments in period style, the 170 m² venue may be rented f

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14 March 2016

Pequenos gigantes is a TV show where children between four and 12 years old, compete to show their best abilities in dancing and singing.

It is the first time that A.leda B-EYE K20 has appeared in Spanish television. In the centre of the stage there was a great frame formed by several A.leda B-EYE K20 where the contestant was staging. Some Sharpys and some Alpha Profile 1500 completed the light and effects of performance.

Alberto Martín was the lighting designer, Oscar Jiménez, Catalyst technician, and Javier Mosteiros and Javier Perea, moving lights technicians.

The Clay Paky's equipment, whose official distributor is Stonex in Spain, were provided by rental Compa

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14 March 2016

But Capital went a step further. In order to extract the optimum performance from the 14 MLA enclosures (plus down-fill) that formed the main front facing PA, and 14 MLA Compact (out-fills) on either flank of the historically difficult venue, earlier in the week their technical manager Ian Colville had undertaken a site survey and re-evaluation.

He explained, "As this was our first combined MLA/MLA-C show at the Royal Albert Hall, it seemed a good opportunity to check the architectural data to ensure that we had the most accurate information to enter into the [dedicated Martin Au

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14 March 2016

The result is an intuitive plug and play system which networks the main and second room or allows each to function as stand-alone. For example, the gym/dance studio (Room 2) can double as a Green Room for the main 200 capacity presentation space by accessing the different presets in the BSS Soundweb DSP.

With a removable 28 sq.m stage, the large Multi-Performance Activity Space (Room 1) is designed to host performances, lectures and conferences and other leisure activities, with direct access to an exhibition br

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14 March 2016

Germany Calling - The first European edition of US music festival Lollapalooza is to be held in Berlin next year, organisers have announced. The main event, held in Chicago since 1991, will land in the city's Tempelhof airport site in September 2015. Foun

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14 March 2016

Jamie Corbidge was the LD for the event, with equipment supplied by Storm Lighting. He had overall control from his Sapphire Touch as competitors including Harlem rap squad A$AP Mob, grime collective Boy Better Know, Jamaican reggae act Stone Love and Rebel Sound, and a collaborative made up of bass superstars Chase & Status with MC Rage, World Clash champion David Rodigan and jungle pioneer Shy FX performed.

Stephen "Sven" Jolly operated for Boy Better Know and Stone Love on two of the four stages, jumping from one Tiger Touch II to another. Shaheed Litchmore was LD for A$AP Mob, using a Tiger Touch II for th

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14 March 2016

The event was held at Infinite Studios and promoted by Limited Edition Concepts (Singapore), with 4,500 people attending over the weekend.

The festival was split into two distinct days - the first (in conjunction with Hallowe'en) was named Freq'show, and this made way on Day 2 for Mekanika, produced by international Trance Festival brand, Godskitchen

EAI managing director, Gerard Rodrigues, confirms that the MLA system had been recommended by his company. "The end result was that everyone, including the promoters, really felt the music and were amazed at the audio quality. They were really blown away. The MLX subs also became a talking

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14 March 2016

"With 'Kongsted in Koncert' we are creating an experience for the crowd that is different from my other shows," the artist explains. "Here we can control more parameters - light, sound, visuals, production design, décor etc. - in a way that is not possible on my more standard live shows. This gives us the opportunity to create a very unique experience linking together my music and playing style in perfect harmony."

To match his vision of creating an environ

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14 March 2016

Liz Agostini, event director commented, "It's great news that we have secured the PSA as an event partner for the 2015 Show and we welcome them on board. As an organisation, the PSA aims to pool knowledge and improve technical awareness, which is exactly what we strive to achieve with the Event Production Show, so we are confident we will make a good match."

(Jim Evans)

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14 March 2016

Adam Tyszka prepared the hands-on light set-up for this event, implementing his and Sebastian Pachciarek's lighting design vision. Sebastian Pachciarek elaborates on this vision: "Our goal was to create a show that displayed the windsurfing competition in a new and unexpected way. This type of event is most commonly held on coastal areas, but in this case it was in a pool, specially built for the purpose."

As an essential ingredient in the lighting design for this project, the two designers chose SGM's popular SixPack pixel array with a powerful RGBA LED light source. They allocated no less than 100 pieces of the fixture in two different locations. The first gro

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14 March 2016

44 Designs was introduced to MediaMaster Pro by A.C. Lighting, Inc. during a demo at 44 Design's Nashville office earlier this year. 44 Designs promptly selected MediaMaster Pro to control the intricate video system on their next project.

"For Thompson Square I wanted to create something that would introduce a modern architectural design into a conventional concert venue space and present the audience with something that would look good lit or unlit," says Jeff Lava, founder of 44 Desi

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14 March 2016

With the participation of industry partner SMPTE - the Society of Motion and Television Engineers - and following on the heels of the highly-successful Sound for Picture programme track at the recent AES137 International Convention in L.A., the 57th Conference is positioned to set yet another milestone for the AES. With a direct focus on the Future of Audio Entertainment Technology, this conference will explore the latest issues facing audio professionals today in regards to cinema, television, online content and more, and is being co-chaired by Brian McCarty and Dr. Sean Olive.

Sound produc

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14 March 2016

When Kylie kicked off her latest tour in the UK, crowd barrier specialists Mojo Barriers ensured fans with front row views were kept safe, installing 80m for the front of stage at the Liverpool Echo Arena. An additional 80m of stock was then added, bringing the total to 160m, which will be used across the European leg of her tour, culminating on 17 November at Zurich's Hallenstadion.

The barriers, a mixture of straight and specials such as corners and gates, allows the production team - headed up by Kevin Hopgood - to create a configuration that includes golden circle, t-shaped thrust for a catwalk and extended front of house. As requested by Hopg

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14 March 2016

Chief operations officer, Alfonso Martín, explains the rationale behind delivering d&b specific training: "The structure and content of the training sessions created by d&b audiotechnik makes them accessible to all our customers - both current and prospective. The participants were a real mix of people with different skill levels and different reasons for attending: from some of the most respected and senior sound engineers in the country to audio guys just starting their careers at local rental companies. We also welcomed a good numb

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14 March 2016

Undertaking an ambitious artistic journey, Fontana travelled the path of the Acqua Vergine from the source springs at Salone to the ancient tunnels still in existence under the streets of Rome. By using microphones, hydrophones, and accelerometers - some placed in the water flow and some imbedded into walls - Fontana captured th

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14 March 2016

Luc, who has a vast experience of lighting high profile musicals and has worked with the producers on previous shows, has developed his own distinctive style for lighting this genre of musical theatre.

The challenge for Dreamgirls, which is touring The Netherlands, is that the main setting is backstage at a theatre. All the locations flip between this, various onstage performance scenes and other connected places as the story unfolds, however the set - designed by Eric Van Der Palen - does not es

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14 March 2016

The technical elements are breath-taking as Paule Constable's lighting interacts with Finn Ross' video designs, Ian Dickinson's sound design and Bunny Christie's versatile set design allow us to join Christopher's world. Many of the technical lighting achievements are done using RC4Magic wireless DMX, and would not have been possible without tiny RC4 dimmers.

The National Theatre was an earlier adopter of wireless DMX and dimming and have used multiple generations of RC4 Wireless products. Nearly every show produced by the National Theatre has incorporated RC4Magic devices. Additionally, each theatre space operates its own individual set of unique digital IDs to ensure no interference from other systems. Only the RC4Ma

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14 March 2016

Streamline Systems is headquartered in Trinidad & Tobago and specializes in the design of high quality sound, lighting and video systems throughout the Caribbean, and Michael has been using Robe and Anolis products in his work for some time. He appreciates the quality, features and cost-effectiveness of both brands.

For Next - the seventh venue for which Streamline has designed and specified technical systems for their client Princess International - he chose 72 Anolis ArcSource 4 MCs and six Robe Robin LEDBeam 100s which were at the heart of the lighting rig.

The club occupies a sing

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14 March 2016

A design team from Complete Production Resources and Impulse Creative Group (both of Orlando) utilized this expanded area to inject a new level of dynamism and energy into the storied club with a beefed-up lighting rig that features an array of fixtures from Chauvet Professional.

Located in the 86-year-old Firestone Tire and Auto Building, Firestone Live! cut its teeth as a nightspot and concert venue during the early EDM boom of the 1990s. Rolling Stone and Billboard ran flattering pieces on Fires

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14 March 2016

"It was our eighth year doing the pageant," says Peralta. "It's always a challenge to recreate the excitement of the show; we're looking to enhance and improve the previous year's telecast. With three days devoted to pageant preliminaries, which are not broadcast, we got an opportunity to build the show on site. Friday and Saturday were camera rehearsal days then Sunday was the live show."

Kevin Lawson was respo

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14 March 2016

From a technical point of view, the show breaks new ground. The same is true backstage where Euro Media, the European leader in the provision of broadcast services who are responsible for bringing Rising Star to French TV screens, decided to call on Paris-based company Yasta

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14 March 2016

Martin Professional spoke to lighting designer Mark Cunniffe, Neg Earth MD Dave Ridgway and project manager Caroline Beverley to hear about the lighting design process and their experiences working with MAC Quantum for this major production.

Cunniffe worked closely with set designer, Ric Lipson from Stufish. Based on Lipson's initial stage design concept, Cunniffe designed the lighting. He also provided suggestions for additional stage e

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14 March 2016

Hundreds of thousands of visitors had come to Berlin on 9 November to celebrate the 25th anniversary of the fall of the Berlin Wall with luminaries from politics, business and society. Champions of reunification including former Soviet leader Mikhail Gorbachev and former Polish trade union leader Lech Wal

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14 March 2016

The previous experience that Ambion's Jesko Purmann and Michael 'Miwe' Wengerter had with Coda systems meant they were already convinced of the sound and manufacturing quality, rigging flexibility and simple operation of even the largest Coda systems. So when the company introduced its new Linus amplification and control platform at this year's ProLight+Sound, Ambion approached Audiovation about making a further major investment in Coda technology, to utilize the benefits of the new Linus platform.

"Ambion wanted to significantly expand its inventory of Coda lo