"We had been looking at various IP-rated outdoor washes and P-5 had come up a few times on specs," he explained. "For us it's the next generation; it's compact, neat and you can use it indoors, whereas other IP-rated washes are often big and bulky."
In order to get the maximum impact from the fixtures he purchased 21° and 43° lens options.
Mason said the decision to back the Danish brand followed the recognition that
Camrose is home to a blossoming arts community, and the city desperately needed a new, large-scale performance venue. "There weren't any venues within a 45 minute drive of the city that could accommodate touring Broadway shows and large scale dance or theatrical productions," explains Nick Beach, technical director and operations coordinator of the Jeanne & Peter Lougheed PAC. The primary goal f
PT Citra Intirama, Martin Audio's long term distributors, have also enjoyed a relationship with the operators, and first introduced them to the British loudspeaker brand at one of their other elite clubs, the Dragonfly, back in 2006.
Martin Audio was then installed in the Blowfish Bar & Nightclub - but with the recent overhaul came not only replacement drivers for the existing system but a complete new complement of AQ and Blackline series full range systems and subwoofers.
"It was a natural progression to continue with the same brand," said PT Citra Intirama's Eric Haslim. "Martin Audio has a well-established reputation as one of
Sammy's Yamaha legacy goes back well over a decade. Starting with an 02R digital mixer, he later upgraded to a DM2000, but has recently made a major investment in a Nuage system for his studio near the Belgian city of Aalst, near Brussels.
Sammy works as a composer, producer, remixer and arranger and has enjoyed major collaborations and remix work with high profile DJs and artists like Wolfpack, Flo Rida, Katy B, Akon, Coolio, Jason Derulo, Dimitri Vegas and Like Mike, Jetlag, T-Pain, Missy Elliott, Timbaland, Ginuwine, Chris Brown, Hooverphonic and others.
Having worked with Steinberg's Cubase DAW f
ETCP Certification is a fundamental aide to employers who are looking for qualified technicians for lead positions. It guarantees a reliable level of expertise and skills because the exams are specific to this industry and a fair assessment of your knowledge.
Questions concerning certification and testing may be directed to Meredith Moseley-Bennett, Certification Manager at etcp@plasa.org or 212.244.1505, ext. 705.
(Jim Evans)
"We expected a busy show based on our pre-show appointments and it certainly didn't disappoint," said Elation sales director Eric Loader, who split his time between a busy Elation booth and a just-as-busy demo room. "Our booth was crowded from start to finish and based on the quality leads generated it gave us a lot of opportunities to continue our growth."
Like at the PLASA show one month earlier, the Sniper was recognised as an innovative product at the show, this time receiving an honourable mention as Best Debuting Product presented at an awards ceremony on Saturday, 22 November on the LDI show floor. The company also won the Best L
Ayrton exhibited a plethora of new products from Ayrton's new Radical and NandoBeam series, videos of which were already causing excitement on social media. Many of these were presented for the first time to the American market, exciting visitors who were treated to spectacular lighting displays which caught the eye and fired the imagination.
Ayrton's Radical Series, consists of WildBeam-R, MagicPanel-R, MagicBlade-R, MagicRing R9 and IntelliPix-R, with MagicRing R1 being the latest addition to the Series.
The Radical Series, which takes its name and inspiration from the world of high-performance vehicles, exhibits a honed and streamlined appearance, a very na
While the panel wrote and published the latest research on impact of human made climate changes, and their solutions how to mitigate and counter these impacts, Greenpeace launched a highly visible and eye-catching campaign, projecting the official Danish targets of 100% renewable energy by 2050 onto four wind turbines, with the assistance of AF Lighting and SGM's G-Spot LED moving head.
Greenpeace's project leader Esben Sloth explains: "We wanted the light projection to be very accurate, with sharp lines and figures, in order to make the wind turbines look like a graph."
ÅF Lighting were optimistic in their acce
NYFOL offered visitors a curated collection of lighting installations created by local and international lighting designers, performance artists and technologists - all working with the medium of light. The event was presented by The New York Festival of Light Organization, a non-profit art group. Its vision is to create and provide a unique and delightful experience for residents and tourists by enhancing New York City's architecture through interactive, static and projected lighti
Building on Terminal 2's vision, in conjunction with Heathrow, The Fisher team have designed and installed a giant vinyl Christmas tree which stands over 90ft high in the covered courtyard to T2, close to the Slipstream sculpture by renowned British artist Richard Wilson.
Fisher have added a very modern interactive touch to this traditional looking tree, overlaying it with festoons of lights that can be triggered to flash and dance by passengers who tweet Christmas greetings to #T2Christmas. After dark the tree will come alive with a gentle wash of light giving it an enchanting glow.
(Jim Evans)
Cliff Dounting, managing director of Leisuretec, says: "What's nice is a manufacturer recognising a true trade distributor. We have a relationship built on strong teamwork, and it's a great pleasure to be associated with such a growing team at Chauvet Europe."
Leisuretec founder director Mike Henden adds: "Having a really good relationship between the key people in each company is fundamental to a strong, long-term partnership."
Leisuretec will continue to offer sales and support for
Philips and the Society of Light and Lighting continue to sponsor Rose Bruford College of Theatre and Performance's hugely successful Junior Ready Steady Light competition for 2015. Rose Bruford College aims to attract eight teams from state schools, further education colleges and art organisations working with young people, made up of five year 12 and 13 students, or those similar in age, to participate in a full day of activities that lead up to the final competition and prize-giving ceremony.
This is an exciting opportunity for young people interested in science, art, design, technology and te
Another blockbusting Strictly season for the BBC sees S+H working with BAFTA Award winning set and scenic designer Patrick Doherty - a regular client - for whom the Ilfracombe, Devon-based company is supplying around 6000 Pea-Lights for the regular weekly episodes broadcast from Entree Studios. The Pea-Lights are integrated into the set walls of Patrick's impressive ballroom de
This ambitious investment plan was executed over two years to improve the utilization of space, functionality and to enhance the overall student experience at the Guild & Reilly Building which is central to the university campus.
For Adlib, this has included design and installation of a comprehensive power & cabling infrastructure, provision of L-Acoustics and Coda audio systems, together with production lighting rigs featuring more premium brands like Robe, Martin by Harman and ETC and the development of a custom IGUS cable management solution with Lift-Turn-Move (LTM), also based locally
The grisly-masked heavy metal rockers are out on an 18-month world tour in support of their first album release in six years, .5: The Gray Chapter, which debuted in October at number one on the Billboard 200 album chart. The tour sees the band playing dates in the US, Japan (at Knotfest Japan), Europe and Australia with more legs expected to be added.
Slipknot plays an aggressive style of music with energetic live shows that have been described as 'choreographed chaos'. Production designer
Bertti's design is traditional rock and roll, yet with a contemporary edge of LED and moving lights mixed in with ever-faithful Par Cans. Preferring to control the show on the fly, Caio specified the intuitive Sapphire Touch.
"With Motorhead, if you have music in your blood you'll have a great show," says the Brazilian designer. "There's no cue-list, there's no time coding, it's just in my head and fingers. You have to play the board, which is why I chose the Sapphire Touch. It gives me more freedom and I can run through the
Preparation time for the festival was limited as the event grounds had hosted another performance right before, so the technicians had to dismantle the previous installation and create a new rig for IDOL using 64 MAC 101s, 20 MAC Viper Profiles, 24 MAC Auras, 12 MAC III Washes, six MAC III Performances, 10 MAC III AirFXs, 12 Atomic 3000 DMXs with Atomic Colors, two Glaciator X-Streams, a Jem Hydra with 12 heads, and six Jem K1 Hazers with six AF-1 fans.
"The fixture park of Th
Production lighting manager Kent Hellberg explains, "Since I acquired the first P-5, every production in the house seems to want them."
Currently being deployed for the production of Mozart's Le Nozze de Figaro by lighting designer Giuseppe di Lorio, the luminaires are washing the backdrop as an essential part of the opera. But Hellberg has other lighting designers also queuing up to utilise the P-5s. "Every lighting designer that I've shown the P-5 to has been impressed," Hellberg confirms.
The P-5s have therefore been used for different projects - for instance for a dance company, where the Japanese choreographer wanted a strong even colour output; and that
"This is a merger of two innovative and professional companies which have a history of successfully working together over the last six years," says Truss UK director Paul Jordan. "Both companies have a very high standard of products and services with very similar work ethic and philosophy for doing business, with a track record for providing excellent products and customer service."
Fellow director Tony Dickson comments: "This union reflects both companies' commitment towards sustainable growth creating a world class inn
Founded in 1996, the multi-awarding-winning WaterTower Theatre is a not-for-profit professional theatre company that produces six main stage shows each season alongside award-winning educational and community outreach programmes.
Earlier this year Fred Mikeska and Darrell Barnes of A.C. Lighting (ArKaos' US distributor) took Arkaos MediaMaster Pro to The Addison Theatre Centre where they presented a full demonstration of its capabilities to technical director, Scott Guenther, and lighting designers, Dan Schoedel and Jason Foster. "The team at Addison Theatre Centre was evaluating different media server options that would meet the venue's diverse requiremen
The Fetisov Arena is a crowning part of that entertainment emphasis. Opened in 2013, and built to accommodate 7,500 people (Vladivostok has a population of almost 600,000), it is home to the Admiral ice hockey team and also regularly hosts exhibit
The Slaughterhouse is a well-known haunted house in Tucson and because the event was held on Halloween weekend Creative BackStage wanted to create a design that represented the ghoulishness of the holiday as well as the Fear Fest festival.
"The idea was simple, to use LED video screens for eyes and a mouth with video images that would be of the fear kind with monster eyes and teeth or devilish eyes," explains John Garberson, owner of Creative Backstage and lighting desi
Bennett uses huge banks of A.leda B-EYE K20s and Sharpys to light the set to deliver a wealth of vibrant, multi layered, multi-faceted and lively looks. Supported by lighting director Whitney Hoversten, who has taken the show on the road, Bennett specified 107 x Clay Paky B-EYEs and 83 x Sharpys, all supplied by PRG, to create the show's high octane, rave style atmosphere.
"My first thought when it came to creating the rave style concept was that the audience has to be fully immersed in the show and become part of it," says Bennett. "I chose the Clay Paky B-EYEs for their versatility and unique personality, they are the icing on the cake tools that add all the det
For the first time, Smith is using Robe's CycFX 8 moving LED battens, together with 10 x Pointes. He had previously used Pointes on a Fitz And The Tantrums tour, was impressed, and so when this design came up, he immediately specified them again.
The rig had to be scalable to deal with the variety of venues on the itinerary - from clubs to theatres of capacities between 1000 and 3000 - and to guarantee they always had their proper lightshow.
Smith wanted to introduce architecture and shape to the stage, as well as develop a concept that worked as a comprehensive floor package in conjunction with any overheads utilized from the venues' house rigs.<
