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14 March 2016

The Mexican acoustic guitar duo returned to tour the UK this winter, having taken to the Pyramid Stage at Glastonbury in the summer. Using two screen fixtures, their show employs Ai to run 4-6 layers per fixture, made up of one-two footage layers plus four live camera layers which can be source switched to use up to eight cameras at a time.

Berzins' design took inspiration from the new album, for which each song is dedicated to someone with significant legacy in human history. "We had built animations for these as well as some extra geometry based content for

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14 March 2016

Now in its 26th year, the high-profile music event, which began in a small club in 1988, has become a major charity fundraiser. Since 2008, the proceeds have gone to Habitat for Humanity, an international non government, not-for-profit organization dedicated to empowering communities and building affordable housing for those in need.

Preston has been lighting the Christmas Jam for the last four years. This year's goal with the lighting design was to move forward from last year's spectacle which was expanded to two nights with

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14 March 2016

The concert, organised by Brighton & Hove Music & Arts at the 5,000 capacity Brighton Centre, is a well established seasonal singing extravaganza, eagerly anticipated by local families. So it was vital that the performers were supported by a multi-skilled professional technical production team.

"It was as if we had five concerts running simultaneously," says Mustt Audio owner, Waq. "Choreographing and coordinating the show was a challenge. The music alternates between different choirs and orchestras, so one group might be playing or singing

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14 March 2016

The set, lighting and video elements were designed by Squib, and XL Video supplied video production and crew for both Earls Court and the preceding tour which had originally started in April 2014.

The tour featured eye catching video content created by Adam Young and Anna Ginsburg - mostly charismatic hand drawn animations - which were programmed onto one of XL's Catalyst media servers and projected on to seven stretched fabric circles or discs of varying sizes between 4 and 8 feet, fed by a pair of Barco projectors.

For the

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14 March 2016

For 2015 the company has already hit the demonstration trail running, at Teknikmesse i Operaen (Technology Exhibition at the Opera), at the Det Kongelige Teater Copenhagen, with Danish distributor Starbaek Audiovisual Truss and Stage on 7 - 8 January, at Tour Link Conference in Palm Springs with Paul Morini from Cadac's US office on 8 - 10 January, and at Queens University, Belfast, with PHG - Production House and Cadac's UK sales manager Rob Hughes, in Northern Ireland on 13 - 15 January.

The trade show tour at the end of 2014 kicked off with Tonmeistertagung 2014 on 20 - 23 November in Cologne, where the CDC eight-32 and CDC eight-16 were centre stage on Audio Specialists

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14 March 2016

As the first device to provide studio engineers with the tools necessary to interrogate the MADI stream in order to view the status of embedded channels, MADI-MON is a suitable monitor for the commissioning and maintenance of MADI-based audio systems. It is the only MADI monitor that makes all of the audio signals visible and accessible as a breakout simultaneously, with the status bits of the MADI stream also available for diagnostic use.

BBCNI chose the M

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14 March 2016

Despite the longevity of the show, it has always remained relaxed, spontaneous and funny which is a credit to the team and the presenters Helen Chamberlain and Max Rushden.

Behind the scenes you just sense that there is a group of colleagues that can call themselves friends and know how to have a laugh together. This is made all the more obvious with their annual Dance Off.

Long standing LD Malcolm Reed designs the lighting show which is supported by Richard Martin Lighting (RML). Although the lighting is relatively minimal for the feature, Malcolm always makes and point of changing the fixtures every year so that there is a different look. This year he went for the

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14 March 2016

Dubkovs, of show design house Lumen Art Divison, specified the fixtures from Novosibirsk-based Elkraft for the Russian leg of the tour, with leading production company Orion supplying the units for the international dates.

"The Clay Paky Sharpy and Sharpy Wash 330 are ideal for this tour," says Dubkovs. "They are super powerful meaning I need to use less fixtures to achieve the looks I want and yet compact and lightweight, saving space in the trucks. Both of these factors are very important when touring around the world.

"In addition, Clay Paky fixtures are extremely reliable durin

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14 March 2016

Water show lighting designer and design engineer of the fountain system, Korzakov Anton, explains, "This is our first experience in using LED light for creating a wash effect on the water. Previously, we have not found such a fixture in our rental market with this huge light output. All our previous attempts have been unsuccessful and for many years we have only used conventional lights."

The multishow took place at the Ostankino Tower, Russia's national TV buildin

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14 March 2016

Once again, Adlib was asked to supply a crisp and clear PA system, lighting and all necessary trussing and rigging for the shows.

As with any comedian, working a big arena is a challenging environment. One of the tasks of the production is to reduce the void and bring the audience closer - a bidirectional 'personal proximity' relationship - which has to be achieved virtually. While the physical space remains the same, the perception - of both artist and audience - changes.

Adlib applied its considerable experience in the discipline of live comedy to the task in hand. The sonic detail is crucial as most comic delivery entails hearing every inflection of the voice with comple

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14 March 2016

"We've worked on the Jingle Bell Ball for a few years now," says Adlib's Dave Kay. "Each year it's demanding, both in terms of the level of the acts performing and the quick turnaround times we have to work to, and this year was no exception."

Artists performing at the shows included Take That, using Sennheiser SKM 5200 handheld microphones with EM 5235 capsule, Ed Sheeran and Sam Smith both deploying 2000 Series handhelds with MD 9235 and e 965 capsule respectively and Ta

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14 March 2016

Scheduled for Thursday 5 February 5, 2015, the webinar will focus on the dual monitoring team's approach to mixing a combination of in-ears and on-stage wedges for the heavy metal legends. Cowan and Correia will also share their key to success for earning and maintaining the artists' trust and achieving consistency. Sign up here: http://bit.ly/1xurSun

As part of Meyer Sound's worldwide education programme, Buford Jones brings lessons learned from a mixing career of almost four decades to his online Mixing Workshop and hands-on sessions around the world. Jones's illustrious mixing credits include Pink Floyd, Eric Clapton, Stevie Wonder, Prince, and David Bowie.

(Jim Evans)

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14 March 2016

The Colchester based company worked on a wide variety of events and productions as well as continually providing a high level of day-to-day support to their regular, loyal customers.

Tilbury Docks was the location for a number of Christmas parties and Illuminate Design were tasked to provide a winter lighting theme. The bespoke design included Pulsar Chroma Floods plus ETC Source 4 profiles to light the ceiling and walls within the space. The temporary installation ran for two weeks hosting a variety of parties and dinners.

The company were the chosen supplier to work with Butlins (Bourne Leisure) to help create their winter 'Igloo'. This entailed three identical systems for the resorts at Minehead, Skegness and Bognor Regis. With up to eigh

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14 March 2016

The Quantum Profiles are the latest addition to Blue Parrot's large moving light inventory which now includes 30 MAC Auras, 24 MAC 101s and 22 of the flagship MAC Vipers - a mixture of Profile, Performance and Wash DX models.

2014 was a very successful year for the company with a number of high profile technical producti

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14 March 2016

Most recently, Entec supplied sound and lighting equipment and crew for Albarn's critically acclaimed sold-out shows with his live band, The Heavy Seas, at London's Royal Albert Hall venue.

Over the years, Dave Byars has been tasked with realizing the vision of musicians and artists in a plethora of venues ranging from tiny local clubs to stadiums around the world.

His design for Albarn's 2014 tour and the RAH shows included a heptegram - seven pointed star - backdrop, a symbol of particular i

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14 March 2016

Sound designer Rick Clarke, veteran of over 40 West End musicals, added in an important new element - the first deployment of a Flare Audio X2/X0 Compact Vertical Point Source Array system in theatre. The system featured X2 cabinets, flown in groups of two per side, with X0s used as front-fills and delays, together with the award-winning SB21 Flat Panel Directional Touring Sub Bass units. Out front was a Yamaha CL5 front of house digital mixing console feeding the Flare system directly via the Dante network.

Pantomime has been a regular feature in Rick's calendar, dating back to when his children were younger, with the Richmond Theatre an extremely familiar venue. The ex

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14 March 2016

Absen has essentially purchased a 50% and 10% stake respectively from co-owners Zhong Zaibo and Zhang Wenxia. Upon completion of the acquisition, Absen will hold 60% of VISS Lighting's equity, while Zhong Zaibo will hold the remaining 40% share. By virtue of shareholding, VISS Lighting will become a subsidiary of Absen.

Deng Jiangbo, Absen vice president, commented, "This acquisition strengthens Absen's position as a world leading provider of high quality LED display solutions. We are confident that this operation will help the company to provide an even wider range of high quality products to the

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14 March 2016

Dry Hire Lighting carry an extensive inventory of technology equipment from leading manufacturers, and pride themselves on providing customers with access to the very latest high-performance lighting solutions.

Dry Hire Lighting's Rob Merrilees invested in the Color One 100 fixtures following a demo at PLASA London 2014, and a further onsite test at the company's headquarters.

"As a company, Dry Hire Lighting does not stock generic lamps and we've waited until the new LED technology was at the right output and price to get into the market," says Rob. "We set up the fixtures at our offices and were very impressed with the build quality and the output.

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14 March 2016

The open air amphitheatre is one of Istanbul's most popular venues, especially in summer, when it hosts a variety of live shows by both national and international artists, as well as a number of cultural festivals.

Staras Technical Production handled the lighting, sound and staging for the shows and willingly acceded to the request by Tarkan's production team for a DiGiCo SD5 console for the monitor mix.

"Although Staras has been in business for 30 years, they had not previously used DiGiCo consoles," says Gorkem

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14 March 2016

"I've been working with Atomic for almost 20 years," explains Tim Schad, production manager working with John Fogerty since 2006. "I was sold on Adamson the first time I used it and have started working in different pieces of their gear with John over the last 6 years, but this was the first time we went out with 100% Adamson PA and monitor rig. The new Adamson Energia PA was "way better sounding" than any PA available out there at any cost."

Atomic Pro Audio, located in Rutland, Vermont, has been a supporter of Adamson since 2002. Most recentl

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14 March 2016

Syon Park, which surrounds 500-year-old Syon House in Brentford, England, contains over four hundred species of tree and has been a horticultural woodland for almost 600 years. With Enchanted Woodland, a visit to Syon Park in winter has visitors seeing the arboretum in a whole new light.

Using 1000 separate light fixtures and over 15km of cable, the Yes Events installation team, headed by project manager / lighting designer Tom Chennells and lighting programmer / systems designer Adam Nicholls, utilized Elation products in a woodland lightshow, at Syon House and in a laser show.

An area of the woodland was host to a son et lumiere where lighting was timecoded to Elgar's famous

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14 March 2016

More than 80 professionals attended the event, which featured a seminar, workshop, and Q&A session with White Light's technical experts. Guests were also treated to a gourmet breakfast provided by caterer Peyton Events, an approved supplier across the UVL group.

White Light's project manager Jason Larcombe and head of audio Lee Dennison each spoke on topics including lighting, audio, and video for events. The W

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14 March 2016

Creative Technology (CT) has been supplying LED display solutions to the renowned reality TV show from its inception in 2000 and has recently been reconfirmed as the supplier for the 2015 series.

For this year's celebrity series, CT is providing the LED screen displays on the side of the house as well as those on the iconic Big Brother orbit eye. Additional LED MiStrip in the catwalk and stairway is enhancing the exit for each contestant as they take on the challenge of the Big Brother House. Abstract LED built within the orbit and around the outdoor set finishes off the famed look of the show.

Mark Elliott, CT managing director, commented, "Everyone at CT is

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14 March 2016

Broadcast live on ITV and watched by a packed live audience inside the O2 arena, Dermot O'Leary lead the glittering ceremony with TV's biggest stars out in force for the 20th annual event. The evening saw Eastenders steal the show, taking home the serial Drama Award and Ant & Dec who took home their 14th consecutive National Television Award for Best Entertainment Presenter.

Contracted by NTA producers Indigo Television and working with set designer Chris Webster, Blackout installed a 30m cross stage drape backdrop that framed the large video screen, which was the focal point of the show for the TV broadcast. Additional drapes were installed to screen VIP areas and mask off the arena seats obscured by technical production positions, to create the d