If you’re looking for ways to entertain clients during the forthcoming PLASA Show then why not consider taking them to see some of the hottest shows in London. On the Monday evening we have tickets for the hugely popular Mamma Mia at the Prince Edward Theatre. The show starts at 7.30 and we have excellent seats in the stalls for £32.50.
We also have tickets for Stravinsky: The Rite of Spring which is part of the Proms Season at the Royal Albert Hall. These are for Wednesday 12th September with the performance commencing at 7.30pm. Again we have the best seats in the stalls for £35.00 each.
If you’re staying on in London after PLASA, we also have a number of tickets for the Divas at the Donmar show featuring Sian Phillips which takes place on Thursday 13th September at 7.30pm. Tickets £24.00. To take advantage of these offers simply visit the PLASA Stand (K19).
We’ve also been contacted by the Really Useful Group who have arranged a special ticket deal for visitors to PLASA for the Pet Shop Boys’ musical Closer to Heaven, which we reviewed in the August issue of L&SI. The offer applies to any Monday-Friday performance 10th September-28th September 2001 and gives visitors £10 discount on tickets that are usually £28.50 or £30.00. Call the Box Office on 020 7836 3334 and quote "PLASA Offer" or take your PLASA visitor badge to the Box Office.
Members of the Royal Shakespeare Company’s technical teams in Stratford-upon-Avon will go on strike on 15 September in protest over planned redundancies. Almost 90% of 200 members of the Broadcasting, Entertainment, Cinematograph and Theatre Union (BECTU) have agreed to the action. BECTU had previously attempted to negotiate on behalf of its members, but without success. BECTU assistant general secretary Gerry Morrissey said performances would be affected from 15 September because of the walkout by lighting staff, stage crews, wardrobe employees and technical workers.
A production of Julius Caesar is listed for that night in the midst of a season which includes performances of Twelfth Night and Hamlet. BECTU has also said that industrial action will continue after 15 September. The union says about two-thirds of technical staff at the company could lose their jobs if plans to abandon the fixed Shakespeare season at Stratford-upon-Avon go ahead. Chris Foy, managing director of the RSC, is reported by the BBC as saying: "Industrial action by BECTU members in Stratford is extremely regrettable. "Our priority is not to disappoint audiences and to continue performing in Stratford. If shows are affected, we will tell ticketholders as soon as possible." Foy said voluntary redundancy had meant it had been able to reduce the number of people affected by cuts by more than half. "We want the RSC to remain fresh and relevant to a new generation of theatre-goers," he said. The RSC plans to concentrate on its Stratford base and on tou
Stanton has enjoyed a record dance season this summer - courtesy of UK distributors, Lamba plc. Its extensive range has provided the cartridges of choice at all the major UK summer festivals, including V2001, Creamfields and the Reading Festival, while the Ministry of Sound requested a selection of MP4s and Trackmasters for their European tours and the Knebworth House extravaganza in August.
Determined not to miss out, London’s leading superclub, Fabric, has also been utilizing Trackmasters, i-Tracks and 500 AL cartridges at the request of their DJs. Lamba marketing manager, Paul Bierton, told PLASA Media: "Dance venues are going Stanton crazy, and when people like Alan Green, Cream’s technical manager, request 21 605SK cartridges for use at Creamfields, it can be difficult to keep up with demand." Even individual DJs such as Paul Oakenfold specifically requested a Stanton DJF-1 filter for use in his Channel 4-televised show on Clapham Common, to mark the end of the Ashes cricket test series.
After over two years protracted legal action, and at a cost in legal fees alone of over £250,000, Chris Kenyon, founder of Delta Sound, has succeeded in his claim against Bob Long and Federal Signal for breach of contract and misrepresentation in the agreement for the sale of Delta's business in 1999. Damages of over £300,000 with interest, plus costs, were awarded against Federal. In addition, the judge awarded punitive indemnity costs against Federal. The case arose as a result of the terms of the sale which valued Delta at £500,000, to be paid for on the basis of commission payments over three years. Federal denied that such an arrangement had ever been agreed.
Full story in the October issue of L&SI.
PLASA 2001 will see the official release of LightJockey 2.0, an upgraded version of Martin’s popular Windows- based lighting controller. LightJockey 2 incorporates a host of useful upgrades including a new PCI card for increased PC interface capabilities (also USB and PCMCIA interface options.
Windows 2000 compatible, other new features include a Solid Beam Virtual Visualizer, a high quality visualization simulator capable of creating realistic, solid, 3D beams. Visually accurate and easy to understand, the simulator allows you to create virtual visualizations off-site. For more flexible music capabilities, LightJockey 2.0 interfaces with Winamp to play a multitude of digital audio files including MP3. LightJockey 2.0 includes audio CD ROM capability as well. It also supports SMPTE and MIDI timecode with suitable interface. And a new show-saver backup feature ensures that shows won’t be lost.
Martin can be found on Stand E54/E56
One of the community highlights for visitors to the recent Edinburgh Festival was the opportunity to attend a free festival in the beautifully-raked 2,000-seat bowl in Princes Street Gardens. The event, which ran daily through to 9pm, gave appearing Festival fringe acts the chance to preview their work in a series of short showcase ‘tasters’ on the main stage. This was interspersed with Worldart Media’s own productions and concerts. The 22-day event was manned by volunteer students looking to learn all aspects of staging a show, under the auspices of event producer, Richard Hamer, and event stage manager, Claire Palmer.
In the case of Screenco, who lent its support for the fourth consecutive year with a 4 x 4 Saco 15mm pixel pitch display, it gave its screen and camera engineer, Jon Baverstock, the chance to give hands-on experience to would-be technicians - many of them photographers looking to progress beyond the ‘stills’ domain.
The initiative was directed by Ian Murray, whose company Festival Revue 2001 Ltd, rent the bandstand from Edinburgh Council. With support from major sponsors, Telewest and BT Broadcast Services, this is now the largest arts broadcast in the world, and next year will feature on the net and broadband TV (as well as Telewest). In addition to the i-mag display, Screenco provided a four-camera PPU (broadcast-quality, industry-standard DW-30s) with widescreen capability, and additional feeds were provided by three video players - and a camera mounted on a balloon. BBC Radio 3 and the local Radio Forth also took feeds.
Blackburn-based Romers Electronics has specified and installed a custom-designed sound system for the new and existing stands at West Bromwich Albion Football Club. With safety issues and life-safety systems in football grounds and sports arenas top of the agenda, the need for high-level quality, reliable sound has never been greater. Audio systems are also being utilized for the increasingly popular phenomenon of pre and mid-match entertainments.
The requirement for a high quality entertainment system in addition to the safety requirements resulted in the design and construction of two new customised speakers by Arbiter - the AF1 and AF2 JBL-loaded boxes - which were built for Arbiter by Ad Lib Audio in Liverpool. Romers’ MD John Caton told PLASA Media: "We chose JBL components because Arbiter guaranteed the delivery in what turned into a very tight schedule - in time for the new season to kick-off."
The AF2 and the smaller AF1 full-bandwidth JBL reflex boxes are now available as part of the Arbiter/JBL product range. The potent AF2 box is optimized using a JBL 12" 2020 loudspeaker and a 2446 high frequency compression driver, designed to work together via a passive crossover network for maximum cost-effectively. 22 AF2s were supplied to the club, along with 22 AF1s , strategically located in the ground.
In its West End debut, Selecon's unique 80volt Pacific is being used to show Eliza Doolittle and Professor Henry Higgins in the best possible light in Cameron Mackintosh's new production of My Fair Lady at the Theatre Royal, Drury Lane in London. After an initial run at the National Theatre, the show, lit by top lighting designer, David Hersey, has transferred to the much larger stage at Drury Lane. With an output equivalent to a 2.5kW light, the Pacific provides the effect of sunlight streaming through the four large windows of the professor's study.
Bryan Raven, general manager of White Light who supplied all the lighting for the show, explains. "The phone call came half way through the focus period of the West End transfer of the acclaimed National Theatre production of My Fair Lady. It was lighting designer David Hersey: did White Light have anything brighter than a 750W Source Four available? Hersey was focusing the 'opening curtain' toplight window gobos for the show: four lanterns fitted with DHA's new YoYo+ indexing gobo yoyo and glass window gobos. On cue, the yoyos are used to slide gobos with a curtain edge profile across the glass window gobo, creating the effect of curtains being opened. With the lighting rig for the Drury Lane version of the show consisting largely of 750W Source Fours, the effect somehow just wasn't cutting through. But the requirements were slightly more complicated than just a brighter lantern: any replacement also had to offer a cool gate in order to protect the yoyo and gobos from heat damage."
White Light arra
An alliance has been established between ultraviolet lighting manufacturer and scenic production firms Wildfire and UV/FX. The agreement, which commences immediately, calls for UV/FX to handle all of Wildfire’s scenic design and production, while UV/FX will exclusively utilize Wildfire’s ultraviolet lighting fixtures, lamps and other creative materials on all of its projects.
"Over the years, Wildfire has helped create some of the most dramatic ultraviolet scenic productions at destinations and events all around the world. Working with UV/FX, we will be able to expand our scope of services while continuing to create the innovative ultraviolet lighting systems that the industry has come to expect from us," said Wildfire vice president John Berardi. This new alliance also reunites UV/FX president Richard Green and creative director Kent Mathieu with Wildfire, the company Green helped found back in 1989."“UF/FX is excited about this arrangement, as we know first-hand how well Wildfire’s UV lighting products bring ultraviolet scenic productions to life," said Green.
UV/FX has built its reputation providing design, art direction and painting capabilities for ultraviolet-based scenic backdrops, murals, sets, stages, costumes and practically any other surface for music, film, stage, club, architectural and themed entertainment projects worldwide. Since 1989, Wildfire has been providing the entertainment industry with ultraviolet lighting fixtures, ultraviolet sensitive paints, creative materials, and scenic art for the creation of s
For the first time PLASA is running an on-site clinic at the PLASA Show to lend useful business support and advice to member companies exhibiting at the event. This new initiative, which will also see the launch of a new health-related service, is aimed not only at existing PLASA members, but also at prospective members who can learn for themselves the advantages to be gained from using PLASA services. During the course of the Show, representatives from the Association's range of service providers will be on hand in the PLASA Clinic to answer questions and assist members. Services available include the following:
Telephone Interpreting Service provided by Comunicado: interpreters specializing in over 100 languages. Cost is charged per minute, less than half price to PLASA members.
Legal Advice Service provided by Sherman Phillips: advice on intellectual property, contract, leasehold matters and company matters. Free 15 minutes of advice per call. Solicitor will advise if any costs to be incurred.
PLASA Insurance Scheme provided by Allan, Chapman and James: single comprehensive policy with wide range of benefits including exhibitions, full theft cover, samples and spares, financial loss etc. Further policies include medical insurance, stakeholder pensions. Preferential rates for UK company members.
Human Resources provided by CP Associates: professional advice on human resource issues including terms of employment, pay reviews, redundancy etc. Free service to eligible members.Business Financial Reporting Service provided by Dun and Bradstreet: financial reports evalu
Metro Broadcast led the UK by providing state-of-the-art High-Definition multicamera equipment into Europe, on Saturday 11th August 2001. Produced by Done and Dusted and staged at the Mungersdorf stadium in Cologne, Germany, the Robbie Williams concert was captured using 15 Sony High-Definition cameras following Metro’s success in supplying the UK’s first ever multi-camera High-Definition shoot to an S Club 7 concert earlier this summer. Metro sourced six of the camcorders from the Continent using its global agency, Eurocrew Worldwide, whilst obtaining the other nine from various hire companies in the UK. Having managed the first multicamera High-Definition shoot, the main challenges were logistical. "10 camcorders from one country was exciting in itself, but 15 spread over four was certainly a challenge," reveals Mark Cox, facilities director at Metro. "There were also a few extra toys on this shoot, including an Akela crane and 300’ cherry picker to add to the excitement of the rig," adds Cox.
This highly mobile and compact 2.2 million pixel acquisition and recording solution offers superb picture quality efficiently packed onto a half inch tape. "As an alternative medium to film, High-Definition is a very strong competitor to 16mm at the moment and certainly more flexible," states Celia Blaker, producer at Done and Dusted. The concert will be post-produced by The Farm for release on DVD and video at a later date.
Four days of events will mark the public opening of the world's first rotating bridge. The Gateshead Millennium Bridge links Newcastle Quayside with the new arts and leisure developments on Gateshead Quays - including BALTIC the Centre for Contemporary Art, which opens next year, and the Music Centre Gateshead, where work has already started on the new international centre for music performance and education. The £9.7 million lottery-funded project will be officially opened on Friday September 14, the date for the first public showing of its high-tech lighting system. This will be followed by a weekend of unique live musical performances - staged by music north, the producing and presenting arm of Music Centre, Gateshead.
Lighting distributor Fourth Phase in London was chosen to provide additional projection equipment for what was the culmination of U2's Elevation Tour, which played to fans at the specially constructed 80,000 capacity arena at Slane Castle, County Meath, Ireland, on August 24 and September 1.
U2's regular show designer Willie Williams and lighting director Bruce Ramus worked with the band to create a simple background to complement the mega group’s performances. Working closely with head of projection Anne Johnston, Williams chose Fourth Phase in the USA to supply products for the duration of the world tour: initially the design used four projectors but, due to the greatly increased size of the audience at Slane Castle, Fourth Phase London was asked to supply an additional four projectors.
Integral to the production, the E/T/C Audiovisuel PIGI projectors were used to project abstract images (the work of acclaimed Irish artist Catherine Owens, and a team of English artists) and to alter the atmosphere and colour temperature during the concerts. In line with worldwide ticket sales for the tour, over 200,000 tickets for all eight of U2's UK shows sold out within hours of going on sale in March. Ticket sales for the Slane Castle concert sold out in under an hour, and left thousands of U2 fans disappointed. Subsequently, special permission was granted for the band to put on a historic additional performance on September 1. The culmination of the Elevation Tour at Slane Castle marked the band's first concert appearance in Ireland in four years and the 20th anniversary of
Capitalising on recent installations such as the Core in Yeovil, The CC Club in Piccadilly, London and Toxic8 in Cambridge, custom neon specialists Simply Neon are expanding in several directions. Within the space of a month, the company has appointed a new general manager, moved into a new, expanded UK base in Staines, Middlesex, and is opening a European branch based in Portugal. Simply Neon’s so-far buoyant 2001 continues with the appointment of Phil Kendrick as the new UK-based general manager while managing director Tony Newman opens a Portuguese office, aimed at developing new market opportunities in Europe. Originally trained by Hoover as a toolmaker, Kendrick has enjoyed a varied international sales and marketing career spanning many areas including garden building and the surveillance/security industry. Kendrick comments: "It’s great to be onboard with Simply Neon. The company has an impressive track-record in a very specialist and interesting area."
Tony Newman, meanwhile, is setting up the Portuguese office in the Algarve. "The southern Mediterranean climate and their full-on attitude to leisure time means there’s plenty of potential there," explains Tony. "It’s a great opportunity to expand our whole European operation, and obviously, this will be much easier being based on the spot."
The new building in Staines offers more space and facilities and is ideally placed for easy access to the country’s motorway network. Simply Neon’s sales operation had expanded rapidly in the last two years, maki
RCF/Mackie has been responsible for the design and supply of a sound system for the new Terminal A at Rome’s Leonardo da Vinci airport at Fiumicino, based around the company’sRX-3000 programmable matrix system.
The new Terminal, built at a cost of ITL 125 billion, is 170m long, 80-100m wide and 20m high, with a covered surface area of 55,000sq.m. It replaces the temporary building constructed in 1997, with the aim of comfortably accommodating more than 12 million passengers a year who use Fiumicino for domestic flights and who, according to recent estimates, are due to grow to 17 million by 2005.
RCF’s association with Rome’s airports stretches back around 25 years, to when the company first started supplying sound equipment to both of Rome’s airports - Fiumicino and Ciampino. One figure that the audio team from Reggio Emilia (home of RCF and now Mackie Designs Italy) is proud of is that, over the years, RCF has supplied more than 10,000 loudspeakers to Rome’s airports.
The building’s designers, CEA (Consorzio Engineering Aeroportuale), appointed ELCA - a long-established Rome-based installer and Mackie/RCF’s agents in the area - to produce the sound system for the new terminal. As with all large contracts of this type, the local agent worked closely with the technical team back at RCF, which was headed up by Antonio Ferrari. Together they produced the project specifications to provide solutions to the inevitable environmental problems. In the case of Terminal A, the main problem was the variation in ceiling height throu
Chainsaws, angle-grinders, axes and flame-throwers - just some of the impressive weaponry being demonstrated by participants in this summer’s Robot Wars tour.
Thousands of eager fans were treated to over two hours of destruction and mayhem, all carefully choreographed by director Hugh Wooldridge. "It’s an amazing mix of old and new cultures," he explained. "We’re acting out the ancient idea of gladiatorial combat, but with cutting-edge robot technology. In fact, almost the entire show is controlled - our job is to make the audience think that it’s not.
Even under controlled conditions, the sheer power of the robotic stars of the show (some of which weigh in excess of 150kgs) meant that humans were excluded from the combat area. "Not only do we have to keep our distance from the action, but we’re also shooting through thick Macrolon screens," revealed video director Raurie MacPhie. Fortunately for MacPhie’s camera operators, Macrolon is not only bullet-proof, but is also used as a shield by bomb disposal experts. "We have to watch the cameras’ iris controls almost as closely as their focus. Close-ups, especially, are a nightmare because of the visible scratches on the screens - and of course the kids all want to see big shots of the damage being done!" MacPhie included a single truss camera in his arsenal (all supplied by XL Video), alongside handheld Sony D35s, a standard XL SDI digital PPU and a three-screen projection rig.
Sound reinforcement for the tour was provided by south London-based
Firepower is the new Royal Artillery Experience, set in the historic buildings of the Royal Arsenal on the River Thames at Woolwich.
The attraction was designed by Event Communications, whose main challenge was to overcome people’s discomfort with the reality of war. They tackled this by highlighting the role in the fight for democracy and freedom played by the armed forces, especially the Royal Artillery, which has been present at all major theatres of war involving the British Army over the last 300 years.
The centrepiece of Firepower is the ‘ground-shaking’ Field of Fire - a spectacular multimedia presentation that recreates what it feels like to be in the middle of a real battle. On entering, visitors are surrounded by various pieces of artillery. Suspended above these are four 5m wide front projection screens. Projecting onto each screen is a Barco 6300 LCD Video Projector with the video sourced from an Electrosonic MPEG2 Server. Overall show control is from an Electrosonic ESLINX show control system, and there are 36 channels of dimming using Celco Fusion dimmers. The audio system, designed by Peter Key, uses Crown amplifiers and EAW loudspeakers with a Bose Acoustic Wave Cannon, Bose 402C controller and 2600 V1 Amplifier.
The historic site is being opened up to the public for the first time since the Regiment’s establishment in the early 18th century. Four listed buildings are being renovated in order to house the collection, including Europe’s oldest Military Academy.
Victoria Park in Hackney, East London, exploded into life in June as legendary French pyrotechnic artists Groupe F performed their high-energy Garden of Light spectacle - with live fire and music.
The result was an unforgettable incendiary experience; Groupe F used the park environment as a backdrop, filling the surrounding space with sparks, flames, bangs and flashes - as well as a colossal jet-flamed Catherine wheel. Groupe F’s relationship to fire and ‘fireworks’ is certainly not a classical one. The show opens with an alchemist character,stoking and playing a ‘keyboard’ of fire - and just as alchemists changed the properties of real substances, Groupe F transformed fire into water for the finale of the 45-minute show.
Thousands crammed into the park to enjoy the two nights of free performance, part of the month-long London International Festival of Theatre (LIFT). Groupe F are a team of professionals from all areas of performance - engineers, actors, show technicians, composers, directors and producers - who work collaboratively to produce multimedia visual and sonic works based around fire - real fire! Cristophe Berthonneau and his ‘fire instigators’ work internationally on a huge variety of events. Recent credits include the closing show for soccer’s 1998 World Cup in Paris, the closing ceremony for Expo ‘98 in Lisbon and the stunning Millennium Eve fire show on the Eiffel Tower in Paris. Berthonneau explains that Groupe F first performed at the LIFT festival in 1995 where they created a fire show on the Thame
Event design company, Beautiful Neptune Design, turned a crisis into an opportunity after an office break-in earlier this year left the company without computers and software. The company, a partnership established in 1995, offers lighting and set design, technical drawing and visualisation for live events, performances and exhibitions to producing companies.
Company director Steve Hicks decided to turn the situation to his advantage by investing in new IT equipment. Clients can now expect greatly reduced modelling and rendering times during design development and final presentation. Through the use of ‘bi-directional drawing linking’ and parametric modelling, designers will be able to easily manipulate and modify elements in a 2D or 3D environment.
grapevinejobs is a new internet jobsite, designed exclusively for professionals in and around the broadcast, film and music sectors. The site launches on 6th September 2001 and aims to become the destination of choice for jobseekers and employers in those sectors.
Created by specialist recruitment consultants, Searchlight, the service will be free for jobseekers, with only a minimal cost to advertisers. A year in the making, the site can filter out jobs that aren’t likely to be of interest to a particular user and will monitor new job postings and send an e-mail alert if a relevant job comes in.
NHL Hockey Team the Nashville Predators have purchased a Fat Frog console from Zero 88 through local dealer Bandit Lites in Nashville. Jimmy Corn of the Predators, whose home stadium is the Gaylord Entertainment centre in Downtown Nashville, specified the Fat Frog after an exhaustive process of looking at different consoles and decided that the Fat Frog "offered the best bang for buck" and "the most features in the price range". The console is running eight Martin Pro MAC 2000s, four High End Systems Cyberlights, a host of special effects and conventional lighting. The main focus of the effect lighting is pre-game and intermission entertainment, and for highlighting each goal when it is scored. A concern of Corn's and the rest of the lighting team was that their new console be easy to learn for inexperienced operators, but still be powerful enough to perform edits on the fly. Being used for up to 42 games a year, reliability was a key concern and as it will also be made available to incoming acts and shows its user-friendly interface made the Fat Frog a natural choice.
On August 20th, TMB’s Los Angeles staff held a monkey installation ceremony to celebrate the signing of the lease on the company’s new international headquarters. As part of the celebration, TMB’s signature surf monkey statues were placed on the building’s rooftop, making the new home official. The newly-built headquarters is a 40,000sq.ft facility, overlooking the Hansen Dam Golf Course in Los Angeles’ San Fernando Valley. The building is located approximately 10 minutes from TMB’s current Burbank location. Over 8,000sq.ft of customized office space, plus training rooms and a fully-featured demo/showroom are currently under construction. The 32ft high shop area will contain over half a mile of small parts shelving, plus space to house over 1,000 pallets on a VNA (very narrow aisle) pallet racking system, using a digital, wire-guided forklift. Additionally, the shop will feature two cable assembly workshops, a machine shop and a fully-equipped electronics shop. The company is leasing the building from TMB CEO, Colin Waters. TMB is a value-added distributor of entertainment lighting equipment, supplies and services and has been serving the professional lighting industry for over 18 years. TMB has warehouse facilities in Los Angeles, London and New York.
PRG ran its annual Used Equipment Auction in July. The event, a joint effort between two PRG companies - Fourth Phase and ProMix Electrotec - sees hundreds of items going under the hammer. Fourth Phase inventory featured miles of cable, dozens of intelligent moving head units, and hundreds of Lekos and Par cans, while ProMix Electrotec offered professional sound reinforcement mixing consoles, power amplifiers and loudspeaker systems. Bill Groener, north-east regional vice-president, told PLASA Media: "There is tremendous interest in professionally-maintained equipment that is being sold from our rental inventories. Intelligent buyers have figured out that they can stretch their budgets through the acquisition of this kind of gear. By turning over our rental inventory to these savvy buyers, we are able to purchase new gear to offer our rental clients." PRG is also running a used lighting equipment sale at its Fourth Phase offices in Las Vegas from 5-7 September. For more information, contact either John Monaco or Pat Little at +1 (702) 942 4667.
The White Light Group will be returning to its regular location on stand F4, just inside the main doors of the exhibition hall. The familiar White Light bar will be back - and this year the company will be in party mood, as it celebrates its 30th birthday! It will be sharing the party with younger members of the White Light Group, including The Moving Light Company, The Service Company, Enliten, Modelbox and Colourhouse.
On show on the stand are a selection of products for which White Light is the exclusive UK distributor. This will include the complete range of Robert Juliat followspots, including the new Marius 1.2k followspot which is a nominee in the PLASA Awards for Product Excellence, as well as smoke and haze machines from Look Solutions. White Light's new adjustable and fully-rated LOLER Lighting Ladders will also be on show, holding the latest addition to The Moving Light Company's stock: the VL2202 spot luminaire and VL2402 wash luminaire from Vari-Lite. The White Light Group stand will be lit exclusively with lighting products from Enliten, the Group's specialist architectural lighting company. Products in use include the highly-popular Enliten Exhibition Par, a 575W MSR version of the ETC Source Four Par, the Callisto exterior spotlight and the award-winning Source Four HQI.
Representatives will be present on the Enliten stand next door, which will also feature a Smartcar to demonstrate just why Enliten's products have become so popular with those who have to light automobile trade shows!
More importantly, as well as celebrating its birthday, the White Li