"Smartphone penetration figures in the Middle East exceed the global average making this an ideal market for this solution. For companies, it is an extremely cost effective means of connecting with their audience and also exploits the fact that users are far more comfortable leveraging their own devices as has been proven by the BYOD trend," said Mig Cardamone, director of sales and marketing at S
The interdenominational Bay Community Church holds a Saturday evening and two Sunday morning services - which are live streamed on the Internet - at its Malbis campus, plus entertaining First Wednesday events known for their high production values. The church also has campuses in Mobile and Foley, Alabama.
ESB Group of Springville, Alabama designed and installed the AV components of the new worship centre. ESB designs and builds unique media experiences from start to finish using leading-edge audio, video
"I've been involved with the K-LOVE Fan Awards since its inception three years ago and the design process for the show is all about function as opposed to form," began Moore. "There are a lot of specifics that we have to accommodate such as the production schedule of the Grand Ole Opry that we must work around, the artistic desires of the 20 bands that will be performing, , and
Barr, with his intricate understanding of production, together with Mike Chapman, meteorologist at the National Centre for Atmospheric Research, have created Perfect Storm. Designed to educate, advise, and implement weather safety procedures for any live event, their team is dedicated to changing the way the entertainment industry approaches weather.
Perfect Storm offers a direct approach to the needs of each client. With radar coverage around the world, a tactical weather strategy is created for accurate, down to the minute weather warnings. Providing summari
When Lancaster University - one of the UK's top 10 universities - approached local event management and production specialists Arranpaul Audio with the task of supplying, designing and executing the 2015 graduation ball, Head of Lighting for Arranpaul and LD for the ball Oliver Wilkinson were all too keen to utilise Arranpaul Audio's vast array of Chauvet lighting, particularly the new Next NXT-1 moving RGBW LED panels from Chauvet Professional.
"I have always been a C
Commissioned by the band's lighting designer Squib Swain, the screen is based on the vibrant album artwork for their debut offering Communion. The striking image comprises lines branching and intersecting at different angles from a central 'Y' shape.
"As the album artwork is such a strong visual image, it was fairly obvious we had to create some sort of 3D version of it for the live shows," says Squib. "Light Initiative created a unique set piece that turned my vision into a reality. It makes such an impact with the crowd."
Light Initiative expanded the album cover outwards and extrapolated the lines to create a wider screen that
The Brindley's success can in large measure be attributed to the innovative, forward-thinking ethos of its team. In 2014, in keeping with its dynamic approach, its management team took the decision to address a number of technical issues at the theatre that required attention. At the top of its agenda was the theatre's tired and increasingly unreliable house lighting system. A few years before, to its great satisfaction, the theatre had replaced its backstage blues lights with GDS BluesSystem and following a meeting at The PLASA Show, invited GDS to design a house lighting system that would resolve all its issues. Northern Stage Services (now Nati
Having completed the launch of the Puma Arsenal Home Kit in June, innovision was tasked with creating another experience that was 'Powered by Fans'; using local supporters from the region as a key ingredient to energise the big reveal execution.
innovision designed a giant 5m high 3D torso as the centrepiece of the stage, set against a 15m x 5m LED wall. Hundreds of local fans sang a classic Arsenal away chant to power the countdown to the launch before a graphical 'lightning storm' struck the LED walls. A projection mapped sequence gradually revealed the new kit, stitching the new shirt to the torso. Completing the launch, 10 Arsenal first team
Following an initial winter leg in arenas and theatres, the band's current summer tour is playing outdoor venues across Spain. Lighting, sound and visual equipment for the tour, including the Cuepix Panels, is being supplied by PRG of Spain.
The three light crosses make up the set's visual overhead focus, each cross mounted on an individual cross-shaped truss structure and made up of 13 Cuepix Panels (39 total). Part of Elation's Cuepix Series of LED blinders and strip
Koert Vermeulen worked alongside creative director Marco Balich of Balich Worldwide Shows and architect Florian Boje from Gio Forma Architect for the project, specifying the award-winning Clay Paky fixtures from rental house Agorà. Located on the Expo site in front of the Italian Pavilion, The Tree of Life serves as a centrepiece and meeting place throughout the 6-month event, with the light show repeated twice daily to entertain visitors.
"The Feeding the Planet, Energy for Life theme of the Expo is reflected in the light show," explains Vermeulen. "It evokes the relationship between man and nature and the Mythos play a particul
Central to the backline were 36 ProCan Par 64s, with custom finish turned around in record time by TMB. Six rows of six ProCans, at 1000W each, could be seen by a Glastonbury audience of over 100,000 from any location at the world's largest greenfield festival.
Also across the backline a large 'kinetic wall' of mirrors, made by Jeff Wickley, was agitated to great effect by 20 DMX-controlled ProFan wind machines. Built into the stage risers was a Firefly LED festoon system with clear Filament versio
The lights - three MiniMes and seven LEDBeam 100s - were specified by Tom Griffin of Griffin Automation OSF and are installed in the centre of the venue. Their small size and unobtrusive design is a perfect blend with the classy high-detail style and vibe on display at Haven.
The Robe units were recommended by David Chesal, who was asked by Haven's technology director Ricardo Agudelo to provide a fresh, new, contemporary lighting scheme that offered something different and interesting for Haven customers.
"They were abs
Posh, the production manager for The Rabbit Hole, explains that "our music is primarily house-based dance, and we have live bands with DJs in between, so the sound system is integral to the success of the venue. Nexo's STM set-up looks as though it's not going to do that much but, when you turn it on, it does an awful lot."
Set up as a quad system, STM modules were groundstacked in the corners of the venue. Each stack comprised
Led by Clare Scherer, assistant director at the RNRMC, the day featured a dinner provided by Chamberlain's of London with guests entertained by the RMA Jazz Trio followed by a performance from All That Malarkey cabaret group. Clare comments: "We wanted to host an event which would not only raise funds for the charity but would also be highly entertaining within a unique setti
While 14 of the G-Spots, provided by HSL, graced the main stage (seven on each PA wing) elsewhere the scramble was on to secure inventory, in particular, for the popular and award-winning P-5 washlight.
Main stage lighting was supplied by Neg Earth, and with The Who headlining, their LD Tom Kenny, had nothing but positives to say about G-Spot. "I was impressed with its power, and the way it fought through everything else. I also loved the colour and they matched the other fixtures well."
Enlightened Lighting's Simon Marcus was one who drew on the P-5s to
Production audio - as well as lighting - is provided by Nashville-based Morris Light and Sound. Working with Chesney's front-of-house engineer Chris Rabold, they have pioneered the use of Nexo's STM Series modular line array to deliver in such large venues.
The 2015 Big Revival Tour marks ML&S and Rabold's second outing with Nexo. Chesney's regularised tour schedule - playing many of the same venues, with the same crew and the same rental provider - has provided near-scientific conditions for judging the development of Nexo's radical modular
Not surprisingly, thousands of people from throughout Southern California decked for the most part in lavish red, white and blue stream into the park every Fourth of July to take in the city's largest rooftop fireworks display. This year, in addition to the pyrotechnics, a collection of 20 Next NXT-1 panels from CHAUVET Professional also tickled the eyeballs with an intensely bright and fast moving lighting display.
Kinetic Lighting of Glendale, CA positioned the moving LED panels on the truss structure at one of Grand Park's two music stages. Powered by 25 pixel-mappable RGBW LEDs, and producing razor sharp beams with an illuminance of 22,780 lux at 5 meters, the Next NXT-1 had
Grönemeyer's music and message for this tour is straightforward and uncomplicated, so Gunther's design was based on the Bauhausian principals of simplicity with clean lines and clear definition, all the time keeping the understated - and sometimes reluctant superstar - as the focus onstage.
The six pods (in the full rig format) are initially in their 'home position' in the roof and move to various different looks throughout the show - completely changing the dynamics of the stage space and also creating an impressive high-impact wow factor. The first time they come into their full vertical positions
The concept for the LED screen was the idea of Years and Years lighting designer Chris 'Squib' Swain. It reflects the cover artwork for the band's debut album Communion, with coloured branches of LED strips intersecting at different angles from a central 'Y' shape.
Years and Years have played some of the summer's biggest festivals, including Glastonbury, BST in Hyde Park, and T in the Park.
London-based controllable LED specialists Light Initiative created the screen. It is freestanding at almost 5m high and constructed in sections of LED which makes it easy to install, dismantle, and travelwith short festival turnarounds in mind.
"Avolites' Ai Infinity EX8 can take an LTC timecode inp
Recently, A/V integration firm TSI Global Companies, based in St. Charles, Missouri, designed and installed a comprehensive music playback, paging, and sound masking system for the student centre. The new system covers all three floors via 18 zones from a centralized location, but because TSI used Ashly Audio network- and CobraNet-ready multi-channel amplifiers, it required only minimal cabling.
"There were a few spaces, such as the bookstore and a few of the other retail
By allowing companies the option to hire without corporate memberships, this means that the National Gallery is opening up its Central London spaces to a wider range of clients than ever before. Alicia Earls, White Light's business development manager, comments: "The National Gallery is such a historic and renowned venue so this is a really exciting development. It will see more organisations use their amazing spaces and, as a result, ensure that the events they host will be elevated by taking plac
Ben Lightowlers, head of sound at Sydney Theatre Company's Wharf Theatres, had been looking for almost two years for a digital replacement for their aging wireless comms system, but kept coming up against the recurring problems of sound quality and digital signal latency. "There were teething problems in digital wireless technology," he related. "Latency was a problem across many brands, and the audio quality just wasn't there. Latency was particularly troubling; if there's someo
Tom worked in close collaboration with a creative team including production designer Anne Brahic and art director Aaron Black. He was also assisted by over 250 Robe moving lights.
With some of the most popular country music stars taking the stage for the event plus a series of sometimes unexpected collaborations, the show was kick started with a full on DJ Zedd / Lady Antebellum set.
The CMTs present a series of fan-voted awards for country music videos and television performances, broadcast live on the CMT network with voting administered via CMT's website.
This year Tom chose 93
Monitor engineer Ed Janiszewski has been mixing for Luke Bryan since 2008. From Bryan's time playing honky-tonks to today's massive stadium and festival gigs, the 2MAX has been a constant for both. "We're huge fans of Sensaphonics," says Ed. "The sound quality of the 2MAX is outstanding, and they are the most comfortable in-ears out there. Luke never wants to go on stage without them, and I feel the same way."
Another key benefit for Bryan is the high isolation of Sensaphonics all-silicone construction. "Luke does part of his set on a
