Live and Licking - The Grateful Dead have given what they say will be their last group performance in front of 70,000 fans, some in tears, in Chicago.The four surviving members of the band ended their 50-year run this weekend with thr
Jim Colson, production manager at Kennedy Street, states, "Both Frankie Valli & The Four Seasons and Gladys Knight are absolute icons in the music industry. The fact that they are both still in such demand after so many years indicates the impact their music has made and how their already huge fan-bases continue to grow&q
The event's AV, lighting and ground support contractor was Planet Service of San Marino, whose audio team consisted in Alessandro Saudelli (audio chief, responsible for the system's design and fine-tuning), Emanuele Vischi (sound engineer and PA man), Francesco Passeri (mic tech and PA man) and Edoardo Michelori (PA man).
Saudelli explains how the team faced the venue's infamous acoustics (the domed ceiling and extremely reverberant environment are many a sound engineer's nightmare), ensuring excellent sonic quality for the 8,000 attendees.
"Our brief was for a central stage, to exploit the venue's entire capacity. This, plus the fact that the rig couldn't be flown, meant we had to opt for a ground support format, with consequ
The two Silicon Valley shows were a landmark occasion with more than the 60,000 devoted Deadheads in attendance each evening. It was also a milestone in the band's decades-long association with Meyer Sound CEO John Meyer, a relationship spawned from a shared passion for audio experimentation and audience experience. The Grateful Dead's original sound engineer, Owsley "Bear" Stanley, first tapped Meyer to create acoustic solutions for the legendary 'Wall of Sound' system in the 1970s.
The Meyer Sound Leo system with its accompanying 1100-LFC low-f
Designed to perform with the clarity of a studio monitor in live and installed sound situations, each StudioLive AI enclosure delivers a remarkable 2000W of power. All units are based around PreSonus' 8" Co-Actual driver - which delivers accurate high and mid-frequency reproduction - with woofer configuration and frequency response being among the distinguishing features between models.
A total of five 328AI speakers - with their 3x8" driver design - and a single 18sAI subwoofer were specified for the project by Belgravia-based
Analog Way, based in the Midlands and Central London, provides high-end projectors and professional display equipment for exhibitions, conferences & training seminars. Paragon Projection is adding Analog Way's LiveCore series of Premium Presentation Mixers to their inventory. Several Ascender 16-4K and Ascender 48-4K units will be available for rental from 1 July.
Mark Davies, sales manager at Paragon Projection Ltd states, "We have been looking into investing in high-end switching equipment for a while now and when Analog Way launched their LiveCore series we realized it was the perfect solution. One of the key factors' when making our decision
tn.jpg "Oliver Driver, Audio Alliance and David Kelland, EM Acoustics")
Audio Alliance specialises in providing innovative solutions to their clients in a number of market areas, from conferences to international launch events, theatre and broadcast. The company already has a thriving rental department and is currently developing a sales side to the business with selected products and clients.
Audio Alliance's MD, Oliver Driver explains. "We've had a long-standing relationship with Ed [Kinsella] and Mike [Wheeler] that goes back over 10 years. We have always liked their products and specified them where appropriate. Indeed, the sight of Ed's Landrover piled high with new speakers for us to
Creative director, Kim Gavin, has devised a show that involves a high degree of theatricality with acts, including aerial stunts, taking place across a large set, designed by Misty Buckley, that loops out into the arena from a multi-level dynamic main stage.
Lighting designer, Tim Routledge was briefed to produce a design with "a very theatrical look, but with a huge pop punch over the top". His enormous lighting rig contains a large number of powerful moving light fixtures and LED video screens. Routledge therefore needed followspots that would punch through the sheer amount of lighting and video and cope with the long throw distan
CUE kicked off with a keynote address by CEO Fred Foster, in which he talked about the growth of ETC over the last four decades, and the company's focus on customer service and product innovation. Foster also unveiled new products, including the affordable ColorSource Spot profile LED luminaire and console programming wings that will officially debut in July.
Josh Allen, an award-winnin
Ridley's attractive auditorium is well designed for dramatic performances and musicals with a large stage and modern technical and lighting systems. Unfortunately, the original audio system was poorly designed and installed. Its loudspeakers were suspended above the acoustic clouds resulting in numerous dead spots, poor vocal clarity and muffled music quality.
In early 2015, after several unsuccessful repair attempts, the school asked Clear Sound, Inc. of Yeadon, Pennsylvania to propose a system upgrade.
Clear Sound's Chris Hughes designed a new loudspeaker system using three Community I Series model IP8-1152/96 loudspeakers su
Lush Cosmetics first appeared on high streets throughout the UK in the mid 1990's. In the ensuing years, the organic beauty merchant has carved out a reputation for quality handmade beauty products, all the while upholding the ethics-conscious principles of fair trade and protecting animal rights.
In celebration of this 20-year milestone, Lush Cosmet
"It's a big space, and we needed to fill it with musical, intelligible sound," said McLeod. "Clarity is everything, and Danley has a proven record of delivering products that are well-articulated and powerful. We gave them a left-centre-right system that would convey all of the excitement and invite all of the immersion that their energetic services deserved."
At the front end, two Yamaha CL5 consoles paired with two Yamaha R
"The NEO lighting control console has been proven to be a powerful and easy-to-use lighting control system and we are excited to now be expanding its power and control even more," said Bobby Harrell, Philips Strand Lighting product specialist. "With the addition of the Submaster and Playback Wings plus the Playback Controller, the NEO family now offers more control options and innovative control technologies for whatever type of production or light
Confirmed sponsors include Meyer Sound, Solid State Logic, Yamaha Commercial Audio, Audio-Technica, Professional Sound Magazine, KV2 Audio, Erikson Audio, McGill University's Schulich School of Music, Gerr Audio, SMAART, Solotech, Flex Acoustics, DiGiCo, Ashly Audio, Shure, Tanno
All V-MAX Series cabinets are in birch, heavy duty coated with weather resistant polyurea paint. Free from spurious vibrations, they offer a reinforced construction at the highest levels in the professional market.
"The V10 mid bass transducer is designed to provide an excellent frequency response linearity with very low distortion. A very strong magnetic structure guarantees dynamics and precision, whereas a new and unique 2.5" voice coil design provides a very high power handling."
The V6 is the smallest member of the V-MAX family and is a flexible and powerful tool
Working alongside the show's producers, White Light expertly recreated lighting designer Paul Collison's original vision, whilst making subtle adjustments to suit the logistical intricacies of each venue. The highly ambitious project incorporated 100 different performers, including t
CAL was selected for the venue after Ian Hawes, the school's theatre manager, and Jonny Burns, head AV technician attended a convincing demonstration. "We listened to the sound quality, saw the slender profile, turned to each other and said, 'This is exactly what we need for the Great Hall,'" recalls Hawes. "The system is in constant use, mostly for speech but also for pre-recorded playback, and occasionally for singing voices or fo
The fixtures were part of a lighting design by Toni Amoros for the event staged at the Estadio Nacional de Chile in the Chilean capital, Santiago. The event was attended by 60,000 football fans packing the stadium and experiencing the carnivalesque atmosphere as well as seeing Chile getting off to a rocking start in the first game, beating Ecuador 2-0.
The Pointes were positioned around the field of play and used for beams and aerial effects for which they are renowned. They were chosen by Toni for their power and brightness, for the precision of the beams and the variety of possible effects.
The event - which featured a cast of 600 actors, musicians and dancer
As part of the arena's modernization ice hockey rink equipment designer, manufacturer and supplier, Icepro OY, created a concept to integrate lighting within the stanchions supporting the rink's glass safety dividers. To realize their vision Icepro worked with Finnish A/V Integration firm, Studiotec, to develop a lighting design that included more than 940 of Martin Professional VC-Strip LED video fixtures.
The system is built into the stanchions between the glass divi
The 102nd edition of the world's biggest cycling contest will take 22 teams of nine riders - a field of up to 198 starters - over 3,360km of road, through 21 stages in the Netherlands, Belgium and France. After starting in the Dutch city of Utrecht on 4 July 2015, the tour will close in its traditional manner on 26 July, on the Champs-Élysées in Paris.
The new Euromedia OB hybrid production vehicle C42 supports 10 to 12 cameras, and is designed specifically to meet the demands of sports, variety, games and entertainment production. On the Tour de France, it will co-ordinate all the RF a
Faced with the challenge of covering enormous areas of roughly 750 x 1200 feet, Rat Sound simplified the installation by installing a Dante network to ensure robust and reliable carriage of high-quality audio across 21 delay positions. In addition to reducing the labour installation costs, the Dante audio over IP solution provided exceptional performance at the renowned music festival. The annual festival featured over 200 artists and attracts several hundred thousand fans to the desert climate of Indio, California over two subsequent weekends every April.
For Coachella, the 21 delay positions were divided between the main Coachella festival stage
The new BFMFLs join Colour Sound's stock of over 800 moving lights of which around 450 are Robe products. They will be in action all over the country this summer, helping to service an impressive run of 60 plus major music festivals for which Colour Sound is already confirmed as lighting and LED screen supplier, including We Are FSTVL, Glastonbury, Creamfields, Reading / Leeds and numerous others.
Says Colour Sound's Haydn 'H' Cruickshank, "BMFLs are starting to appear on riders. I know that any Robe product is likely to be reliable and 'a good bet' for us, and we also needed a new bright and versatile moving light for the festivals generally. The
The show's RF designer and technician, Jason Glass, principle at Clean Wireless Audio, retained by veteran touring audio provider Sound Image, used CP Beams for both transmit and receive antennas which were available to all guest engineers.
"This is my third year doing the LP field show," says Glass. "The lighting rig that encompasses the stage is a veritable faraday cage. We deploy a number of antennas up in the trussing. This configuration is designed to give the best possible line-of-sight link between the performers on stage and the antennas."
Jason and Sound Image wanted to give guest artist
Richard Godin, lighting designer for Michael Clark Company, states, "The company performed an extract from an existing piece called Come Been and Gone. There were three performances in total during the festival: one on the Pyramid Stage and two more in the Astrolabe Tent. It is extremely rare for a dance group to perform on the Pyramid Stage and I can only think of one other time this has happened."
The piece performed by Michael Clark Company w
