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14 March 2016

The combination of Adamson and the Palais des Festivals began 15 years ago when the newly formed DV2 (Adamson's distributor in France) designed a sound reinforcement system featuring Adamson Y10 line arrays for the Auditorium Louis Lumiere. The system, which is still in use today, continues to receive compliments from those that perform in the space.

Recently DV2 was called upon to design another system for the Claude Debussy Theatre, the second largest theatre, with a seating capacity of 1,068. DV2 designed a system featuring the new Adamson S Series line arrays. Dushow, one of the biggest rental and installation companies in France, was res

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14 March 2016

The controversial play, which was famously banned by the censors when it was first written, tells the story of the ambitious independent politician Henry Trebell and his plans for a bill to disestablish the Church of England.

The National Theatre's deputy production manager Clíona Ní Mhocháin approached Triple E's managing director David Edelstein to assist with the track solutions.

"We needed a smooth, silent and reliable system to achieve a swipe motion to go from an empty stage to actors' preset," explains Ní Mhocháin. "We also wanted to create an aperture to suggest the outside world further upstage that could change size and

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14 March 2016

For production designer Sooner Routhier (of SRae Productions) and touring lighting director Aaron Luke it was a case of developing easily portable, truckable and scalable scenography that was quick to rig and derig.

Sooner also lights stages for Motley Crue to Bon Jovi and it was on a previous tour with the latter that she started using GLP's popular impression X4 heads, quickly sensing the speed of the fixture and the number of beam shapes that could be achieved using the pixel patterns. "I needed a good wash light to generate effects that would give each song a different look - and GLP impressions seemed to be the perfect fit."

And so she approached long-term vendor SES from North Carolina for a simi

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14 March 2016

Robb Jibson - who serves as lighting and show designer for the tour - is using the highly advanced beam and spot light hybrid, Mythos, for effects, backlight, in delay systems and even as follow spots. With them, he projects dynamic aerial effects out across the audience, creates collimated looks and washes areas with vibrant colour.

"Clay Paky has created a really bright fixture in the Mythos," says Jibson. "It has a small footprint that's easy on both weight and power consumption and there isn't a better optical system out there in my opinion. I think its best feature is the ability to have it in a 20° to 30° beam

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14 March 2016

Feedback Show Systems is one of Germany's leading production and rental companies, with a solid reputation for excellence. The company offers a full range of production services to high-end musicals, touring shows, and corporate events, and also provides a comprehensive dry hire service.

Feedback's first project with the L500 at FOH was the touring version of Shrek - The Musical. The show involved more than 20 dancers, a large band, and over 130 different scenes. Feedback's managing director, Bernd Schmitz, commented, "Switching to the L500 was straightforward and fast. The console met all of the very complex functional requirements of the show, and the sonic improvement was obvious to everybody.

"We produce enc

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14 March 2016

Cheshire-based music consultants Genre Music, who have overseen all previous six Botanists (as well as the other venues in the operators' 12-strong portfolio), managed the installation of Martin Audio's new CDD installation range loudspeakers - specified on the recommendation of their sub-contractors F1 Sound Co.

Explained Genre Music MD, Steven Walter, "While we handle all the operators' music requirements and book their live acts, we bring in technical experts for the sound system installations, working in conjunction with several partner companies; in the south, this is F1 Sound Co."

The Whitstable-based pro-audio specialists, run by Matt Bate and Sam Liston, have long been fans of

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14 March 2016

Production manager Jerry Holcomb worked with Bandit's project manager Matt King and business development officer Brent Barrett to make the 360 degree stage lighting design a reality. "Brent and Matt always help me achieve my vision and design to actual workable rigging plots and fixture patch," said Holcomb. "We even set up a couple days at their Nashville location to pre-program and get ready for the tour."

"We appreciate the opportunity to work with Jerry each year from his initial concept through the finished product," said Barrett. "Jerry's temperament along with his experience and knowledge promote

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14 March 2016

CPL have been the event's technical supplier for the last five years, and there's always an exciting and ambitious brief to be fulfilled from production company Bright. This year their production designer and technical manager was Nick Diacre who liaised closely with CPL's PM Mike Radford.

Luminescence was the theme of this year's event, putting a big emphasis on lighting and visual presentation and treatment of the whole environment.

CPL flew a 10m diameter circular truss in the middle of the m

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14 March 2016

Lighting designer Churry Lafuente reflects Fonseca's diverse musical message in light on the artist's current Conexión tour, thanks to some help from a collection of Chauvet Professional fixtures provided by rental company Línea Estratégica.

Churry, who began designing for the international superstar almost three years ago during the Ilusión tour, created an intense, bright and very flexible rig for the multi-national tour, w

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14 March 2016

Working with theatrical consultants Bill Connor & Associates as well as Philips Strand Lighting aauthorized dealer StageLight, Rigdon was tasked with creating a more intimate relationship between the audience and the actors on stage, and he did so using 68 Showline SL PAR 155 ZOOM LED luminaires.

"During the renovation, we actually changed the configuration of the theatre which created two zones of house lighting, said Rigdon. "We were committed to using LED lighting technology for the power consumption and heat ad

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14 March 2016

Eric Janssen, Intellitix chief revenue officer, operating from the company's global head office chaired the three-day meeting, with a full day of product overview and software updates imparted by the company's chief product officer, Barna Jardany. Attending were representatives from the UK, Czech Republic, Scandinavia, France, Belgium, Hungary, Germany, the Netherlands, Spain, Switzerland, with colleagues from Canada and Brazil.

Adding to operations manager Carl AH Martin's experience working across the European live events and venues sectors in the UK are Gavin Barnard, director of partnerships (UK Intellitix) and Gareth Deakin, director of business development (UK Intellitix). Gavin's eight years combined digital a

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14 March 2016

Before making the critical decision on loudspeakers, Rotor Film held intensive comparative listening tests, with participation by management, staff, and associated independent mixing engineers.

"We invited about 20 sound designers and freelance engineers as our guests to listen to a wide range of audio samples," says Christoph Engelke, technical director at Rotor Film. "Based on everyone's listening experiences, a Meyer Sound system was the clear choice for our two top manag

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14 March 2016

AV Academy - a collection of intensive InfoComm certified courses - is designed to impart in-depth knowledge to audio professionals seeking to improve their system specification abilities for installations in the corporate AV, education AV and high-performance sound environments.

CTS accredited instructor Roland Hemming will lead classes through four InfoComm certified courses between 1 March and 13 April, 2016.. Hemming, who will be using premium products from Powersoft to help facilitate the training sessions, managed two of Europe's largest audio projects: the Millennium Dome and the 2012 Olympic Games in London.

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14 March 2016

Cour Design handles production design, lighting programming and production coordination on the tour, their first time working with the band. "We met with their management team when we first started our business," stated Gordon Droitcour, co-founder and designer along with Erik Anderson at the Nashville-based design house that can take a project from napkin sketch to full production. "We had never heard of X Ambassadors but they've been one of our most exciting bands to date."

Cour Design specializes in intricate visual designs that literally run themselves. They have developed a sy

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14 March 2016

Papers may be submitted on all electroacoustic topics including the following: Cinema Sound, Live Sound, Audio System Design, Case Studies, Environmental Noise Control of Events, Audio/Visual Timing, Intelligibility, Measurement & Evaluation, Loudspeakers and Microphones, Acoustics of Venues.

Offers of papers on any electroacoustics topic will be considered for the programme.

Abstracts (150 words) for papers plus a short biography of up to 150 words may be sent to linda.canty@ioa.org.uk by Friday 20 May 2016. Final written papers for the Proceedings must be submitted by Friday 30 September 2016.

(Jim E

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14 March 2016

Flashlight's Andy Dodd says: 'It has been phenomenal so far, although not surprising as it is a fantastic product. The technical aspects of the product, with its competitive price point is making it an attractive unit for many of our customers."

The BBC and ITV have been some of the first to invest in the new units, taking a large quantity of Skypanels to bolster their various studios. Andy has received nothing but positive feedback from staff there: "They offer everything u

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14 March 2016

Musikteater's investment in Kinesys products started around six years ago, explains technical manager Tor Futtrup, who has been working there for 13 years and initiated this move with a first purchase of 10 3.25 tonne Kinesys LibraCELL load measuring shackles and the Kinesys LibraBASIC system.

The Libra shackle pin is designed to work with the globally recognised Crosby safety

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14 March 2016

VER is already consolidating its rapidly growing, industry-recognized lighting division at DPS's former location. The new VER Light Lab is being expanded to create the most significant facility in Southern California, enabling clients to design, test, and prep systems in real time, supported by the VER engineering team, enabling even more creative solutions and a streamlined programming and design process.

VER will invest further to enhance the alr

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14 March 2016

Tipping Point is a co-commission by the London International Mime Festival and The Lowry, Salford Quays, and is produced by Turtle Key Arts. Alison King, chief executive at Turtle Key Arts, comments, "With Tipping Point, we wanted to create something extraordinary. The emphasis was on exploring the use of circus equipment yet in an unconventional manner. We were eager

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14 March 2016

Taking place across the three levels of Katowice's Spodek Arena, Dobek employed 72 Clay Paky Sharpys and 32 Alpha Spot QWO 800 to shoot intense aerial effects over the audience at the event's main stage. The festival lighting system was supplied by TSE, with the main stage operated by Dobek, Waldemar Osentowski and Marcin Kalu?ynski.

"The Sharpy is the ideal fixture for electronic dance music festivals, especially at this venue," says Dobek. "It is incredibly fast with a precise and reliable beam and is very lightweight."

Weighing just 19kg, the Sharpy produces a perfectly parallel, laser-like beam. The fixtures were spread across several automated

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14 March 2016

The model features the real life audiovisual elements and detail of the open-air performance, including the lighting rig used for the original full-scale design by Patrick Woodroffe and Andreas Kisters. The build, led by project manager Sven Hinzmann and a highly skilled team of around 40 Miniatur Wunderland designers and engineers, took eight weeks to complete.

Working off detailed spec sheets and 3D drawings supplied by Clay Paky, Hinzmann and his team meticulously built each of the models, integrating the Mythos with RGB LED controlled via DMX. There is also a functioning video element display

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14 March 2016

The turn of the year was also the go-ahead for TLT to invest in a RockLink system. On New Year's Eve it came into operation for the first time in order to provide a redundant fibreoptic network for the MA-Net between FOH and Dimmercity.

"As we are placing great value on reliability for our productions, we have been working with Rock Solid Technologies' RockSwitch Mk2 for some time. Moreover, there was an increasing internal necessity to invest in a redundant fiberoptic network", stated Helge Rabethge, technical director Light and Rigging.

"For the buying decision, it was important to us to invest in a reliable system that consists of as few individual components as possible and that is easy to

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14 March 2016

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14 March 2016

British involvement in the Expo was led by UK Trade and Investment (UKTI) with support from seven HM Government departments. The UK Pavilion was designed by award-winning British artist Wolfgang Buttress to reflect the theme 'Grown in Britain & Northern Ireland', and incorporated visual technology, interactive lighting and sound design, a 360-degree immersive speaker array and musical elements to evoke the journey of a honey bee through a series of landscapes as visitors passed through the pavil