DiGiCo’s tiny desk mixed its first official performance at NPR Music’s Tiny Desk Concerts

USA - DiGiCo’s Quantum112 compact flypack mixer – previously codenamed Pufferfish – is already being put through its paces by Ed Sheeran’s FOH engineer, Simon Kemp, and production manager, Chris Marsh.

Appropriately, the tiny desk had its first official deployment on National Public Radio’s Tiny Desk Concerts video series, recorded live at NPR Music’s office in Washington, DC. The very next day, the ‘still-secret digital mixer’ was in Williamsburg’s Domino Park in Brooklyn, New York for an exclusive TikTok LIVE performance promoting Sheeran’s eighth and latest album, Play.

DiGiCo has enjoyed a long history with Sheeran, tracing back to 2011, when Chris Marsh began mixing the artist’s early solo tours on a compact SD11. In 2017, to accommodate an ever-increasing need for more busses, Marsh stepped up to an SD7 and subsequent Quantum7, which he toured with until passing the FOH mix baton on to Simon Kemp in 2023.

“I enjoyed six years on the SD11, going from pubs and clubs to stadiums – we even did Wembley and Croke Park with it in 2015,” Marsh recalls. “But it was finally time to say goodbye to the convenience of the small console and increase my front-of-house footprint to match Ed’s ambitions for shows moving forward. This was a big change as I could no longer walk in with a mixer under my arm, it cost more on freighting, and it was a logistical consideration at festivals and venues alike. I chose the SD7 and Q7 for many reasons, but mainly that it gave me an almost unlimited opportunity to expand and handle the demands of the artist. It was the right move at the time.

“When we launched the Mathematics tour in 2022, I attempted to return to the SD11 for our launch shows in pubs and small venues but simply could not make it work. The console would not stretch to our requirements. I truly wish that I had a Quantum112 at that time, but I am so pleased that we have this option now. As production manager, it is a game-changer for being able to make Ed’s show translate into smaller venues, offering quicker turnarounds and cost-effective freight movements. It almost makes me want to be back at the faders again.”

Those FOH duties are now in the hands of Simon Kemp, who has mixed Sheeran for the past two years, after working with everyone from Mariah Carey, Usher, and Lionel Richie to Robbie Williams and Passenger.

“The exciting thing about Ed’s show is that we do it all – from tiny popups to stadiums and everything in between,” Kemp describes. “He creates loops via his guitar and vocal mic, which feed into Ableton and come to me via MADI as individual loop inputs. Years ago, the routing was likely fairly simple, but that has evolved into a much bigger setup.

“Today, we have the availability to have 16 channels of looper inputs, and the source can be his guitar or his looper vocal mic. We also now have a keyboard where he can loop samples, and for the bigger shows, there are three main vocal mics, three loop vocal mics, and five separate guitar inputs. It all adds up.”

DiGiCo’s smallest and newest addition to the Quantum Range – the Quantum112 – is a single-screen, 12-fader desk that is the company’s first true flypack mixer. Designed to fit within a Pelican Air 1637 case, the ultra-compact console, when packed, weighs only 23kg (50lbs), qualifying it as a standard checked bag option on most flights.

When Kemp was first briefed on the top-secret Pufferfish, two thoughts immediately came to his mind: “My first reaction was: I love the idea of getting this show back onto a small console that I can check at the airport and do a gig anywhere in the world. That thought was quickly followed by: how in the world am I supposed to fit this show onto 12 faders?

“But as it turns out, it’s been great, and the desk is so easy to get around, which is essential seeing that monitors for the looper setup are also run from FOH. I’m not sure how DiGiCo fit so much into such a small footprint, but it really covers everything I need, and with the help of macros and a huge touchscreen, I can be anywhere almost as quickly as if I had 36 faders.”

A proper tour in support of Play is set to kick off closer to the end of the year.


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