Earl Thomas at the Edinburgh Fringe I Photo: Stuart Stott
UK - Edinburgh Fringe Festival returns for four weeks of innovative, provocative and entertaining new theatre and performance embracing all genres.
Over 100 x Zero 88 lighting consoles - including the new FLX range and a variety of legacy products - are working hard across the 300+ venues running in and around the city during the event, and the company has once again been at the forefront of offering comprehensive onsite training and support.
At least 25 of Eaton’s new Zero 88 FLX S range consoles alone are involved, just nine months after the desk was launched.
Zero 88 consoles and control packages are featuring at some of the busiest and most popular venues, with FLX range products at Assembly, Underbelly, Gilded Balloon, Summerhall and Pleasance, all of which offer multiple performance spaces throughout the Festival, each staging approximately eight to 10 different shows across the period.
Eaton’s Jon Hole and Edward Smith took to the technical front-line in the run up to the festival opening, giving face-to-face training and support to an estimated 150 technicians and operators during rehearsal and tech periods, right up to the first round of press nights, a programme that included around 25 dedicated console training sessions across the city.
At least two major UK rental companies invested in new FLX S consoles to service their Edinburgh shows. Bristol headquartered SLX, who purchased nine FLX S consoles, and Hawthorn, who have bought a mixture of six FLX and FLX S consoles. These will then go into rental stock.
Jon Hole observes: “It’s a great testament to the flexibility, power and true user-friendliness of the FLX S range to see them in so many places, and we really pride ourselves on going that proverbial “extra mile” and assisting and advising anyone using our kit how to maximise and get the most out of the tools at their fingertips.”
“Every year we’re taken aback by the scale, enthusiasm and creativity shown throughout Edinburgh by designers, performers and technicians. We’re here to make their jobs as easy as possible - and we seem to be succeeding judging by the great feedback and seeing some venues after several years now returning to Zero 88 for their lighting control due to the intuitiveness, feature set and reliability.”
(Jim Evans)

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