Germany - Over 300 exhibitors will be presenting their latest products and services for theatre, film and event technology at Stage|Set|Scenery, taking place at the Berlin Exhibition Grounds from 18 to 20 June.
The expo is co-organised by Deutsche Theatertechnische Gesellschaft (DTHG) and Messe Berlin.
Dr. Christian Göke, CEO of Messe Berlin, comments: “With over 50 theatres, three opera houses, Europe's biggest museum complex and numerous exhibition venues, as well as some 1,000 companies representing the film industry, culture is a major economic factor in Berlin. By hosting Stage|Set|Scenery we are aiming to give the city's large cultural sector a platform for an interdisciplinary dialogue, opportunities for training and an inspirational event.”
Wesko Rohde, chairman of the board and managing director of DTHG, adds: “Creativity drives this industry. Together with many of its innovative partners we have organised a wide-ranging programme of conference events this year, with a clear focus on a dialogue involving practical issues. Be it at the RoundTables or on the special display areas - the fact that visitors can engage with creatives and experts and directly exchange views on the latest topics about modern and innovative events sets Stage|Set|Scenery apart.”
The RoundTables and special display areas have been integrated directly into the halls to ensure their proximity to the exhibitors, many of whom have actively contributed to the programme and setting up the special display areas. The LightLab curated by Manfred ‘Ollie’ Ol
UK - Birmingham-based NEC Group gave a presentation of what’s to come in the new Bradford Live venue, during an event at the National Museum of Science and Media.
Formally the Bradford Odeon, the demolition work inside the building is now well under way, with many of the original art deco features revealed for the first time in over 40 years, as the concrete from the 1960s cinema structure is stripped out. The next stage of development will be the start of the renovation and restoration works, paving the way for a re-opening in the 2020/21 season.
The venue will boast the renaissance of the 1930s ballroom, which will become a 750-person capacity space, for conferencing and banqueting, whilst the double height main auditorium will be reinstated as a 4,000-capacity live events venue.
Phil Mead, NEC group chairman for the group’s arenas and ticketing company, says: “We really want to put Bradford back on the map for major touring artists. The venue has seen legends play there, such as the Beatles and the Rolling Stones, and I’ve no doubt that we’ll see legends play there again. We are in preliminary talks with a number of promoters and event organisers to discuss the opening season and will announce this as our plans progress next year and construction dates are finalised.
“As well as creating the full time equivalent of around 50 new jobs, the venue will play an important part in the ongoing regeneration of the city led by Bradford Council and a range of partners. It will help to boost the night time economy of Bradford, increasing
USA - Entertainment technology industry veteran Nils Thorjussen has helped develop key lighting control solutions, including the Flying Pigs’ Wholehog lighting console and Elements Lab’s VersaTube LED tube. Now, he’s back as the CEO of drone show company Verge Aero.
Thorjussen comments: “A lot of beautiful and outstanding work has already been done with drones in entertainment, but what’s lacking is a fully integrated system making it easy for designers to create and deploy their creative vision via hundreds of drones. For the past two years, I’ve been working with a team of former aerospace engineers to create a comprehensive control system with a straightforward programming interface, effects generation algorithms, full 3D visualisation, and automatic flight path calculation.
“When my lighting friends ask me what I’m up to, I say I’m building Dronehog.” We believe there’s large untapped creative potential for drone technology in the entertainment industry. Drones are a dynamic, three-dimensional platform that allow light pixels or other artistic elements to reconfigure themselves endlessly. The sky’s quite literally the limit!” To give a taste of what’s possible, the team, together with rental partner A&O Drones, recently created a drone light tunnel and raced a Jeep through it.
He continues: “Our software makes it so fast to create a show. No coding or third-party animation software is needed. From scratch, we programmed, tested, deployed, and flew the light tunnel in a couple of hours. This kind of streamlined
USA - Obsidian Control Systems is showing a new data distribution range of products at InfoComm 2019. Netron encompasses Ethernet to DMX gateway, DMX splitter and DMX/RDM splitter solutions, supporting applications from live production and venue installations to architectural environments.
The Netron range offers three Ethernet to DMX gateways, the rackmount 12-port EN12, the EN4, and the ultra-compact POE-powered EP4. All devices support sACN, Art-NET, RDM and offer web remote configuration, while internal presets for the most common uses offer plug-and-play deployments.
Three variants of RDM splitter round out the range; two compact splitters with six XLR (RDM 6XL) or RJ45 (RDM645) connections, plus the RDM 10, an advanced ten-port dual-input splitter combined with a two Universe EtherDMX gateway.
USA - The LDI trade show is enhancing its offering this November with an emphasis on the next generation of design and technology, including AR/VR, drones, live for broadcast, and experiential design.
Organisers say that these technologies and disciplines will shape the future of live events and are therefore placing LDI as the place to discover what’s hot and what’s next. More details on these new subjects will be unveiled once registration officially opens in July.
The 32nd edition of this entertainment design and technology trade show and conference runs 18-24 November 2019 at the Las Vegas Convention Centre.
“We’re excited to look to the next 30 years of LDI, developing the trade show into a multi-layered series of events where designers, programmers, technicians and other artisans can experience not only the best in live production today, but also learn about where live production is headed tomorrow,” says David Johnson, managing director of LDI and the Live Experience Group. “These new initiatives, coupled with our industry standard professional training and the coolest-looking show floor in this or any market, will make LDI the must-attend industry event for years to come.”
More than 15,000 industry professionals are expected to descend upon Las Vegas this November to check out more than 350 exhibitors showcasing technologies and services for live event production. In addition, they will have access to the conference and professional training programmes.
LDI will officially open with a Ribbon Cutting Ceremony at 1
Europe - Yamaha has announced an upcoming upgrade to its iActive Field Control (AFC) acoustic enhancement system.
AFC4, the fourth-generation system, features upgrades in DSP processing and hardware. Yamaha says that when combined with optimally placed microphones and loudspeakers, AFC4 operators can enhance or create any acoustic environment, even in an outdoor or roofless venue.
“By combining our collective knowledge in these areas to develop the new AFC4 system, it is possible to create incredibly natural and immersive acoustic experiences for both audiences and performers,” comments Joe Rimstidt, systems design engineer at Yamaha’s Professional Audio division. “We look forward to the exciting possibilities that the future holds for the AFC4 acoustic enhancement system.”
First released in 1985, Active Field Control was developed in response to the growing number of facilities adopting a multi-purpose use strategy and designed to help venue operators broaden the types of acoustic performance configurations that they could offer. Providing a flexible alternative to more expensive and time-consuming physical renovations, AFC allowed venue operators to quickly configure different acoustic characteristics for a space, without compromising its original sonic performance.
Germany - ETC is bringing a host of new products as it returns to Stage|Set|Scenery, the exhibition for theatre, film and entertainment technology, taking place at Messe Berlin from 18-20 June.
The company will occupy three stands this year - 340 and 240 in Hall 20, and 301 in Hall 21.
Showcasing its extensive range of lighting technology on stand 340, ETC will present Augment3d - its first integrated 3D programming environment. Live demonstrations of the Eos v3.0 tool will take place during the trade fair, displaying how users can control and design in a 3D space whilst interacting with their fixtures through augmented reality. Augment3d will be shown on the leading Eos Ti and Gio @5 consoles during the three-day exhibition.
Further products on stand 340 will include the latest lighting fixtures and architectural systems. Relevé Spot is the first member of a new product family for ETC - an automated fixture specifically designed for the theatre. It boasts a calibrated four-color additive mixing system and a unique Ani-gobo wheel. Alongside this, there will be the acclaimed Source Four LED fixtures, ArcSystem family of LED products and ETC’s EchoTouch controller.
On Stand 301, Hall 21, ETC will present its complete package of Upper Stage Machinery. Live demonstrations of installing the Prodigy P2 hoist will take place at 11:15 and 15:15 each day during the tradeshow. The P2’s advanced features and compact size makes installations a quick and easy process.
Visitors will be introduced to ColorSource Raceway, a lightweight power and da
USA - Wireless intercom solutions manufacturer Radio Active Designs will host a daily Radio Spectrum Update & RF Best Practices presentation during this week’s InfoComm 2019.
Taking place at 11am on stand 6161, the event will be presented by the company CTO James Stoffo.
He comments: “As the TV repack and T-Mobile activation begins to wrap up, wireless microphone and intercom operators across the country are finding it particularly challenging to get their jobs done. The radio spectrum shuffle affects all aspects of American culture including live broadcasts, sporting events, houses of worship services and arts and entertainment productions.”
Stoffo will also be presenting an hour-long seminar offered by InfoComm at 8:00am on Thursday, 13 June. This will cover wireless microphone use as well as a spectrum update and best practices.
Radio Active Designs manufacturers the UV-1G wireless analogue intercom. With bodypacks that operate in VHF and a receiver that utilises a mere sliver of UHF, the analogue UV-1G provides the reliability and ease-of-use wireless operators demand.
“We also made sure to design the beltpacks with a rebroadcast side tone to ensure that everyone on the system hears your voice - vital for life safety,” Stoffo adds. “We knew the 600 MHz auction and resulting TV repack was going to prove challenging to wireless operators across the country. Our goal was to provide an intercom system with the same reliability and ease-of-use professionals were accustomed to in a package that would operate outside
UK - Nexo will present the Geo M12 mid-size line array in a real-world production environment as part of two roadshow events held in partnership with Yamaha this summer.
Visitors will have the chance to get hands-on with the three-line array systems in the Geo M family: the new Geo 12, the Geo M10 mid-size line array, and the compact Geo M6.The Nexo system set-up will include the PM7 and PM10 Rivage digital consoles, running the Dante audio network.
On 26 June, sound engineers, rental providers and audio installation professionals will get the chance to audition the full range of Geo M high-output line arrays in Birmingham’s Resorts World Arena.
On 3 July, the location is The Mill Rehearsal Studio in Wimbledon, London. This purpose-built production studio has more than 400sq.m. of space, with a trim height of 6m for the line arrays.
Nexo and Yamaha system experts will be demonstrating the systems, and discussing a range of topics including Dante networking, system monitoring with Nexo’s proprietary NeMo tools, and integrating Yamaha consoles with NXAMP powered controllers.
To find out more about the two events and to register, please visit: nexo-sa.com/geo-m12-experience-days
Further Experience Days are currently being planned. These are set to take place in Leeds, Edinburgh and Dublin.
USA - The Knight of Illumination Awards USA (KOI-USA) has announced that the 2019 ceremony and gala dinner will be held at the Hard Rock Hotel and Casino Las Vegas. This, the second KOI-USA, follows last year's successful inaugural event, and will again take place during the LDI Conference and Tradeshow.
The 2019 KOI-USA ceremony will be held in the 4,000-seater venue, The Joint, within the Hard Rock Hotel complex. Guests will enjoy a three-course dinner as the nominees and winners are announced in each category: Theatre, Live for Broadcast, and Concert Touring & Events.
"We are thrilled to be moving KOI-USA to such an important entertainment venue," says David Johnson, managing director of LDI and co-organiser of KOI-USA. "The Joint allows us to grow the event, offering a wider canvas on which to showcase all of the talented nominees. It doesn't hurt that Hard Rock also houses the Centre Bar, where the industry tends to congregate after hours during LDI, ensuring KOI-USA is an industry-wide celebration and further networking opportunity."
Following the high attendance and interest in the inaugural ceremony in 2018, the KOI-USA team knew it was necessary to move the ceremony to a larger venue. The Joint is a fitting location for KOI-USA, having played host to some of the biggest names in rock over its 25-year history, including Mötley Crüe, KISS, and Aerosmith.
As ever, the judging process remains key to the Awards' integrity. KOI-USA has welcomed a number of new critics and industry experts to the panels. The full list of KOI-USA judge
USA - At Infocomm 2019, TiMax will showcase ‘an exhilarating sampler’ of TiMax immersive audio soundscapes along with panoramic and 3D spatialised music playback, in conjunction with a multi-channel immersive sound system of Renkus-Heinz compact, Dante-enabled active installation speakers.
Dave Haydon and Duncan Crundwell from TiMax will present the immersive sampler regularly throughout each day and be available for detailed product and application discussions in Demo Room W221BC.
There will also be updates on some of the latest TiMax innovations including the new HARDCore FPGA spatial processing engine for TiMax SoundHub, and the new TiMax TrackerD4 all-purpose performer stagetracking system.
The TiMax SoundHub HARDCore FPGA delivers extended delay-matrix scalability and new levels of seamlessly transparent dynamic delay morphing. The power of the new platform is also being harnessed later in the year for a next-generation, fully interactive spatial reverberation system.
The all-new TiMax TrackerD4 provides OSC interfacing to drive not only TiMax SoundHub but also other third-party platforms and also offers PosiStageNet interfacing to lighting and media control systems.
Beyond its theatre vocal-localisation core sector, TiMax has been rapidly growing into a AV, experiential, exhibit and retail installations, handling system management, playback, dynamic immersive spatialisation and showcontrol. Infocomm will showcase examples such as the Atlanta Shuttle Exhibit, Fremont Street Experience, Milan Expo UK pavilion, National Gallery So
USA - d&b audiotechnik will announce the launch of a new product class of loudspeaker at InfoComm 2019. Suitable for a variety of mid-size applications, the new product will be on display at booth #6761 and demonstrated in the d&b demo room, W232AB.
The recently announced B8/Bi8 subwoofers will also be found in the booth and in the d&b demo room as part of overall product demonstrations. The ultra-compact subs are approximately 6.7” high, low profile, the B8 maintains high performance to size ratio with a low frequency from 170 down to 43 Hz.
The d&b Soundscape advances the capabilities of sound design over conventional systems in live environments through the use of object-based mixing, room emulation software and the system configuration processing of the DS100 engine. With Soundscape, the listener enjoys a true audio experience and clarity, creating an unprecedented engagement from stage to an audience or congregation for the entire listening space.
In the booth #6761, attendees will get an overview of d&b products and workflow including the KSL line array, along with the new DS20 Milan-based system and DS100 Signal engine that operates as a level-delay matrix processor and is the core component of a Soundscape system when optional software modules are added.
KSL is designed for sound reinforcement needs of any genre, mobile or installed, from large scale arenas, stadiums and festivals to medium scale applications such as clubs, theatres, houses of worship and performing arts venues.
The R90 Touchscreen remote
Israel - The Eurovision Song Contest 2019 was hosted by Israel at the Expo Tel Aviv and boasted over 700 Ayrton fixtures in its massive lighting rig.
Set designer, Florian Wieder, and Tel Aviv-based lighting designers, Ronen Najar and Dakar Azulay created individual looks for each of the 41 competing countries.
Wieder’s stage design was based on triangles and the number 12 - important symbols for Israel - while Najar and Azulay chose a large number and variety of lighting fixtures which allowed them to create enough unique looks to handle a show of this size and diversity. Key to their enormous and extremely adaptable design were over 700 LED lighting fixtures from Ayrton.
“Our main idea was to maintain the special stage design developed by Florian,” explains Najar. “We therefore chose to use a significant amount of Ayrton MagicBlades to create new geometric lines as a backdrop that enforced the triangular motif and allowed us to be innovative and create multi-dimensional art.”
Three hundred and thirty MagicBlade-R and 206 MagicBlade-FX were rigged on ladders at regular intervals across the massive back wall and side walls, and interspersed with 100 Khamsin-TC profile fixtures. “The MagicBlades took a major role,” continues Najar. “We used them for the dominant moments, as well as a background to support the LED screen. When you have 500 pretty identical fixtures on the back wall, you definitely can create exciting looks and mixtures! One of the most significant moments was the opening number for the very first broadcast - th
Europe - The Audio Engineering Society (AES) has announced that AES Vienna 2020, the 148th AES international pro audio convention, will be held on 25-28 May at the Austria Centre Vienna.
Convention co-chairs are Piotr Majdak (senior researcher in acoustics at the Austrian Academy of Sciences’ Acoustics Research Institute) and Nadja Wallaszkovits (chief audio engineer for the Phonogrammarchiv sound archives of the Austrian Academy of Sciences and 2019 AES President), who will oversee the convention’s technical programme, exhibition and society functions, in conjunction with an assembled team of industry professionals, students and event partners and sponsors.
For end users, researchers, educators and students, AES Vienna will be the place to commemorate the International Year of Sound and explore A World of Audio with audio professionals and peers from around the globe, say the organisers.
Spanning the breadth of audio research and the application of audio technology, convention programme topics will include studio recording, live sound, networked audio, broadcast & streaming, music production, post-production, game audio, spatial sound, audio for AR/VR/XR, product development and more.
UK - PLASA has released the Lightning Guidance for Outdoor Events, a handbook that provides practical advice on managing lightning risk, crowd safety and the protection of temporary structures, electrical equipment and power systems.
The guidance aims to assist those involved in the production and management of outdoor events in making informed decisions when faced with threats from lightning strikes.
“The dangers of lightning are widely understood, however the level of threat at outdoor events where large crowds gather is often overlooked,” says PLASA in a statement. “This has been a growing concern due to the increase of outdoor events and number of people exposed.”
To create the guidance, PLASA worked alongside The Event Safety Shop, Star Events Ltd, IMG, Omega Red Group, Aggreko, Ken Law Safety Ltd, BBC Safety, the Emergency Planning College, Howard Eaton Lighting, Anderson Bradshaw Ltd, the National Outdoor Events Association, the University of Reading and Lee Valley Leisure Trust; as well as respected industry consultants, James Eade and Tom Goode.
Nicky Greet, PLASA’s director of membership, skills and technical, comments: “PLASA is proud to issue this guidance, helping to raise health & safety awareness across the live entertainment industry. And, we are grateful to all the organisations and individuals who contributed to this crucial document, which should become an essential part of planning as the festival and event sectors continue to grow.”
The Lightning Guidance for Outdoor Events is available to
UK - Tamworth-based events production company TechPro has promoted Henry Pratt to the role of project co-ordinator, to help meet growing demand for the firm’s specialist services.
Adam Taylor, senior project manager, comments: “In his new role, Henry will primarily support our project managers with all aspects of the department’s work, ensuring flawless delivery of live events for our clients. It’s a development role within the business and offers a real opportunity for future progression within the growing team here at TechPro.
Commenting on his promotion, Pratt says: “I recognise this is a great opportunity for me to learn from experienced, talented colleagues. I’m looking forward to getting to grips with interpreting the detailed client briefs we work to and specifying the required audio, visual, lighting and staging equipment.”
USA - AV Stumpfl will present its new AT64-SHIFT system for large mobile projection screens and the new PIXERA mini media server at this year's InfoComm in Orlando.
With the AT64-SHIFT, it's possible to assemble a large mobile projection screen and to adjust its height in a matter of minutes, says the company. No extra measuring is needed to ensure that the frame is level, due to a clearly marked height scale.
Based on the same principles as the T32-SHIFT, the AT64-SHIFT projection screen legs can be used for much larger mobile projection screens and are compatible with all mobile AV Stumpfl screen systems.
Another highlight of AV Stumpfl's InfoComm booth will be the new PIXERA mini hardware. PIXERA mini is an ultra-compact media server, perfect for digital signage and multi-display applications.
The PIXERA mini is a 1U and ½ 19“ product. Two PIXERA mini servers can be installed in a 1U 19“ rack.
PIXERA version 1.2 will include the ability to export videos from the workspace, either containing the entire venue or the content of a specific screen. Another of the many new features is a set of pixel patching tools seamlessly integrated into the UI. They allow users to reposition content pixels on the output as needed and to patch the result to DMX channels, making it possible to drive all forms of LED processors from PIXERA.
For those InfoComm visitors interested in show control solutions, there will be a sneak peek presentation revolving around AV Stumpfl's upcoming AVIO 3 software, a distributed, highly modular and extensible
USA - Yamaha Commercial Audio will host two sessions as part of the AVIXA seminar programme at InfoComm 2019.
Yamaha: Network Boot Camp for AV Professionals and Audio Insights in Hospitality and Retail will address key technical and business aspects of audio networking and installed audio systems.
Addressing the technical aspects of networking and the decisions which need to be taken for installed audio systems in hospitality, retail and other public-facing environments, these sessions will be presented by senior product specialists Andy Cooper and Karl Christmas, both well-known faces from Yamaha’s Audioversity training programme.
The seminars will be open to all InfoComm seminar and workshop package holders on a first-come, first -served basis, so advance registration is essential.
“An important part of Yamaha’s training initiative is to connect with audio professionals, to understand them, the challenges they face and be able to better respond to their expectations,” says Glenn Booth, director of marketing at Yamaha Corporation of America. “We want to share our knowledge and experience with industry professionals through tradeshow seminars, webinars and other training sessions. We hope the seminars at InfoComm 2019 will help participants to improve their understanding of best practice, to benefit both them and their customers.”
India - Waves Audio will be presenting the eMotion LV1 digital mixing solution at the upcoming PALM Sound & Light Summit. The presentation will take place between 15.30-16.30 on 30 May (Thursday) at the Bombay Exhibition Centre in Goregaon.
The eMotion LV1 Live Mixer is modular and can be adjusted according to the user’s mixing and business requirements.
Involved in the presentation will be Ravisankar Nadiyam (Waves regional sales manager), Pravin Muralidhar (FOH for Neha Kakkar and Jonita Gandhi) and Supratik Subramanian (FOH for MADBOY/MINK and The Fanculos).
UK - The deadline to nominate products for the Association of British Theatre Technicians’ (ABTT) awards is fast approaching, say the organisers.
Bestowed by peers and industry experts each year at the ABTT Theatre Show in June, the awards - including Product Awards for Engineering, Sound, & Lighting and the award for Widget of the Year - are open to any company or individual whose products have been “substantially new” to the market during the last 12 months and are available for purchase, immediate delivery and use.
An award for ABTT Theatre Show Stand of the Year is open to 2019 show exhibitors only.
To be considered, the entries must be available for adjudication during the first day of the ABTT Theatre Show on 5 June (Wednesday) at London’s Alexandra Palace, either on their exhibition stand or hosted by one of the pre-registered exhibitors.
Last year’s winners included EM Acoustic’s EMS-41 (Sound Product), Martin’s MAC Encore Wash (Lighting Product), MDG’s Round Floor Pocket (Engineering Product) and Flint’s ‘6 in 1’ & ‘3 in 1’ Staplers (Widget).
Technician of the Year
The search for the 2019 Technician of the Year is also gathering pace, with deadline for nominations 31 May (Friday). Open to ABTT members and non-members, recipients have usually pursued full employment in a backstage or production management role for at least 10 years and have predominantly worked on the pres
Australia - Sydney-based event production and management company AGB Events has announced plans to expand, bringing its vision and talents to festivals, museums, cultural/heritage celebrations and other events and locations around the world.
AGB Events was founded in 2006 by Anthony Bastic, who has spent decades in the entertainment and events industry, including as creative director for the Sydney 2000 Olympic and Paralympic Games Live Sites and the recent Invictus Games Sydney 2018. Bastic is best known as curator of Destination NSW’s annual Vivid Light Sydney.
“We specialise in imagining, producing and delivering cutting edge creative and cultural event concepts. AGB Events has a long track record of developing unique content that engages audiences in superb spectacles,” says Bastic, “and we plan to bring our extensive expertise and skills to organisations worldwide.
“Our strength is in storytelling in a way that resonates, excites and deepens understanding,” he continues, “whether that’s for governments, arts festivals, heritage sites and events or corporations - capturing imaginations in innovative ways with light and sound, creating digital stories for content from the present day to content that may be centuries old. We can do that on the largest scale imaginable - as we did recently for Parrtjima - or for the most intimate of gatherings.
“For us, technology is an extremely powerful enabler of beautiful and immersive experiences - but it’s the experience, not the technology, that is always centre stage. Our overrid
USA - Visitors to InfoComm 2019 will be able to both see and hear the new Versarray Mk III and Versarray PRO compact line array systems from Crest Audio, plus a host of other Crest and PCA product in audio demo room W224A. Hour-long demos will be running every day at 10am, 12pm, 2pm and 4pm. Attendees will also be able to see the products up close and meet the team to get advice on how a Crest/Peavey solution might suit their needs.
The ‘headline act’ in the Crest demo room is the new Versarray Mk III which was first seen at NAMM in January. The system comprises the Versarray 112 Mk III passive ribbon tweeter line array element featuring a 12” Black Widow Neo series woofer combined with a neodymium-based Peavey ribbon tweeter, and its companion subwoofer, the dual 18” Versarray 218 Mk III.
Designed to provide modular coverage of small to medium-sized venues, Versarray Mk III - which will be powered by Crest Audio amplifiers - combines versatility with high performance in a robust, easy-to-rig package, says the company.
Starring alongside Versarray Mk III is sister system, Versarray PRO, which offers all of the performance benefits of Versarray Mk III in a Dante-enabled, self-powered package. Both systems benefit from Peavey’s ingenious FlyQWIK fully articulated rigging system.
Also gracing the stage will be the new installation-friendly marine-grade Elements CS Series from Peavey. These fully weatherproof IP56-rated loudspeakers are specially designed to withstand the ravages of salt water. Peavey will also be demonstrating the RBN p
Germany - The latest EtherCAT Plug Fest welcomed 57 participants from eight countries and four continents.
The event, conducted by the EtherCAT Technology Group (ETG) in cooperation with acontis technologies GmbH, was held in the middle of May in Ravensburg.
Besides testing their own EtherCAT devices in a shared network with those of other manufacturers by using the EtherCAT Conformance Test Tool, the participants could exchange knowledge and ask for advice from the EtherCAT experts on-site. The different masters and lave products led to a balanced ratio of devices and real-life network conditions.
Christoph Widmann, managing director at acontis technologies GmbH, comments: “The EtherCAT Plug Fests are the perfect opportunity to test devices and applications in a large network together with other manufacturers. For that reason, acontis has participated in many Plug Fests in the past. As a long-term member of EtherCAT Technology Group, we’re extraordinarily happy to host an EtherCAT Plug Fest ourselves.”
Florian Hammel, one of the on-site EtherCAT experts, adds: “This Plug Fest met the customary high standard, the atmosphere among the participants was good and the location was perfect to connect the huge number of devices and work efficiently. The positive feedback from the participating device manufacturers confirms the event’s continued success.”
ETG hosts EtherCAT Plug Fests all over the world several times a year to provide practical support for its members during EtherCAT device development.
Denmark - SPOT, an annual music festival in Aarhus showcasing up-and-coming Danish and Scandinavian talents, saw 300 artists and bands perform across 25 stages throughout the city.
Lighting designer and programmer Heiða Kristín Ragnarsdóttir used a grandMA3 light console to run lighting on her stage, reserved for WILM (Women In Live Music) a European non-profit organisation that supports women working behind the scenes and backstage. For the first time, this stage was run by an all-female tech crew.
Ragnarsdóttir reports: “The MA system is my first choice for everything from theatre to concerts. It is very important for me to be able to personalize the setup to fit my needs of the moment which the grandMA2 software does easily. It is highly reliable, has intuitive controls and a lot of flexibility in programming which makes it ideal for ‘busking’ festivals.
“For a stage with a very varied genre of performers it was important that each performer had a lighting design to fit their aesthetic. A play on warm and cool along with dramatic side and backlighting gave us a good foundation to accommodate everything from Greenlandic metal to reggae for children.”
Lighting trainee Louise Bagger adds: “Being a self-taught lighting technician and coming from a different type of console I was excited and a little bit nervous to try out the grandMA3, but thanks to Heida, I quickly gained an understanding of the console, and of how easy it is to personalize a setup to your exact needs. The console design offers a nice straightforward outlook of