The Netherlands - Highlite International BV will be present during Integrated Systems Europe 2019, hall 7, stand Y190. At the Highlite stand various installation solutions from DAP Audio, visuals from DMT Premiere LED screens, effect lighting from Showtec and Infinity with the Furion and Signature series will be showcased.
DAP Audio supplies an array of installation mixers equipped for zone control with multiple inputs. Amplifiers, like the analogue HP-series, the digital QI-Series or the 100V PA- or ZA-series offer possibilities for multi-roomed venues. In combination with the Celestion-powered new XI-MKII installation speaker series are ideal for fixed installations.
Infinity will show the Furion Series, very fast and powerful LED-based moving heads, equipped with Wireless DMX. The Infinity washlight iW-720, the pixel controlled washlight iW-1915 Pixel RGBW Wash and the Infinity Chimp light controller will also be on show along with the Infinity Signature LED based theatre spots, a Robert Juliat collaboration.
DMT Premiere LED screens with pixel pitches ranging from 5.9mm to 2.9mm will also feature.
Showtec offers a very powerful outdoor wash - the IP65 rated Showtec Helix S5000 Q4 with 40 Prolight Opto RGBW 4-in-1 10W LEDs and WDMX. WDMX is also present in the Showtec Eventspot 1600Q4, a very interesting battery light with up to 15 hours battery lifetime per charge.
The Netherlands - At this year's ISE show in Amsterdam, Kramer Electronics will its software-centric ecosystem, management solutions, intuitive meeting space automation, elevated audio and connectivity solutions, and more.
Kramer Platforms consist of hardware devices that are software-driven so one box serves multiple functions. It’s an innovative new way to lead AV designs with software and maximizing return on investment and customization options. With Kramer Platforms, AV professionals can combine best-in-class solutions, such as Kramer’s VIA collaboration system with a Kramer Control brain.
On display at ISE will be next-generation Kramer Control, a code-free, cloud-based control platform.
Kramer Network 3.0, an enterprise management platform enables IT/AV professionals to easily configure and manage their entire Kramer product range, Dante devices and third-party devices from anywhere in the world.
Kramer is investing heavily in sharing UX best practices in the AV industry. At ISE, the company will discuss how UX is a catalyst for new technologies.
Kramer will also carry out AVoIP and Kramer Control courses through its Kramer Academy at the show.
The Netherlands - Bose Professional is expanding its line of PowerShare adaptable power amplifiers with two new models: the Dante-integrated PS404D and PS604D, joining the recently introduced models with AmpLink connectivity, the PS404A and PS604A.
With the release of PowerShare adaptable power amplifiers in 2016, Bose Professional armed installers with a powerful new advantage - the freedom to put amplifier power where it’s needed and waste less of an amplifier’s drive potential where it’s not. “The notion of a multi-channel amplifier that breaks free from the fixed-power-per-channel architecture has been well received,” reports Bose amplifier product line manager Ashraf Elghamrawi. “Integrators told us that ‘power-sharing’ makes their projects more responsive, and they asked for digital input options for even more flexibility.” Answering the call, Bose Professional has added these four new digital models.
The new PS404D (400 watts divisible into 4 channels) and PS604D (600 watts divisible into 4 channels) PowerShare amplifiers feature integrated Dante audio networking for increased connectivity flexibility, while giving installers the freedom to place the amplifier away from the source. The recently introduced PS404A and PS604A offer AmpLink connectivity. AmpLink is Bose Pro’s in-rack Cat 5/6 digital audio distribution solution and is supported in their latest DSP units. The Dante models allow mixed inputs using either digital or onboard analogue audio connections.
UK - White Light is welcoming in 2019 by supplying a range of theatre shows in London’s West End as well as touring productions across the country.
Over the course of 2018, WL supplied the lighting for a variety of hit shows including the critically-acclaimed Company, The Inheritance, Young Frankenstein, The Jungle, The Pinter Season, The King and I, True West and the Oscar Wilde season. The company also continued to supply long-running hits including Harry Potter and the Cursed Child, Matilda, Aladdin, Tina The Musical, 42nd Street and Les Misérables.
WL’s MD Bryan Raven comments: “We had a fantastic 2018 which was one of our busiest yet. As we progress into 2019, we have hit the ground running and are looking to repeat the success of last year. Our expert Customer Service teams continue to work with designers, both established and emerging to help achieve their vision”.
In January alone, WL has supplied the lighting for Songs for Nobodies at the Ambassadors Theatre; with the company providing the lights for every single show at the venue last year. Over the next few weeks, WL will also supply All About Eve at the Noel Coward Theatre, The American Clock at the Old Vic and The Price at the Wyndham’s.
Away from the West End, WL is also supplying a range of tours. Shows that have loaded out this month so far include Rain Man, The Lady Vanishes, Abigail’s Party, Wise Children, Ghost, Art and Avenue Q.
The company is also supplying shows within London’s OffWestE
UK - Lighting and visuals rental specialist HSL supplied lighting equipment to 32 Qdos pantomime productions across the UK for their 2018-19 season, together with a full rigging – truss and motors package – plus Kinesys automation for Cinderella at Glasgow’s SEC.
Lighting the colourful fantasy environments that characterise this genre of comedic melodrama is huge fun for lighting designers, and this year HSL worked with 17 LDs and liaised with 25 production LX’s who made it happen on the various sites which included Belfast, Cardiff, Edinburgh and London.
HSL’s 2018 panto team was led by Jordan Hanson, assisted by Emma Turner, and included account handlers Sean McGlone and Mark Shakeshaft, all well-known for their multi-tasking and number-crunching abilities.
Jordan comments: “Fluid communication, having a cool head for logistics and being organised about the prep is essential. Ensuring the whole team is onboard from the start and in touch and in tune with each other and the overall picture at all times is also key. Qdos has incredibly high standards, and we enjoy rising to the challenge each year”.
Glasgow is typically the largest show in terms of production and venue size and this year lighting was designed by Tim Oliver.
Other key ones were Snow White at the London Palladium, Peter Pan in Birmingham and Goldilocks in Newcastle, all lit by Ben Cracknell, together with Edinburgh’s Beauty & The Beast and Aladdin in Bradford with lighting designed by Matt Clutterham. Ben also l
UK - The future of DJ exhibition BPM has been secured with the launch of a new limited company, BPM Shows Ltd.
The show, previously organised by Marked Events as BPM | PRO, was initially cancelled following Marked Events' liquidation in the summer of 2018.
But a joint effort led by some of the affected companies who worked closely with Pete Williams of Mobile DJ Network (MDJN) ensured BPM 2018 took place last October in a less costly, more business-friendly environment at Cranmore Park, Solihull.
BPM Shows Ltd is led by show directors Steven Boys, an experienced mobile DJ/sound and lighting engineer with a background in weddings and events organising, and Jack Wilson (Kent Media Group). They will be supported by a team of well-known industry figures including Mark Parkhouse (FBT Audio) and Kris Dawber.
Wilson comments: “We are very proud to officially announce the return of BPM, not as a last-minute rescue plan but as an exhibition with a future and a strategy for supporting the industry.
“Our plan is rooted in the success of 2018 - an affordable annual event that offers true return on investment and which grows at the rate the industry needs. I’m delighted to say that the 2019 show is already almost entirely sold out. That’s a huge vote of confidence and we take that support very seriously.”
Boys adds: “We also want our visitors and the wider industry to let us know what they want from BPM. Those opinions are at the heart of making BPM a success and we would love to hear from you.”
BPM 2019 will take place at
The Netherlands - Modulo Pi has announced a new version of Modulo Kinetic, the media server designed for the most challenging projects. The all-in-one toolbox takes real-time simulation, interactivity, and tracking to the next level with a new upgrade that will be introduced at ISE 2019 in booth K135, Hall 14.
Modulo Kinetic is a fully integrated real-time media server solution that can be used across the complete workflow including show study, simulation, encoding, playback and show control. Modulo Kinetic features a user-friendly 2D compositing tool with non-linear timelines, a low-latency live mixer, and a powerful 3D engine and show controller, all brought into one consistent environment. It handles the most advanced formats including Apple ProRes, HAP up to 8K+, and uncompressed still sequence TGA or 10-bit DPX.
Through Modulo Kinetic’s intuitive and collaborative user interface, one can easily simulate and visualize a show in 3D. Modulo Kinetic’s new version makes real-time VR easy for improved show study and simulation: one single button in Modulo Kinetic’s software allows to visualize a show scene from any angle with a VR headset. No coding is needed to enjoy all the benefits of Modulo Kinetic’s real-time interactive VR.
To optimize performance and usability, Modulo Pi has developed its own tracking system. Available in Modulo Kinetic’s new version, the optical tracking module allows real-time projection on moving objects, as well as video-projectors auto-calibration. Modulo Kinetic is also compatible with other tracking and moti
Europe - High End Systems has announced that entries are now open for Hog Factor 2019, taking place at Prolight + Sound on 3 April in Frankfurt.
Open to all aspiring lighting practitioners, university students and apprentices, the competition is back on a bigger scale than ever before, welcoming entrants from across Europe, Africa and the Middle East regions.
Hog Factor was first held in the US (2015) and has grown its reputation in the industry for being the chief lighting programming competition across the globe. In the first phase of the competition, entrants are invited to program a light show on a Hog console to a specified song via a visualisation file. The deadline for submissions is 26 February 2019. Following this, judges will select three shortlisted teams who will receive free travel and accommodation for Prolight + Sound 2019 (2-5 April).
The teams will compete against one another with a performance of their lighting show on the High End Systems booth at the exhibition. This will be in front of a live audience of industry experts and a panel of judges who will then announce the winners.
Nina Mesitz, a member of last year’s winning team Status Cue, commented positively about her experience of the competition: “The hands-on approach and interaction with industry professionals is invaluable. There is much to learn and vital key contacts to make for the future. It is an opportunity not to be missed for anyone with a passion for a lighting career.”
ETC vice president of marketing David Lincecum added, “Hog Factor is excit
USA - Funktion-One will return to NAMM Show for the second consecutive year, partnering with, Sound Investment, distributor for North America.
Funktion-One sales director, David Bruml, says: “We felt that NAMM was a good show for us last year, so we’re looking forward to being there again in 2019. We’ll be showcasing loudspeakers from across our ranges and anticipate many productive connections and conversations.”
The Funktion-One/Sound Investment stand 18007 (level 2, ACC North) will showcase the Evo-6E and Evo-6E-L115 loudspeakers from the renowned Evolution loudspeaker series, F124 bass enclosure, a BR118/F1201 system, the PSM318 DJ monitor and the PSM12 stage monitor.
Sound Investment’s Todd Konecny explains: “Our business is built on solid relationships and NAMM gives us the perfect opportunity to connect with both new and existing customers. We were attracted to the show last year, in part because of its renewed focus on pro audio, and came away from it with a lot of positivity about our involvement. We’ve had a busy year and we’re looking forward to heading back to NAMM in January.”
Since NAMM 2018, Sound Investment has delivered Funktion-One sound to a range of installation projects, including: Ravine (Atlanta), Sidebar (San Diego), Academy (Los Angeles) and Palms Casino Pool and Nightclub (Las Vegas) as well as numerous events with the Vero touring system.
USA - At The 2019 NAMM Show, Astro Spatial Audio and Clair Brothers will partner to bring a series of 3D audio demonstrations to the Anaheim Convention Centre.
Taking place twice daily on stand 17200, the showcases will mark the NAMM Show debut of both companies.
Visitors to the specially configured stand, located on level two of the convention centre’s pro audio-dedicated ACC North wing, will be met by a formidable Clair Brothers system. The manufacturer’s celebrated kiTCurve12-TrueFit continuously variable horizontal dispersion constant curvature array source enclosures will feature a left-centre-right configuration, while the surrounds will comprise a mixture of 10SPOT hybrid coaxial point source and 5CB 5-inch coaxial point source enclosures. Low-end extension will be courtesy of iPS218-M+ active double 18-inch subwoofers.
A single 3U Astro Spatial Audio SARA II Premium Rendering Engine will sit at the heart of the system. Offering up to 128 MADI or 128 Dante configurable network pathways at 48kHz/24-bit resolution, the award-winning SARA II converts audio signals into audio objects and uses extensive metadata to precisely calculate that object’s position within virtual 3D space up to 40 times per second, as well as that object’s acoustic effect on the virtual space around it. The outcome is a truly three-dimensional audio canvas upon which engineers can unleash the potential of their show.
Astro Spatial Audio is entirely brand independent, freeing audio professionals to choose the loudspeakers, consoles and third-party brands they
The Netherlands - Green Hippo, the manufacturer of multi award-winning Hippotizer media servers, is set for an all-embracing ISE 2019. The company will operate its own stand (Hall 5, stand W100) where visitors will receive a comprehensive introduction and demonstration of the latest software and hardware development. Attendees can also understand more about Green Hippo’s 3D mapping workflow, demonstrated at numerous global events and projects such as Eurovision Song Contest 2018 and Energy City at the Houston Museum of Natural Science.
Green Hippo will also be on show on the stand of its sister company, tvONE (Hall 1, stand M140). Paired together, Hippotizer Media Servers and CORIOmaster offer a unique control solution, delivering high-resolution, media manipulation with super-low latency, live capture compositing for a wider range of corporate markets and installations.
Flawless integration has always been a key aspect of the Green Hippo proposition and the company’s ISE team will be demonstrating the power of interactivity and generative content, working with Notch, the real-time visual creation tool on the Green Hippo stand.
Green Hippo’s creative partnerships also extend to Absen, (Hall 12, stand C60) the integrated service provider and manufacturer, showcasing premium-quality turnkey LED display solutions with media manipulation and control delivered by Hippotizer V4+.
Green Hippo’s impact on ISE 2019 will also extend beyond the halls and stands of ISE 2019. Working in collaboration with Integrated Systems Events and Tenfeet, the
The new Christie APS Series of 3LCD laser projectors, now shipping, deliver up to 6,500 ISO lumens, which is among the brightest in the industry for this class of projector. The Christie LWU650-APS and Christie LWU530-APS have a five-year or 10,000 Hour warranty (whichever occurs first) and 3,000,000:1 contrast ratio, creating an unmatched combination of contrast ratio, brightness, warranty, durability and affordability.
The Christie APS Series are designed for classrooms, boardrooms, and other small-space environments. Combining the affordability of 3LCD technology with the reliability, performance and operational life of laser illumination, the omnidirectional APS Series offers customers tremendous value without sacrificing quality.
Featuring an efficient laser illumination system and patented optical light path design that uses only one motor, the APS Series provides up to 20,000 hours of reliable, maintenance-free operation for an extremely low cost of ownership. Backed by an unmatched five-year/10,000-hour warranty and a price-point that beats the competition, the APS Series is the class-leader for 5,000-6,500lm projectors.
“Proving low-cost projectors don’t need to sacrifice quality, the Christie APS Series is a robust platform that stands-up to the demands of professional applications. The patented optical light pass design changes the excitation light spot shape from a round spot to a rectangular shape and disperses the energy on the phosphor wheel, which improves the reliability of the phosphor wheel,” says Jim Hall, senior product manage
USA - Making its NAMM debut, DPA Microphones will be showcasing its smallest high-end pro audio microphone capsule, the d:screet CORE 6060, 6061 Subminiature Microphones and the d:fine CORE 6066 Subminiature Headset Microphone.
In addition, DPA’s d:vote CORE 4099 Instrument Microphone and d:facto 4018VL Linear Vocal Microphone will be used during live in-booth performances throughout the show. DPA will also be participating in a variety of educational sessions as well as supplying mics for several NAMM events.
DPA is providing all of the mics for the outside Yamaha Grand Plaza main stage, including d:dicate 4011 Cardioid Microphones, d:dicate 2011 Twin Diaphragm Cardioid Microphones, d:vote CORE 4099 Instrument Microphones and d:facto Vocal Microphones, and will be on hand to help the bands with any mic’ing questions or techniques.
DPA is also contributing to Dynaudio’s Unheard Project, which gives new artists the chance to record their music and get exposure on a global scale. Artists will get the opportunity to perform and record live in the Dynaudio Unheard studio throughout the show using a wide selection of DPA instrument and vocal mics, right in the middle of the Grand Plaza area.
On Saturday, 26 January, DPA representatives will take part in two panels at the Hilton, Level 4, Room C7. Vincent Gabriel Antonini, DPA global sales support/new business manager in the U.S. will present as part of the Choosing The Right Vocal Mic session, where he will discuss tips and tricks for selecting the right microphone-type based on a ra
Vietnam - The ‘Lighting the Stars’ series of conferences featuring internationally renowned lighting designer Patrick Woodroffe landed in Ho Chi Minh City in November 2018 with the aim of celebrating lighting and discussing its future.
The event, which was organised by Vietnam ProAVL Co. Ltd alongside Claypaky and MA Lighting, presented Woodroffe to an audience keen to hear first-hand about his thirty-year career at the forefront of live music, event, architectural and theatre lighting design.
Woodroffe has designed the lighting for a diverse array of big-name projects, from the London Symphony Orchestra to ABBA, from the Rolling Stones feature film Shine A Light to the Vanity Fair Oscars party to Prince Charles’s Highgrove House gardens. His achievements are remarkable.
This latest Lighting the Stars seminar was held at the New Music Centre in Ho Chi Minh City. Guests heard Woodroffe discuss both the past and the future of lighting in all its forms - music, dance, live performance, architecture and art.
He went on to share stories about his experiences designing the lighting for the London Olympic Games Opening and Closing Ceremonies in 2012, and his work on Michael Jackson’s This Is It tour, which was tragically cancelled after Jackson’s untimely death in 2009. Woodroffe’s design was immortalised in the film of the same name, which focused on preparations for the tour.
The conference excited the audience, who were thrilled to hear about Woodroffe’s life in light and take part in a Q&A session after each sec
The Netherlands - ROE Visual is gearing up for ISE 2019 with a new selection of products and integration options aimed at the rental and system integration markets they serve. ROE Visual is located in Hall 12, stand F50.
This year’s stand design will feature a massive Sapphire SP1.5 screen, a Diamond 2.6 video wall and the Black Marble LED system in various applications. Next to these high-end products the ROE Visual stand design incorporates the ROE Strip and the newly released Vanish V8 LED panel.
The versatile Black Marble system has evolved from a fast-building LED floor to a full-fledged system that provides stylish and unique integration solutions, to create floors, multi-level platforms and walls suited for architectural, broadcast or event applications. The system has four different finishes for a classy or fashionable look.
The Sapphire platform is billed as the only NPP system that can be suspended. Sporting a mere 1.5 mm pixel pitch and unique frame structure, Sapphire offers a flawless canvas that is strong and stable. The clever assembly system with intersection layers guarantees a seamless assembly.
The Vanish V8 system offers high transparency. With a transparency of 60% this light-weight LED panel features high-brightness and excellent viewing angles, capturing the audience’s attendance with a surprising visual experience.
The Netherlands - Immersive audio and show control specialists OutBoard will demo the TiMax 500-series software which enables immersive spatial audio rendering and show programming workflows in live, presentation and experience applications, while also featuring selectable skins optimised for outdoors and show conditions.
Based on detailed input from leading sound design associates, the new TiMax StageSpace allows auto-calculation of dynamic delay-matrix spatialisation objects directly from a map of the venue, speakers and audience/guest spaces.
TiMax spatial objects can be quickly auto-rendered and adapted for different shapes and sizes of presentation and experiential spaces, or stage, audience and audio system configurations. Objects can be fine-tuned by the user, because, as OutBoard asserts “experienced sound designers will tell you it’s the last few milliseconds or dB of adjustment that make the imaging work”.
TiMax OutBoard will also demo their powerful new bespoke FPGA dsp core, destined to break the mould for immersive spatial reinforcement techniques and unparalleled acoustic enhancement.
The Netherlands - L-Acoustics will present its latest installation solution to the market at ISE 2019 in Amsterdam (5-8 February).
“ISE continues to grow year over year and attracts integration specialists from all over the world,” says Jeff Rocha, director of product management for L-Acoustics. “This makes it the perfect forum for us to showcase our latest innovations while highlighting the unique and targeted benefits our of existing product lines.”
As well as revealing this new product, the company will be hosting a series of demonstrations and presentations each day, including L-ISA Immersive Hyperreal Sound, a trailblazing multidimensional sound technology.
“We look forward to the convenience of reconnecting face to face with so many of our customers at ISE, as well as catering to new demand and clienteles,” adds Jochen Frohn, L-Acoustics director of business development. “As in the past, we expect it to be a busy and successful event.”
UK - Pearce Hire regularly collaborates with corporate production specialists Hawk Audio Visual on large scale events. This successful partnership recently provided a circus themed entertainment and dining space for over 1,000 company staff and stakeholders at the BGL Awards Ball held at Manchester Central.
BGL Group is a financial services company based in Peterborough and the biennial event which celebrates and rewards staff achievements, was also part of the company’s 25th anniversary celebrations.
Pearce Hire’s project manager John Huson provided some insight into the support and co-operation between Hawk and Pearce Hire. “Hawk Audio Visual has been a client of Pearce Hire for over 20 years and during that time we’ve actually partnered with them on four previous BGL Balls alongside many other events which usually averages 15 to 20 jobs every year. Hawk Audio Visual was the main technical producer for the BGL Ball - we supported them by providing lighting, audio and staging equipment and a dozen crew members on site.”
The brief was a simple, yet challenging one - to produce an event which was both visually stunning and sounded great, and all to be worthy of the desired circus theme.
As well as project managing for Pearce Hire, John was appointed as the BGL Ball lighting designer, a challenge which he relished. With the evening combining many elements of dining, awards presentation, circus cabaret performance and live music, his design had to be flexible and adaptable to each aspect of the evening.
“I wanted to create a
USA - With a nod to Game of Thrones, the Vegas Golden Knights hockey team now enters the ice through a 20ft, 2,375-pound medieval jousting helmet accented with 60m of FloppyFlex Digital LED neon.
Originally conceived for the Stanley Cup, the team’s entrance is now a standard feature for all home games at the T-Mobile Arena. Designed and built by Water FX, the large helmet features lighting by Sean Guarino, with the FloppyFlex provided by PRG Las Vegas.
“Outlining the helmet to create a portal worthy of the team required something cooler than conventional LED tape,” says Golden Knights LD, Sean Guarino. “I wanted this to pop, and Tim Brennan of PRG suggested FloppyFlex Digital, which exceeded my expectations. Using the pixelated Digital RGB version, I can create spectacular multi-colour chases. The colours are bright, vibrant and warm, and installation was a breeze, especially with the help of excellent support from PRG and TMB.”
Guarino adds: “We use three ProPlex FloppyDrive Digital DIN Rail units to drive three 15-meter runs of RGB FloppyFlex Digital. This is way more than adequate to highlight the giant helmet; it can be seen from the farthest points of the arena and really stands out in broadcast shots. We use two solo spot washes to create the ‘eyes’ peering out from inside the helmet. To keep things interesting for the arena’s 18,000 fans, we use a grandMA console to create a different programme for each home game.”
Guarino’s company, Sexy Lites, specialises in lighting designs and programming for concerts an
UK - S+H Technical, specialists for LED visual effects, drapes and starcloths, supplied around 350sq.m of its LED Animation cloth and 450sq.m of standard RGB starcloth drape for the BBC’s 2018 Children in Need telethon, broadcast live on BBC One and BBC Two.
Featuring a star-studded line-up, the event raised over £50m for the 2018 appeal in what was the crescendo of this year’s fundraising activities for disadvantaged children and young people in communities across the UK.
The telethon production design was created by Alex Craig - working on his 10th Children in Need - and this new look for 2018 featured some threads from the previous design to keep a strand of continuity, together with some spectacular new elements including lots of LED and a large upstage LED wall, 14m wide by 5m high, which split in the middle and opened for performer entrances and exits.
“The look was modern, clean and now,” explains Alex, adding that his brief from executive producer Leanne Witcoop was to ensure the space looked integrated and a contrast from last year where there were three distinctive different performance areas on the one set.
The stage was all on one level, punctuated with curves and spheres which defined its general shape, complete with the spectacular long multi-layered curved LED screen set piece upstage, finished in gold shimmer disc material and outlined with LED strips.
This was flanked by two smaller semi-circle curved screens, also edged with several lines of LED - like a giant geometric spirograph design - and clad in chrome s
South Africa - Comic-Con Africa, a three-day event showcasing comic books, science fiction/fantasy related film and TV, as well as similar popular arts, was hosted for the very first time in South Africa at the Kyalami International Convention Centre in Midrand, Johannesburg. MGG was appointed as the main technical supplier for the sold-out event, enjoyed by over 45 000 superheroes, villains and sidekicks.
Geeks, gamers and superheroes were spoilt for choice with an enormous exhibition area and were enthralled by gaming panel discussions, cosplay contests and a chance to rub shoulders with celebrities like Travis Fimmel of Vikings fame.
MGG meticulously executed the technical setup for Comic-Con Africa, that included a main stage, four pre-screening rooms, two VS gaming areas, kids’ entertainment area, an MTN outdoor stage which included a VIP and screening area, and lastly, audio for both multiple exhibition floors and the food zone. Professional gear was utilised all round, which included Robe and Claypaky lighting fixtures, Prolyte trussing, Absen LED screens, L-Acoustics PA and DiGiCo audio consoles that both amplified and magnified an exhilarating event.
“Getting these shows and putting them together really excites me,” said Timothy Templeton, MGG’s technical production manager for Comic-Con Africa. “For me, 80% of an event depends on pre-production planning. This is also where you rely on the crew, and we would not have been able to accomplish, what I feel was a professional and seamlessly executed event, without them. The crew are
France - PlugFest, the technical event for entertainment lighting interoperability organised by PLASA, is coming to Europe on 26-28 February 2019.
The event is taking place in Lille, France, at Ibis Lille Centre Gares, and presents an opportunity for delegates to test and demonstrate device and system interoperability, with the aim of improving reliability, resolving compatibility issues and improving connectivity between entertainment lighting and related technologies.
New for 2019 will be a presentation on the ESTA Entertainment Industry control protocol standards which have been in public review since the last PlugFest, with the revised drafts of the RDMnet standard being of particular interest to many previous participants. Attendees will also learn about the latest ESTA/ANSI standards, set to be released in early 2019.
Focusing on a wide array of protocols including DMX512, RDM, DALI, sACN, Art-Net, RDMnet and LLRP, the event’s expert hosts - Hamish Dumbreck (JESE Ltd), Wayne Howell (Artistic Licence) and Peter Willis (Howard Eaton Lighting) - will be on hand during the event and will also host a series of workshops and break-out sessions.
Lille is connected to London by Eurostar and to all major European cities via mainline rail. PLASA is arranging a van for UK delegates to easily transport their equipment to the event - contact the Association for more information. A limited number of discounted hotel rooms have been reserved for the event, so earl
UK - Temporary and permanent installations specialist Setsquare Staging has invested in print and interior design company Enigma Visual Solutions and event and print production company, GTMS.
Enigma and GTMS will both continue to operate from their Marlow and Waterlooville bases respectively but the companies will combine their services.
John O’Gorman, creative director and founder of Setsquare, comments: “We are extremely excited to embark on this new venture. Both Enigma and GTMS are specialists within the print, build and staging industries, delivering creative solutions to clients on an international level. We will combine our services to produce industry leading solutions. We will be building branded environments second to none.”
Reno Macri, founder of Enigma Visual Solutions, adds: “I founded Enigma in my parents’ spare bedroom as a sign company and since then Enigma has grown year on year from graphics to modular and custom exhibition stands; to interior design and installations.
“Over the last 10 years, Setsquare has been an invaluable partner, helping us expand into new and exciting sectors. To secure the future of Enigma and its continuous growth, the opportunity to be part of Setsquare has not come at a better time for us and our clients. With the amazing resources now on offer, we can satisfy our clients with the added expertise of Setsquare and GTMS.”
Dominik Short, managing director of GTMS adds: “This is an exciting time for GTMS, in 2002 we transformed the business into an award-winning event production
China - Clockenflap is one of Asia's largest multi-genre music festivals held annually in Hong Kong. Now 10 years old, the festival is a firm favourite in the region, with its extensive programme of music, art, film and other activities.
In addition to a line-up of internationally renowned artistes - which this year included Erykah Badu, David Byrne, Khalid, Roni Size, Interpol, Caribou, Anpu and The Vaccines - the festival also offers a platform to local talent, helping them reach a wider audience.
For the 2018 edition of the festival (9-11 November), the main (Harbourflap) stage and second stage were managed by Alto Stage Management, who called in Davide Linzi of Mister X Service as audio system designer for both and FOH engineer for the main stage (assisting productions with their own sound engineer).
Linzi explains why he took Outline’s Newton multi-source audio processor with him for the important event. “I decided to take Newton to Clockenflap because I needed a fast versatile unit that enabled me to create a matrix of inputs and outputs that was fast and effective to manage and control.”
One of Newton’s strong points is routing, according to Linzi, something he’d never do without, “With the same computer connected via Cat 5 for control, I can do quick L/R recordings for artistes directly via Dante Virtual Soundcard, without the settings made to the PA on the output. Then thanks to the EQ on the inputs, it is possible to carry out individual EQ settings for each engineer, without changing the basic tuning on the outputs.