Sarner and ESP have combined resources to provide a creative solution for Liverpool’s new multi-million pound International Astronomy and Space Centre (IASC). Sarner, which has recently been bought-out by two of its directors, Michael Bennett and Ross Magri, is thrilled to have such an innovative and important project under its creative direction. "This is a great win, not just for us but for the team at Sarner and for all our clients and colleagues," comments Bennett. "Sarner has been highly successful for over 30 years and we intend to build on that reputation and drive the company forward with new commitment to delivering innovative design solutions that have so often won clients’ belief in our skills, quality and service."
Sarner will be responsible for the design and production of special effects for the new visitor attraction, while ESP will project manage the fit-out of the centre, bringing life to the dramatic designs - from the spectacular hanging celestial sphere atrium through to the excitement of a 'Journey To The Stars' in the space-time machine.
IASC, which is part of the continued regeneration of Liverpool's Wirral district, is due to be completed by Easter 2003. "Visitors will be taken on an interactive journey through time and space that is set to have people, both young and old, returning time and time again", said Ross Magri. "This is theatrical sensationalism at its best. It is the aim of the project team to bring the excitement of astronomy and space to life with multi-sensory technology, simulated time
PLASA (the Professional Lighting and Sound Association), in conjunction with British Trade International (BTI), will be conducting an extensive programme of government-funded overseas trade missions and other events aimed at boosting UK export trade, during 2002. The programme is part of PLASA's ongoing aim to provide valuable export assistance to the UK entertainment technology industry.
PLASA is currently organizing exhibitor groups to some of the world's key international trade exhibitions, including the NSCA, USA (April), Pro Audio & Light Asia, Hong Kong (July), and Lighting Dimensions International, USA (October). This is the first time that PLASA has been successful in a bid for funding for the NSCA Show - an event aimed at the sound contracting/installation market which showcases the products and services of over 500 exhibitors. It's also the first time that PLASA has had an opportunity to provide a gateway to Hong Kong through its funding for PALA, a trade show and conference covering technology for entertainment and broadcast applications.
All UK-based businesses and organizations involved in exporting from the UK are eligible for the funding, whether they are a PLASA Member or not, and participating exhibitors can claim up to £2,300 towards their exhibition expenses. A significant number of UK companies have already shown an interest in taking advantage of one or more of these opportunities.
For further details and deadlines contact the PLASA office on +44 1323 410335.
The International Live Music Conference (ILMC) has announced the initial details of its 14th meeting next year. For ‘ILMC14’ the three-day conference will return to the five-star Royal Garden Hotel in Kensington, over the weekend of March 8-10 2002. This time it comes wrapped in a spoof sixties spy movie theme that will see the invitation-only delegates challenged to complete a three-day mission that may not be ‘impossible’ but may certainly turn out to be ‘implausible’, ‘indigestible’ or even occasionally ‘incomprehensible’ (that is, should they choose to accept it, of course).
The ILMC’s usual array of in-depth debate, specialist breakout sessions, industry trade association meetings, and a whirlwind of social activities, culminating in the notorious ‘ILMC Gala Dinner and Arthur Awards’ on the Saturday night at the new venue of The Savoy, will drive the the 2002 conference programme. The events that have taken place since September 11 - and which have seriously affected the live music industry - will be reflected in the conference programme and have been taken into account in the organisers’ planning.The ILMC’s Martin Hopewell comments: "This year’s crowd safety debate has sparked an enormous and continuing communal response from around the industry, as well as in the wider music press and broadcast media, and we anticipate that the equally serious issues facing the business right now will make for compelling main sessions at ILMC14." Specific details of events surr
The Entech 2002 Conference program features workshops and seminars in areas of lighting, design, rigging, audio, projection and even the business needs of a DJ. Sessions includeIntroducing the Line Array; The Future of Systems Integration and ProAV Technology; Venue Design Forum; Digital Live Sound Mixing; Lighting Designer Forum; Rigging Workshop; Stacks and Racks; Motor Training School; Location Sound Recording; Trends in Facilities; The Art of Designing with Moving Lights; We Are Surrounded (Surround Sound); and The Changing Face of Post Production.
Entech 2002, Australasia’s leading entertainment technology trade show, will be held in Sydney’s Darling Harbour from 4-6 February 2002. For further details on the conference programme and exhibits, visit the web address below:
Despite some understandable concerns, LDI went ahead as planned. L&SI reports from Florida.
Naturally, there were doubts about this year’s LDI show following the events of 11 September. These ranged from concerns about whether people would travel to the visit the show - both internally in the US and from overseas - to whether the show would take place at all. With the assistance of ESTA and other supporters, the rallying cry went out through September and October, and the show went on.
Admittedly, some exhibitors dropped out, making a floorplan reshuffle necessary, and the general consensus was that the visitor numbers seemed markedly down. However, at the end of the day, business was done in Orlando: by the close of the show many exhibitors said they had done well - a few even said they had done better than last year. The prevailing attitude was well illustrated by TMB Associates, who gave us little stickers to wear on our badges, bearing the Stars and Stripes and the words ‘I traveled overseas to come to LDI 2001. Capitalism Rules!’ ADB’s stand focused on its high end lighting control systems and communication networks. The flagship Phoenix 10 was on stand, linked to a WYSIWYG laptop to demonstrate the operational facilities of the company’s recently launched ISIS software. ADB’s UK arm - Lighting Systems International - has been busy of late, having recently completed a major studio project for Channel Four.
Altman had three new products on stand. The UV-250 blacklight is a lower wattage, more compact version of the compa
Richard Brett, ABTT Conference Director, has confirmed to PLASA Media that the international conference on Theatre Engineering and Architecture 2002 will take place between 16th and 18th June 2002, in London.
Focusing on stage technology in its widest sense, and covering all types of performance venues, this is the first international conference structured to attract theatre technicians, architects, consultants, scenographers, lighting designers, stage and building services engineers, acousticians and fire control specialists, as well as administrators, building owners, cost consultants and project managers. The conference includes papers and discussions on the current trends in stage machinery and other stage technologies, alongside debate about the types of, and need for, new buildings. One of the aims of the meeting is to offer those designing, financing and managing major arts projects an insight into the combination of art and science that makes live theatre.
The conference is being sponsored largely by the international stage engineering industry, along with many other equipment suppliers, consultants, architects and other theatre-related organisations. Committed sponsors to date include Telestage/Waagner-Biro, Stage Technologies, Unusual Rigging, Blackout Triple-E, SBS Buhnentechnik, Sansei Yusoki, Bytecraft, Delstar Engineering and Serapid. International speakers from all aspects of the performing arts are being invited to contribute. The conference is presented by the Association of British Theatre Technicians in conjunction with its Industry Supporters Group a
The Total Production Awards are scheduled for January 30 2002 at the Hilton Metropole Hotel in London's Edgware Road. The Awards will acknowledge the achievements of leading individuals and rental companies in the fields of live sound, lighting, video, staging, rigging and other key disciplines. Three special commendations will round off the Gala: a Lifetime Contribution Award, a unique Best Live Event of All-Time Award and The Editor's Award - something which TP editor Mark Cunningham promises will yield a big surprise on the night. Nominations will be announced in the Winter issue of Total Production, published on December 21.
A voting form and table booking form will be included in the forthcoming November issue of Total Production; alternatively, PDF forms can be obtained by contacting Andy Lenthall at the address below.
PCI LiveDesign, the London-based production company which recently merged with Ultimate Events, was commissioned in October for two Microsoft events. Following a long-standing working relationship with Ultimate Events combined with the success of Blackout Triple E’s involvement with the Microsoft Tech-Ed Conference 2001 in Barcelona, PCI LiveDesign again contracted Blackout Triple E, and project manager Chris Brain, for the project in Cannes.
Brain and his six-strong team made the journey to stylish Cannes to drape a drinks reception and party as part of a weeklong Microsoft conference. The theme required the team to turn their hands to more unusual drapes - plastic fish, to compliment the famous Palm Beach. The company also provided and installed 30 fibre optic starcloths (proving that it isn’t just at the annual Film Festival where the Stars come out in force), as well as a truss box for the light and sound system. Plus, track and drapes were hung to reveal the many drinking and refreshment bars when drawn back.
After successfully completing the project, the Blackout Triple E team travelled back to England, only to return to Cannes a week later for a second Microsoft event, this time at the house of designer Pierre Cardin. This was for a three-day event marking the launch of the Microsoft’s new XBox games console, for which Blackout Triple E installed 14 fibre optic starcloths along with general rigging equipment.
The MOBO (Music of Black Origin) Awards is the fastest-rising star of the international music awards circuit. In just four years the event has grown from its niche origins, through last year’s production at Alexandra Palace, to the London Arena in 2001. The star-studded event included performances from R. Kelly, Mis-Teeq and Usher, plus Beverly Knight and the legendary Dionne Warwick, amongst others.
Production managing the event was Mick Kluczynski of MJK Productions. "It was definitely the best MOBO Awards ever - the show has finally grown up, and I really enjoy working with the team. This year we had a new director, Nicky Parsons, and new producer, Lisa Chapman, with a 3,500 live audience. In spite of the events in America, we managed to retain most of the artists - only Luther Vandross pulled out."
Sound contractor Britannia Row decided to take the unusual step of trialling a new system at the event. With the help of Telex/EVI’s Bob Doyle and Paul Barretta from UK EV distributor Shuttlesound, Brit Row was able to put Electro-Voice’s new line array system, X-Line, through its paces on its very first major UK gig. Sound designer and FOH engineer, Derrick Zieba, who has vast experience of such events, confesses to an initial reticence about using the X-Line, as he had previously found line arrays to lack the bottom end required for rock and roll.
However, he was persuaded by Brit Row’s Bryan Grant, who had been running X-Line on a number of large Radio One events over the summer. "We plugged it in, selected the pre-sets on the
Martin had plenty of reason to celebrate at the LDI exhibition in Orlando this past weekend, but one accomplishment appeared extra special. At a press meeting held at the Martin stand on Saturday, Martin President and CEO Kristian Kolding presented the 100,000th MAC automated light produced. The 100,000th unit, a MAC 2000 profile spot, rolled off the production line just prior to the LDI exhibition. It was ceremoniously painted gold and is now displayed in the Martin manufacturing plant’s reception area in Frederikshavn, Denmark.
At the LDI Awards Ceremony Martin won ‘Product of the Year Lighting/Entertainment, Most Promising Prototype’ honours for the TracMAC mini, an easy to operate followspot luminaire that drew a lot of attention from visitors. Mach speakers was awarded the ‘Product of the Year, Sound, Most Promising Prototype’ for the Mach ViroStation, an elegant combination of illumination and atmospheric audio that also had people talking.
The 2001 LDI exhibition in Orlando ended yesterday after a successful three days which included a full and well-attended conference programme. At the LDI/ESTA Awards ceremony held at the Orange County Convention Center auditorium on Saturday evening, Jim Bornhorst of Vari-Lite was this year’s Wally Russell Award recipient. Amongst the product awards were the Omni Connector from Total Structures, Protec’s Smart Motion control system, Rosco’s ImagePro, Wybron’s Eclipse 2. Prizes for ‘Widgets’ went to Rosco, Lex Products and Lee Filters. High End Systems’ Catalyst picked up the Entertainment Lighting Product Award to add to the Award for Product Excellence it won at the recent PLASA Show. Best Audio Product was the Legend tri-purpose mixing desk from Midas.
Full details of the rest of the award winners will follow and a full report from LDI, including the rest of the news from the show floor, will appear in the December issue of Lighting&Sound International.
Universal Events was called in by Mark Borkowski PR to provide full technical infrastructure for the world launch of the revolutionary smart car (right hand drive versions) from Daimler Chrysler UK. The event took place in the car park at Wembley Stadium, and revealed the vehicle for the first time to UK smart dealers and users, plus the national and motoring press.
Universal supplied everything - from the lighting, sound, video and staging - to the dome-shaped marquee and seating rostra. The company’s brief was to provide a clean, slick, streamlined environment in which to launch one of the most ecologically sound vehicles available. Universal’s Steve Butcher designed the show’s production elements. A flat, empty centre stage at the start of the show was soon filled with the demo smart car, revealed by elevator, clouds of smoke and flashing lights, early on in the proceedings.
Lighting was designed by Chris Doy. Rigging points were provided by two circular Penn trusses - a 4m diameter section over the stage, suspended from the nodes of the dome, and a 15m diameter curving elegantly around the perimeter of the entire space. Doy used 22 Futurelight MH 640s spaced equidistantly around the outside ring, plus two under the stage, and six Futurelight MH 660s on the central truss for gobo work and for whizzing about - all from Universal’s moving head stock. Doy operated using a Celco Ventura console, located in the very handy circular production area, created between the inner and outer skins of the tent.
The audio, covering a variety of sources, w
Major manufacturers across the entertainment technology industry are gearing up for this year’s LDI trade show in Orlando in a strong display of industry solidarity. Responding to a call by ETC CEO Fred Foster, manufacturers across the spectrum of entertainment technology have confirmed that they are following through fully with plans to exhibit at LDI 2001. So many exhibitors have voiced their resolve that a separate website link has been established to showcase their responses (see below).
Not only will companies be at LDI, many have reported that they will indeed be expanding their presence this year. AC Lighting, Arriflex Corporation, Bandit Lites, Color Kinetics, Le Maitre Special Effects, Martin, Tracoman and Vari-Lite are among those who have announced that they have planned for their largest showing at LDI to date, and many more are preparing to unveil brand new product at the Show. Visitors are travelling far to see those new wares at LDI. Eckart Steffens of Soundlight commented. "Contacts from Australia, Brazil, and Norway have already made appointments for visiting our booth at showtime, which means the international audience will be there."
As always, many exhibitors, such as Leviton and Rosco, are also using LDI as a forum for connecting with their dealers and clients in national sales meetings and elaborate training events. Nor have LDI exhibitors pulled back on their usual spirit of spectacle and entertainment: Doug Fleenor Design’s booth will double ingeniously as a life-sized mirrored maze, Goddard Design is doing something creati
On Friday, January 11, 2002, Brian Croft, Chairman of Vari-Lite Europe, will be honoured with a Lifetime Achievement Award. Created by Pro Production 2002, the award is dubbed the ‘Parnelli’, in memory of respected tour manager Rick ‘Parnelli’ O’Brien, who passed away in October 2000. The Parnelli recognizes outstanding individuals in the live event production industry and their contributions to the field.
Terry Lowe, executive director of Pro Production 2002. "We’re very pleased to establish the Parnelli here at Pro Production 2002. And there is no more fitting recipient for a lifetime achievement award than Brian Croft." Croft, whose production career spans 40 years, was a founding member of Britain’s National Youth Theatre, and studied at the Old Vic Theatre School in Bristol. He broke into the business as a theatrical stage manager, and in 1970, segued into rock ‘n’ roll, joining the legendary Chip Monck’s lighting crew on a Rolling Stones tour.
Croft combined both theatrical and concert work for several years, then, with John Brown, formed ESP Lighting Ltd and went on to provide lighting services for such acts as The Who, Queen, and The Moody Blues, while continuing to production manage Rolling Stones tours. Since 1977 he has run the subsequent ventures that grew out of ESP, including Samuelson’s and eventually Vari-lite Europe Ltd.
The award will be presented at the industry reception, a highlight of Pro Production 2002, the trade show being held from January 11-13, 2002 at the San Dieg
Chiswick House is an historic 18th century home whose walls no doubt have tales to tell of its many fascinating inhabitants. The house was designed and built by the wealthy Lord Burlington, who was an amateur architect fascinated with the classical period; hence the lines of the house are simple and elegant - a perfect canvas for the projection of stunning images to recall the spirit and lives of those associated with the glorious building.
Ross Ashton from E/T/C UK was the man responsible for the creation of an absorbing 35-minute Son et Lumiere that recalls the halcyon days of Chiswick. Famous figures such as King George 1, Handel and Alexander Pope all succumbed to the charm of the House and it was these that inspired Ashton and his collaborators: "When I was first presented with the idea of creating a Son et Lumiere about Chiswick House, the trickiest part was figuring out who would be the narrator. There are so many amazing characters associated with the house, but we finally decided on Lady Burlington as she had witnessed so much and survived most of her family."
Ashton spent a great deal of time absorbed in the archives of English Heritage searching for images that would recall the rich history of the house. Many of these images and drawings were black and white, which Ashton then converted to colour on a Mac. To maintain the integrity of the piece, the decision was taken not to include any visual effects other than the projected images, which cut through the blackness of the night sky onto the façade of the house, with striking colour and clarity.
Summer may be over but the boys from EST are still busy rolling around Europe. Four trucks, laden with props for Welsh crooner Tom Jones’ Eastern Bloc tour, have just left Russia. In addition, EST is providing logistical support to the R Kelly tour of Europe, and to French star Garou as he embarks on the second leg of his mammoth tour of France which he started back in March. EST’s purple and yellow trucks can also be seen with Orbital as they perform a series of one-off shows around Europe.
Meanwhile, in the corporate arena, two trucks, laden with almost a mile of trussing have just left Frankfurt where Summit Steel rigged a special event for PCI Live Events, a launch party that heralded Ford’s new Fiesta before an invited press audience on the evening before the Frankfurt Motor Show opened.Following this event, EST scheduled in over 70 trailer movements for the return of equipment used by Imagination to build Ford’s main stand at the show.
On a slightly sad note to end the month, Gerry 'The Captain' Baxter has retired from driving for EST after a staggering 38 years on the road.
It seemed like business as usual: another year, another PLASA Show. Existing products, refinements of products, new products; familiar faces mingling with the next generation of entertainment industry practitioners all anxious to find out what was new.
Then came Tuesday September 11th and the PLASA Show faded into the background. Word from New York spread quickly around the hall. The atmosphere was surreal because the events that those who had received phone calls from the States were describing, couldn’t possibly have taken place, even in the wildest imaginations of those who work in this crazy business of ours that specializes in dreaming up the impossible then making it happen.
But as those who gathered in the Platinum Club lounge to watch the news live quickly found - all this, and more, was true. We watched the second World Trade Centre Tower crumble live in front of our eyes. We watched our American colleagues dial and re-dial on their cellphones, desperately trying to reach families and colleagues back home. We wondered about the people we knew in New York - what a small world it is now, how crazy that in such a small world such madness can still take place.
There has been time since that day to face up to the implications for our own industry. The knock-on effects are hard to pin down, but they are already showing themselves, and in his column this month, Tony Gottelier reflects on what the wider implications might be.
It’s difficult to switch from the events of the September 11th to the events of the Show itself, but that’s what we need t
The recently expanded Creative Technology has quickly gained official IT and AV supplier status on a number of high profile exhibitions, including the recent Total Publishing 2001 show at Olympia in London. Contracted by organizers Quantum Business Media, Creative Technology supplied a semi-permanent network of PC hardware and iMacs for the Technology Theatre, which was used by numerous exhibitors for training workshops aimed at visitors to the show. Extensive use of sound equipment and IT data presentations were also incorporated for assisted product demonstrations.
Additionally, Creative Technology has gained official show status for numerous ongoing events, spearheaded by CT’s Exhibition Organiser’s account manager Beth Hathaway, recruited earlier this year. Based at CT’s NEC office, Beth covers the whole country and since joining has secured a number of exhibition contracts with preferred supplier status including BBC Good Food 2001, Interbuild 2002, Hotelympia and Sports Industry 2002, Trident Exhibitions, Dive Show, Sound Broadcasting Equipment and Speciality and Fine Food amongst others. Also secured with official status - by the CT London office - is TMA Ventures 2001, which takes place in Brighton on October 29-31. TMA Ventures is the commercial subsidiary of the CMA (Communications Management Association) - the business user association for communications professionals. TMAV provides a range of leading media and information services within the Telecoms and IT arena.
The LDI Show will go ahead as planned from November 2-4 in Orlando. In response to a number of enquiries following the events in New York and Washington, the organizers are keen to reassure people, through a statement posted on their website, that the exhibition will go ahead as usual. "We at LDI would like to express our deepest sympathy to all who are affected by the tragic events of September 11, 2001. Our thoughts are with you. We cannot let terrorists bring world business to a halt and we at LDI and Primedia Business Exhibitions feel it is very important that all businesses show their resilience. At this time, we do not foresee major disruptions for a smooth and successful show floor opening on Friday, November 2, at the Orange County Convention Center in Orlando, Florida. LDInstitute is still scheduled to open on Monday, October 29."
If any exhibitors or visitors have any questions or concerns about the Show, they should contact any of the following people: Paul Stratton, LDI Show Director Tel: + 1 720-489-3118 firstname.lastname@example.org
Ellen Lampert-Gréaux, LDI Conference Director Tel: +1 212-229-2965 x 830 email@example.com
Jacqueline Tien, Publisher, Lighting Dimensions, Entertainment Design Tel: +1 212-229-2965 x 815 firstname.lastname@example.org
You can also look at PLASA Media’s LDI Factsheet at www
The first beneficiary of Light Relief was presented with a copy of CAST Lighting’s WYSICAD by Mark White, ETC’s regional manager for the UK and Ireland, on September 11 on the ETC stand at PLASA 2001. Julian Williams has been in the lighting business in various capacities for over 25 years, but for the past two years treatment for bowel cancer has prevented him from working. Part of his plan to get back into action is to learn how to produce stage lighting plans with AutoCad files and to then offer this as a service.
Tony Gottelier and Rick Fisher, co-founders of Light Relief, arranged for Julian to receive a copy of WYSICAD, the 2D and 3D visualization software program, with the co-operation of ETC and CAST Lighting. Then, when Glyn O’Donoghue, marketing director at AC Lighting, heard about the presentation, he immediately offered Julian a day’s training on the product at High Wycombe, plus follow-up technical support. Glyn said: "I’m a big believer in WYSIWYG – it’s a tremendous product and I want to help Julian get the best out of it."
Julian has not worked since October 1999, when his cancer treatment began. Now completely cleared of the disease, thanks to a combination of radio therapy, surgery and back-up chemotherapy, Julian has used his time at home to learn computer skills and to keep up to date with the technical side of the lighting business. He said: "WYSICAD will enable me to work at home, thus alleviating some of the underlying stress of not earning! I eventually hope to upgrade to the full version o
Six new products showcased at the Professional Lighting and Sound Association’s (PLASA) annual entertainment and technology show in London this week received top honours in the Show’s prestigious Awards for Product Excellence.
Living up to its reputation as the industry’s premier launch pad, the PLASA Show saw a record 56 technical innovations new to the market this year nominated for the Awards. All entries were featured in the New Technology Gallery, sponsored by Lighting&Sound International, which attracted enormous visitor and exhibitor attention and certainly took centre stage.
The awards were presented for Design Excellence and Technical Innovation in four categories: Lighting; Sound; Audio-Visual and Stage Engineering. The winners were presented with a PLASA Award for Product Excellence trophy, specially designed by DHA Lighting. Talking about the Awards, MD of PLASA, Matthew Griffiths, said: "It is very encouraging to witness the high level of new product development and innovation within this industry. It is also heartening that so many manufacturers chose the PLASA Show to launch their latest innovations, demonstrating the Show’s position as not merely an exhibition, but as the major event in the entertainment technology industry’s year."
In the Lighting category, the Award for Design Excellence was presented to Clay Paky for its CP Color Range, a line of colour changers designed for the professional and architectural markets. There are four models in the range, including one specifically for outdoor applications. Each
Pro Production 2002 - a new trade show for live event production professionals will take place from January 11-13, 2002 at the San Diego Convention Center, USA. Presented by Timeless Communications Inc, parent company of Pro Lights & Staging News, Pro Production 2002’s tradeshow environment will feature workshops, panel discussions and manufacturer exhibits. Professional production products and services will be centre stage for the three-day event. According to Terry Lowe, president of Timeless Communications, Inc: "The goal is to give live event professionals their own convention. There are many trade shows in the North American market but none of them is solely focused towards the live event production industry. ProProduction 2002 will provide event professionals with their own convention where event technology and issues will be at the forefront."
The conference kicks off on Thursday January 10 with the inaugural Rick O’Brien Memorial Open Golf Tournament, scheduled for Riverwalk Golf Course close to downtown San Diego. Part of the proceeds will go to benefit the children of Rick O’Brien - a long time fixture as a production manager in the industry.
PLASA 2001, the Professional Lighting and Sound Association’s annual entertainment technology showcase, held at Earls Court from 9-12 September, received an overwhelming thumbs up from exhibitors and visitors alike.
Understandably, the horrific events in New York and Washington cast a shadow over the Show, not least because of the large number of American exhibitors and visitors who always support the event. The shock of the news was felt widely across the show floor, but it quickly turned to a resolve to keep the Show open and a determination that business should go ahead as usual.
Attendance figures were boosted 4.5% on last year’s event as 13,373 visitors (subject to ABC audit) attended the spectacular four-day show to witness the unveiling of the industry’s latest innovations. Of these visitors, an amazing 25% were international. Results of an exit survey showed that over 80% of visitors to this year’s Show felt that PLASA was the Show to view leading edge entertainment technology and new product launches. Highly respected as the international entertainment and technology exhibition, PLASA provided a platform for nearly 350 manufacturers, suppliers and distributors to present their very latest products, innovations and designs and to strike valuable business deals. From state-of-the-art sound systems, spectacular lighting effects, staging concepts and fog machines to audio-visual equipment, trussing and the very latest in DJ decks, PLASA 2001 featured something for everyone.
It represented more than just a place to see the latest entertainm
After many year's absence, the ISCE led range of mini seminars which took place during the recent PLASA Show, attracted over 100 people across the three workshops. Doug Edworthy, Events chair told PLASA Media: "I think everyone attending benefited from the variety of relevant subjects covered in the audio field, and many are now booking for ISCE's extended one day programmes scheduled throughout 2001/2."