UK - Only Helix, known for its work with artists like Years & Years, Bat For Lashes, Amy Macdonald and Bombay Bicycle Club, has launched a new travel service that’s designed to meet the specific needs of touring professionals. OH Visas is rooted in an understanding of how the entertainment industry works, and has been developed to take the travel stress out of touring.
Only Helix’s Steven Down and Tom Nicol are the masterminds behind the service, which will be headed up by travel industry specialist, Ben Young.
“OH Visas was borne from our combined experiences, frustrations and successes with travel over the years,” explains Down. “Brexit and Covid-19 has obviously also shifted things quite dramatically and we wanted to find an easier process for ourselves and our clients.”
Nicol elaborates: “We realised this solution was something that others would probably benefit from too, so we’ve decided to make it a bigger part of our agency offering. We’ve got some great expertise in Ben, and we’re excited about getting it out there.”
As the shifting political landscape has made touring more complex than ever before, travel schedules that previously required no or minimal visas, may now need multiple visas and additional paperwork to ensure a smooth passage from one country to the next.
The new service handles the entire visa process from start to finish - covering applications, appointments and embassy visits. Learning from previous experiences (and challenges) of tour and production travel, OH Visas has streamlined the
Europe - Showlight has revealed the speakers for its one-day online Virtual Showlight on 25 May.
In a snapshot of the full Showlight event, a series of papers will be presented by international keynote speakers, interspersed by a series of video shorts from the likes of Peggy Eisenhauer and Bill Klages. There will also be a discussion panel based on the subject of diversity in the lighting industry, chaired by award-winning lighting designer, Paule Constable.
The speakers for Virtual Showlight 2021 are:
David Bishop - BBC Strictly Come Dancing - BBC Strictly Come Dancing’s award-winning lighting designer, David Bishop, will outline the challenges of re-designing an icon of UK television after 15 years, the latest season of which required the incorporation of live augmented reality into the show.
Ken Billington, Rob Halliday, Aaron Porter - Lighting Around The World Without Leaving Home: The Story of Waitress in Japan - When Japan closed its borders just after Christmas, the production team for the musical Waitress were no longer able to travel to put the long-scheduled Tokyo production on stage. But the show must go on - so they figured out how to do the show remotely. For lighting, that meant LD Ken Billington and his associate Aaron Porter in New York, programmer Rob Halliday in London, and the crew in Japan.
Isabel Nielsen, Floriaan Ganzevoort, Mike Evers - From Shipyard to Street Art Museum - Floriaan Ganzevoort, Isabel Nielen and Mike Evers, are
UK - PLASA, the lead association for the entertainment technology industry, is hosting a second PLASA Online from 10-13 May, following on from a successful debut in October 2020. The programme will address the most pertinent issues facing the industry, present pioneering technology, and deliver several sessions on technical theatre in partnership with the ABTT.
The free-to-view programme will span four days, bringing you creative presentations, business panels, industry advice and technical training, each led by experts in their field. Furthermore, each day you will have the opportunity to watch live product presentations hosted by leading manufacturers. Running alongside the programme is a virtual Exhibitor Showcase featuring an extensive A-Z of brands from audio, AV, lighting, rigging and staging.
The ABTT will deliver the very latest amendments to their Technical Standards for Places of Entertainment which covers energy conservation, electrical installations and emergency lighting. They will also present an overview of Volume 1 of The Theatre Green Book, a project that brought together theatre-makers and sustainability experts to create a common standard for making theatre sustainably.
Electrical expert James Eade will return for another unmissable session, this time delving into the most enduring electrical misunderstandings, from qualifications and PAT testing, to earthing and phase separation. This session will also feature a Q&A, allowing to you get expert advice on your electrical safety concer
World - PRG has set up a worldwide network of 20 studio environments suited for scalable production of pre-recorded and live content in a COVID-compliant setting.
The studios are housed in the immediate vicinity of major facilities, to enable PRG to react to project-specific technical requirements from clients by utilising its portfolio of lighting, audio, video, scenic and digital solutions. Each studio has its own character, catering to the markets it serves, whilst an expert team is in place to supervise and staff each location. There are two types of environment – the PRG Virtual Production Studios, designed for productions that require more demanding technology such as extended reality (xR), and PRG Digital Studios for pre-recorded or live broadcasts.
The Virtual Production Studios – located in Hamburg, Los Angeles, and Paris – are equipped with xR technology, mixed reality and proprietary Enhanced Environments and Ncam® technology, making it possible to host green screen, standard capture or extended reality (xR) shoots. “From entirely imagined worlds to realistic scenery and backdrops, any environment can be brought into the studio with options for realtime visualisation of virtual elements,” says the company. “As a result, talent can interact with their setting in real time, while producers realize major savings in post-production and travel costs.”
The PRG Digital Studios can be found in more locations, including Chicago, Las Vegas, Nashville, New York Metro, Orlando as well as in The EGG in Brussels, London's Saatchi Gallery, M
World - Registration for Virtual Showlight is now open. Tickets for the unique online event can be secured via Hubilo, here. Tickets are free of charge but delegates are encouraged to make voluntary donations when registering, as all proceeds will go to support industry charities Backup and Behind the Scenes.
The event will be hosted on behalf of Showlight by MaxLive Events and takes place on 25 May between 15.00 BST and 23.00 BST.
“We have an exciting programme of speakers lined up for your entertainment and education,” say the organisers. “These will be interspersed by a number of ‘Video Shorts’ - short stand-alone papers, some of which will be forerunners to the full Showlight event that we hope will resume next year. A discussion panel of international speakers will focus on the issue of diversity in the lighting industry. In between sessions, there will be a number of breakout rooms, hosted by our sponsors, which delegates can enter to view and discuss sponsors’ products and services, and a networking lounge for general mixing and mingling.”
The organisers continue: “We would like to thank our generous sponsors whose donations have enabled Showlight to cover the cost of this virtual event, allowing the maximum of delegate donations to go direct to the charities. Robert Juliat is our headline sponsor, and is joined by Ayrton, ACT Lighting, Inc., Altman, ARRI, Claypaky, Copper Candle, ETC, Robe and Vectorworks. Virtual Showlight is also supported by
Spain - Integrated Systems Events’ managing director Mike Blackman recently took part in the Barcelona reACT Conference, a four-day working event to relaunch the city’s economy after a year of pandemic.
Speaking at the conference and looking forward to June, Blackman said: “We recognise that the world needs events to get back to business and we are thankful for the support we have had from the national, regional and City authorities, the team at the Fira and of course to the pro AV industry for its enthusiasm in the face of what has been an incredibly difficult period. Whilst 2021 will offer a different experience we are confident of delivering a great event which will pave the way for ISE 2022 in Barcelona.”
Blackman added: “Whether joining online or in-person in Barcelona, attendees can access inspiring content from innovation leaders, networking opportunities and the latest technologies. This main ISE event, 1-2 June in Barcelona and online, acknowledges that we are at a stage where we can start to plan again for the future and these two days will assist the industry to build a new roadmap for a new era.”
In-person attendees can visit booths from exhibitors including Alfalite, Ampio, AVI-SPL, Barco, Biamp, Control4, d&b audiotechnik, Equipson, LANG, NEC, Panasonic, Sharp, Shure, WolfVision plus many more. Highlights from the exhibition will be broadcast from the Main Stage during the two days. There will also be a Pavilion by ICEX to highlight Spanish brands and business opportunities as well as a host of other features including:
UK - PPL, the UK’s music licensing company for over 120,000 performers and recording rights holders, has again chosen to support touring crews and event production workers during the live industry’s ongoing unemployment crisis, with a donation of £75,000.
PPL previously made a significant donation to Stagehand’s COVID-19 Crew Relief Fund earlier in the pandemic. Further strengthening its commitment to the future of live entertainment and the value placed upon its workers, PPL has stepped in to support the ecosystem surrounding the wider music industry.
As the roadmap to easing lockdown in the UK gets underway, Britain’s event and concert touring personnel remain unable to return to work in any meaningful capacity. While restrictions on audience gatherings remain in place, skilled crews are left without the opportunity to earn a consistent income. Funding from the recording sector has been invaluable.
To date, Stagehand charity, which was founded by the PSA, has been able to provide some of the 20% of people who have fallen through the gaps in governmental support with grants of up to £500 for food and housing bills.
Since its launch in September 2020, the Stagehand COVID-19 Crew Relief Fund has helped over 1,500 workers. The Fund has opened a fifth round of applications, made possible with PPL’s generous donation.
Mike Lowe, Stagehand chair of trustees states: “PPL and live event production workers are at opposite ends of the music business. It is so heartening that PPL regard the entire business as one ecosystem and at
Germany - Integrated Systems Events has released more details about its ISE Live & Online programme, which will run throughout June.
ISE Digital is a two-day web event of live and on-demand content powered by CISCO technology. ISE Digital will be launched to run concurrently with the Barcelona event on 1-2 June and will be available on demand in the weeks that follow, reactivated with live updates from the Munich, Amsterdam and London events. Registration for any of the four regional events provides access to this content from launch; online-only registration is also available.
Exploring The Future of AV, ISE Digital will highlight business growth and opportunities, while showcasing solutions, in the context of the industry emerging from the confines of the pandemic.
Mike Blackman, Integrated Systems Events managing director explains: “We are proud to be partnering with CISCO on ISE Digital. Working with the industry in this way, we will be providing significant opportunities for teams and individuals to meet their customers, for people to experience product innovations, and of course, for networking.”
Live content from the Main Stage, and focused Tech Tracks with insight from key technology sectors, aim ‘to inspire and spark lively conversations with an opportunity for attendees to interact, share ideas and ask questions’. Topic covered include Digital Signage, Live Events & Audio, Workspace Evolution, Digital Learning, Smart Building and XR in Today’s Reality.
South Africa - Pixel Nation has recently inaugurated a new virtual production studio in the heart of Johannesburg’s vibrant Rosebank district with content delivery based on StreamWorks infrastructure from Stage Audio Works. StreamWorks is a new initiative from SAW that provides full end-to-end streaming services comprising hardware and software, as well as support and expertise.
Pixel Nation was created by a team of AV professionals who have always operated in the live event space, particularly in the corporate market. As the COVID-19 pandemic has forced in-person events off the agenda for the time being, Pixel Nation was formed in order to be able to deliver events virtually, and not just as a pre-recorded show, but as fully interactive, live events with participants from all over the world.
“In creating Pixel Nation, we’re leveraging our expertise in AV event content creation, production and delivery and transferring it to a virtual environment,” explains Pixel Nation director, Mike Fynn. “We’re still creating amazing events, but participants are now located all over the world instead of under the same roof.”
Already long-standing clients of SAW in the live events market, when it became clear that the business model would need to change, Mike Fynn and fellow director Bradley Hilton, turned to SAW for help with the live streaming element, an area in which they had little experience. “We knew what we wanted to do - we just didn’t know how we were going to do it! Fortunately, Nathan [Ihlenfeldt] and the guys at SAW were already work
UK - A new cinema experience at Lighthouse, Poole’s centre for the arts, is set to bring cultural events by some of the country’s leading arts companies even closer to home for local audiences.
Presented in the familiar Theatre space at Lighthouse, Screen On Stage will show content in high definition on the largest roller screen on the market, with a newly installed hi-tech surround sound system and digital projector.
"We’re really excited about Screen On Stage - it represents offers a fantastic new experience for our audiences,” says Lighthouse chief executive Elspeth McBain. “We took the decision to dramatically expand our digital capabilities in lockdown and are enormously grateful to have received the funding that has enabled us to create this programme as one of a number of new developments.”
On sale from next week, the Screen On Stage programme includes showings of the 1967 Mel Brooks classic The Producers, Bob Fosse’s 1979 autobiography All That Jazz, Bette Davis All About Eve. Also scheduled for July is a screening of the fantasy Cirque du Soleil: Worlds Apart.
The Screen On Stage screenings are projected on a 7m x 5.25m Screen Int MajorC pro black case roller screen that can be unrolled by any amount to suit any picture ratio.
The sound processor is a Dolby 950 Digital sound processor and there are 16 JBL 8320 surround speakers - six on each side of the Theatre and four at the back - powered by three Crown XLS amplifiers. The centre, left, right and sub channels utilise the existing
UK - Industry collective #WeMakeEvents, joined by over 150 industry players, has called for crucial government support for the specialist transport vehicles - carrying artists, crew, and equipment involved in touring productions - which have been rendered inoperable post-Brexit.
An essential component to music, film, and TV tours, passenger transportation relies on operating freely in the EU. Under the current post-Brexit EU-UK Trade and Cooperation Agreement (TCA) hauliers are restricted, stopping the 30 companies in the sector from returning and UK artists from being able to tour. This is instead opening up opportunities for trucking companies to be set up in the EU and sacrificing specialist jobs. The industry is now writing to the Transport Secretary, Grant Shapps, urging the government to negotiate exemptions or waivers to the TCA and/or provide short-term workarounds.
Without freedom of movement to work across the EU, the demise of sleeper bus and splitter van businesses will threaten the UK’s entire creative export ecosystem and position as a recognised global leader in live events, say the campaigners. Unless the TCA is negotiated to provide an exception to the cabotage hauliers, the industry faces “another competitive disadvantage against EU-based competitors.”
To raise awareness, over 50 musicians have co-signed the letter including Frank Turner, Two Door Cinema Club, Maximo Park, Blossoms, Ghostpoet, Public Service Broadcasting, Melanie C and Jamiroquai. Also supporting are the producers and crew involved in music, film, and TV prod
Europe - Typically utilised before and after performances and during intermissions as practical audience lights, house lighting has traditionally played only a minor role in creating the atmosphere of a space. With the advent of dynamic LED house lighting however, that has all changed. Today’s house lights have taken on a more flexible and increasingly important role as an integral part of a broader and more immersive lighting design impression.
In Elation’s 1 April Coffee Break, Alistair Smyth and Frederik Afif delve into the adaptable aspects of Elation’s colour-changing Fuze Pendant. This LED downlight produces high CRI variable tones to flood a space in hues of colour or functionally wash a venue in shades of white light. Add in a multitude of control, connectivity, mounting and lens options and it is the ultimate lighting tool for modern house and area lighting applications.
The Elation Coffee Break on the Fuze Pendant will air live on Thursday, 1 April at 11:00 a.m. CEST. Tune in at www.facebook.com/ELATION.Pro.Europe/live/. No registration is required.
The Elation Coffee Break is an online presentation series from Elation’s European office in Kerkrade, the Netherlands that takes an up-close look at some of the company’s most popular product series. To view previous Elation Coffee Break webinars, please visit www.facebook.com/ELATION.Pro.Europe/live/.
USA - Registration is still open for the New World Rigging Symposium (NWRS), produced by ESTA and USITT, which takes place online 6-8 April. The cost is $99 and the symposium carries up to nine ETCP education renewal credits for re-certification.
The event brings together a wide group of industry experts for a series of panel discussions and live Q&As on video wall rigging, automation and motorisation, performer flying and rescue, and types of ropes.
In addition, a case study will look into how the installation of a tension grid is working in a major facility, a group of structural engineers will answer your questions, rigging pros from the world of motion pictures will talk about some of their toughest challenges, and mental health professionals and advocates will discuss how to be aware of and address the mental health impact of the pandemic. Visit www.esta.org/nwrs to see a complete schedule and session descriptions.
The keynote speaker will be Jeanette Farmer who specialises in theatre infrastructure design, project management and construction supervision for intimate entertainment and educational facilities as well as technologically advanced purpose-built live performance venues.
A Rigging Cornucopia Happy Hour will close each day’s sessions. During the 6 April Happy Hour, Roy Bickel will receive the ESTA Lifetime Technical Achievement Award which will be presented by Rocky Paulson and Chris Schmidt.
Event sponsors are Stage Rigging,
South Africa - As a direct response to the new pressures faced by businesses in the wake of the COVID-19 pandemic, Johannesburg-based AV technology solutions provider, Stage Audio Works, has announced StreamWorks, an end-to-end live streaming service.
“COVID-19 has changed the way we work forever,” says SAW’s group CTO, Nathan Ihlenfeldt. “Participation in virtual events and remote meetings via the internet has become the norm for most of us, and even when the world finally starts to open up again, will remain an important part of our everyday lives. However, public streaming platforms and the internet in general has come under increasing pressure, with embarrassing consequences to the host organizations.
“With vast experience in delivering video reliably to internet users, especially in Africa, we decided to take things a step further and launched StreamWorks with the aim of providing a modern, end-to-end system that adds a layer of reliability and security to live streams and ensures viewers can access content whenever and wherever they need to.”
StreamWorks’ core offering is its web streaming service hosted on an infrastructure with multiple CDN providers delivering content to end users, and multiple origin servers located in geo- and network-divers hosting environments. With POPs on all of the major IXPs globally, the StreamWorks CDN provides fast loading times and high video quality regardless of viewer location. The StreamWorks player can be embedded in any website, offering full viewer engagement and geo analytics for each event
UK - Advance, a digital advancing portal for festivals and events, has been launched by SC Productions.
The online tool will provide organisers detailed, realtime management over their site advancing, artist advancing, all accreditations, including crew, artists, guestlists and vehicles, along with health and safety inductions and COVID safety protocols. Each of these features can be used as a standalone entity or combined within a comprehensive package.
Sarah Hemsley-Cole, director of SC Productions, explains: “Advance is a valuable tool, providing events professionals with key data and information at the touch of a button. It has been developed to ensure pre-production and planning is a smooth process. Advance can be customised for each client, meaning the platform becomes bespoke to an organiser or production manager’s particular needs and can be accessed and updated wherever the user is - at home, in the office or on site, for example.”
SC Productions began trialling the online platform in 2018, with an artist advancing portal. This collates data from artists/touring parties - everything from accreditation and vehicle details to catering requirements and guestlists. Initial trials proved successful and the portal was expanded to include details and data regarding event and site contractors, traders, sponsors and guestlists. As a result, the portal gave organisers both control over, and insight into, exactly what was happening on any given day on their event.
Hemsley-Cole concludes: “Using this system on site at events and festiva
UK - The ABTT is joining forces with the Association of Lighting Designers to present a seminar, Lighting-in-the-Round on 26 March (Friday) from 2.00pm.
The seminar will feature a number of lighting designers who have worked extensively in-the-round. They will talk about the challenges faced when creating lighting in this staging configuration, some unique opportunities created by theatre-in-the-round and about some of the productions they have worked on during their careers to date.
This webinar is the second of six and will be hosted by Dave Wybrow (director, The Cockpit).
Wybrow will be joined by lighting designers Johanna Town, Elliot Griggs, Daniella Beattie and Tigger Johnson. This webinar is followed by a Q&A session where you will be able to pose your own questions to the panellists.
Tickets for the event are available at www.abtt.org.uk/events/abtt-seminar-lighting-in-the-round.
UK - FIX8Group’s The Hub was the centre of one of the largest virtual global meetings recently, as more than 500 speakers from over 70 countries joined a worldwide conference for a think-tank organisation.
A global, full-service events agency collaborated closely with FIX8Group to deliver the optimum solution for the project, which was by far the most technically challenging yet for The Hub - FIX8Group’s broadcast and connectivity centre. Due to the company’s significant investment in advanced infrastructure to ensure resilient connectivity capabilities and robust data security protocols in the delivery of virtual solutions, the project was made possible.
This incarnation of the organisation’s global conference moved into the virtual realm as a consequence of COVID restrictions. The range of speakers included thought leaders from Fortune 500 CEOs, government officials, Nobel Laureates, Oscar winners and Olympians to journalists, philanthropists, scientists, investors and digital pioneers. During the eight-day conference, they addressed more than 4,000 participants located across the globe.
“Nothing existed in the UK to facilitate the scale of this virtual, direct multi-contributor event so we were approached by our partner events agency with the challenge of formulating a solution,” says FIX8Group’s Neil Trenell. “The concept for The Hub emerged at the beginning of the COVID pandemic. Whilst many production companies were still considering how to take events online, we acted in a proactive manner with tenacity and speed. What we crea
UK - The Institute of Sound, Communications and Visual Engineers (ISCVE) is re-scheduling its annual exhibition and seminar programme to March 2022, the ISCVEx committee has announced at its recent AGM and Members’ Day.
The new dates for ISCVEx2022 are 22-23 March 2022.
Helen Goddard, president of ISCVE, comments: “With the level of uncertainty surrounding the timescale of vaccinations combined with mixed confidence and appetite for attending events, we feel the pragmatic approach is to take ISCVEx off the calendar for 2021 and reschedule for March 2022. This allows visitors and exhibitors to plan ahead in order to attend, what we are confident will be, the best ever ISCVEx event, with our expanding AV presence as well as our core sound roots.”
ISCVEx will mark its 20th anniversary in 2022 and will offer visitors an engaging schedule of events occurring over two days including a programme of seminars from industry leading figures, an exhibition of more than thirty of the i leading manufacturers and distributors and an informal networking dinner.
Registration details for visitors and exhibitors will be announced soon.
Germany - Messe Berlin has announced that the Stage|Set|Scenery trade show will not take place as planned from 15-17 June 2021 and there are currently no plans for it to return as an event.
"With Stage|Set|Scenery, we have been trying since 2015 to establish an international industry meeting place and cross-trade exchange at Berlin for those who otherwise work behind the scenes to ensure perfect staging," said Dr. Martin Buck, head of travel and logistics at Messe Berlin. "Despite positive developments, the event unfortunately fell short of expectations."
He continues: "We deeply regret this decision. However, in these economically challenging times, we unfortunately had to make this decision, since Stage|Set|Scenery is unlikely to achieve necessary results this year or in the years to come. On behalf of the Stage|Set|Scenery team, I would like to thank our partners, exhibitors and visitors for their dedicated support and cooperation as well as the productive exchange over the past years.”
Organised by Messe Berlin in cooperation with Deutsche Theatertechnische Gesellschaft (DTHG), Stage|Set|Scenery had been held every two years since 2015, with a focus on theatre, film and event technology.
World - Showlight has announced the first sponsors of Virtual Showlight, the one-day online event taking place on 25 May.
Planned in celebration of the enduringly popular quadrennial lighting conference and networking event that was due to take place this May in France, Virtual Showlight aims to bring lighting professionals together online for a day of engaging papers, discussions, networking opportunities and break-out sessions from the comfort of their own homes.
Sponsors of the event so far include headline sponsor Robert Juliat, plus ACT Lighting Inc, Altman, ARRI, Ayrton, Claypaky, Copper Candle, ETC, Robe and Vectorworks. Virtual Showlight is also supported by media partner LSi, and by LSA.
“Sponsorship of Virtual Showlight offers a unique opportunity for sponsors to connect with clients and industry colleagues whom they have not seen for many months,” says Showlight. “As a sponsor you will qualify for a slot in which to host your own ‘breakout’ room during the day.”
Those wishing to get involved by sponsoring Virtual Showlight are encouraged to contact email@example.com.
All proceeds from Virtual Showlight will go to support industry charities, including Backup and Behind the Scenes.
Backup is the UK’s registered charity that provides financial support to industry technical professionals, crew/production personnel and people working in the technical supply chain across the UK enterta
UK - The British Standards Institute has published the five-year review of BS 7909, with comments from the public sought until 26 March.
The standard gives recommendations for the management, design, setting-up and operation of temporary electrical systems using low voltage AC electricity, for the entertainment and similar or related industries. It gives guidance on matters of common interest to producers, production companies, event organizers and managers, freelance people, facilities and services hire companies, equipment hire companies, equipment manufacturers, electrical consultants, electrical installation contractors, distributors, suppliers of electricity, venues, local authorities and those responsible for safety.
End-users are encouraged to submit their comments on the proposals during the review period. All comments will be examined by the standard development committee, enabling the public to directly influence the next revision of the standard.
Head over to BSI’s landing page to see the latest proposal and log your comments.
Middle East - Creative Technology Middle East has welcomed two new additions to its operations. Dailos Rodriguez has joined as venue operations manager for the company’s newly-formed venue services department. He has over 24 years of experience in the hospitality and AV industry and has worked across multiple venues. He has secured various high-profile contracts during his time and implemented in-house AV services for some of the Middle East's biggest hotel chains.
Of his appointment, Rodriguez says: "It is a great honour joining the CT team, and I look forward to getting started on the variety of fantastic projects we already have lined up."
Also joining the team is Mark Johnson, who has been appointed business development manager for venue services. With over 19 years of experience in the AV hospitality industry, he brings a wealth of knowledge and experience to his role, says the company. Johnson has secured several large-scale contracts across various venues and has been a key factor in the growth and development of many different AV venue services throughout the region. He states: "It's very endearing to be a part of Creative Technology's new Venue Services department from conception! I look forward to accomplishing many new first with CT."
Andrew Reardon, MD for Creative Technology Middle East, comments: "It is an exciting time for the Middle East as we continue to grow and expand our team of professionals and our offering. It is a pleasure to have both Mark and Dailos on board, and I wish them all the best going forward."
UK - EF Infection Control, a part of the EF Group, has announced the availability of a new solution to help ensure the safety of attendees at tradeshows and other major indoor events as industries worldwide move towards post-lockdown operation.
EF has partnered with infection and virus control specialists Aeret UK to develop the service Sanitise 360. Sanitise 360’s technology delivers a non-toxic atomised mist that kills 99.99% of bacteria and viruses that are airborne as well as on surfaces including Hepatitis, COVID-19, CoV2, SARS, MRSA plus fungi and mould that are associated with a variety of infections and allergies. Unlike most fogging systems, it is claimed to be completely safe to use around electronic equipment and has been engineered to leave no chemical residue behind in any of its applications.
Undisturbed surfaces can remain protected for anything up to 60 hours, while for high traffic sites an overnight application ensures a high level of safety. For tradeshow attendees, conference delegates, and even audiences at indoor events such as sporting fixtures, concerts, TV shows, or other arts-based events. Areas are protected and ready to use after 30 minutes.
“An atomised mist produces much smaller particles than fogging machines, meaning that it is effectively dry by the time it settles, not only destroying 99.99% of airborne viruses and bacteria but providing the same level of protection to surfaces as well,” comments Neil Goatcher, EF Group CEO. “Tradeshows are already doing their utmost best to provide COVID-secure environmen
UK - A new ranking developed by Leeds-based events specialist AYRE Event Solutions reveals the events capitals of the UK, with London taking the top spot.
The new ranking is based on the number of large event facilities in the city, successful Business Event Growth funding applications, the number of major events held in the location, percentage of corporates and associations which chose the location for events and finally the total number of events related jobs available in the area.
Unsurprisingly, with 60 large event facilities across the city, London takes the top spot across all metrics but is closely followed by Manchester, Birmingham and Glasgow. The top 10 locations in the UK for events as revealed by the new study are: London, Manchester, Birmingham, Glasgow, Bristol, Liverpool, Edinburgh, Leeds, Belfast and Brighton.
AYRE managing director, Chris Ayre says it’s the discrepancy between the number of large event facilities which is holding back towns and cities north of London: “Obviously London is the capital city and many businesses have their head offices there, but the Northern Powerhouse in digital and tech business is rising in cities such as Leeds and Manchester.
“It’s still disappointing to see that outside of London, there is a long way to go in terms of building large events facilities to meet the events’ need. Local councils and the Government need to place more investment in these conference centres and arenas outside of London so that these locations can effectively compete with the capital and host big scale