The Flying Dutch festival lands in Curaçao
Curaçao – Since it started in 2015, the Flying Dutch festival has employed a novel method of spreading DJ wealth in The Netherlands. Taking place simultaneously in Amsterdam, Rotterdam and Eindhoven, it shuttles the country’s leading DJs from city to city by helicopter throughout the day, so every fan in each location gets to see the entire all-star line-up of performers. This year, the festival added a fourth site to its roster - the island of Curaçao.
Taking place 25 October, a stone’s throw away from the white sanded Seaquarium Beach (aka Mambo Beach), Flying Dutch Curaçao offered breathtaking vistas, a nonstop party atmosphere, and a chance to take in performances by artists like Armin van Buuren, Sunnery James and Ryan Marciano, as well as local stars DJ Menasa and multi Latin Grammy-nominated Jeon and other leading DJs on a massive 45m wide by 19m high stage. Supporting their performance with some dazzling and colourful visuals was a lightshow designed by Dutch LD André Beekmans that featured Chauvet Professional fixtures, supplied by Massive Productions.
Beekmans deployed 32 Rogue R2 Spot, 16 Rogue R2 Wash and 16 Rogue R2 Beam fixtures, along with 16 Q-Wash 560Z units and 48 Chauvet DJ Colorband PiX linear lights on the massive festival stage. “The look he created was huge,” said Massive Production’s Jimmy Lo-A-NJoe, who oversaw the project. “We got a lot of very positive comments on how the stage drew people into the performance. It had the Flying Dutch look, so it fit into the theme of the festival, but at the same time we also gave it a local flavour by using the blue, yellow and white colours of the Curaçao flag.”
The 32 Rogue R2 Spot fixtures in the rig were spread out on the downstage deck across the width of the stage to accent its size. From this position, they were used for aerial effects, specials and backlighting the performers. “The Spots had the output needed to fill the stage and emphasize its big looks,” said Lo-A-NJoe. “They filled the stage with light without taking away from the performers.”
(Jim Evans)

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