ESTA acquires NATEAC
Thursday, 31 March 2022
esta-exc-and-bill-sapsisThe official signing of the napkin! - Elmer Veith (ESTA secretary), Todd Spencer (ESTA president), Bill Sapsis (NATEAC director emeritus), Erin Grabe, Tracey Cosgrove and Steve Surratt (ESTA executives)
USA - ESTA has announced the North American Theatre Engineering and Architecture Conference (NATEAC) as the newest addition to its community. The association is to be the new host of the quadrennial conference, the fifth iteration of which will take place July 2024 in New York.
Created by Bill Sapsis of Sapsis Rigging, NATEAC was first produced in 2008. Since then, it has been bringing together the architects, engineers, consultants, and manufacturers who are responsible for designing, building, and renovating theatres. NATEAC also facilitates communication between those groups and end users. Over the course of a weekend, conference-goers attend panels and exchange ideas at social events like an evening boat cruise in New York Harbour, dinner at Sardi’s, and a cocktail reception.
“I believe ESTA and NATEAC will be a natural fit,” Sapsis explains. “After 14 years of developing this conference, I’m looking forward to its continued growth under ESTA’s wing.” ESTA intends for Sapsis to continue to be a presence at future conferences as NATEAC’s director emeritus.
ESTA president Todd Spencer comments: “As an industry, we need to throw open the doors and include diverse voices to increase the value of networking events, training, and resources. Connecting the theatre, engineering, and architectural community that NATEAC serves with ESTA’s wide variety of members, our certifications programmes, and our technical standards creates immense value for everyone.” ESTA is also taking this opportunity to extend new benefits to members, including early access to conference registration and member discounts on admission.
“I’m thrilled to be a part of this evolution,” Spencer adds. “And I’m excited to serve members and attendees by addressing what they expressed was their most important need: to network more broadly and be a part of the wider community of events and entertainment.”

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