The venue is currently operated by a not-for-profit organisation, Luxor Live (photo: Louise Stickland)
The Netherlands - Luxor Live is a music and performance venue in central Arnhem, the Netherlands with a colourful history that started in 1915 when it was opened as a film theatre. Architect Willem Diehl was responsible for its art deco look and features, which has also earned it ‘listed’ status. It was purchased by the Municipality of Arnhem in 2002, fully renovated and re-opened in its current format in 2008.
Last year a serious investment in Robe moving lights saw 12 Spiiders, 12 DL4X Spots, eight LEDBeam 150s and four DL4F Fresnels join the lighting rig to help ensure that the 300-plus shows staged there every year can benefit from top quality LED moving lights, explained head of lighting Fon Sanders.
The main hall capacity is a cosy 700 including the balcony, and the stage is scalloped out of an elegantly curved auditorium which features an individually pixel-controlled LED architectural lighting scheme that highlights the interesting shape and original ceiling art and sculptural features. There is also a small hall in the first floor with 200 capacity.
The venue is currently operated by a not-for-profit organisation (Luxor Live) and subsidised by the city of Arnhem, and the DL4Xs and DL4Fs were their second recent Robe addition following the Spiiders and LEDBeam 150s that were shipped early to arrive in time for Luxor Live’s 10th anniversary in September 2018.
While most artists will bring their own LD or operator, Fon still enjoys lighting interesting concerts and techno parties, and there is a pool of regular freelance LDs called on for most events as required. For lighting control, there is an Avolites Arena and a Pearl Expert Pro in the main hall and an Avo Quartz for the small one.
Luxor Live has worked with Robe’s Benelux distributor Controllux since 2008 and has developed an excellent relationship for service and support which is such a vital part of the equation for any busy live music and show venue.
(Jim Evans)

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