USA - InCord has made its 2021 donation to the Behind the Scenes Pledge-of-Support Programme reflecting a percentage of profits from sales of their Theatrical Safety Netting Systems. The systems are hand-crafted in the USA, safety tested to exceed all applicable industry standards, and are custom designed by professional engineers.
Joe Menhart, InCord’s Theatre Division sales manager, comments: “We are forever grateful to BTS for all they do, especially when so many have been in need for so long due to the global pandemic. We are very proud of our support for BTS. Our hearts go out to all those who benefit from the grants and resources provided by BTS.”
Rick Rudolph, the chair of Behind the Scenes, adds: “InCord’s steadfast commitment to our Pledge-of-Support Programme is so heartening. It lets our industry know that no matter how tough times are it’s important to continue to care for those who are less fortunate.”
Cultural Recovery - Music festivals, West End theatres, comedy clubs and Canterbury Cathedral will get a share of £400m emergency government culture funding. A total of 2,700 English culture and heritage venues will share the latest round of the Culture Recovery Fund.
Canterbury Cathedral has the biggest grant with £2m, while the Serpentine Galleries in London has been awarded £1.9m and Camden Roundhouse has £1.5m. West End chain Nimax Theatres and Glastonbury will receive £900,000 each.
Glastonbury Festival organisers Emily and Michael Eavis said the money would "make a huge difference in helping to secure our future". Emily told told BBC Radio 4's Today programme that the event had "suffered huge losses" in the past year. This is the last major tranche of money to be awarded from the £1.57bn Culture Recovery Fund that was announced last July. In his Budget in March, Chancellor Rishi Sunak announced a further £300m for the fund, which is yet to be allocated.
Fairport’s Cropredy Convention has received a grant of £100k. “We are extremely grateful for this award,” says festival organiser Gareth Williams. “The money from the CRF Round 1 has already filtered out in the form of deposits to our terrific support companies, without whom there would be no festival and the Round 2 grant will continue to ensure that we are all in place to open the gates once again this August.”
Back On Song - The Eurovision Song Contest has been given permission to let 3,500 fans watch in person as part of a trial by the Dutch government.
One Night Stand - Around 5,000 people spent Saturday night at a gig in Barcelona after receiving negative results in same-day Covid testing. Spanish authorities let the concert, featuring band Love of Lesbian, go ahead as part of a pilot. Fans took a test earlier in the day and did not have to keep physically apart but they still wore masks.
It is one of the largest gatherings in Europe in more than a year since the pandemic began. "This is for one night only, so enjoy it," one of the hosts said before the concert started at Saint Jordi Arena. The gig was held as part of a research project looking at the viability of holding Covid-secure mass events following rapid-testing of guests. It follows a similar experiment in the Netherlands last week, when fans attended a two-day music festival after showing proof of a negative Covid test.
In Barcelona, ticket-holders were only permitted to enter the stadium once a negative result code was sent to their phones. Temperatures and IDs were checked at the door. Staff from a local hospital and event promoters teamed up to carry out rapid testing in booths within tents at three local venues. "We expect it to be completely safe. Over the next 14 days we will look at how many of the audience test positive for Covid and will report back," doctor Josep Maria Llibre told AFP.
Peer Pressure - House of Lords peers have urged the government to negotiate a solution for UK creatives working in Europe, warning that current restrictions are putting the sector’s future at risk. In an inquiry report into the future o
Glastonbury - Proposals have been submitted for a concert at the Glastonbury festival site this autumn. The news comes after it was announced in January that the festival had been cancelled for a second year in a row because of the coronavirus pandemic. But festival organiser Emily Eavis said in a post on Instagram that an application has been made to stage a concert at Worthy Farm in September instead.
She wrote: "For those asking for an update on our plans later this year, we have put an application in for a licence for a concert at the farm in September (around the time we'd usually do Pilton Party). Of course, we've no idea yet whether we'll able to do that, but we wanted to get the application in to be in with a chance. Unlikely we'll have any news for a couple of months - but will let you know right here when we do."
On The Strip - Former West End strip club the Windmill is in line to reopen as a theatre with a 250-seat auditorium featuring the “biggest names in entertainment”. A licensing application is currently being considered by Westminster City Council. The venue lost its sexual entertainment licence in January 2018 and has since been purchased by Immerse London, which has spent £7m restoring the building.
If the conditions are approved, the venue will accommodate up to 250 in the main theatre auditorium and refurbished Royal Box and Palais De Luxe Mezzanine Floor, with performances throughout the afternoon and night. Additionally, there will be a theatre lounge called Hendersons located in the basement of the building, which
USA - The Behind the Scenes Mental Health and Suicide Prevention Initiative has announced online Mental Health First Aid training will now be available to entertainment industry workers in the U.S at a variety of days and times on an ongoing basis. Mental Health First Aid is a training course that gives you the skills you need to reach out and provide initial help and support to someone who may be developing a mental health or substance use problem, or experiencing a crisis, and help connect them to the appropriate care.
Mental Health First Aid is an international training programme that was created in Australia in 2000, brought to the U.S in 2008, and is now in 24 countries around the world. Upon completing the course you will become a certified Mental Health First Aider which is valid for three years.
Mental Health First Aid takes the fear and hesitation out of starting conversations about mental health and substance use problems by teaching you how to recognise the signs and symptoms that suggest a potential mental health challenge, how to listen non judgmentally and give reassurance to someone who may be experiencing a mental health challenge, and how to refer a person to appropriate professional support and services.
The course is delivered in two parts. The first is a two-four hour self-paced online course that must be completed prior to the second part which is a five-hour virtual live instructor led session. Go to btshelp.org/mhfa to learn more and to select the date and time you wish to attend the virtual live instructor led session. Dates
UK - This month, two industry collectives have mounted new initiatives to raise awareness of the live industry’s ongoing battle to stay afloat and to raise much needed funds to allow industry charity Backup to continue in its mission to help those in need.
For the whole of the month of March, #WeNeedCrew’s new initiative #moveforcrew is challenging people to walk or run 31 miles in their local area. This is the equivalent of 50 times around the perimeter of Wembley Stadium, which it has chosen as the focal point for the challenge to symbolise how much we are all missing live events and music.
#WeNeedCrew, which was started by Karen Ringland and Alice Martin, knows that treating mental health issues should be even more of a priority now. #moveforcrew’s aim is to raise vital funds to pay for therapy sessions for those in need and connect our community with certified practitioners who understand our industry.
“The #WeNeedCrew campaign has successfully galvanised the music touring industry to raise funds for the UK crews. The campaign has made a real difference to people’s lives giving hope and helping to alleviate real financial hardship,” says Backup vice chairman, Piers Shepperd. “Backup quickly identified that some people needed more than financial support and we therefore warmly welcome the new initiative #moveforcrew. This new campaign will raise funds to provide mental health support for our colleagues who work across music, theatre, TV and film.”
#WeMakeEvents, meanwhile, launched a powerful new video campaign last week to
UK - The British Standards Institute has published the five-year review of BS 7909, with comments from the public sought until 26 March.
The standard gives recommendations for the management, design, setting-up and operation of temporary electrical systems using low voltage AC electricity, for the entertainment and similar or related industries. It gives guidance on matters of common interest to producers, production companies, event organizers and managers, freelance people, facilities and services hire companies, equipment hire companies, equipment manufacturers, electrical consultants, electrical installation contractors, distributors, suppliers of electricity, venues, local authorities and those responsible for safety.
End-users are encouraged to submit their comments on the proposals during the review period. All comments will be examined by the standard development committee, enabling the public to directly influence the next revision of the standard.
Head over to BSI’s landing page to see the latest proposal and log your comments.
UK - Sustainable events agency and consultancy, Legacy Events, is set to launch its new marketplace on 13 April.
Legacy Marketplace’s mission is to connect and empower anyone who wants to "create successful, sustainable events and facilitate a positive change in the world. It will include everything needed for a successful sustainable event, in one place".
According to Legacy, the UK events industry emits 1.2bn kg of CO2e every year. However, events are hugely important for evoking positive behaviour change, with 43.1% of audiences stating that they had changed their behaviour as a result of green initiatives or ideas they had discovered at festivals.
Abena Poku-Awuah, founder and managing director of Legacy comments: “We’re so excited to be launching Legacy Marketplace for the events industry. The platform is a modern way to deliver sustainability without compromising quality or ease.
“This one-of-a-kind platform connects event organisers to products and services that reduce their environmental impact and contribute to positive social change. It offers a clear way through the jumble for those who want to make a difference but who do not have the time or expertise to source a sustainable solution themselves. Now more than ever, sustainability is a mainstream issue and increasingly under scrutiny in the events industry and attendees are looking to events to lead the way on this more and more.”
The marketplace will launch with an online event on 13 April which is free to attend for all event professionals. It will include network
To Safely Go - Pilots to assess how small and large-scale events can reopen safely are being launched by the government, which is describing the work as “crucial” for getting venues such as theatres reopened in June under the roadmap. The government said it was working with event organisers and local authorities to get “fans safely around a dozen events this spring”, as part of the previously announced Events Research Programme.
The ERP will provide “key scientific data into how small and large-scale events could be permitted to safely reopen”, the government said, in line with getting venues - including theatres - reopened without social distancing no earlier than 21 June. Major events already lined up for the pilot scheme include the World Snooker Championships, at the Sheffield Crucible, and the FA Cup final at Wembley.
The World Snooker Championships at the Crucible will “test a theatre setting”, the government said, and evidence will then be shared across the sector so venues can “prepare to accommodate fuller audiences". It said the review would be “crucial to how venues - from major sport stadiums to comedy clubs, theatres to live music spaces, wedding venues to conference centres - could operate this summer”.
Centre Stage - Drama schools need to appoint more people of colour in academic and management positions “as a matter of urgency to create permanent institutional change”, according to a new report from the Andrew Lloyd Webber Foundation that points to slow progress on diversity. The report, called Cent
UK - Lance Show & Publications Limited, organiser of The Showman’s Show has confirmed that the event will be held at Newbury Showground from 20-21 October 2021. The government setting out a roadmap to steadily ease the current lockdown and a tentative date of 21st June for all restrictions to be lifted has provided a much-needed boost to the outdoor event sector and prompted a string of exhibitor bookings, say the organisers.
Johnny Lance, event director of The Showman’s Show said: “The unveiling of the roadmap was the positive news that we’d all been waiting for. As publishers of the Showman’s Directory, we’ve seen a surge in event organisers getting in touch to confirm dates for their 2021 events and we’ve been busy updating the website. It’s also been wonderful to see so many high-profile events receiving national media coverage as they announce that they intend to run and to see ticket sales looking promising. It has certainly prompted conversations with many of our exhibitors and we’re delighted that bookings have got off to a steady start.”
Fellow event director, Jeremy Lance adds: “The roadmap is a step in the right direction, but we know that there are still many challenges ahead for event organisers and suppliers. Whilst we’re optimistic about events returning, our priority is to support our exhibitors and visitors so in the coming months we will be monitoring the situation to ensure that we plan the show in accordance with not only the regulations but the mood of the industry.”
UK - Last year the Light It In Red campaign saw hundreds of venues, workplaces and landmarks light up in ‘emergency red’ to raise awareness for the plight of the live events industry during the COVID-19 pandemic. Now, in a bid to spread a message of hope and support to individuals in the industry, the campaign is asking everyone to get involved with a week-long show of solidarity from 15-19 March.
Individuals and businesses are encouraged to support the campaign not only by illuminating buildings and structures as in previous #LightItInRed actions, but also by sharing the campaign’s heart logo on social media.
A statement from the campaign reads: “We know the past year has been bad, we don’t need reminding! So we’re not going to focus on that. We’re going to focus on you. We want to bring the live events industry together in a show of solidarity for all those still working or training and those who have had to walk away due to personal and financial hardship. We want to show support for those who have lost their jobs through no fault of their own, for those that have lost family members, for those that have lost homes and livelihoods and for those that have put their lives on hold.”
The statement continues: “As the message this time is one of hope and support, we are asking people to use the symbol of a heart to send their message. Your support could be shown by simply posting our heart logo on social media or could be as grand as building a heart out of lights, flightcases or tru
USA - BriteShot, a vendor of LED lighting solutions for television, film and events, has shifted its manufacturing strategy to help venues re-open safely amidst the COVID-19 outbreak. Making the most of its resources during these challenging times, BriteShot is now specialising in coronavirus air filtering and decontamination products.
“At Briteshot, we aim to have our decontamination technology be a factor in helping entertainment venues, restaurants, and more, reopen their doors in a safe and effective way,” says Roy McDonald, co-founder at BriteShot. “It’s been a difficult year within the entertainment space as facilities have been forced to close their doors or reduce capacity, greatly impacting revenue and job security across the board.
“To help ease customers back into business, we dedicated countless hours in production and testing to provide a solution that will keep artists, staff and audience members safe while we continue to enjoy doing what we love.”
Founded in 2009, BriteShot embarked on a three-year research and development process to bring its first product, The Luminator, to market.
Mitigating COVID-19 exposure in indoor environments, BriteShot’s decontamination solutions include its AirAffair air filtration system and ShelteX decontamination tent. The AirAffair system uses new technology to purify and sterilise the air from existing HVAC systems and can act as a stand-alone unit in any given environment.
The ShelteX decontamination tent is a fully enclosed structure constructed from high-density polypropyl
Ireland - MTN Shop, an E-commerce platform offering workwear, safety products, and rigging & lifting equipment is following in the steps of some of the world’s largest companies by accepting cryptocurrency as an online payment method. Through Coinbase, the cryptocurrency exchange, customers will now be able to purchase products from MTN Shop with the likes of Bitcoin, Ethereum and Litecoin.
Speaking on the company’s decision to accept payment via cryptocurrency, Ron Rose, MD, stated, “Creating a crypto friendly shopping experience is just another step forward in catering to the unique needs of our global customer base. At MTN, we pride ourselves on being a first mover and are keen to support the continual progress of the industries we serve as we help bring them into the digital age.
“MTN understands that cryptocurrency is still a relatively unknown method of payment for many. However, one of the main benefits to paying via cryptocurrency is that it limits the amount of personal information an individual must provide. When making a transaction, individuals will simply be required to enter the payment amount and the vendor’s public key (similar to an email address) via a Wallet app. Therefore, the only personal information required by MTN will be the individual’s name and shipping address.”
UK - Bill Harkin, designer of Glastonbury Festival’s iconic Pyramid Stage, passed away on Sunday 7th March. He was 83.
Harkin grew up in Liverpool, attending secondary school in Sefton Park before embarking on painting and 3D construction studies, “with the occasional lunch time Beatles gig for 1 shilling at the Cavern.” Soon, Harkin was showing his work at The Liverpool Academy’s shows at the Walker Art Gallery as well as in art and architecture exhibitions for Liverpool University and The John Moores Painting Prize. “Then, somewhat briefly, I started a course in architecture,” he revealed in memoirs on the Pyramid Stage Glastonbury Festival website. “The tedium of course work was more than I could take, I was much more excited by the theatre and the new fabric structures of Frei Otto in Stuffgart.”
Having purchased two of Harkin’s constructions, choreographer and director Bill Harpe invited him to design the stage set, lighting and projection for a production of Stravinsky’s The Soldiers Tale at Liverpool’s Bluecoat arts centre. He went on to work with Graham Frood on Merseyside Unity Theatre’s in-the-round production of Boulevard Durand at St George’s Hall.
Harkin then “left Liverpool for London and the world” before returning to England in 1970 where a moment of meditation whilst helping a friend relocate to Swanage lead him to Glastonbury Tor. There he met a group of kindred spirits, including Tony Andrews (now of Funktion
UK - Throughout February, LSi and PLASA hosted a blind auction for an industry-related number plate reading ‘A1 DMX’, donated by a prominent TV lighting director who has chosen to remain anonymous. The aim of the auction was to raise funds for the #WeMakeEvents campaign, with the winning bid coming in at a generous £2,500. #WeMakeEvents, LSi and PLASA would like to thank everyone who took part.
Every penny from the auction will go to the #WeMakeEvents campaign and their chosen charity, Backup which supports industry professionals and their families through times of ill health and financial crisis. Backup also allocates #WeMakeEvents funds to a number of specialist charities, including: Acting for Others, Music Support, Stagehand and #MakeItBlue.
The number plate’s original owner comments: “I’m very grateful to everyone who bid for my number plate, and especially to the very generous person who submitted the winning bid. I would also like to thank Claire Beeson and everyone at LSi and PLASA whose help and enthusiasm made it possible to raise this really decent amount of money for #WeMakeEvents.”
The highest bidder, and new owner of the number plate, adds: “The last year has been an incredibly challenging time for us all, and I'm very fortunate to be in a position to assist a cause that is doing so much for our industry in its darkest (pun intended) hours. I'd especially like to thank the previous owner of the plate for their amazing generosity.”
Find out more about #WeMakeEvents and their charity donations at test
Summer of Love - More than 200 events are to be staged in and around Chester as Storyhouse prepares a reopening programme, which it promises will be a ‘barn-raising’ open air season. The arts organisation said it would begin activity from May, with theatres and cinemas allowed to operate from 17 May under the government reopening roadmap. Storyhouse said its Grosvenor Park Open Air Theatre would open earlier than normal – possibly as early as 22 May – while Moonlight Flicks open-air cinema will also run from the May half term.
Storyhouse artistic director Alex Clifton said: “We’re launching a summer of festivity, joy and healing, together in the sunshine – a real summer of love. We’re planning a barn-raising, together-again party with the roof off. Plays and movies and family activities: all of us together in the city’s parks and open spaces, loving our city, and reconnecting with each other, in the summer sunshine."
Chief executive Andrew Bentley said the organisation had raised more than £2.5 million over the past year to keep it afloat. “This support is still crucial to our survival and we are so thankful. We brought some joy at Christmas and now we are about to embark on our longest summer ever,” he added.
Convention News - Much of the summer festival season remains in limbo, despite PM Boris Johnson laying out a four-step plan for easing restrictions by midsummer. Organisers and promoters remain hopeful that their events can go ahead, but uncertainty remains.
Gareth Williams festival director for Fairport Co
Germany - Neutrik has acquired Connex GmbH. The Oldenburg-based company, founded in 1990, produces and develops components for professional event industry and industrial applications.
The Connex product portfolio comprises solutions for mobile or stationary applications. These include power distribution systems, fibre optic solutions, video products, ethernet components, splitters, patching systems, stage boxes, cabling and measuring devices.
Connex focuses not only on standardised products, but also develops individual solutions and delivers comprehensive consulting services and support in the implementation of projects.
"We are very excited about the growth of our group. Connex GmbH is going to enable us to expand our activities to further areas of application and to strengthen our leading position in the market", says Chad Trevithick, CEO at Neutrik Group.
UK - Unusual Rigging has welcomed the outcome of yesterday’s Budget and what it means for theatres and other arts venues. The chancellor’s pledge to give an extra £410m to the arts is intended to help the sector recover as lockdown eases.
The funds are earmarked for theatres, museums, galleries and live music venues. But, says Tom Harper, managing director at Unusual, for the funds to be used most effectively, the industry should be regarded as an ecosystem, echoing the National Theatre’s Rufus Norris’ idea that the funds should be pumped into productions and not venues.
“The Chancellor has acknowledged that the culture sector will be a ‘significant driver’ in the UK’s pandemic recovery. While theatres are aiming to open from 17 May with social distancing in place, and with full capacity performances to be allowed from 21 June, there are still months ahead as we prepare for this big relaunch. Unlike other sectors theatre cannot simply fling wide its doors and resume trading at a sustainable level in the same way as other businesses might be able to. Ringfencing the money for productions will go further in supporting the entire supply chain, especially freelancers, an alarming number of whom have not been eligible for any financial support.”
Tom continued: “We cannot just support the cultural infrastructure and ignore the individual and teams who make the venues come to life. The artists, entertainers and all those working behind the scenes are really what makes the industry tick. If used wisely, these funds could go a long way t
UK - Budget 2021 included several measures relevant to theatres including additional funding for the arts, an extension to the Job Retention Scheme and a new Community Ownership Fund.
The Chancellor also announced other measures that could help some theatres: extension to the business rates holiday until the end of June followed by nine months of the rate being discounted by two thirds; VAT cut to 5% on leisure and hospitality sales will stay in place until 30 September, after which the rate will be 12.5% for a further six months, and Restart Grants of up to £18k per premises for hospitality businesses, which would include theatres.
Responding to the Budget, Theatres Trust director Jon Morgan says, “Theatres Trust welcomes not only the Chancellor’s announcement of additional funding for the arts, but also his recognition for the important role culture will play in the country’s social and economic recovery. £408m is a significant increase, more than quarter on top of the initial £1.57bn Culture Recovery Fund. This is much needed as the pandemic’s impacts have continued longer than originally anticipated and it is unlikely that many theatres will be able to reopen viably before fuller audiences are permitted from 21 June at the earliest.
“The extension of the Job Retention Scheme until the end of September is also welcome news for theatres. Together with the Culture Recovery Fund, this scheme has kept theatres afloat during the turbulence of the past year. This will provide a welcome cushion to further protect theatres until they can ret
UK - Newly self-employed workers who have lost income during the COVID-19 crisis will be able to claim grants from the Self Employment Income Support Scheme (SEISS).
The change to the eligibility criteria, which was announced by chancellor Rishi Sunak in today’s Budget, means those who have become self-employed during 2019-20 will be able to receive cash grants based on their tax returns. When SEISS was launched however, it was based on tax returns for 2018-19, which resulted in many people failing to qualify.
But this latest move will do little to please campaigners, who have been lobbying the government for months to extend the scheme to thousands more excluded workers, such as limited-company directors.
Sunak has also extended the furlough scheme to the end of September, with workers guaranteed to receive 80% of their income until then, whilst employers will be asked to contribute 10% of wages in July, rising to 20% in August and September.
Meanwhile, the recently-announced roadmap out of the current UK lockdown has offered some clarity on when events could resume, with prime minister Boris Johnson stating that theatres may be allowed to open in May and gigs, large live events and nightclubs could return in June.
But to provide confidence and security to organisers looking to host events this summer, the sector has been lobbying for a state-backed cancellation insurance scheme. The efforts are likely to continue in force amid strong demand from the public, with festival organisers reporting record ticket sales and a YouGov survey show
Options Open - Integrated Systems Europe is keeping all options open for ISE 2021 which is scheduled to take place in Barcelona 1-4 June this year. Mike Blackman, managing director, Integrated Systems Events, has told exhibitors that the organisation is “working hard alongside each of you to bring a successful ISE 2021”.
Blackman states, “Together with each of you, our shared goal is to deliver a show that prioritises safety and brings a return on investment to our show community. With the rapid implementation of vaccines, and the current reduction in daily new cases, we see the COVID situation in many European countries (including Spain) improving at an increasing pace. Based on this positive trend, we anticipate a climate that will make it possible to run an in-person event in Barcelona. However, we are realistic that current attitudes to travel may mean a lower volume of attendance than in previous years.
“We are reviewing all options, and are listening carefully to feedback from the industry, with a plan to provide an engaging event in Barcelona for those who wish to be a part of it.
“ISE is a community of over 1,000 exhibitors and nearly 100,000 attendees and has grown as such through working together, focused on growing the market and delivering opportunities for the amazing people that make up this industry. And we recognise that not all the members of our community are ‘in the same place’ as we conceive of gathering together or travelling to Barcelona.
“For those exhibitors and attendees who are unable to travel to Barcelon
UK - Roger Barrett, technical director at Star Live contacted SES Entertainment Services as he was in need of a large amount of quality power distribution units and cabling for three large semi-permanent contracts that they had been awarded. Owing to the technical requirements and location of some of the distro, it all had to be designed around a fixed brief.
The first stage of the project was to have design drawings approved by Star, to ensure that each of the units we would provide fitted exactly to each location where they would be installed. As some of the units were to be housed under the main structure, they had to be exact.
Once the drawings were approved, SES commenced manufacture of over 50 bespoke units and over 100 supply cables which were shipped shortly after order was confirmed so that they could be run into position awaiting the delivery of the distribution units.
Each of the three sites were supplied with a 630A freestanding steel intake unit which were fitted with the P3 connectors new designed angled Powerlock. Alongside these units were a stainless steel framed Powerlock SES PowerPro 5 distribution unit with a range of outgoing sockets including an internally mounted 2KVA 110V transformer, which was incorporated into the design.
With a selection of other final distribution units to complete each package, SES designed, fabricated, wired, tested and inspected the whole order in four weeks from approval.
USA - Behind the Scenes holiday cards will be available again this year. Proceeds from card sales help provide grants to entertainment technology professionals, or their immediate dependent family members, who are seriously ill or injured, and support the charity’s Mental Health and Suicide Prevention Initiative.
Each year designs have been created and donated to the charity by everyone from Tony Award winners to high school students. The design guidelines (btshelp.org/carddesign) are very simple and you can also view previous examples (btshelp.org/cardexamples).
If you are interested in designing a card, Behind the Scenes will need your commitment no later than15 April and your artwork by 15 May 15th. Please contact Lori Rubinstein at email@example.com or 212-244-1421.
UK - Prime Minister Boris Johnson has revealed the four steps England is set to take towards “cautious yet irreversible” easing of lockdown restrictions over the coming months. The roadmap indicates that theatres, cinemas and other indoor entertainment attractions could reopen with reduced capacity and social distancing measures in place as part of step three, provisionally set to take place from 17 May. Johnson specifically said that as part of step three “theatres and concert halls can reopen their doors”, with pilots of larger events set to take place using enhanced testing. If coronavirus rates continue to fall as predicted, step four could see all restrictions lifted in England from 21 June. This will mean all sectors should be able to reopen.
The #WeMakeEvents campaign has issued the following statement in response to the announcement: “We welcome the Prime Minister’s statement on a national roadmap to recovery and hope these measures will help plan the return of live events by June. While the steps are positive, our sector needs more detail and we urge the government to extend financial support in the upcoming budget to stop the current talent drain and ensure that the supply chain to live events can plan to return. For this to happen we need government-backed insurance for events, financial support for the self-employed, and grants, not loans, along with continued furlough, for all companies in a supply chain that has had little-to-nothing for over a year and will be the last to return to income generation.”
To support th