The 25th PLASA Show closed on a high yesterday thanks to one of the most positive shows in the event’s history. Business was high on the agenda for all exhibitors - many of which reported the highest levels of business they’d ever done, some saying that they had signed up orders of significant size at the show. The exhibition was buzzing practically from the moment it opened and the visitor count will significantly outstrip last year’s figures.
The show was active on many levels - the PLASA Product Awards for Excellence attracted one of its highest number of nominations ever with 64 products displayed in the L&SI sponsored New Technology Gallery - a clear indication of the importance of the event as a showcase for innovation. The Masterclass, Seminar and Round Table sessions that ran throughout the show added to the appeal of the event, allowing visitors to learn more about specific projects or new technologies, or participate in debates concerning some of the central issues affecting the industry.
We’ll have a full report on the Show in the October issue of Lighting&Sound International.(Ruth Rossington)
A brand new cool beam zoom profile luminaire, available in both static and automated versions, has been launched at the PLASA Show by Belgium-based manufacturer ADB. The stylish Axis comes in 15-30 degree and 25-50 degree versions, and utilizes an 800W halogen axial lamp and a dichroic glass reflector to produce a light output greater than a conventional 1200W profile, with low gate and beam temperature. The Axis Automated fixture provides full pan and tilt control, with beam-shaping functions. The ACN ready unit uses three-phase stepping motors and no fan provide true noise-free operation. With other features including a slide-in iris diaphragm and a 360 degree rotating gobo (or two gobos without iris), and a patented, integrated, endless rotating shutter system with four 360 degree rotating shutters, the Axis looks set to provide an attractive addition to lighting designers’ toolkits.
At the PLASA Show today, visitors and exhibitors alike will join together in observing one minute’s silence at 1.46pm, in memory of those who lost their lives in the attacks on America one year ago.
L&SI profiles the new industry trade association taking its first steps in Australia.
The Australasian Lighting Industry Association (ALIA) has been formed with the aim of bringing together everyone in the region with an interest in lighting - at any level and in any area. After many months consulting with the industry, ALIA became incorporated in June, and has since been signing up members. An interim committee is currently in place and the association’s first Annual General Meeting is planned for this month.
The focal point for the association, which covers an area larger than Western Europe, is the website - www.alia.com.au - where news is regularly posted. It’s also proving an invaluable source of technical information, and includes one of the web’s most extensive pages of lighting-related links. Like PLASA, ALIA aims to promote an understanding of the industry to others, and will also facilitate appropriate professional education and training.Regular Technical Meetings are an important feature of ALIA and forums were held in late 2001 in Sydney and Melbourne on the difficult issue of equipment testing and electrical safety. The first of the regular sessions was held in Melbourne in early July on the topic ‘The Once and Future History of Lighting Control’ with many from the industry coming together to discuss this important topic.
Proving popular are ALIA’s Backstage Tours. Members have toured an Elton John show and the Cameron Mackintosh production of Oliver! Tours are also planned for Sam Mendes’ production of Cabaret, K
DJ Sunday - featuring the Gemini ‘Extreme V DJ competition’ and iDJ-sponsored Talk Zones - raised the volume at the first day of the PLASA Show as DJ hopefuls lined up in front of hundreds of spectators to showcase their talents in the hope of launching a successful DJ career. DJ A.D., the runner-up in last year’s DJ competition went one better and reversed the tables on the 2001 defending champion, DJ Angelo (placed third this year), to win the Gemini ‘Extreme V’ DJ competition.
The audience and judges got a taste of DJ A.D’s (real name Adrian Hall) cross-sectional DJ’ing capabilities during the early stages of the competition, where he kicked off with an energetic display of technical ability matched with an impressive mix of unconventional sounds. "This is an excellent competition because there is an enormous variety of DJing styles and the judging panel reflects this," said Adrian who saved his best performance for the final where he literally DJ’ed with his bare feet!
The judging panel consisted of the industry’s leading DJs and media representatives, including previous PLASA winner Miss Behavin’ who has signed to Tiny Tracks and recently featured on Ibiza Uncovered. "The PLASA DJ competition seems to get better every year and the standard of DJs competing is amazing," said successful London DJ, Nick Wakefield, who was the MC for the annual Gemini 'Extreme V' DJ Competition and has been involved with the competition for 10 years.
The DJ competition heats were complemented with a numbe
During the PLASA Show came the announcement from High End that it has appointed Peter Duff as chief financial officer (CFO) of High End Systems Inc. Duff has held a number of CFO positions with Pfizer and Hanson and lately the electronics company International Flex Technologies, and his appointment comes after a series of high profile changes at the company. Duff attended the Liverpool City Institute before graduating at Bradford University with a business degree. Following training with PriceWaterhouseCoopers in London and subsequent work as a Chartered Accountant he moved to Canada, where he became CFO of Pfizer Canada, transferring to the company’s corporate headquarters in New York in the mid-1980s. There then followed a 10-year stint with Hanson Plc and a number of CFO assignments. In 1999, Duff left Hanson to establish International Flex Technologies - an electronics company started from scratch to run a spin-off business purchased from IBM.
Frank Gordon, CEO of High End told us: "After several months as acting CFO at High End,it's a real pleasure to have Peter as full-time CFO. He brings a wealth of business experience and communication skills to the financial reporting team at High End. He's personal, bright and more than just a bean counter."
At the same time, the company has also announced the appointment of Deanna Parnell, a four-year veteran of High End Systems, Inc, as controller for the company.
High End can be found on Stand E64 at PLASA
The PLASA Show at Earls Court is brimming with activity as it enters its third day. With increased visitor figures and a frenetic buzz on the show floor, many exhibitors at the show have reported to PLASA Media that the show has been extremely busy.
Monday saw a host of pro audio product introductions. Turbosound introduced a new raft of products, including the TQ-308SP, the latest addition to the Qlight range, plus a brand new range of passive loudspeaker systems, together with the LMS-D4, a new digital loudspeaker controller. New from JBL on the Arbiter stand, the AE (Application Engineered) Series, with 33 initial models in several formats and power ranges, designed for sound contractors. Tannoy introduced its new Ellipse 8, a fully time coherent, 3-way active system, the first in the new Wideband range for reference monitoring applications, plus new ceiling monitors and the new TA Series of power amplifiers ranging from 450 to 1050W into 2 ohms.
On the microphone front, Audio Technica, celebrating its 40th anniversary, continued its tradition of significant product launches at PLASA with three new additions to the Artiste Elite series of pro performance products - the AE100, AE3000 and AE2500 instrument microphones, as well as announcing the signing of an exclusive UK distribution agreement with Sabine, manufacturer of digital signal processors and spread spectrum wireless equipment. On the HW International stand, Shure introduced the KSM141, KSM137 and KSM109 - three new instrument condenser microphones; gave the the European debu
Mackie Designs Inc announced at midday at the PLASA Show today that Paul Gallo and Ken Williams have been appointed to the company’s board of directors. At the same time, Mackie announced the retirement of long-time outside directors C Marcus Sorensen and David M Tully. In the statement issued, Gregory W Riker, who earlier this month became the first outside chairman of Mackie’s board, commented: "We are pleased to welcome Paul Gallo and Ken Williams to Mackie’s board. Both Paul and Ken bring high energy, directly relevant industry experience and distinguished records of accomplishment to their new positions at our company. We expect them to contribute significantly to Mackie’s continued success as we implement our strategy for long-term growth."
Gallo began his career more than 30 years ago with the Recording Institute of America. In 1978 he co-founded and was the first publisher of Pro Sound News. In 1986, Pro Sound News was acquired by United News & Media (now United Business Media Plc). With Pro Sound News as its cornerstone publication, Gallo grew the newly-formed PSN Publications Inc by overseeing both the acquisition of such titles as Videography and Television Braodcast and the launch of new magazines including EQ, Systems Contractor News and Replication News (now Medialine).
In 2000, Gallo assumed management responsibilities for the West Coast-based Music Player Group (publisher of Guitar Player and Keyboard. Music Player Group purchased the Music Yellow Pages before it was re-br
Visitors to the PLASA Show were able to see some of the latest innovations in lighting fixture technology. Across the show floor numerous product launches were rolled out . . .
Vari-Lite (F28) introduced the highest performance luminaires it has ever developed. The company unveiled its 1200W Series 3000 product line featuring the VL3000 Spot luminaire and the equally impressive VL3000 Wash luminaire. ETC (H8) has numerous new products, chief amongst them the Source Four MultiPAR which combines the optics and energy-savings of the acclaimed Source Four PAR (EA) with the functionality of the classic batten. New Zealand-based Selecon (H6) has unveiled three new products - the Pacific MSR Dowser which provides exact dimming of discharge light sources (MSR, MSD, CDM) used in the Pacific fixture; the Finelite II projector - a high resolution, large format, photographic image projector and an upgraded version of the company’s established Arena Theatre Fresnel.
Hard on the heels of the successful MP 700 Zoom, the latest product being shown by Coef (C32) is the new MP 700 Wash - a spot of minimal weight offering a high light output, CMY colour mixing and a comprehensive range of functions. Meanwhile, over at Coe-Tech (K19) visitors had a chance to see the first new lighting fixtures from Robe – the prolific moving light manufacturer from the Czech Republic. The ColorSpot 170 AT and ColorMix 250 AT will both have appeal in a wide range of applications.
James Thomas Engineering (E30) has joined the LED market with the laun
Announced at the PLASA Show, Chameleon Audio has appointed the UK’s leading export company, Expotus, to source potential distributors for its products throughout Asia, and the alliance has already borne fruit, with three companies now handling the line.Total Solution, Singapore, Stagecraft International in the Philippines and Phoenix Audio & Lighting Technology, Hong Kong, are now official distributors of Chameleon amplification.
According to Chameleon MD, Paul Houlden, the decision to appoint Expotus was based on the company’s imposing track record of successfully marketing other UK brands overseas, particularly the Far East. Says Houlden: "Trying to break into the Asian market has been a particularly tough nut to crack. However, thanks to Expotus’ expertise, it’s already beginning to pay dividends for Chameleon."
Following a series of field trials, all three companies have expressed their satisfaction with the amps. "I am particularly impressed with the compact size, modest weight, power handling capabilities and sound quality," comments Total Solution’s Glenn Wong on Chameleon’s 2750 and 3750 DP/2 models.
Frankie Zabala of Stagecraft International says the imposing power and headroom available are two aspects he considers vital. "The six Chameleon 3750 DP/2s supplied are at present powering the subs on a Turbosound rig, but already they have played a significant role in improving overall audio quality."
Phoenix boss Kevin Ip, who has Chameleon 600, 1200, 2000 and 3750 DP/2s at his disposal, is equa
The Martin Audio stand at PLASA 2002 was the site for an important announcement yesterday, and the first appearance of the Synco W8L Line Array System by Martin Audio, a specially configured version of the Martin Audio W8L line array system which is exclusive to the Synco Europe Network. Fred Heuves, MD of Synco Europe, and David Bisset-Powell, MD of Martin Audio, announced the signing of the deal that will see Synco Network members equipped with the system.
The deal represents Martin Audio’s largest single European sale since the launch of the acclaimed W8L system in the spring of this year. The Synco W8L Line Array will be operated in parallel with the existing stocks of the network’s Renkus-Heinz Synco Touring System and proprietary Synco floor monitors. "The network has grown very fast in the five years since we launched it and reached over 1000 cabinets but still we needed to invest in more PA to fulfil the needs of all the members," said Fred Heuves. "In addition, all Synco members across Europe had had requests for Line Array systems and had noticed the advantage for specific applications. Therefore we saw a potential for added business if we complemented our current speaker line with our own Line Array system. Together with the network partners we looked at and listened to all the systems currently on the market and decided that the Martin Audio W8L was the right way to go."
The Synco W8L Line Array system features specially badged W8L cabinets and Martin Audio amplifiers, matched to dedicated Synco loudspeaker controllers, but is
The 2002 PLASA Show got off to a positive start yesterday as the industry congregated in Earls Court, London. With another bumper crop of new product innovations on show the PLASA Show is providing an unmissable opportunity to see and discuss the state of the art in entertainment, communications and presentation technology. Comment from exhibitors was upbeat - one first-time exhibitor told PLASA Media he had been overwhelmed by the attention his company had received on stand, and wished he had more staff to deal with enquiries.
O Sunday night, PLASA’s 25th anniversary party took place to round off a highly successful day on the show floor. The event - staged at The Bridge - was attended by over 500 exhibitors and visitors who participated in numerous side shows at the Party including a bucking bronco, sumo wrestling, boules and the highlight, a full-on seventies disco.
On the show floor itself, a record 64 products are nominated for this year’s PLASA Awards for Product Excellence, all of which are featured on the New Technology Gallery, sponsored by Lighting&Sound International magazine. Technical editor James Eade, who is chairing the judging panel, said yesterday that the first day’s judging process had so far been an "absolutely excellent experience", adding "I’ve been really impressed by the enthusiasm with which our panel of eight judges have taken on this task. It’s been a fascinating and - at times - quite heated process!" Once the debates are over, the Awards will be presented on Tuesday evening at 6pm, with Awa
One of the most talked-about live music mixing consoles of recent months - the DiGiCo D5 Live - was launched at PLASA yesterday, with and Dave Webster and Bob Doyle making a special presentation to members of the press over an enjoyable Sunday roast. On stand D28, the D5 Live system is on demonstration in a fully working set-up with a digital multitrack concert recording sync’d to video.
Designed from the ground up to deliver high sonic purity and powerful, instantly accessible controllability, the D5 Live comprises the D5 Live console itself, a front-of-house Digirack containing A/D converters and I/Os, a matching stage Digirack and 100m of fibre optic cable. This is a complete, self contained system that does away with the need for a multicore, splitters, line drivers, dynamics processors and - optionally - an entire effects rack too. The D5 Live can even record live to multitrack with a single, simple MADI cable and a hard disk multitrack recorder.
Virtually every feature is visible at a glance, or at most a single, logical fingertip press away. The four LCD touchscreens present their rich feature sets exactly as an engineer would expect to find them on an advanced analog console, with instant access and no menus to navigate. This intuitive approach means that, despite packing in powerful digital dynamics, an optional effects package, total recall of every function, a 38x8 output matrix, up to 96 input channels and 40 multi-configurable internal buses, the learning curve will be as short as the feature list is long.
The D5 Live software provides flexibility i
PLASA 2002 will be a much more comfortable show this year, thanks to a new R'n'R area in the Gallery, where visitors can have a 10 minutes massage to relieve those aching shoulders and tired feet!
The initiative is part of a fund-raising exercise by Light Relief: thanks to sponsor companies DHA Lighting, ETC, Forester Health, Harmer PR, Martin Professional, PLASA, Stage Electrics, Strand Light, Vari-Lite Europe and WWG, four trained masseurs will literally be dispensing light relief throughout the show. Each massage will cost £5 - but additional donations will be more than welcome! All the money raised goes straight to Light Relief, the industry charity that supports lighting designers with personal difficulties.
The Light Relief area can be found near the New Technology Gallery on the Top Deck.
L&SI was out and about in July and called in at the newly established UK offices of Coemar, based in Ashford, Kent. The new 6,000sq.ft office, warehouse and demonstration facility will incorporate a full inventory of stock and spares - as well as featuring the new product range from Coemar, which has been launched over the last 10 months. Pictured above is Coemar UK MD Ian Kirby (second left) with (from left to right) operations manager Julie Kirby, technical manager Chris Hale and Stacey Smith, office sales. Since our visit, it has been announced that Coemar UK will handle distribution of the Antari range of products in the UK (see separate news piece on page 14). Coemar UK can be contacted at Unit 4, KPC Business Centre, Canterbury Road, Ashford, Kent, TN24 0BP, UK. Tel: +44 (0)1233 636688.
The PLASA Show’s 25th appearance this year coincides with the 25th anniversary of another well-known industry fixture - Le Maitre. The UK-based manufacturer, operating in the niche markets of pyrotechnics and smoke machines, has long been a leading innovator in the entertainment industry, and as the company celebrates its quarter century it is all set to hit the market once more with a piece of innovation which could revolutionize the way we put the haze into our lit environments.
Sales director Rick Wilson, very much the public face of Le Maitre, is as excited about the future as ever. An entrepreneur at heart, he is driven by the search for the next new thing, and PLASA 2002 will see an eagerly-anticipated prototype - code-named MaxiHaze - the result of three years of investment and development.
Le Maitre’s history of innovation is well documented. In pyrotechnics, Le Maitre’s Pyroflash system has been an industry standard for 20 years. Later, extensive R&D led to the ProStage II range of professional pyrotechnics, launched in 1997, which brought a whole new level of professionalism to their products. Created with show design in mind, and intended for use only by trained practitioners, ProStage II offered increased control, allowing the creation of waves and various effects, while at the same time minimizing the emission of smoke and debris. In the field of smoke and haze products, Le Maitre is responsible for a number of firsts - the Cloud 9 unit, launched in 1980, was the first commercially-built smoke machine; the G300 was the first DMX-controllab
Following the floods in Europe during August, PLASA Media has received the following appeal from the Association of Professional Theatres of the Czech Republic:
It is barely a week since disastrous floods invaded the ancient and beautiful cities of Bohemia and caused enormous damage. Another dark August (34 years after the invasion of Czechoslovakia in 1968) threatens to paralyse Czech culture and its most "live" offspring, the theatre. Theatres in Prague, Ústí nad Labem, Budweis (Ceské Budejovice) and Pilsen were flooded entirely or in part and their buildings, technical equipment, scenery and costumes badly or even fatally damaged. Prague's historical National Theatre, the famous Theatre on the Balustrades and others will have to reconstruct their equipment; the young and highly popular award-winning companies of the Theatre in Dlouhá Street and the Theatre Pod Palmovkou in Prague, and the Cinoherní (Drama) Studio in Ústí, will have to leave their totally destroyed houses and seek provisional stages to be able to continue their existence. The total damage cannot yet be precisely estimated, but the total sum could amount to £6 - 7 million (10 million $US or EUR).
The AURA-PONT Agency, with the Alfréd Radok Foundation, the Association of Professional Theatres of the Czech Republic and Theatre Institute Prague, has just started a charitable collection, the proceeds of which will be used for the reconstruction of the flooded and damaged Czech theatres. We would be happy if the money from the donors could at least reduce the difference between the eno
Following the administration of the Lighting Technology Group in June, buyers have been found, as predicted, for a number of the Group’s assets.
The PAI Group has announced that it has acquired the rights and assets of Lighting Technology Projects (LTP). The new company will trade as before, under the name of LTP, and will be headed up by Terry Reeves, who managed the company prior to the appointment of the administrators PriceWaterhouseCoopers in early July this year.
The acquisition is a logical step for the PAI Group, which specializes in the creative design, supply, and installation of bespoke audio-video, lighting and sound for the leisure, retail, education, heritage, and sports industries, and consists of PA Installations (PAI), VS Installations (VSI) and PA Technologies (PAT). LTP is a respected name within the industry and its markets will complement those of the PAI Group, allowing it to continue to broaden its interests and market penetration whilst providing continuity of service to LTP’s existing customers. LTP will operate as an autonomous business unit within the Group and will trade from independent facilities, located to serve, predominantly, the Midlands and Southern regions.
Paul Adams, Group chairman, told L&SI: "The addition of LTP to the Group creates exciting opportunities across all companies. We will now represent sectors which, for us, have previously not been high profile - including architectural, heritage and theatre. Watch this space."
At the same time, AJS Theatre Lighting & Stage Supplies Ltd have acquired LTG&rs
L&SI is running two Round Table discussion sessions during next week’s PLASA Show (September 8-11, Earls Court 1, London) designed to address some of the most central issues in the industry.
The first session Freelance Rates - Due for Review? This discussion should prove to be a lively debate on the current levels of freelance rates, which over the years have shown a downward trend in real terms. With many rental companies naming their daily rates, how can those who actually do the work and keep said companies successful lobby for more money? Should there be a flat rate according to role? Who should take responsibility for change? Will rental houses come unstuck by causing their crews to form a union-style body, or should they take the lead and move things on themselves?
Chaired by L&SI technical editor James Eade, the panel will include Mark David-Gray of BECTU and freelancers from the industry.
The second session, Discounting Rental Rates: Is it Economic Madness? will look at discounting in rental markets, and how companies may be devaluing the services they provide in their attempts to undercut competitors. What has happened to healthy payback returns? Are rental companies becoming investors in the fortunes of the shows or events they provide equipment for? Not only can freelance crew suffer as budgets are squeezed, but there is also an ultimate knock-on effect to the manufacturers and distributors who are pushed to drop prices, enabling some kind of return to be made on ever lower equipment rentals. Where are the actual savings made? Crew costs? Longer equip
PLASA is currently researching all training within the industry in order to build a comprehensive database of training courses specific to this sector.
In addition to wider research, PLASA is also assessing the training offered by member companies. To this end, a questionnaire has recently been sent to members asking for details of training offered. If you have any questions contact Nicky Greet on 01323 410335 - you can also print out the form from the PLASA website - www.plasa.org/associationtraining/
This great sporting summer reached a new pinnacle when the fourth annual Hayden Laboratories Industry Cricket Challenge was fought out at Littlewick Green Cricket Club, Berkshire.
The event once again brought out the best from 22 dedicated, superfit sportspersons from across the industry. A change in format for this year meant that the usual round-robin tournament gave way to a 35 over each way match between two teams; representatives from PLASA/Clarion Events, under captain Mark Saunders of Clarion, took on the very best that the Lighting/Sound industry had to offer, under the captaincy of Lightfactor’s Paul DeVille.
The Lighting/Sound team got off to a convincing start, until their star all-rounder Charles Ward (DJ Magazine) was bowled by Clarion’s Stephen Ingram for a disappointing 6. From then on, with the exception of a few strong batting performances from the likes of Todd Stoneham (Le Maitre), the wickets fell steadily. PLASA’s Shane ‘Slogger’ McGreevy, poached from his rightful team by DeVille to play for the Lighting/Sound team, appeared to throw his wicket convincingly after scoring just 6 runs, and the Lighting/Sound team went on to find themselves all out for 147.
Clarion and PLASA went into bat with high expectations of a win, but with the exception of Clarion’s James Brooks-Ward and Mark Saunders, the batting performance was undistinguished. In the event, Saunders’ 51 (declared) was the highest batting total of the day and helped bring PLASA/Clarion just three runs short of the opposition. One good stroke away f
Members of the PLASA team will be at the forthcoming LDI trade show. PLASA is taking a government-funded group to the Show, which takes place in Las Vegas from 18-20 October 2002.
As soon as the August issue of L&SI hit the streets with its mammoth report on the Jubilee (the most comprehensive you’ll read thanks to the efforts of the entire L&SI team in tracking down the information and slotting it all together), it was inevitable that we’d have more people ringing us to tell us of their involvement. First came Pulsar, to tell us that the fixtures used front of stage on the Party at the Palace concerts were their own ChromaBank system. If you look closely at the picture to the right you’ll see the strip of ChromaBanks at the bottom of the picture providing the green accenting to the front of stage.
Then we had more input on the audio elements. Among those whose stress levels were noticeably higher round Jubilee time was Hand Held Audio’s Nick Bruce-Smith, who had the onerous task of organizing the incredibly intricate licensing arrangements for the vast number of radio systems on site, as well as providing (with the aid of sponsorship from Shure) all the wireless systems for both shows. In total, HHA provided 16 Shure UHF hand held systems; four Shure PSM600 and eight PSM700 in-ear systems each with two receivers, plus a further six hardwire in-ear systems, all with Shure E1 or E5 generic in-ear monitors, and six beltpack transmitters which ran a variety of DPA 4065 headset mics and DPA 4060 lapel mics. And that was just for the rock and pop concert. The classical show took eight Shure UHF hand held systems with beta 87 capsules; four beltpacks with DPA 4060 lapel mics for strings and other acoustic instruments plus two PSM7
Following our numerous and varied pieces advising readers not to waste any time on e-mails from people who promise large sums of money in return for a safe place to store it, we now learn from a PLASA member that yet another sting has been added to the tail. It seems several PLASA members have had e-mails asking them to arrange letters of invite which the e-mailer can then present to a country’s VISA department, and once in, disappear.
If you’ve got any money to waste or time to spare, call us instead we’ll think of something to do with it.