UK - Based in the heart of the Lake District, in Bowness-on Windermere, The Ro is a new hotel with a big personality. This new venue is aiming to become a destination for both tourists and locals alike.
The Ro prides itself on its chic design, coupled with familiar and friendly ‘northern’ service. As part of the development, owners 7 Hospitality Management brought in APM Design to deliver the interior design scheme for the hotel. APM Design then appointed custom sign specialists Sutton Creative to the project, to produce the signage package. Working from the approved branding document, Sutton Creative created a variety of options for the wayfinding and exterior signage to fit in with both the client and the designer’s expectations.
Speaking of the partnership, Andy McCluskey, Design Director at APM Design said: “We have worked with Andrew Sutton for many years, and we value his experience, creativity and eye for detail.
“During The Ro project, Sutton Creative fully understood the ethos for the new interior concept, and together with the new branding package they created a series of ideas and material physical samples. This greatly assisted the client and the design team in the decision-making process.
“The whole process was carried out efficiently, with Sutton Creative working closely with the client to deliver the package on time and to budget.”
Andrew Sutton, director at Sutton Creative, added: “We were honoured to be asked to produce signage for such a beautiful building. The Ro is a stand-out hotel in a unique loca
Japan - Twenty years ago, the city of Kumagaya in Saitama Prefecture opened its Cultural & Creative Centre to offer cultural entertainment to locals and tourists. The centre is named Sakura MATE – Sakura, for the cherry blossoms, which are the symbol of Kumagaya, and MATE, for Music, Art, Theatre and Expression.
For two decades, Sakura MATE has hosted a diverse mixture of various traditional and contemporary performances using a sound system that, more and more, became inadequate for the venue. The city turned to Sigma Communications to recommend a sound system upgrade, which took place over three years.
The centre boasts an open-air Wind Theatre, a small Moon Hall, and the principal Sun Hall, which seats a thousand people in its shoebox-shaped auditorium. The multi-story space was built with side and rear balconies to create a sense of unity between performers and the audience. Drapes and other devices allow the Sun Hall’s room to be adapted to different performance genres, and a large door on the rear wall can be opened to join with the outdoor Wind Theatre.
“The original sound system deteriorated to the point where it was no longer safe to use. It was also placed in a way that resulted in irregular SPL coverage and areas with poor intelligibility,” explains Hiroyuki Kurita, sound engineer at Sigma Communications. Constant volume and equalisation adjustments were necessary to compensate for this degradation. “We needed to ensure that the new system would deliver clean, clear sound, no matter where you are in the hall,” he says.
Canada - The Laura C. Muir Performing Arts Theatre at Douglas College has undergone a significant upgrade, which includes a Christie Crimson 3DLP laser projector, and most recently, the installation of a Christie D4K40-RGB pure laser projector.
Douglas College educates close to 25,000 students a year, with two major campuses in Metro Vancouver. The Muir Theatre, located on the New Westminster Campus, is a fully equipped 350-seat facility used by students from the Theatre and Stagecraft programs who produce a production each semester in the theatre, as well as the Music Department for performances and classes, and by other departments for lectures and conferences. The College also rents the theatre for dance and music performances, as well as conferences.
The upgrade to Muir Theatre was completed in two phases and began in 2016 with lighting, video distribution and projection. Working with Scott Miller, Ryley Pynn and George Davidson of DWD Theatre Design and Sapphire Sound, the first phase included the installation of a Christie Crimson 3DLP laser projector for rear projection on the stage, which is used for conferences and events that require a smaller screen. The second phase, which began in 2019, saw the installation of a Christie D4K40-RGB pure laser projector.
“The primary objective of this second phase was to provide the Muir Theatre with the capability of showing cinema-grade movies and to be used during performing arts events and classes to provide dynamic backdrop images on the existing cyclorama or on our new screen,” says Brian Pratt,
USA - Transformation Church (TC), a multi-ethnic, multi-generational, mission-shaped community outside Charlotte in Indian Land, South Carolina, has added Ayrton Levante fixtures to its inventory of equipment used in producing worship services.
TC acquired the Levante fixtures from SES Integration, a division of Special Event Services located in North Carolina. Levante fixtures are a dramatically miniaturized version of Ayrton’s Bora wash light offering outstanding performance capabilities in an ultra-compact format. Levante’s optics produce an extremely uniform flat beam with no hot spot, ensuring a perfect colour mix regardless of the colour combination selected.
Jeff Cranfill, owner and lighting designer at Special Event Services, recommended the Levante to TC. "The entire line of Ayrton fixtures is very well constructed with high output and great features,” he says. “I have had great results using the Levante wash fixtures in concert and video settings. The beam is very smooth edge to edge, and the framing shutters make it easy to create a video-friendly wash across the entire stage down to a single spot.
“Colour temperature adjustments are very consistent fixture to fixture, and the range of colour temperature is large. This makes the fixture very usable in many environments. All of the Ayrton fixtures have very good optics along with even colour mixing and a great variety of gobos. They are some of the best LED source fixtures I have worked with, and I highly recommend them for touring and installs.”
Zach McCrorey, lighting
USA - A new addition to the San Diego skyline, The Rady Shell at Jacobs Park was built to host open-air concerts by the San Diego Symphony. The sheer size of the bayside structure - 57ft high, 92ft wide at stage front - makes it amenable to hosting large productions while enabling orchestra musicians to hear and respond to one other as well as they would in a top-tier concert hall.
To create an optimum acoustical listening environment that can be fine-tuned for various performances, a Meyer Sound Constellation system has been installed inside the shell - making it the first Constellation system designed for stage acoustics in an outdoor venue. The Rady Shell at Jacobs Park opens 6 August.
Pre-opening rehearsals and online concerts have elicited effusive praise from orchestra principals.
“The sound onstage is unbelievable,” San Diego Symphony music director Rafael Payare reports. “We can hear each other wonderfully and you feel like you are in one of the top-notch concert halls of the world.”
Equipping the shell structure with an active acoustic system for monitoring was strongly recommended by Shawn Murphy, an Oscar-winning film score mixer (and frequent FOH engineer for high-profile outdoor orchestral events) who served as special consultant to the symphony. Meyer Sound’s Constellation team designed the acoustic system, with complementary physical acoustics entrusted to Salter, the project’s acoustical and AV consultant.
Because many performances at the venue - most notably amplified pop or rock - would not use the Constella
UK - Woolwich Works is set to open in September, bringing a new creative district to southeast London.
Led by Royal Borough of Greenwich, the £31.6m project - which is transforming the historic Royal Arsenal site into a cultural hub that will include a concert venue, studios and other event spaces - will be the home for local performing arts collectives including immersive theatre company Punchdrunk, Europe's first majority black and minority ethnic orchestra Chineke! Orchestra, as well as National Youth Jazz Orchestra, Greenwich-based dance company Protein, and the Woolwich Contemporary Print Fair.
The new district includes a 1,200 seated or 1,800 standing performance venue; an external courtyard for performances; five studios, which will also be used for performances and rehearsals spaces; cafe, bar and spaces for community groups and the general public, plus hire spaces for weddings, parties, conferences and events.
James Heaton, Woolwich Works chief executive, comments: “The past year has been painful. Hardship, loss and suffering are not the things that should be uniting people. That is the job of music, theatre, dance, circus, cabaret and comedy - and now, finally, shows are coming back. I’m excited that our stunning new venue will play a part in supporting artists to get back on stage, and bringing audiences back together to once again share the unique experience of live performance.
Woolwich Works and its artists in residence will work with the local community and schools on a wide range of projects and schemes once the district
Ecuador - Cinema chain Multicines has just opened a new multiplex in the city of Guayaquil in which all 11 screens are fully equipped with Christie RGB pure laser projectors. The installation was carried out by CES+ (Cinema Equipment & Supplies).
The multiplex is located in the Mall del Río shopping centre in Guayaquil, the country’s main port and largest city. “The 11-screen multiplex is equipped with leading-edge technology and with a totally innovative industrial design, unique in the country,” explained Gonzalo López, general manager of Multicines.
The multiplex includes a 4D E-Motion theatre with seating equipped with vibration and motion systems, as well as wind, water effects and scents. It also has a premium large format (PLF) theatre called Multicines Xtreme (MCX) with Dolby Atmos sound, premium seating and a giant screen measuring almost 200 square metres (2,152sq.ft).
It also has a kids’ theatre designed to give families and children a totally new experience. It includes seats in different colours and a slide that connects with a playroom at the back of the theatre.
When choosing the projectors for its screens, Multicines, a long-standing Christie client, was never in doubt and put themselves in the hands of the brand once again. “Christie is a world leader when it comes to cinema projectors and we have always prided ourselves on having the best technology for our theatres,” stated Gonzalo López.
“RGB pure laser technology offers excellent quality coupled with energy efficiency,” adds López. “It affor
Germany - Located on the banks of the Danube in central southern Germany, the city of Ulm is an economic centre for eastern Baden-Württemberg and western Bavaria. Recently a new audio system was installed at Congress Centrum Ulm (CCU), the main city centre venue for corporate events and entertainment, with a Yamaha solution chosen for mixing and control.
Attached to the Maritim Hotel, Congress Centrum Ulm (CCU) features two main auditoriums, Einstein Saal and the smaller Kepler Saal, both with adjacent foyers, plus the outdoor Gartensaal. Einstein Saal can host gatherings of up to 1,500 people, with Einsteinfoyer able to accommodate a similar number for stand-up receptions.
The upgrade to the audio system took place during a short pause in Germany’s COVID-19 lockdown, which made straightforward installation and programming of the system a priority. Karlsruhe-based fein.media was contracted to design and install the system, which featured an MTX5-D matrix processor for central system control and routing, with a QL5 digital mixing console and Rio1608-D2 I/O rack installed in the Einstein Saal. The entire system was installed on a Dante network, with an MCP1 wall-mount panel providing straightforward control for venue staff.
“The system covers the main Einstein Saal, its foyer and there are additional delay lines to relay background music, announcements and event audio throughout CCU,” says Frank Müller, proprietor of fein.media.
“We chose the Yamaha solution because it is an industry standard. We have installed quite a few Yamaha syste
Guatemala - The Universidad Francisco Marroquín in Guatemala City, also known by its abbreviated name UFM, is one of the top universities in Latin America. For 50 years, UFM has been ardently following its mission of teaching and disseminating the ethical, legal and economic principles of a society of free and responsible individuals. The university is the original founder of the ITA scholarship programme which identifies the most highly qualified and motivated students among Guatemala’s poorest and makes it possible for them to earn a life-changing UFM degree.
Recently, the university’s IT and AV team worked with installer Farei to deploy Sennheiser TeamConnect Ceiling 2 (TCC2) microphones in 52 of its classrooms and various faculty auditoriums.
Whilst the plans for getting a new professional audio system had been in place for several years, the pandemic acted as a catalyst in the modernization of the university’s AV and IT infrastructures. The situation also resulted in adaptations to UFM’s collaboration and communication strategy, which now prioritizes hybrid teaching models, social distancing and touchless audio.
“To start with, we had to follow certain protocols and reduce the student capacity in all of our classrooms by distributing everyone into two groups of in-classroom and remote attendants,” said Víctor Zetina, chief of network infrastructure at UFM. “We then had to find a way to simultaneously teach and support both of these groups effectively by offering live sessions where everybody could join in.”
USA - The Scottish Rite Theatre (‘The Scotty’) in Peoria, Illinois, was built in 1925 as a Masonic cathedral. Recently, the Gothic-styled building underwent a $5m-plus renovation and now offers downtown Peoria a modern performance and event venue. Listed on the National Register of Historic Places, the Scotty encompasses an 800-seat theatre, luminous stained-glass windows, a lower-level ballroom with capacity for 300 people, and more than 10,000ft of usable space, as well as a full basement kitchen and banquet facility. And it now boasts an L-Acoustics Syva sound system installed there earlier this year by the Chicago office of integrator Creative Technology.
“Syva was the perfect solution for audio reinforcement at the Scotty,” says Greg Moore, installations project manager for creative technology. “It had to sound great, which it does, but it also had to disappear. The aesthetics of this project were of paramount importance to the client. We were able to essentially camouflage the Syva, which we ordered in white from L-Acoustics, by installing them in the fluted trim around the sides of the proscenium.
“We used a combination of the manufacturer’s own mounting solutions and a custom Unistrut bracket to hang them. The slim-yet-powerful Syva form factor is a perfect fit with the venue’s proscenium architecture.”
The Scotty’s new system comprises one Syva enclosure mounted to each side of the stage, a white Syva Low sitting on the stage below each main Syva column, four KS21 subs in the orchestra pit, and six 5XT coaxials spread o
USA - Orchard Hill Church, located north of Pittsburgh in Wexford, offers a striking architectural design around its 1,200-seat auditorium. And just as modern is the church’s new sound technology, L-ISA by L-Acoustics, integrated as part of a $1.3m design-build renovation of the main worship centre.
“It’s been clearly shown that when we can connect what we see with what we hear, the technology disappears,” says Josh Maichele, L-Acoustics application manager, house of worship. Specifically, he says, our eyes want to watch a pastor on stage but our ears draw our vision towards the PA speakers reinforcing their voice.
L-ISA technology effectively disconnects the sound from the sound source, allowing audience members to focus their attention on the stage, immersing themselves in the content. “L-ISA makes the connection between sight and sound more natural, and in the process, breaks down the technical barriers to worship,” continues Maichele.
Orchard Hill Church technical director John Cornelius was introduced to L-ISA at the L-Acoustics facility in the Westlake Village neighbourhood of Los Angeles, where worship-technology directors can experience L-ISA first-hand, diving deeper into its technology. “It’s a step-by-step process, starting with a demo of the system and then sessions during which visitors can get hands-on with the mix, using pre-recorded worship tracks,” Maichele explains. “John arrived knowing nothing about L-ISA, and he left excited by its possibilities for Orchard Hill Church.”
Orchard Hill Church’s new L
UK - Unusual Rigging has completed a major refurbishment of the grid at Her Majesty’s Theatre in London’s West End ahead of the much-anticipated reopening of Phantom of the Opera next month.
When the Covid-19 pandemic forced the production to close its doors in March 2020, it opened a bitter-sweet opportunity to get some essential work done on the magnificent old theatre’s roof space, ensuring it could continue to stage the elaborate aspects of Phantom that audiences across the world know and love, including the famous hanging chandelier.
Jeremy Featherstone, Unusual Rigging explained: “Her Majesty’s Theatre is a wonderful building, but as with all old theatres, they need maintenance and continuous improvements to their structure in order to preserve them and allow them to continue hosting productions.
“Phantom is a heavy show and the grid, which should run in a straight line, has sagged by more than a foot over the past 120 years. The fly floor also had a significant bend in it. From a safety point of view, this is nothing to really worry about – wood is a material that can bend, but really we didn’t want it to bend any further. Unusual was employed to take as much weight off the grid as possible and come up with an alternative solution.”
The solution comes in the form of a massive steel truss, designed by Unusual at its Northamptonshire HQ, which has been installed on either side of the stage, between the proscenium wall and the upstage wall. It includes a drop-down to take a significant amount of scenery off
USA - Peak City Church in Colorado Springs, Colorado, is a contemporary Christian church experiencing a high level of growth. The church recently moved to a new location with room to expand its congregation, services, and community outreach and looked to LEA Professional to provide powerful amplification solutions to serve this growing community.
As part of the Church's plans to best address their current and future needs, managers reached out to AV systems integrator, Sight+Sound Technologies to design and install sound, lighting, and video systems that included a new distributed audio system for their lobby/cafe and common-space hallway area, and systems for their multi-use classrooms.
Kris Johnson, the chief operating officer for Sight+Sound Technologies (SST), was one of the key project point people for the new Peak City Church sound system expansion. SST has been an LEA Professional amplifier reseller and installer for the last couple of years and has placed LEA amps into a range of applications.
"We put in place five LEA Connect Series 704D, four-channel amplifiers - two supporting the distributed audio and three more amps, one in each of the classrooms. We did their whole distributed audio through the lobby and in the hallways with the LEA amps," adds Johnson. "All their sound systems are now on the same Dante network so that we can distribute the sound anywhere we want, which is a very nice growth feature for the church."
Johnson continues: "The 704D is one of our favourite amps; we keep a couple of them on the shelf because they alway
South Korea - TechDataPS Cocollaborated with All That Sound to equip YeonCheon Sureul Art Hall with a Harman Professional audio solution.
Located in Yeoncheon-gun, Gyeonggi-do, Yeoncheon Sureul Art Hall is a cultural facility that offers a variety of performances, including small plays, musicals and solo concerts. The venue houses both a 580-seat grand concert hall and a smaller 166-capacity concert hall. Organisers wanted an audio system that evenly transmitted sound, achieved a sound pressure deviation of +/- 3dB for over 90% of the audience and provided impactful performances for shows of all genres.
To supplement the venue’s existing JBL VT4887A line array loudspeakers, the installation team equipped the venue with a range of JBL solutions including VTX V20 and VTX S25 line array speakers, VTX M20 stage monitors, AC18 two-way speakers, 308P MkII studio monitors, Control 28-1 indoor/outdoor speakers and Control 24CT ceiling speakers.
For amplification, Crown I-Tech 4X3500HD, Crown DCi 2|300N and Crown DCi 4|300N power amplifiers provide consistent power output and user-friendly interfaces. Finally, the Soundcraft Vi series digital live sound console ensures comprehensive, crystal-clear coverage throughout the venue thanks to their extensive I/O and powerful DSP.
Organisers at the YeonCheon Sureul Art Hall reported that TechDataPS both faithfully repaired the venue’s existing system and accommodated the unique infrastructure while installing new products. They are especially delighted with the Soundcraft Vi console, which will be of gre
USA - The Robson Performing Arts Centre in Claremore recently completed a stage lighting and control upgrade with over 300 LED luminaires and a networked control solution from Vari-Lite and Strand, Signify entertainment lighting brands.
“We wanted LED equipment that would give comparable functionality to our previous fixtures, along with some added ‘eye candy’ elements to enhance our performances,” explains technical director Pamela Neuok, who turned to theatre consultancy Schuler Shook, the original theatreconsultant for the building, to advise on the specification.
Schuler Shook prioritized high quality light output and technology that would be both accessible to students and powerful enough for a professional theatre programme. “The Strand products met our design criteria very well,” says Schuler Shook’s Jack Hagler.
The final design and installation, completed by Batts AVL, features 112 Full Colour and 84 Tunable Warm White Strand Leko LED Profiles, six Vari-Lite VLZ Profile fixtures, Vari-Lite SL BAR 660 and 640 fixtures for cycs and drops, plus a wide selection of 78 VL800 Series fixtures, including Eventpar, Propar and Eventwash models.
For control, the intuitive touchscreen interface, scalability and sophisticated LED control of Strand’s NEO Console were considered an appropriate fit for the needs of both an educational environment and a busy performing arts centre. The NEO system also integrates seamlessly with Strand’s Vision.net controls for house lighting management.
“We have been having a lot of fun lear
UK - Based in Glasgow, the Royal Conservatoire of Scotland is a world-leading conservatoire of music, drama, dance, production and film. Founded in 1847, it now has more than 1,300 students studying undergraduate and postgraduate degrees and, pre-COVID, staged over 600 live performances across its professional venues throughout the year. It recently opened a new rehearsal and performance space for its students and approached White Light (WL) to provide the lighting equipment.
As part of its COVID-19 response plan, the Royal Conservatoire of Scotland realised that building occupancy numbers and social distancing were going to play a key part in ensuring it could continue to deliver technical training and support to all its students. The decision was made to transfer a rehearsal studio into a new, fully-equipped performance space that would allow both performance and production students to keep learning throughout the pandemic and beyond.
Dave Evans, lighting tutor at the Royal Conservatoire of Scotland, explains: “The equipment chosen would be used across theatrical plays, dance and musical theatre, and ensure that all of these production styles could also be filmed; something that has become a necessity with live audiences at a minimum. Therefore, we had to look for equipment that could provide both a high quality of light, but also be a useful teaching and learning tool for developing technicians and lighting designers,”
Prior to this upgrade, the rehearsal studio had a simple overhead grid of 48mm pipe, providing a rigging area, and was equipp
Australia - Sydney Theatre Company (STC) has reopened its home venue, The Wharf, at Walsh Bay in Sydney, following a two-year closure for a total renovation. A highlight of the complete technical upgrade was the installation of 32 new Meyer Sound loudspeakers, largely drawn from the company’s new Ultra-X series.
The system was designed by Bob McCarthy and Josh Dorn-Fehrmann to implement Spacemap Go, Meyer Sound’s new tool for spatial sound design and live mixing. When it opened in late February, STC’s production of Playing Beatie Bow became one of the world’s first theatrical productions to use dynamic spatial effects provided by the new technology based on the Galaxy 816 Network Platform utilising Milan and a new iPad user interface.
For the theatre’s sound & video manager Ben Lightowlers, selection of the right solution was critical, so the venue chose to retain complete control of the PA budget, from specification all the way through to installation. The system renewal was a logical extension of a decades-long relationship with Meyer Sound.
“We did explore options from other manufacturers,” he says, “but over the years we’ve been happy with the UPJ and UPM loudspeakers, which we could easily integrate into the new systems. More importantly, we were very impressed with the new Ultra-X loudspeakers. They are excellent for vocal clarity, which is paramount as the dialogue must be out front. But they are also exceptional for music.”
The flexibility and scalability of Spacemap Go enable the system to be easily reco
USA - As part of a complete technical overhaul, River of Life Church in Crawfordville, FL has upgraded its full lighting system for the first time since its building was constructed 18 years ago. The new setup, which utilises ADJ fixtures for both house and stage lighting, has not only enhanced the aesthetic of the space but also significantly improved electrical efficiency through the use of LED light sources.
Firelight Media and Integration was the company selected by the church to carry out a complete refit of its audio, lighting, and stage power infrastructure. The relatively young but fast-growing integrator specializes in the church market, driven by owner and founder Joshua Branch’s 15 years of experience in music ministry. Established in 2017 and based in Thomasville, South Georgia, the company services churches throughout the South East, all the way from Virginia down to Florida. Firelight became an ADJ dealer around a year ago and Joshua has nothing but positive things to say of his experience selling and installing ADJ fixtures.
“We had some success with product from other companies,” explains Joshua, “but felt that ADJ could be a good fit for our clients. When we became an ADJ dealer we soon discovered that the product is superior. The price-point is exactly where most of our clients want to be at, and the value for money is very good. Since we’ve switched to ADJ, the results have been amazing.”
With a distinctive tent-style design, River of Life church is a sizeable building with a capacity of approximately 900. Prior to thi
Austria - As historic churches strive to serve their existing congregations and expand their reach using new technology, inevitably they find themselves balancing their needs for quality audio systems with the desire to maintain the aesthetic beauty and singular atmosphere integral to the worship experience.
That’s of particular concern in historically important spaces like Eisenstadt, Austria’s Dom St. Martin, which recently deployed a low profile, high fidelity Adamson Systems Engineering PA to improve speech intelligibility and reinforce small, contemporary musical ensembles with clarity and depth.
Previously known as St. Martin's Church, the Gothic cathedral was completed in 1522 and features a pipe organ created to the specific instructions of Austrian composer and ‘Father of the Symphony and String Quartet,’ Franz Joseph Haydn. Over time, it’s been damaged by fire and rebuilt, and, more recently, in 2003 underwent a painstaking remodelling undertaken by architects Lichtblau-Wagner.
The Dom is also renowned for its presentation of sacred music, including Eisenstadt’s annual Haydn Festival, and required an audio system that delivered class-leading vocal and instrumental reinforcement and pristine reproduction of speech.
“These types of churches were designed to project the voice without any reinforcement because there was no reinforcement,” says Jochen Sommer, Adamson’s Hamburg, Germany-based director of operations. “It’s a difficult acoustic environment. So, to upgrade and achieve more intelligibility, from a system
South Korea - Daelim Musical, Amate Audio’s long time exclusive distribution partner in South Korea, has been installing Amate Audio line array systems extensively in churches throughout the country. Over the previous 14 months the company has installed Amate Audio systems in more than nine churches.
The largest of these, in the First Presbyterian Church in Wonju city, comprises 16x Nitíd N208 1500 W active, self-powered line array cabinets and two 2500 W N18W sub bass cabinets, flown in L – R strings. A majority of the installations, however, have deployed Amate Audio’s Xcellence series X12CLA ultra-compact constant curvature array.
Since March 2020 Daelim, has designed and installed five sound systems in churches featuring the X12CLA array together with the X18T active sub; with left and right flown strings comprising an X18T sub and four X12CLAs: Seo Won Church in the city of Cheongju, Mu Guk Central Holiness Church in Eumseong city, Yumchang Central Church in Seoul, Chuncheon Gwangyum Church in the city of Chuncheon and Jangheung Central Church in the city of Jangheung.
Daelim musical general manager Sun Uk Ji states, “Four cabinets of X12CLA will provide 110˚ x 60˚ with a fully uniform coverage for a hall throughout two floors.” While Mr. Ji references power and performance in determining his customers’ preference for the X12CLA over products from competing brands, he is also highly appreciative of the onboard DSP system management in greatly reducing the time required to install, tune and fully commission an installation.
Canada - For Global Kingdom, the mid-pandemic upgrade to their audio systems is all about staying ahead of the curve and expanding the reach of the message they preach. While Coronavirus restrictions hastened the Toronto-based church’s efforts to enhance their ministry, using cutting-edge technology to do just that has always been an important driver for the growth of their congregation.
Realising that during this challenging time, their ministry is more critical than ever for those who depend on their support, inspiration, and community, Global Kingdom pivoted according to the needs of the moment. Working closely with Apex Sound & Light and GerrAudio Distribution, they adopted a solution that serves the needs of today and tomorrow with the addition of a DiGiCo Q338 mixing console and KLANG immersive mixing platform.
Tom Lodu, manager of operations & special events for Global Kingdom Ministries states, “This (effort) is not a band-aid. This is the level of quality we are implementing going forward, and we want to do it with excellence.”
Founded in 1956, Global Kingdom has grown substantially and now operates out of a facility able to host an on-site congregation of nearly 2,000 on any given Sunday, and streams live services to 32 countries around the world.
Audio director, Joshua Rambajue, who began performing at the church as a musician before taking on his current role, explains that the scope of the musical component to their services ranges from basic setups with just a singer and a guitar to a full praise band featuring any
Germany - Expansive performances have been transforming the building and outdoor spaces at radialsystem, a former pumping station in Berlin-Friedrichshain on the banks of the river Spree, into a stage since 2006.
As a creative production and event venue for the development of new artistic programmes and event formats, radialsystem also hosts numerous conferences, meetings and trade fairs, which often deal with innovation and futuristic topics. The large number and variety of events, with their associated demand for quality, means it is part of the radial DNA to constantly develop and challenge itself technically, and the venue is the first in Germany to boast a permanently installed L-ISA Immersive Hyperreal Sound System.
In total, radialsystem has around 2,500sq.m of usable event space spread over five floors. The L-ISA Immersive Hyperreal Sound System has been designed for the largest room, the 600sq.m Main Hall, and considers the broad spectrum of events hosted at radialsystem - from concerts, musical theatre and dance performances to sound installations of contemporary electroacoustic music, and events that focus on language and dialogue.
Additionally, as the former machine hall of the sewage pumping station, the room still retains its historic industrial architecture and, with its wide arched windows and expanses of stone and concrete, also poses a variety of acoustic challenges.
Working alongside Martin Rode, L-Acoustics head of application install for the DACH area, the radialsystem team settled on a modular system based on A15 arrays
France - PRG and MADO XR has launched Virtual Production Studio-xR, a 360-° LED facility powered by Brompton Technology Tessera SX40 4K LED processing. The space “brings the power of virtual production to any type of pre-recorded or live production” and features ROE Visual LED panels, with multiple Tessera LED processors running the entire set-up.
“Situated on the outskirts of Paris at the historic TSF Studios, we designed a modular studio of approximately 800m2 to provide full control over both the lighting and the filmed scenes in a realtime recording environment. We have put a team together that is fully dedicated to the studio and is composed of PRG and MADO XR staff who will be able to advise and guide you in the realisation of your projects,” comments Thierry Kra, managing director of PRG France.
Louis De Castro, CEO and co-founder of MADO XR, utilised over 10 years of experience working with some of the biggest fashion houses, including Valentino, Yves Saint Laurent and luxury brands such as Cartier and Baccarat, to merge his creative industry knowledge with PRG’s global reach and technical expertise to create a top notch XR studio.
“Our studio is 15m wide by 5m tall and 7m deep, meaning it has an LED backwall, a ceiling, a floor and front panels, which is a unique offering in France,” comments Yves Winand, PRG’s senior video project manager & technical advisor. “Together with MADO XR, we pulled together a set of technologies for real time tracked images to be rendered with extremely low latency, allowing the actors to
Italy - The Aosta Valley is sparsely populated, home to only about 200,000 residents within its villages and countryside. But the picturesque region tucked into Italy’s northwest corner isn’t lacking in welcoming spots where people can go to sit back and relax over a glass of beer or wine.
According to a recent study by Statista, there were 548 bars in the region before the pandemic. Sadly, many of them have gone out of business, while others have remained closed during the lockdown, but anyone can still experience the spirited conversations, conviviality and music of these establishments on the Ralbol Network’s Symosyo programme.
Airing on the network’s YouTube channel, Symosyo recreates the looks and feel of a real Italian bar, complete with songs, spirits, friendly patrons and even a crusty but amiable, bartender. Adding to the atmosphere to the show’s eight 20-minute segments is a warm and inviting lighting design by Patrick Ivarone, that features Chauvet Professional Maverick fixtures supplied by Fumasoli Audio & Lights Rental.
Ivarone lined 18 Maverick MK2 Wash fixtures and 12 MK2 Spots on the ground and on low-level truss along the back end of the set at Fumasoli’s improvised warehouse studio. He relied on these fixtures to uplight the back wall in deep rich colours, primarily reds, evoking a comfortable neighbourhood bar atmosphere, while adding greater depth to the set.
“Our goal was to create an inviting space reminiscent of a bar,” said Marco Zafutto, audio engineer on the project. “The idea for the programme c