Nigeria - Based in Port Harcourt, Chicoco Studios is housed in The Shed, a community space built by the young residents of the city’s waterfront slums. The studio was designed and installed by the Collaborative Media Advocacy Platform (CMAP) in conjunction with the musicians from Chicoco Collective and is home to both recording and radio broadcast spaces.
Directed by ex-BBC engineer Ana Bonaldo, with technical mentoring and support from another ex-BBC engineer Colin Neal, Chicoco Radio is powered by a pair of Allen & Heath XB-14-2 compact broadcast mixers chosen, according to Neal for their “incomparable value and versatility. We found no other desk at this price point which features broadcast functions such as TELCO channels with clean feed, talkback and remote starts for playout channels.”
While Chicoco Radio was devised to give the residents of Port Harcourt’s waterfront their own voice, the studio and live performance area of The Shed offer a creative outlet for local singers, DJs and musicians. Both feature Allen & Heath digital mixing set-ups, with a Qu-16 model at the heart of the recording set-up and Qu-24 mixer and AR2412 AudioRack for live use.
“The Qu-16 was the first Allen & Heath desk we installed,” says Neal, “and I found it to be really well thought out and I liked the amount of facilities that it offered - the on-board effects, gates and compressors and so on. To get all these things in something so small and portable is impressive.
“The guys using the Chicoco music studio were soon quite at home
France - La Seine Musicale is a venue in Paris that resides on a small island in the middle of the Seine. From its inception, there was a desire to have studio recording and rehearsing space facilities integrated as a permanent part of the building that hosts concerts, musicals, ballets, comedy and corporate events.
It quickly became clear that the best way to ensure easy connectivity from every potential recording space to the control room would be to install a building-wide network of Ethernet cables and connection ports. It was simply the ideal way to route high counts of audio channels between locations. An IP Audio solution was a must - and following careful considerations, the team decided to go for Audinate’s Dante protocol.
Arnaud Kalmes, the head engineer at the Riffx Studios in the La Seine Musicale building comments: “The implementation of a Dante Network was decided upon as soon as the building was conceptualized in full. All studios, rooms and concert halls needed to be linked through Ethernet.
“The Dante protocol simply seemed to be the ideal solution, as it would allow us to record in any room or concert hall in the building via a single Ethernet cable. If we had chosen a fully analog configuration, it would not only have been much harder, but also more expensive to be able to offer the same possibilities for our clients.”
To support this completely networked infrastructure, two rolling racks were put together, each holding a DAD AX32 and XLR connector panels, virtually making each rack a portable stagebox with high-qua
USA - Located in Melborne, Florida, Church at Viera holds four modern worship services in two different venues each week using Allen & Heath dLive, GLD and SQ Series mixers for FOH and streaming broadcast and a ME-1 Personal Mixing System for monitoring.
Production director Eli Higginbotham, alongside technical director Brock West, leads Church at Viera’s production team. “We had an older digital mixer with reliability issues,” says Brock. “So, when I came on board, I looked for a replacement. We considered several brands but there wasn’t another console in the same class and price range as the dLive.”
The church has standardised on Allen & Heath digital mixers for FOH, broadcast and their Youth Centre. “The architecture is very similar so it’s easy to train a volunteer to mix in one space and then move them to another,” says Eli.
Church at Viera’s dLive includes an S7000 Surface and DM64 MixRack both located at FOH. Two DX168 Expanders accept sources on stage. Wireless mic receivers, audio from video and Ableton Live tracks connect to the DM64 at FOH. An SQ-6 Digital Mixer serves the church’s Youth Centre supplemented by an AR2412 AudioRack. A GLD-112 Digital Mixer mixes streaming broadcast for the church’s website. Dante cards in each mixer implement audio networking throughout the church’s systems.
Twelve ME-1 Personal Mixers with a ME-U Hub are what Brock and Eli describe as “a killer rig” monitoring system. Six ME-1s, located backstage, feed wireless IEM’s for vocalists who can adjust their mix du
UK - River Audio has installed a new Martin Audio WPM line array in the main hall at Plymouth University.
The university wanted to replace its small vocal PA in this location with an upgraded system that would be suitable not only for speech but also music and drama performance. When a delegation of the University’s AV technicians attended a live sound training course with the local Base Sound, to improve their mixing capabilities, they were introduced to Martin Audio’s signature sound, and were immediately impressed.
After reviewing various systems they opted for the WPM line array and chose Base Sound sister company, River Audio, to supply and install six of the WPM tops, flown each side of the proscenium, with and a pair of WX218 subs on the ground, all running from a pair of Martin Audio iKon 8-channel amps.
As the two clusters are trimmed around 6m from the ground, they have also installed five Martin Audio CDD6’s, running in mono, on the front of the stage, to deliver infill clarity for those sat underneath the main clusters.
According to River Audio’s owner, Howard Williams, it had been an easy decision to recommend Martin Audio. “I have used their equipment since 1995 both for live events and on installs and have always liked their broad range of live and installation products. I also use Martin Audio to teach live sound engineering on, and it has now become my speaker of choice for installations. “
The university is delighted with the sound quality and coverage of the system and is enjoying using if for both pres
USA - While many churches struggle to attract new members or keep current ones, Cascade Hills Church in Columbus, Georgia, has found success by keeping things fresh and presenting church as more than just an hour-a-week event to endure. With the knowledge that AV and dynamic lighting systems can positively impact the overall worship experience, Cascade Hills chose a flexible Elation stage lighting system to raise its profile and help grow its ministry.
Cascade Hills personnel called on local Columbus-based Absolute Audio Systems for a lighting solution that would enhance both the live and broadcast aspects of their worship services. “Cascade Hills is an active church that was in need of a lighting upgrade so they could improve the look of their weekly services and TV broadcasts, as well as special events like musical performances,” explains Todd Buckner, owner of Absolute Audio Systems.
The Absolute Audio team identified what production technology changes to undertake and delivered a dynamic lighting rig that complements the wide variety of events the church presents in its main sanctuary each week. “We did comparisons in the venue with various products and they chose an Elation lighting package because, simply put, they looked the best.”
The lighting upgrade in the 2500-seat main sanctuary, which came on the heels of a video, camera and house lighting upgrade late in 2017, consists of eight Platinum Beam 5R Extreme moving head beam lights, nine Chorus Line 16 LED battens, and 4 Fuze Wash Z350 single source PAR moving head luminaires. The
UK - Design and technical theatre consultancy Theatreplan has been chosen to work alongside architects Bennetts Associates on the major redevelopment of the King’s Theatre in Edinburgh.
The designs from Bennetts Associates for the redeveloped theatre have been recently unveiled and show a design that respects the original building but reimagines it for the 21st century. The scheme will see an overhaul of the theatre’s interior and exterior and will cost in the region of £20m.
Mathew Smethurst-Evans, executive director UK for Theatreplan, comments: “Theatreplan is thrilled to be part of the team rejuvenating this historic theatre and modernising its facilities to meet the needs of the 21st century.”
Duncan Hendry, chief executive of Capital Theatres, adds: “The King’s Theatre holds a special place in the hearts of many people from Edinburgh and further afield. The King’s really is ‘Everyone’s Theatre’ and throughout this exciting redevelopment project we hope people will help us secure the future of their theatre.”
UK - Specialist music venue company VMS Live appointed technical production specialist Adlib to provide a new audio and lighting design and installation in the popular 1900 capacity Eventim Olympia in Liverpool, UK, one of the high profile live music sites that VMS operates.
This project was led by VMS’s MD Steve Forster and Adlib’s Andy Dockerty who in turn enlisted the knowledge and practical expertise of two of Adlib’s most experienced engineers - Ian Nelson (audio) and Stuart Gray (lighting), choosing a Coda PA and a Chauvet moving light rig.
The general goal was to provide tour-grade in-house production options for visiting artists both in terms of practicality and creative scope, so they can avoid the expense and hassle of bringing in their full productions.
The auditorium was originally constructed in 1905 – designed by legendary theatrical architect Frank Mitcham as a purpose-built indoor circus and variety theatre – with many original features still in place. It comprises a stalls area in front of the stage and two balcony levels. The middle balcony has a bar to the rear and a thin viewing envelope to the stage.
The major audio requirement was to provides a sonic experience to satisfy top level touring artists, offering a viable and attractive alternative to bringing in their own systems. The system design also had to be flexible enough to cater for the many in-the-round scenarios – including sporting and dance events – hosted by the venue.
Having mapped and modelled the space utilising these new flying points, th
USA - Sitting on a sprawling campus in the Bothell community outside of Seattle, Cedar Park Church was founded in 1970 and has, for the last nearly 50 years, been growing each year.
When the time came to upgrade the church’s sound system in its 970-seat main auditorium, the decision to install a new system from Clair Brothers.
Steve Palermo, owner, LIFT AV, consultant and project manager of the new system, explains: “No architectural changes had to be made, however, we did spec the system for the church’s planned future renovations. This Clair Brothers kiTCurve12 system was designed to accommodate future renovations without requiring any further system enhancements or funding.”
Cedar Park Church’s old system was antiquated and due for a modern approach. The first step of the physical installation was the removal of all eighteen of the old speakers, ten amplifiers and a long-passed-its-prime system processor.
Palermo adds, “The idea was to significantly reduce the amplifier footprint and amperage requirements while making a huge improvement in fidelity, output and headroom. And with the new four per side kiTCurve12 system, a significant improvement was made to the stage site lines thanks to the incredibly elegant form factor of the system.”
Palermo and his LIFT AV team worked closely with Andy Soemo, sound and recording pastor at Cedar Park Church, to determine the best speaker system choice.
Now that the install is complete, and he’s had some time to experience it first hand, Andy reports: "I’m really happy abou
UK - Rope Assemblies has worked with Castleford Heritage Trust to create a safe footbridge at Castleford's Queen's Mill - part of a major restoration project to restore the historic building which is used as a venue for local events.
One such event, the Castleford Beer Festival took place last month - a community event drawing in the crowds with musical art, food and of course beer. James Knowles, project manager at Castleford Heritage Trust reports: "The venue was all ready for the festival which was set to attract over 1000 visitors. However, we had an issue with the function room - it only has one emergency escape and so we had to install a bridge so that, should visitors be required to leave the building in an emergency, they could do so safely. Without the bridge, we would not have been able to use the room."
Thanks to a recommendation from a rigging company working on the project, James got in touch with Linda Martin at Rope Assemblies who, along with Joanne in the sales team, advised on the right product for the job and sent out some samples. She explains: "For a job like this we recommended 5mm stainless steel assemblies, with M10 Swage Studs on either side. Not only is it aesthetically pleasing but it is hard wearing and a better solution than galvanised items as it stands up to the elements much better. James was delighted with the samples and so placed an order for over 107 metres."
UK - Stage Electrics has won a contract to supply production lighting and AV solutions to Croydon’s Fairfield Halls as a part of the venue’s highly anticipated redevelopment.
Working with the Contractor, Vinci Construction, and the theatre consultant, Sound Space Vision, the Stage Electrics team, will be starting on site this month. “Stage Electrics has a long-standing relationship with this venue,” comments Richard Phare, Stage Electrics regional commercial manager. “I was personally involved with Fairfield’s last technical refurbishment over 20 years ago. It’s fantastic that Stage Electrics can, again, play a part in this venue’s continuous development.”
The Stage Electrics team are completing works within the venue’s three main performance spaces; the 1800-seat Concert Hall, the 750-seat Ashcroft Theatre and the Arnhem Gallery - plus a new multi-function space for up to 450 people.
“This is an ambitious project,” adds Phare. “Fairfield Halls will become home to a vibrant new cultural quarter once the works are finished. The client’s aim is to transform Fairfield into landmark destination for the arts in South London, something I feel is certainly achievable.”
UK - Multi-disciplinary consultancy Plann and its director Jack Tilbury celebrated a third high-profile theatre opening in two years when Bristol Old Vic reopened in September following a £13m capital project.
Tilbury led the venue’s redevelopment working alongside chief executive Emma Stenning and artistic director Tom Morris. He was also a project director during the relocation of the Bush Theatre (completed in March 2017) and managed the construction of the Bridge Theatre (opened in October 2017). Architects Haworth Tompkins designed all three schemes.
Tilbury comments: "After spending 10 years in design meetings, it became apparent to me that the building industry is just not set up to cope with the unusual demands of a theatre scheme. The projects are architecturally complicated, can involve millions of pounds of high-tech specialist equipment, funding milestones can speed up or slow down the programme, and the client often wants to keep the building open and running during the works."
Japan - The Tokyo development of Roppongi Hills is a large complex that incorporates office space, apartments, shops, restaurants, cafés, cinemas, a museum, a hotel, a major TV studio, an outdoor amphitheatre and parks.
Located within the development, Roppongi Hills Arena is an entertainment venue with a retractable roof that will host live entertainment as well as high-end events. In February this year, Roppongi Hills Arena underwent a major refurbishment to enable it to adapt to even more types of entertainment. With its new outdoor capability has come the imperative to decrease neighbourhood noise pollution, and thus an improved sound system and monitoring capability was required.
After auditioning many loudspeaker brands, Martin Audio’s CDD series was selected. The venue requisitioned 12 cabinets which have been installed on the round shaped truss at the top of the facility, while a further eight CDD15-WR have been installed on the wall.
The loudspeakers were carefully tuned and EQ'd to maximise their potential. Signal transport from the amplifiers is via a Dante digital network which delivers a clear, pristine sound with no loss, thanks to the digital signal path.
Sato, who specified the technology, stated that the upgrade had been without compromise. “I had been wanting to provide premium sound to the audience for a long time,” he says. The goal was obvious but there were many considerations, such as it being an open-air venue and the fact that we needed to avoid noise pollution for the sake of our neighbours. In addition to that
Croatia - HUST has installed over 1,000 Apart and Community loudspeakers as part of new audio and video systems at the Valamar Girandella Resort. The complex, located in Rabac on the Adriatic coast of northern Croatia, comprises the Girandella Family Hotel, the Girandella Maro Suites - Kinderhotel, the Girandella adult hotel, the Girandella Premium Villas, the Bellevue hotel and the Sundance Beach Club.
In the system design, HUST chose Apart loudspeakers for background music zones, while Community loudspeakers were used for AV and conferencing and in the pool areas where all-weather capability was essential. To ensure maximum versatility, the complex has over 40 independent audio zones, which can be further divided into separate areas in several facilities. To provide this level of zoning, and control with ease of use, HUST installed a Biamp TesiraFORTÉ system with Tesira TEC-1s Ethernet control units and multiple PCs providing a simple, intuitive interface.
In the resort’s two multimedia conference rooms, HUST provided ScreenLine motorized screens and Epson projectors. Each room is fitted with four Community V2-28 dual eight-inch compact two-way loudspeakers, with four VLF208LV dual eight-inch low profile subwoofers adding extended low frequency and impact.
The main area of the Sundance Beach Club is fully open air and required a powerful system that could withstand all-year exposure to any weather. For this area HUST used a proven outdoor solution of 12 Community W2-218 eight-inch compact premium performance loudspeakers, supplemented by six W
Switzerland - Powersoft amplification has been selected as a key component in the newly installed audio system at Roadhouse Luzern - a bustling venue at the heart of the city’s party scene.
Roadhouse hosts jam sessions, live concerts, special events and parties. The venue originally sought a company to perform a general service on its existing audio setup, in addition to replacing a handful of defective or outdated components. After an exhaustive inventory - and with the future in mind - it became clear that a more comprehensive overhaul was the way to go.
Swiss company Skuma AG - a sound reinforcement specialist with over 40 years of experience - was awarded the contract for its Dante-capable overall concept, with the Powersoft gear distributed by Go Wild AG.
During the implementation period, the venue’s restaurant was to stay open seven days-a-week, with the existing system needing to be available right up until the change. This created a tight timeframe for the integrator and presented a number of logistical challenges.
Roadhouse’s audio system was required to cover a number of zones, including the bar area on the ground floor, the first-floor lounge, the main bar (on two floors with a DJ location), the smoking area and the event bar as well as providing background music in intermediate areas.
The system is driven using the full range of Powersoft’s Dante-enabled, fixed install-dedicated amplifiers, with three Quattrocanali 4804 DSP+D installed in the bar lounge, smoking and main bar areas; a Duecanali 1604+D for the interme
UK - Following a collaboration at the recently completed White Rose leisure extension in Leeds, Studiotech was approached by tensile fabric specialists, Base Structures, to assist with the multi-million pound transformation of the NEC in Birmingham.
Included in this transformation was the facelift of the façade. The new design included patterned coloured panels and 37 tensile fabric pyramids, designed by Base Structures. Each translucent pyramid was to be backlit to create a more attractive and engaging environment for all stakeholders.
Studiotech assisted Base Structures by providing the detailed design, supply, installation and programming of the feature lighting. They chose to use Traxon Washer Allegro RGB LED luminaires to wash gracefully behind the pyramids.
The complex façade design meant that a number of trades were involved in completing this facelift, co-ordination with one another was key to a successful installation.
The completed installation provides a striking addition to the NEC arena, creating a dynamic and impressive display at one of the UK’s most popular venues.
South Africa - Johannesburg’s Joburg Theatre has taken delivery of 10 Robe Robin 800 LEDWash units, supplied through DWR. The new lighting fixtures will complement vibrant productions being staged over the festive season including Snow White the fairest Panto in All the Land!, Helen O’Grady, Sati - Shivas Beloved and Mukokoli Live DVD recording.
“There has been no looking back since the theatre first started investing in Robin 800 LEDWash a few years ago," says Enos Ramoroko, technical manager at the theatre. "They have really worked well for us and we are pleased to now have 34 units in total."
"The Robins really are the work horses of the industry and for the theatre to have added more 800s to their stock is a game changer," says Kevin Stannett from DWR. "I would like to thank Enos and the Joburg Theatre for your valued support, and to all South Africans, keep supporting the arts."
Greece - The new Athens Marriott on Syggrou Avenue has been created by an impressive renovation of the former Metropolitan Athens Hotel. The hotel is located opposite the Stavros Niarchos Foundation Cultural Centre, a cultural complex that houses the National Library of Greece and the National Opera, and the hotel’s roof top bar overlooks the Acropolis, the Aegean Sea and the Opera. Five-star rated and with 385 guest and executive rooms, the Marriott is now one of the largest and most luxurious hotels in Athens.
In addition to its guest rooms and dining, spa and fitness facilities, the Athens Marriott has eight multi-function event rooms. With a combined space of more than 1,000m2 and a capacity of around 1,000 persons, these rooms provide for both business and social events.
As part of the renovation, the specialist integrator ABAS was commissioned to design and install complete AV and automation solutions in all of the event rooms, providing an exceptional audio and video experience at the touch of a button.
To achieve high intelligibility audio in every room, ABAS designed distributed systems using Community’s D Series ceiling loudspeakers. The systems in the eight event rooms include a total of 82 4.5-inch high output two-way D4 and low profile D4LP loudspeakers.
Kostas Drosos of ABAS explained the challenge, comments: “The event rooms required uniform intelligible sound, with the quality and power to cover even the most demanding event. The height of most of the rooms was very low so we needed loudspeakers that could deliver clarit
UK - NEC Group Arenas has taken two electrical apprentices on a three-year placement with the Group’s Arenas ElectriX team.
Liam Dyde, 21, and Mohammed Waseem, 28, will receive mentoring as they bid to complete their NVQ Level 3 in electrics.
Throughout their apprenticeship, Dyde and Waseem will gain theoretical and practical knowledge and be involved in testing, inspection and delivery of the electrical supplies. One day per week in term time will also be spent at Solihull College & University Centre for additional practical and theory lessons.
NEC Group Arenas chief electrician and mentor Peter Hammond comments: “There is a noticeable skills gap in the arenas electrical industry, something that we too have noticed with our in-house team. As skilled individuals retire, there’s be a decline in numbers of those able to step into their positions. With demand for our services higher than ever before, featuring bigger more technically ambitious live events, we thought it was time to take action.”
NEC Group apprenticeship coordinator, Angela Walsh, adds: “At the NEC Group we are committed to providing a variety of career opportunities for youngster across the country that provide career stability in fun and dynamic environments. This new scheme we’ve developed in association with Solihull College & University Centre will not only help bridge this skills gap but also give young talent the opportunity to be involved in on-the-job training, and bring us as the employer, fresh blood and fresh thinking.”
Canada - University of Toronto’s newly built Principal Hall is designed to serve as a multi-dimensional public platform for the John H. Daniels Faculty of Architecture, Landscape and Design (DFALD).
To ensure the highest quality of audio, the University tapped Mulvey & Banani Audio Visual (MBAV) to assist in the design of a sound reinforcement system consisting of EM Acoustics loudspeakers.
With seating for 400 people, the design of the hall allows for multiple configurations and uses, ensuring maximum utility for students and faculty, and greater flexibility for a wide range of events.
“The compact size and audio quality of EM Acoustics loudspeakers was a driving factor in deciding to use them at Principal Hall,” explains Gregory Rushton, vice-president, MBAV. “The loudspeakers were required to fit into five-inch spaces between wood slats covering a 30-foot high ceiling. The challenge was to find something small enough that would still have the power to cover the room. Contact Distribution suggested the EMS-51, and it was perfect.”
Ontario-based Contact Distribution demonstrated the EMS-51 was a speaker with studio monitor-level quality and high-power handling in a very small enclosure. The loudspeaker is loaded with a five-inch LF drive unit, linked via the internal passive crossover network to a 1.1-inch diaphragm, HF soft dome drive unit, which produces a 75° conical dispersion pattern. The infinite baffle design provides a smooth LF roll off and a much more robust LF performance than would be expected from similarly sized
Indonesia - Bandung’s GBI Aruna Church recently invested in a new audio system built around the IS-Series from Adamson Systems Engineering for a flagship 1,600-capacity venue.
The church welcomes over 16,000 weekly congregants across its 15 campuses. Built in 2007, GBI Aruna has enjoyed significant growth over the years and its pastoral team made the decision to upgrade its house audio system for the second time in mid-2018.
The church invited representatives from three loudspeaker manufacturers to demo their systems in the main sanctuary. After extensive evaluations, the IS-Series system comprised of IS7 two-way, full-range cabinets and IS118 and E218 subwoofers showcased by Big Knob Audio, Adamson’s Indonesian distributor, was chosen for the project.
“The Adamson IS7 is so lightweight and compact, it’s amazing to experience such powerful sound coming from the system,” says Marshall Pins, GBI Aruna’s senior sound engineer. “Not only that, it provides very consistent tonality from front to back. We worked with Big Knob on the design using Adamson’s Blueprint AV software, which was very helpful in fine-tuning the system to achieve the even coverage throughout the seating area that we were looking for. It is such a joy to mix on this system.”
The left-right solution employs arrays of eight IS7 cabinets below one IS118 subwoofer per side. An additional complement of four E218 subwoofers are ground-stacked in front of the stage for extra low-end reinforcement, and a pair of IS7 cabinets are deployed at the lip of the stage as fr
Sweden - Around 50 Chroma-Q Inspire XT LED house lights have been fitted in the Västerås concert hall in Sweden.
The concert hall is home to an orchestra that requires a quiet environment to perform in, a key aspect that had to be considered during the upgrade of the existing house lights.
Stage technical manager Per Andersson comments: “I chose the Inspire XT because there are no fans, which is a must for us since we house a classical orchestra, The orchestra is really happy with the brighter lights when they are rehearsing, and from a technical point of view, it is very easy to change the colour when I am asked. The other benefit for me is that they are more energy efficient; we went from 47 fixtures at 575W to 47 at 120W, and most of the fixtures are just on around 60%.”
World - Lighting designer Mathieu Poirier created the atmosphere of the grand hotels of the past for Hotel, the latest touring show for Montreal-based company Cirque Eloize. Poirier selected Claypaky’s new Axcor Spot 300 moving LED fixtures to help set the scene for the troupe’s very special 25th anniversary production.
In Hotel, acrobatics, theatre, dance and live music guide the audience through an intimate refuge with an avant-garde look inspired by the elegance of the greatest hotels. The lives of transient travellers intersect briefly but long enough for tales and memories to be forged.
“Early in the creative process the Belgium-based director, Emmanuel Guillaume, discussed with the creative team his strong visual interest in Wes Anderson’s film, Grand Budapest Hotel and Damien Chazelle’s La La Land,” recalls Poirier. “The visual environment of Hotel would have those brownish and pinkish shades as well as surreal and very contrasting colours.
“The decision was taken to have a burgundy set with gold accents and monochromatic costumes in all shades of blue. I decided to adapt a principle that Chazelle used in his movie, and I created a lighting plot that would allow me to be realistic in the hotel’s lobby and kind of surreal, or at least to leave the realism of the hotel lobby, for the acrobatic acts themselves.”
He chose 10 Axcor Spot 300s to hang above the stage as front special, tip and back lights.
“We had a limited budget for buying equipment as well as a really small tra
Russia - Moscow’s new Zaryadye Concert Hall opened in style in September with a gala performance by the Russian National Orchestra. The modernist structure houses a 1,560-seat main auditorium lit by a house rig of Claypaky fixtures.
Claypaky’s Russian distribution partner DOKA was commissioned to provide technical expertise for the project and specify a lighting solution. To facilitate the breadth of events held at the auditorium – from theatre and classical concerts to conferences - the company designed machinery that required specific lighting fixtures to match. Lighting equipment is mounted on special mechanisms allowing to lift projectors up above the ceiling and handle technical maintenance without dismantling them.
DOKA supplied 54x Claypaky A.LEDA B-EYE K20 LED, 12x Claypaky Scenius Spot, 12x Claypaky Scenius Profile and 30x Claypaky Show Batten 100 LED.
“The A.LEDA B-EYE K20 is ideal for the orchestra pit and auditoriums - their new six-colour system of colour synthesis allows us to get a white colour which does not differ from a classic halogen lamp, but at the same time enables us to change colour temperature and work with tones,” says DOKA’s lighting director, Vasily Litvin. “As the stage is often in use for acoustic concerts, minimum levels of technological noise was one of the main priorities when choosing the lighting equipment. Nothing should disturb visitors while they enjoy tailor-made acoustic characteristics of the auditorium.”
Damir Ismagilov, the lead lighting designer of Bolshoi Theatre, contributed to the
Croatia - AV solutions provider HUST has completed the design and installation of new audio and video systems for the largest conference hall of the Croatian Catholic University (Hrvatsko Katoličko Sveučilište) in Zagreb.
HUST was commissioned to provide the main conference hall with a triple projection system and high-quality audio throughout, with a focused sound system for the centre screen.
To deliver uniform sound levels and clarity throughout the hall, HUST designed a distributed system using Community D8 two-way high output ceiling loudspeakers, with D10SUB ceiling-mount subwoofers adding extended response and low frequency impact. An additional pair of Community V2-28 dual eight-inch full-range two-way loudspeakers is positioned above the stage to focus sound on the main 5.5m wide screen.
Two further 3.6m screens and three high output Epson 3LCD full HD projectors complete the video system. For people with hearing difficulties, HUST also installed a Univox induction loop system. The whole system is controlled by a Biamp TesiraFORTÉ, with a Windows PC-based custom interactive interface.
With basic controls, users have the ability to manage the content source, audio configuration, motorized lowering of screens and room light dimming with predefined scenes. The system is managed at several different levels of administration in accordance with the privileges assigned by user name and password. Designed as a modular system, HUST has future-proofed it to be easily expandable, both at the current location and in additional remote micro-