USA - Audiovisual and lighting integrator Icon Media of Georgia is transforming a sanctuary space at Lighthouse Church in Ventura, California and has used Fuze Pendant downlights from Elation Professional for the first phase of the project.
Wanting to address their sanctuary lighting before Easter, the church initiated a house lighting overhaul as the initial step in a larger refurbishment project that will entail audio, video and lighting. Icon Media, specialists in integrated systems for houses of worship and an Elation dealer, was contacted by church leadership and strategic planning consultant’s GrowMentum to handle the project.
“We have a staff that understands the specific nuances of this market, how it operates and is structured,” states Icon Media president Brian Gore. “The HoW market requires a special approach, specific skills and sensitivities that you need to keep in mind and our experience at Icon has made us one of the front-runners. A lot of churches don't have a full-time technical staff so we help design around that and find a system that’s right for them.”
The company conducted a site survey at Lighthouse Church early in 2021 and consequently came up with a design proposal to modernize and upgrade the facility. The approximate 600-capacity worship space, a converted light industrial building, had a previous house lighting system that consisted of an array of 1000W scoop lights.
Charlie Pike, project manager at Icon Media, says the old system was both poor quality and inefficient and that LED was the obvious sol
USA - Located on the Jamul Indian Village reservation, 20 miles east of downtown San Diego, the Jamul Casino attracts visitors from across southern California. In addition to gaming, it offers multiple restaurants, bars and lounges, the newest of which is The Rooftop.
Developed on the roof of the main casino building, it provides 360° views of the surrounding valley and is used for private parties as well as regular live music performances and theme nights. Having initially rented lighting for special events, earlier this year the casino’s management invested in a permanent house rig comprised of 80 ADJ fixtures.
For a number of years, AV support for the casino has been provided by CBC Technical Inc., located in nearby Temecula, CA. The company originally rented a lighting system to the casino for live music performances and special events at The Rooftop, following its completion last year. However, as the popularity of the venue grew and its events calendar expanded, they decided to invest in having a dedicated house rig permanently installed.
CBC Technical designed and supplied a versatile lighting system comprised exclusively of ADJ fixtures, the majority of which are IP65-rated due to the outdoor nature of the space. The company’s director of production services, Michael Hoffman, was responsible for designing the house plot, which is then adapted as necessary for special events and performances. Michael also serves as resident LD to the venue, coming in to setup custom looks for private parties or to run the lighting for featured special g
Estonia - The five-decade old Saarepeedi Cultural Centre recently sought out a new PA for its facility and brought on Heliart OÜ for the project. Priit Kivimägi, CEO of Heliart OÜ, and his team were looking for a system with high SPL, consistent coverage and exceptional vocal intelligibility. Eastern Acoustic Works’ QX300 Series speaker system along with its RL18S Active Subwoofers were selected for their audio capabilities as well as its ease of use.
The Saarepeedi Cultural Centre, located in southern Estonia near Viljandi, is often considered the heart of Estonian folk music. Serving as a multi-functional venue for the local community, the space is used for different activities and performing arts including theatrical and dance events, seminars, rehearsals, sports and musical acts including choirs and live bands.
The main PA consists of two EAW QX364’s flown in left-right position supplemented by four EAW RL18S subwoofers positioned in the centre of the stage. The team was limited by the construction of the building as to where to place the subwoofers, therefore, custom frames were built around the structures inside the stage to accommodate two cardioid pairs of RL18S subwoofers.
“The large 4-inch voice coil compression driver with constant directivity horn is surrounded by two pairs of phase-aligned high power 10-inch low frequency drivers,” says Kivimägi. “This extends the pattern control to lower frequencies and therefore keeps the energy off the walls and ceiling, and in the audience area. This really helped combat the acoustica
UK - Entertainments venue, Grimsby Auditorium, has recently upgraded its sound desk to an Allen & Heath Avantis.
Based in North East Lincolnshire, Grimsby Auditorium is an intimate custom designed venue. Since opening its doors in 1995, it has played host to a number of high-profile performers as well as international touring acts and shows, including: Starlight Express, Blood Brothers and Calendar Girls, Jimmy Carr, Peter Kay and Sarah Millican), and international rock acts Morrissey, Kasabian and The Stereophonics.
Shane Jackson, Grimsby Auditorium’s stage manager commented: “After having our previous sound desk for around 15 year we felt it was time to upgrade to some newer technology. We have no doubt that this will have a positive impact on upcoming productions as well as our customers experience. Having researched our options and considered what was on the market we felt that the Allen & Heath Avantis was the perfect fit for the venue.”
With the glimmer of hope for productions that came following the government roadmap, the new sound desk is getting its first show in June, where the Avantis will be used to do sound for a six- piece band.
“From the brief time we have had the desk I know it will be a new favourite among the team. The layout is very logical and very simple to use. Allen & Heath have created a great desk. It offers huge flexibility for both input and output, all doable at 96khz, with 42 mix busses its more than enough for our venue needs. The FX processing works incredibly well, and I
World - When show producers welcome throngs of enthusiastic Harry Potter fans to the live stage production of Harry Potter and The Cursed Child, they want to immerse the audience in a show experience like no other. Based on an original story by J.K. Rowling, Jack Thorne, and John Tiffany, Harry Potter and the Cursed Child is the eighth story in the Harry Potter series and the first official Harry Potter story to be presented on stage.
With demanding production requirements, show producers turned to multi-award-winning sound designer Gareth Fry, and his experience with technologies from d&b audiotechnik, to cast a spell over the audience.
“There's a big responsibility when you're working with such iconic characters and stories; the audience has a strong, emotional attachment to what's happening on stage,” explains Gareth Fry. “With such an invested audience, we're under pressure to produce the best show we can. There are big, epic scenes with lots of characters, and then there are also very quiet scenes where it's just two people talking - we need to make sure every seat in the house hears everything perfectly.”
Fry says that the director, John Tiffany, demanded that the sound quality be exceptional and that every production in each location have the same level of quality as the London production, or better. This means Fry and the team needed a sound system that could not only deliver the required quality and control to cover every seat in the house, but also flexible enough to work within a wide variety of theatres around t
USA - For Victory Church, Westminster, CO, entering the live-stream world was something that they aimed to achieve within the next few years, but when the pandemic struck, it was a shift that they needed to make within a few weeks. With a limited budget and requirements for wireless capabilities, Pliant Technologies’ MicroCom XR digital wireless intercom system was the chosen solution. With MicroCom XR, production staff and volunteers can deploy a reliable solution for clear communication, helping productions - both in-person and live-streamed - go on without a glitch.
“The Pliant system was the first intercom to be deployed at Victory Church,” says Krystle Thompson, creative director at Victory Church. “When looking at our options, I knew we needed a system that could handle upwards of five users, while allowing personnel to move freely in order to have multiple wireless cameras on stage and not have to worry about being tied down by a wire.”
Working with non-technical volunteers, Thompson appreciates the ease-of-use of Pliant’s MicroCom XR. “From camera operators to computer/graphics and lighting operators, many of which have no prior broadcast experience, they can pick up their MicroCom pack and communicate with ease,” she explains. “The small learning curve is a huge benefit for our volunteers, which range from teenagers to people in their mid-70s.”
In addition to its simplicity and budget-friendly price tag, MicroCom XR’s extensive range has been beneficial to the church. “Victory Church is a long, rectangle shape with o
USA - Lincoln Financial Field opened in 2003 as the home stadium for the Philadelphia Eagles NFL team. In addition to Eagles football, it regularly hosts the Temple University Owls, the Army-Navy game and many soccer games each season.
In 2017, the Stadium staff asked Diversified to design a new, upgraded audio system for the seating bowl. Diversified developed a comprehensive design, installed in multiple phases during off-seasons starting in spring of 2018.
The Philadelphia Eagles wanted to raise the bar for audio performance within the stadium. “The fan experience across the NFL has been improving for a number of years,” says Jeff Sanderson, senior design engineer at Diversified. “A lot of teams are renovating or building new stadiums. The Eagles wanted Lincoln Financial Field to sound as good or better than anything else in the NFL. Speech intelligibility and musical experience is a critical part of that.”
Diversified proposed a Fulcrum Acoustic-based solution for the system upgrade. Diversified had experience with Fulcrum products from other projects. Jeff Sanderson used EASE modelling software to design the new sound system incorporating AH, FH, and GX series products as well as Passive Cardioid subwoofers. Fulcrum’s ability to provide any model with weather resistant construction was also an important factor.
Rigging structures were prefabricated for fast installation. Fulcrum worked closely with Diversified to phase deliveries of products to the Stadium to keep the installation moving efficiently. Where possible, Diversified
Australia - ACMI, Australia’s national museum of screen culture located in Melbourne, celebrates the nation’s long history in the medium - including film, television, video games, and moving image artwork.
Recently, the museum underwent a renovation that completely overhauled its central exhibition design - and its AV system - to allow visitors to take a journey through Australia’s history of moving images. By utilising robust, immersive, and interactive AV, the exhibition, titled The Story of the Moving Image, advances through time – from shadow play to the films that shaped Australia’s cinematic landscape. The exhibition includes Games Lab Presented by Big Ant Studios, where AAA titles sit alongside a curated selection of locally made indie games, and a section dedicated to the power of citizen journalism.
And while the museum is largely focused on the ‘image’ component of its name, the need for thoughtfully placed audio throughout the space is critical - requiring hundreds of audio feeds across the gallery space. To make that much sound work, the ACMI designers relied on Audinate’s Dante.
“Traditionally, the space has been known to be a bit cacophonous,” said Greg Turner, a consultant working with ACMI. “Because of that, we knew from the start it was going to be critical that we had tight control over all of our audio signals. With the redesign we’ve installed hundreds of displays in the space, so how do we make sure we’re managing hundreds of audio signals as well? The obvious answer from the start was Dan
Finland - Tomi Björck is one of Finland’s best-known chefs and restaurateurs. With 10 restaurants and two bakeries already to his name across Finland, Sweden and Australia, Björck with his wife Minka and three other associates embarked on their latest project in Spring 2020.
Lily Lee, in the heart of the Finnish capital of Helsinki, offers a range of dishes inspired by Taiwanese cuisine, Hong Kong’s street kitchens and classical Cantonese cooking.
Finnish AV integrator, 4Business Oy, installed a Genelec loudspeaker system in the environmentally friendly RAW aluminium finish to enhance the dark, sultry interior with an audio experience that blends into the lush surroundings. In fact, Björck contacted Genelec directly for his latest project. 4Business’s Janne Lankinen was unsurprised by Björck’s choice. “Music and atmosphere are crucial elements for Tomi at all of his venues, so an easy-to-use, high quality audio system was a must-have feature for Lily Lee.”
“We have had Genelec loudspeakers in almost all of our restaurants and there is no other brand we would go with,” confirms Lily Lee’s Minka Björck. “The full, rounded sound of Genelec is key for us and it is totally unique. No other brand sounds quite like it. We like to play music quite loud in our venues, so sound quality is super important. Finally, we love the sleek look of the loudspeakers, they work really well with our décor.”
Lankinen and his team installed a total of 12 Genelec 4030 installation loudspeakers in the distinctive RAW finish across the three
The Netherlands - The sustainable AFAS Theatre, which is incorporated in the new HQ of software developer AFAS, named the AFAS Experience Centre in Leusden, has recently been equipped by Rolight with 74 Infinity TS-260C7 Profile engines from Infinity’s Signature series.
The AFAS Experience Centre has been designed from the ground up to create an “experience” for clients, employees and visitors - a complex that includes office space, meeting rooms, relax areas, demonstration rooms, fitness area, gym, educational spaces, studios, patio & atrium suitable for events, exhibitions and social gathering. The complex takes ecological and environmental aspects into account as much as possible.
Almost energy neutral, it is fitted with solar panels, sedum roofs, heat pumps, heat exchangers, triple glazing, a multitude of sensors and 50 charging stations for electric vehicles.
When it came time to furnish the theatre area, specialists from Rolight found a fitting candidate in the Infinity TS-260C7 Profile engine to light up the main stage. Its efficient, high output LED light holds up to the principle of environmental awareness that has been used throughout the Centre’s design, making it a solid choice for the application, while ticking all the boxes.
74 fixtures with a total output of over 330,000 lumens were used to provide lighting to the main stage. The TS-260C7 is able to produce light in seven colours with a CRI of over 96, ensuring a very natural illumination of the stage. The fixtures are combined with 58 Irises, 54 TLT-235- and 4 TLT-1
South Korea - Harman Professional Solutions recently partnered with MIX Media and TechDataPS Coto upgrade Seongnam Arts Centre’s AV system with AMX networked video solutions.
Seongnam Arts Centre is the largest venue for cultural arts in the city of Seongnam. The facility features a 1,804-seat opera house, a concert hall, ensemble theatre for smaller performances, two visual art galleries and an outdoor amphitheatre with seating for 11,000 people.
The centre hired MIX Media to upgrade its video infrastructure with a HARMAN networked VoIP solution consisting of AMX encoders, decoders and controllers supplied by TechDataPS.
To provide a scalable AV control platform with intuitive operation, network security and backward compatibility, MIX Media selected the AMX NX-3200 NetLinx NX Integrated Controller as the core of the AV infrastructure. For transmitting and receiving AV signals with latency, MIX Media installed AMX N1000 Series encoder and decoder units throughout the facility.
To make operating the system easy and intuitive for staff, MIX Media provided Seongnam Arts Center with AMX MCP108 Keypad Controllers and a MT1002 Modero Touch Panel. Combined with the ability to control the NetLinx controller via tablet, the keypads and touch panels allow centre staff to conveniently control the AV system in real time from anywhere in the facility.
Seongnam Arts Centre staff reported being completely satisfied with the new AMX AV network’s user-friendliness and reliability, saying it gave them integrated control of the equipment inside the c
The Netherlands - The new MIMIK cultural centre situated next to the IJssel river in Deventer has been outfitted with a number of Infinity’s professional theatre lighting fixtures. TS-260C7 Profile Engines equipped with TLT-1230 Zoom lenses and Irises, TF-260C7 Fresnels with barndoors and TCYC-7 Cycloramas were used by Rolight to provide the desired illumination.
In the MIMIK, a theatre, four movie theatres, and a grand café are merged into a cultural experience. Open all day and easily accessible, its programme aims to surprise visitors time and time again. MIMIK follows up on the success of film house De Keizer (the emperor) and Theater Bouwkunde (Building Science theatre). Combining both with hospitable catering creates a vivid meeting place that ticks all the boxes for current and future generations.
The theatre is fitted with a retractable grandstand and can be transformed into a 162m² (1740ft²) festivity hall with the push of a button. Situated along the river IJssel, the foyer and bar on the first floor offer a great view on the surroundings.
To implement the appropriate internal lighting in the cinema rooms and theatre, Rolight have been asked to advise, supply, and install the necessary equipment. They have chosen the Infinity Signature Series TS-260C7 Profile Engine and TF-260C7 Fresnel fixtures to accommodate the professional environment of MIMIK. In total, 50 TS-260C7 Profile engines were combined with 50 Infinity TLT-1230 15-35°Zoom lenses and 50 Infinity Irises to provide lighting in the spaces.
They were augmented by 22 TF
Canada - A multi-venue arts centre in downtown Calgary, Alberta, Arts Commons (formerly EPCOR Centre for the Performing Arts) has invested in a complement of Ayrton lighting fixtures and Robert Juliat followspots from Sapphire Sound.
Arts Commons is located in Calgary’s Cultural District and is one of the three largest arts centres in Canada. Its five theatres and concert hall are home to six resident companies and host a wide array of guest performers annually. While Arts Commons is currently closed due to the COVID-19 pandemic, the centre has been busy upgrading and expanding its lighting inventory in anticipation of reopening.
According to Kris Ladd, head of lighting at Arts Commons, 16 Ayrton Huracan-X and four Ayrton Diablo-S fixtures were purchased for the Jack Singer Concert Hall, the permanent home of the Calgary Philharmonic Orchestra and the largest venue in the centre. It seats 1,800 and boasts the 6,040-pipe Carthy Organ.
Three Ayrton Mistral-TCs have been installed in the Engineered Air Theatre, a 185-seat space used for concerts, films, plays, weddings, receptions and galas, while a pair of Robert Juliat 800W LED Arthur followspots have been added to the 750-seat Max Bell Theatre, home to Theatre Calgary.
Brian Cloutier, in sales and design for lighting at Sapphire Sound, worked with Ladd during the upgrade process, providing equipment for demos and shootouts and furnishing the fixtures selected for the three venues. “Kris knows what he wants, which makes it very easy for me,” he notes. “I’ve also had a long relationsh
USA - In the time since it was established in 1983, Northside Baptist Church (NBC) in Huntsville, Texas, has grown from a small group of people meeting in a living room to its current membership of 1,600. With construction now complete on its new home, the church’s management decided that it would need an audio system that could match the quality of such grand surroundings.
“Since it was a new construction project, we didn’t know what the best fit for the space would be, regarding the sound system,” comments Bob Slie, media director at NBC. “Our worship pastor and I attended WFX 2019 in Orlando, Florida, as they had almost a dozen audio manufacturers come in and set up in the same space, which allowed us to compare the different systems impartially.
“We were absolutely blown away by TW Audio’s then-new ELLA system, which was powered by Powersoft amplifier platforms. We met with Mick Whelan from TW Audio and began a relationship that would take us a year and a half down the road to their first US installation in a church with ELLA and Powersoft.”
Slie contacted local company, Arrendell Media, to supply and install the system. The company’s owner, Brian Arrendell, liaised with both Whelan and Slie in order to ensure that the system was installed to the exact specifications sent from TW Audio.
“We also had Rick Woida from Powersoft come in to help complete the installation by setting everything up and tuning the system along with Mick,” adds Slie. “They spent three days with us getting everything set perfectly, including
Poland - The Florian Krygier Municipal Stadium has recently undergone a complete modernisation which includes the installation of a new sound system based on RCF P Series speakers.
The stadium, located in Szczecin, Poland, has a long history. It was built in 1925 with the name of Florian Krygier, named after a Polish football coach who was an instrumental figure in Pogoń Szczecin’s history.
Since the 1950s club management was under MKS Pogoń Szczecin until 1989 when Szczecin City Commune transferred operations to the Municipal Sports, Recreation and Rehabilitation Centre. Until the beginning of 2007, it was the most prominent facility in the Polish Orange Ekstraklasa football league. It is currently used for football matches and is the home stadium of Pogoń Szczecin.
The stadium itself has recently undergone a complete modernisation, so only part of the old stadium is still in place. A significant reconstruction started in 2019 with planned completion scheduled for 2022. The investment includes the Training Centre for Children and Youth (Centrum Szkolenia Dzieci i Młodzieży), remodelling and expanding the stadium, football fields, and associated infrastructure. The new stadium will reach 20,500 seat capacity and 22,000sq.m of covered area. It will transform into a “closed” stadium with four grandstands and roof.
The first phase of modernization of the stadium within the west and south grandstands has been completed recently with a new sound system based on RCF P Series speakers. All P 6215 are suspended to the roof of the stadium co
Kosovo - Funktion-One distributor 303.bg overcame the geographical challenges of the global pandemic to specify and install one of Kosovo’s first permanent Funktion-One sound systems. Fantazia, in Pristina, which is operated by renowned underground promoters Servis, is a bar and club concept with high quality electronic music, excellent sound and a policy of inclusivity at its core.
Servis was founded in 2016 by Leo Lumezi and Patrik Ukiq as a club night, which has expanded into a platform for different creative concepts and collaborative experiments with its crew of DJs and designers working on projects in the arts, sound, film and fashion
Lumezi explains: “Fantazia, meaning Fantasy, is the realisation of a long-term dream of ours to create a daily running home of music in Pristina, which would bring together music lovers and friends in a weekly curated programme, together with Funktion-One sound quality.”
The pair first met 303.bg’s Benoit Vanderhaghen when he supplied the sound for a Ricardo Villalobos show at Pristina’s Zone Club in 2016, and reconnected in November 2020 as preparations for the new venue advanced.
“Everything happened very fast,” recalls Vanderhaghen. “Three weeks after our call, the installation needed to be done. There was no time to fly there from Paris and there was also the budget to consider.”
Fantazia occupies a rectangular, 80m2 space on the site of a former butcher’s shop, in a popular area of Pristina’s city centre. With residents all around, there’s a need for the sound system to i
USA - Based in Scottsdale, AZ, Impact Church is a fast-growing, multi-ethnic church known for high-energy worship and relevant, accessible teaching. The church recently moved into a new home, which was purpose-designed to host worship services with a focus on high quality audio, video and lighting.
The anchor point of this new AVL system is the ADJ LED video screen which fills the rear of the stage, while the lighting setup consists exclusively of fixtures from ADJ and sister company Elation Professional.
What began as a bible study for the Arizona Cardinals hosted by player Andre Wadsworth in the late 1990s was opened to the public and soon became one of the fastest growing churches in the nation. Headed up by Senior Pastor Travis Hearn, Impact Church has a reputation for diversity, authenticity and throwing a huge celebration each weekend. These gatherings have become so popular that the church outgrew its previous building, which led to an ambitious project to retrofit a former grocery store into a large custom-designed worship space.
The company responsible for designing, supplying and installing the audio, video and lighting system for the new facility was Illuminate Production Services, headed by Rick Franke.
At the heart of the church’s new video system is a large LED wall comprised of no less than 144 ADJ VS3 panels. This video display surface extends the full width of the stage and provides a constant backdrop to whatever is happening in front of it. This not only allows for the display or song words, pre-produced video content and
Sweden - The impressive, airy Kulturhuset Spira (Culture House Spira) is a seven-story glass-and-wood structure on the banks of Lake Munksjön. Leading Swedish architect firm, Wingårdh, designed the structure that houses four stages and hosts a progressive programme of music, theatre, dance, and children’s programming, as well as serving as the headquarters for the regional Smålands Music & Theatre team.
Spira translates as ‘grow’ or ‘aspire’ and this spirit infuses the team at Spira’s desire to remain at the cutting edge of technology. When they recently embarked on an upgrade to the venue audio system, they opted for L-Acoustics Kara II.
L-Acoustics was the first and final choice of sound system for Spira. When the centre opened its doors to audiences in 2011, it was with a Kara system and it has served well in the intervening years. However, demand for a larger and more powerful system increased over the years and, with L-Acoustics releasing its Kara II, local integrator JLE Audio AB was able to offer a cost-effective solution to upgrade to the venue’s existing Kara to Kara II and supplementing it with additional new Kara II enclosures.
“The Jönköping’s Sinfonietta performs several concerts a year here,’ says Spira head of sound, Jack Strandberg. “The classical musicians, guest conductors and sound technicians that work here all demand good sound. That’s why we chose the L-Acoustics brand with its ‘hi-fi’ sound, clarity and homogenous response to give the absolute best audio experience for our orchestra guest s
UK - When London’s Adelphi Theatre re-opens later this year, it will do so with a new flying system. The refurbishment – stage one of three has involved a complete replacement of the fly tower hemp sets and a new front loading 42 set double purchase counterweight system.
With all theatres across the country having spent the last 12 months in the dark, LW Theatres and Nederlander who jointly own the Adelphi, has taken the unprecedented circumstances as an opportunity to carry out a programme of work across several of its venues. And with no shows or audiences, this has allowed for refurbishment to take place uninterrupted so that once theatres can open their doors, they can do so freely and start recouping lost revenue immediately.
Martin Skelton, technical and building services manager at The Adelphi said: “Phase one has seen the Unusual team come in to initially remove the old system, make good the structure of the wall behind and put in a new, easier to use structure and flying system in the same position. The old system had evolved over time with half of it being one shape and design and in amongst it were some other cradles, three different types of flying weight, two different styles of loading, a huge variation in capacity across the system and not evenly spaced.
“Over the years shows have got progressively heavier so we needed to look at updating the system to be able to accommodate that. Staff safety is also of paramount importance and we wanted to overhaul the system which saw us using very heavy weights to achieve capacity which we
Russia - Robe luminaires were selected for another cultural project, this one at the Said-Galiev Cultural Centre in Derbyshki in Kazan, the capital of the Russian semi-autonomous region of Tatarstan, an area renowned as a lively melting pot of Russian and Tatar heritage.
Robe’s Russian distributor LTM - with branches in Moscow, Novosibirsk and St. Petersburg - delivered the order of Robe Pointes, LEDBeam 150s and ParFect 150s for its client the Altin Group. LTM also undertook all the related installation and commissioning work for the Robe moving lights and other elements of the venue’s lighting that were extensively updated in this project.
The ornate Said-Galiev Cultural Centre has two main auditoriums, a main one seating 560 and a smaller 120 capacity hall and was originally built in 1959. This latest technical upgrade, which also included audio, flexible rigging, LED screens and a cinema projection system enables it to stage a range of shows and events.
The Robe luminaires are all being utilised in the main hall. Four of the Pointes are positioned above the stage with more rigged in the ‘slips’ positions either side of the pros arch for high tight angled lighting onto the forestage. They were chosen for their power and intensity. More Pointes - together with other new lighting fixtures - are rigged on portable side booms onstage.
The LEDBeam 150s and ParFect 150s were chosen for their high luminosity, perfectly matching optics, and quality of output. Some of these are on the side booms with others lighting from the galleries and
The Netherlands - Podiumtechniek B.V. has signed a contract with Nationale Opera & Ballet for the supply of 162 LED spotlights from the German brand JB-Lighting.
Deputy technical director Pieter Huijgen explains: "After years of searching for worthy replacements for the current halogen spotlights and spotlights with a discharge lamp, developments in LED stage lighting had progressed to such an extent last year that it was possible to make the switch to this form of sustainable lighting."
JB-Lighting's moving heads were also recently supplied to leading venues such as De Doelen - Rotterdam, Philharmonie - Haarlem, Schouwburg Ogterop - Meppel, De Nieuwe Schuur - Herpt and the AFAS Theater - Leusden. Many renowned stages in Germany, Austria and Scandinavia have already started using JB-Lighting LED spots.
The tender of Nationale Opera & Ballet includes JB-Lighting P12 Profile (High CRI), P18 Profile (high CRI) and P18 Washes (high CRI).
USA - Attracting around 4,000 worshippers each week, Hope Church in Las Vegas opened a new, 1,750-seat auditorium worship centre and sanctuary in December 2020. The technical infrastructure was designed and installed by church technology specialists Stark Raving Solutions (SRS), who installed an Alcons Audio pro-ribbon system in the main auditorium.
At Hope Church, growth has been so significant, that in 2019, the church moved to add a fourth weekly service. With that additional service, average weekly congregation numbers grew by about 600, according to creative producer Micah Ogle.
Kansas-based SRS has installed many Alcons LR series pro-ribbon line arrays in churches. They introduced the leadership of Hope Church to Alcons solutions at a demonstration event in Las Vegas a few years ago. When SRS suggested a system based on the double 8” LR18 compact mid-size line-array module and double 6.5” LR14/90 ultra-compact line-array module for the new worship centre, the church readily agreed.
“The seating area is a large horseshoe/fan shape, nearly 230º wide, with heavily-raked seats. None is more than 90ft (27.5m) from the central speaking position on stage,” says SRS’s church resource director Marcus Hammond. “We have worked with both Hope Church and Alcons for a long time and the church was more than happy to accept our recommendation, knowing they could trust it would deliver exactly what they needed.”
The system comprises a centre cluster of eight and two side clusters of six LR18, plus two six-unit arrays of LR14/90 for side-fi
USA - Passion Church, a thriving 400-congregant, multi-generational and multi-ethnic church in Casa Grande, Arizona, was in need of a complete audio, visual, and lighting systems overhaul to effectively equip its growing ministries into the future and chose Elation Fuze Pendants as part of the solution.
In early 2020, Passion Church reached out to 5 Words Media, an AVL production company based in Phoenix, to inquire about a full AVL system design. A day later, 5 Words Media sales engineer Brandon Cole met Pastor Romeo Leal on-site at Passion Church to walk the space and strategise an ideal AVL system to support their current and future needs.
“I wanted to hear the dreams Pastor Romeo had, not just for the AVL aspects of Passion Church, but for his church overall,” stated Cole. “Designing a system with the overarching vision and mission of the church in mind helps us design and build them a system equipped for future expansion while also ensuring excellence is achieved.”
The church’s previous build used basic 0-10v lights but Cole wanted to give his client the ability to “paint a picture” using dynamic house lights. “Some of their wants were to control the left, centre and right sections of the audience,” he says. “Showing the capabilities of the Fuze Pendants between colour to dimming control hit the nail right on the spot with what they were looking for.”
5 Words Media designed the lighting system with Elation products chosen for house lighting, atmospherics, wireless DMX/distribution, and control, namely Fuze Pendants
South Africa - With travel restrictions in place, the show has to go on, albeit digitally. For an international fashion show, four South African fashion designers were able to shoot their latest work at The Blank Space, a venue created by the CCPP Group in Cape Town. While everyone missed the audience, the upside saw the production team working in a more relaxed setting where they were able to capture the looks needed for their submissions.
The Blank Space is a venue that was created by CCPP Group (founded by Clint Cawood in 2006 as Clint Cawood Professional Productions), specifically for the fashion shoot. Thanks to its success, the functional space has since hosted various events and is a solution for studio and film productions, virtual product launches, game shows and music performances. CCPP Group has utilised 300 sqm within the warehouse, situated in Ndabeni, Maitland, to provide a 22m x 12m work area equipped with professional gear including a Robe lighting rig, grandMA light console and a PA system.
“Towards the end of last year, there were certain designers who could not get to an international fashion show due to Covid-19 travel limitations and had to fill in their slots from a South African site,” explains Andrew Gleave, operations manager at CCPP Group and designer for the fashion shoot. “Instead of hiring a venue, they opted to use our warehouse. With an industrial look and open feel, they liked the concrete floor with the beam of light forming a runway down the centre so much, that they chose not to build an actual stage.”