Sweden - ELC Lighting has announced that Stockholm Stadsteater (City Theatre will benefit from a new ELC Lighting network distribution system based around the dmXLAN Node8GBx range of DMX-to-network converters.
The system, including 63 dmXLAN node3 units purchased from ELC Lighting distributor mLite AB via local dealer Intersonic, is being installed across multiple performance spaces as part of the Stadsteater’s technical renovation.
Situated at the heart of the city in the bustling Kulturhuset cultural hub, the Stadsteater is one of Sweden’s most popular theatres, producing up to 40 productions each year on its various stages. Its new ELC dmXLAN system, which operates over Art-Net, sACN and Shownet as standard protocols and offers remote programming and monitoring via ELC’s dmXLAN software, is set to provide a new level of flexibility throughout the site.
The Stadsteater’s main house, where new lighting trusses are soon to be installed, will house seven dmXLAN Node8GBx units, each offering eight fully programmable DMX ports and a dual Gigabit port switch with user interface.
“We wanted to rethink how the lighting consoles send out their sACN,” says Stadsteater technical manager, Tommy Leandersson. “Even if we only have eight full DMX universes from the lighting consoles, we could spread all the outputs on multiple universes so we can use dedicated, fixed universes on every lighting truss. With a standard 8-port node and DMX-splits you are limited within those eight universes - we are not. We can use any universe, wherever we wa
Spain - In a move to a more sustainable future, the Teatro Calderón has chosen to upgrade its lighting systems with ETC products, supplied by the company’s dealer in Spain, Stonex.
Based in Valladolid, the Teatro Calderón has long been recognised as one of the best theatres in the country. It was decided that over the next few years the theatre will renew its lighting equipment in order to allow both LED and conventional luminaires to work together as effectively as possible. In order to do this, the Calderón chose ETC’s power control and entertainment consoles.
ETC’s Sensor3 power control system and ThruPower modules were installed into the theatre, replacing a Smartrack model which was in place for the previous 20 years. The Teatro Calderón now has five Sensor3 ESR3AFN-48 power control racks, filled with ETR15AFR and ETR25AFR ThruPower modules, in addition to Net3 Conductor and Concert to manage the network, and report any faults.
Gio and Ion XE console desks were also selected to control the stage lighting in the theatre. The Eos family consoles offer powerful programming and endless options of color control in an intuitive and simple format. In addition to this, the theatre added an ETCpad which conveniently allows remote control of the luminaires and acts as an accessory for any ETC lighting system.
With the upgrade of ETC lighting equipment, the Teatro Calderón aims to become a more sustainable venue in favour of green technology, that will ultimately reduce its energy costs by up to 80%.
USA - Situated in the heart of New York’s Times Square, seven floors up amid the luxury of the new Edition boutique hotel, is nightclub and performance space Paradise Club. The ‘brainchild’ of Studio 54’s Ian Schrager and home to an immersive dinner theatre and modern-day cabaret called The Devouring: A Marriage of Heaven and Hell Paradise Club hosts an Elation Professional lighting rig specified by AVL design and integration firm Clair Solutions with input from Yossy Marquez of J. Marquez Consultants.
Paradise Club is a fully-immersive experience with an attention-grabbing starburst LED ceiling, depth-producing upstage video wall, enchanting décor, and atmosphere-generating dynamic lighting system. Following the multi-sensory Devouring cabaret show, performed by resident artist company House of Yes, the space transforms into a colourful nightclub with DJs spinning until the early hours.
Clair Solutions served as audio/video/lighting/control consultant and integrator on the comprehensive Times Square Edition project, which included several spaces around the boutique hotel. Michelle Caron of Clair Solutions was the performance lighting system designer and project manager for the AVL system in the building and designed the theatrical lighting and control for the 200-seat Paradise Club.
Caron says she sought flexible lighting fixtures to meet the artistic needs of many types of artists. She chose an Elation lighting system of Artiste DaVinci LED moving spots, Fuze Wash Z350 LED moving head washes, SixPar 200 LED PAR lights, and S
UK - Stage Electrics has supplied, installed and commissioned new LED lighting to replace the existing house lighting at Kings Place, London.
Originally opened in 2008, Kings Place is a multi-purpose venue including a concert hall as well as the home to The Guardian and The Observer newspapers. Stage Electrics were contracted by Paul Russell, technical project manager for Kings Place, to replace the lighting in Hall 1 which is the main concert hall, a system originally installed by sister company Northern Light.
The new feature Lighting in addition to general auditorium lighting provides illumination, with full colour mixing, of the acoustic void around the upper walls of the auditorium as well as the stage and seating areas. This additional feature allows the venue to offer corporate clients the ability to customise the room in their corporate colours something the venue wanted to offer to its increasing number of corporate customers as well as update their existing offering to performing artists. The final installation included fixtures from dLED Technologies and Chauvet with control and power distribution provided by ETC.
“As with any existing building, access to existing containment systems was difficult. However, to facilitate the new LED lighting specifically for the acoustic void, we had to discreetly install additional control wiring for 56 new fixtures,” says Michael Percy. “This is made more difficult because the auditorium structure at Kings place is entirely independent of the rest of the building so it’s effectivi
South Africa - Few holiday traditions are more treasured in Joburg, South Africa than the annual pantomime, held at The Mandela Stage at Joburg Theatre in Braamfontein.
This year, writer, director and South Africa’s queen of pantomime, Janice Honeyman has brought to stage the story of country boy Jack the Joller, and his adventures with a family cow, some magic beans, an enormous beanstalk, an unfriendly giant and an enchanted hen that lays golden eggs.
Long-standing technical manager at the Joburg Theatre and industry veteran, Enos Ramoroko, points out that the panto is one of the biggest draws for the Joburg theatre over the December holidays, and is a highlight in the year for cast and crew alike. “The characters on stage are always larger than life, and everyone has a leading role. In some productions, you can switch the followspot from one lead to another – but this simply does not work for the panto,” he points out. “You need at least six followspots on the stage to keep up with the action.”
According to Enos, the Joburg Theatre has been relying on some fairly out-dated fixtures to serve as followspots for a number of years. “The followspots that we have been working with at Joburg Theatre are well past their prime. When we finally decided that there was space in the budget to upgrade the theatre’s followspots, I turned to a number of colleagues in the industry for product reviews and the overwhelming response was that Robert Juliat was the brand to invest in,” he says.
Enos had the opportunity to see the Robert Juliat
Germany - The German theatrical tradition has always relied on colourful and vivid productions to convey the intricacies of the nation’s intricate language and rich culture. For more than two centuries, this tradition has flourished at the Stadttheater Aschaffenburg, which has played host to countless seminal productions since first opening its doors in 1811.
As part of a long term renovation of this bastion of German theatre, Siegbert Blattner, technical director at Stadttheater Aschaffenburg, oversaw the creation of a modern and versatile lighting system that is comprised entirely of Chauvet Professional fixtures, including 26 Maverick MK3 Spots, 28 Maverick MK2 Washes, 56 Ovation E-930VW variable white ellipsoidals, 10 Ovation E-260WW warm white ellipsoidals and 34 Ovation F-915FC Fresnel units.
The Stadttheater Aschaffenburg traditionally presents audiences with a wide spectrum of performances throughout the theatrical calendar.
The versatility of the new lighting system was evident recently at the theatre's re-opening, which featured a challenging interpretation of Max Frisch’s novel Homo Faber by the ensemble of Theatre Chemnitz.
"The combination of MK3 Profile and Ovation series provided a solid basis for creation of a powerful palette of looks," Blattner said when describing that production. "Perhaps the most important factor for a play of this kind, however, is the high CRI of the fixtures. This capability in our fixtures, along with the incredibly talented director, cast and scenic designers from Theater Chemnitz all co
China - Hangzhou, the capital of the Zhejiang province, is home to a new One Third club destination located in a former locomotive depot, another of the NOA’s Arc Group’s entertainment ventures.
The third in the chain (including one in Beijing), the 2,500-capacity dance venue, specialising in Hard style, has been equipped with Martin Audio’s MLA Multicellular Loudspeaker Array.
This was supplied to the Dutch creative team, Live Legends, and their creative director Daan Oomen by Martin Audio’s Chinese distributor, Sino Hui Feng, who worked hard to win the project with the Martin Audio bid to ensure One Third Hangzhou stands out in a competitive marketplace.
The One Third vibe is all about the story of an old locomotive factory that comes to life. Live Legends delivered all creative elements from concept to execution, including show production, interior and technical design which included coordinating all the visual disciplines and optimising the guest experience with their usual flair and imagination.
Live Legends was asked onboard, to bring their extensive skills, knowledge and visions from the world of live events.
After sampling several competitive sound systems, it was decided that MLA would be “the perfect weapon” for this application and that Martin Audio overall was the best loudspeaker partner for all the subsidiary spaces.
The installation was carried out by Sino Hui Feng’s audio technical team, supported by Martin Audio Product Support Engineer, Robin Dibble.
All the rooms were equipped with Martin Aud
Poland - Teatr Narodowy (National Theatre) in Warsaw has invested in 40 Robe DL7S Profile moving lights which are part of a lighting upgrade to replace over 100 halogens and gel-scrollers in their rig with new LED light sources, a graduated process taking place across all three of the theatre’s performance spaces.
In addition to modernising their house lighting systems - including some previous moving lights that had been in place for nearly 20 years - they were essentially looking for quieter fixtures, stated head of lighting, Zbigniew Szulim.
They considered all the options, and apart from the silent running of the DL7S, also liked the colour rendering and the smoothness of its dimming. They also wanted a luminaire that could replicate the effect of halogen lamps.
The National Theatre Warsaw, one of five in Poland, each associated with a major city, stages nearly 500 shows a year across all its stages - Bogusławski Hall (Big Hall), the stage at Wierzbowa (Small Hall) and the Studio Stage - a mix of own produced shows and those received from other companies.
The capacities of the Small Hall and the Studio are 120 and 100 respectively, and in these rooms, the audience is sitting very close to the lights, so having less ambient noise coming from the fixtures is a real bonus for those watching.
The theatre’s current building in Teatralny Square was reconstructed after a major fire in 1986 - the fifth in the theatre’s history - and it reopened in its current format 11 years later in 1996.
This is when Zbigniew Szulim joined the
China - Grace is a national chain of bar/restaurants with live entertainment. The latest venue is in Yangjiang city, Guangdong province, where an Alcons Audio pro-ribbon system has overcome architectural challenges to serve up an appetising audio menu.
Grace in Yangjiang has a 400sq.m main area and a 100sq.m mezzanine, with internal architecture that created significant acoustic challenges. Its classical Chinese style features a tiled roof decoration with varying heights, producing multiple reflections. Additionally, a tall decorative column was likely to cause issues with sound coverage from one side of the stage.
The live performances feature vocals, bass, guitar, keyboards, drums and have a wide dynamic range. Guangzhou-based EAD was asked to design and install a sound reinforcement system that would make sure diners throughout the venue enjoyed high quality sound. The company chose an Alcons Audio pro-ribbon solution.
The main dining area is covered by four RR12 point-source array modules, with four BF362 high-output subwoofers installed under the stage. Four VR8 compact versatile monitors cover the mezzanine area, with two more filling the area behind the decorative column. These have a set delay to ensure the frequency response curve and sound pressure on the left and right sides of the space are equal. The system is managed by two Sentinel10 amplified loudspeaker controllers.
“We set up the RR12s in increments of 30° in the coupling plane and, thanks to their asymmetric 60° (+20°/-40°) in the non-coupling plane, we could cover the
UK - Success is serving the independently owned, 1,700 cap Electric Brixton well, a two-step refurbishment programme refining the venue’s image and functionality.
LED fixtures light the building’s front wall, which has been resealed and repainted, amplifying the Electric’s standing on Brixton Hill.
Through the doors to the main space the second room wall has gone, improving sightlines and bringing more flexibility in terms of operating the area. It also makes for a much larger bar stage left and quicker service.
An LX console front of house, with additional motors above stage and across the room, and new fixtures, gives LDs easier access to the venue’s lighting equipment and more capacity to shape the image of a performance/club.
Production manager, Tom Cull, comments: “This is all brand new, state-of-the-art equipment. It was about improving the quality, the reach, of the system but at the same time making it easier for touring parties, so we have more scope in the main room for designers.
“The buildings around us have been subject to multi-million refurbs and we thought the time was right to update the Electric outside too. Our LED treatment means it really glows at night now.”
Club nights at Electric Brixton are typically capacity events and the number of live shows is up 25 per cent in the last six months.
Electric Brixton works with Live Nation, SJM, AEG, Metropolis, Kilimanjaro, DHP, Eat Your Own Ears, Rockfeedback, Bird On The Wire and Crosstown Concerts. Upcoming shows include Bakar, Ari Lennox and P
South Africa - A recent technical upgrade at Joburg Theatre includes four Robert Juliat Cyrano 2500W HMI followspots which have been installed for use in the 1000+ seat Mandela Theatre.
The complex’s largest auditorium, The Nelson Mandela Theatre, regularly sees over 75% of capacity audiences and remains open a minimum of 50 weeks in each year. In the past decade, it has hosted many hit shows, including William Kentridge’s acclaimed interpretation of Mozart’s The Magic Flute, the West End and Broadway musicals West Side Story, Chicago, The Color Purple and Spamalot and top-of-the-line global touring shows, such as Le Grand Cirque, Lord of the Dance and Brazouka.
Joburg Theatre is also the permanent home to Joburg Ballet, Jill Girard and Keith Smith’s Peoples Theatre Company, and one of the country’s most respected community development projects in the arts, the tiny ‘black-box’ theatre known as space.com. Its varied and loaded schedule also includes Joburg Theatre’s season of annual pantomime productions.
“The Mandela Theatre’s followspots, which have probably stood the test of time for around 30 years, have been replaced by four Robert Juliat Cyranos,” says Kevin Stannett from DWR.
“We are very happy for Enos Ramoroko and his team, who have always been amazing to work with. I think Johan Tshiwo who handles all maintenance at the theatre, will be pleased to have fewer repairs on his hands.”
The recommendation and installation came from DWR Distribution. The
UK - Creative technical production experts Hawthorn and AVC Live have been appointed as the preferred technical production partner at Wembley Stadium in London.
As part of the long-term joint partnership agreement, the companies, which are both part of the PSAV International family, will be the preferred technical production suppliers for events across all eight of Wembley Stadium’s event spaces and 160 pitch-facing corporate suites.
With a capacity of 90,000, Wembley is one of the largest stadiums in the UK and offers a flexible set of event spaces.
Michael Simmons, business development manager at Wembley Stadium, comments: “We’re delighted to have AVC Live and Hawthorn onboard as we continue to bolster our offering to event organisers. Wembley Stadium is a venue with a fascinating history and with that in mind, it’s vital that we work with highly knowledgeable and trusted technical partners, like those within the PSAV International family.
“We’re always looking to take what we offer our clients to the next level and help them create those wow moments. With AVC Live and Hawthorn’s impressive track record of building successful partnerships with prestigious venues, alongside their reputation for delivering creative technical solutions for events of all shapes, sizes and budgets, we can’t wait to see what we can achieve together.”
Scott Rooney-Ashby, account director at Hawthorn, adds: “We’re thrilled that Hawthorn is embarking on this exciting new partnership with Wembley Stadium and our sister company AVC Live. The
Finland - The University of the Arts recently upgraded some of its AV facilities to improve the student experience. Electro Waves, a local integrator, carried out the work which includes new Christie APS and the GS series laser projectors in a number of lecture theatres and music performance halls.
With its combination of disciplines including fine art, music and theatre studies, the new university offers varied education opportunities to students in Finland and overseas. And, with increasing numbers of students attracted to the university through its growing reputation, the in-house AV team were keen to add first-class projection to enhance the teaching and presentation facilities. Kai Tuovinen of Electro Waves organised a trial period to test which projectors would be suited to the university’s requirements.
“In partnership with the in-house AV team we decided to put various projectors through their paces before we made our final choice. Christie came out on top overall and we were happy to settle on the one brand for the two separate requirements - classrooms and music performance areas,” explains Tuovinen. “The APS Series are perfect for the teaching environment and the versatility and performance of the GS Series made it a natural fit for the performance areas.”
The GS series have been installed in four of the main music theatres which are for acoustic and electric music, opera and organ music. “The projectors stood out for the almost silent operation, the uniformity of the image, flexible lens choices and the general cost-effective
France - The Amphithéâtre de la Verrière, located in Aix-en-Provence, recently added Robert Juliat Dalis 863 Access lighting fixtures to its in-house inventory. These LED battens can be used to illuminate a cyclorama, or as front of stage lighting.
Located inside the Cité du Livre, the Amphithéâtre de la Verrière is a 450-seat multi-purpose hall. Jean-Marie Albaladejo, technical director of L'Amphithéâtre, was looking for an LED solution to replace old luminaires and provide effective low-angle lighting. Until now, this had been problematic in this amphitheatre-shaped venue, with an audience that sits very close to the stage.
"We are already equipped with many long-standing Robert Juliat luminaires, so it was only natural that we should turn to the same brand with confidence to find an appropriate solution, and choose LED sources that are more energy efficient," says Jean-Marie Albaladejo.
"TEXEN (Robert Juliat’s distributor for the area) presented us with Dalis 860 cyclorama fixture as a first step. This fixture has a proven record as very effective with a high quality of light and an extremely wide colour palette. However, our budgetary constraints made Dalis 860 inaccessible. TEXEN then advised us of a very interesting alternative, the Dalis Access 863 model.
"The Dalis Access 863 beam is very precise and the colour rendering is perfect, with great evenness on the cyclorama,” continues Jean-Marie Albaladejo. “It is a fixture that we can also use as a footlight to illuminate artists or various speakers. We are completely sati
UK - On 5 November, Bristol-based specialist installer Stage Electrics marked 40 years in business with a staff party held at Bristol Zoo.
The company was formed in 1979 by a group of theatre lighting and sound equipment enthusiasts and has since grown from three staff to over 120 whilst amassing an impressive portfolio of sales and installations.
Offering a range of services, including installation, product sales and testing, inspection and maintenance services, Stage Electrics has a sales team of over 20, including a field sales team. Its export business has also seen significant growth in recent years.
“We tailored our service to suit our customers, who all have differing needs,” explains sales director, Anna Western. “Some clients like to see their contact person on a regular basis, while others like to have someone available on the end of the phone. We also offer a huge range of products from special effects, trussing, staging and sound, to lighting and control. We hold around £1.2m of sales stock, so we can guarantee next day delivery, which is vitally important.”
Stage Electrics also manufactures a range of cables, IWBs, panels and racks, custom-building for its own projects, as well as selling one-offs to its customers.
“It’s all about getting our customers what they want, when they want it,” Western continues. “To facilitate that, we don’t operate on an exclusive basis with any manufacturer - we want to be completely unbiased in our recommendations and make sure we always provide the right product from rig
Italy - RCF has been announced as the main sponsor of a 100,000-seat outdoor venue - the RCF Arena.
The arena, stated to open on 12 September 2020, will be the largest in Italy once completed. It is being built in an area called Campovolo, just outside the manufacturer’s hometown of Reggio Emilia, and will feature a permanent installation of RCF’s TT + audio system plus 10 delay towers.
Arturo Vicari, CEO of RCF Group, comments: “RCF was born in 1949 in Reggio Emilia. From here we brought the excellence of Italian sound throughout the globe and today we are among the major players in the market.
“Giving our name to RCF Arena is a source of pride for us, but also a mission and a commitment. We have a strong bond with this region, and we intend to treat it in the best possible way. With this wonderful project, we will bring our innovation and technology to our back yard, in Reggio Emilia.”
"RCF audio systems have amplified the music of national and international artists in every corner of the globe, and in some wonderful arenas," continues Vicari. "The RCF sound is based on the expertise and reliability of a company made up of people and passion. We have just turned 70 and we still want to play.”
RCF Arena, designed by a project team featuring Iotti + Pavarani Architetti, Arch.Guido Tassoni and Lauro Sachetti Associati, will allow for a capacity of 10,000 to 100,000 people. A raked audience floor will be created to ensure optimal visibility and acoustics, whilst the stage will be placed in the lower part of the arena in a cen
UK - The market value of the UK entertainment technology industry has grown by an estimated 5% in the past 12 months, according to PLASA research.
This puts the industry’s value at £1.36bn in 2018/19, up from £1.30bn in 2017/18. The sectors with the largest growth include architecture, broadcast and corporate events, which are valued at £250m, £220m and £160m respectively.
Only a third of the businesses surveyed expect the industry to grow in 2019/20 however, the main concern being how and when the UK will exit the European Union.
The full report, which follows on from PLASA’s comprehensive industry research released in 2018, details sector by sector performance, investment in marketing and R&D, and the future outlook for the industry.
“We are delighted to offer this important resource,” comments PLASA managing director, Peter Heath. “It provides vital insight for business planning, budgeting and benchmarking performance - I encourage all businesses to download the full report.”
He adds: “Whilst it’s great to see that the industry has performed so well over the last year, we are clearly looking towards a period of uncertainty as Brexit looms over the sector. PLASA will continue to support our members to the fullest extent that we can.”
The 2019 PLASA industry research report is available to download free of charge to PLASA members or £500+VAT for non-members. For more information, visit <
USA - In Dayton, Ohio, in the heart of the downtown Arts District, the Mead Theatre is the cornerstone of the Benjamin & Marian Schuster Performing Arts Centre. Opened in 2003, the 2,300-seat venue hosts a wide range of performances, including the Dayton Philharmonic, Dayton Opera, Dayton Ballet, touring Broadway blockbusters, rock concerts, comedians and more.
Helping to inspire the imagination and refresh the spirit of the three-balcony facility, Scenic Solutions of Ohio specified and installed FloppyFlex LED neon into the architectural details of the venue.
In addition to the installation in the concentric rings of the ceiling that culminate in a representation of the night sky when the Wright Brothers took their first flight, “We used 204m of FloppyFlex White 2100K deployed in the existing coves that accent all three balconies,” says Andrew Persson of Scenic Solutions. “We were able to utilise the existing wire infrastructure - with the addition of magnetic dimmable drivers installed remotely - which made circuiting simple and efficient. FloppyFlex was a good solution because of the level of control it allowed, its smooth and consistent output, plus it fit the profile of the incandescent rope light it replaced.
“FloppyFlex was able to conform to the curved shapes of the architecture in which it was mounted and produces a far superior light output compared to conventional rope lights. It has been performing extremely well and uniformly.”
Persson continues: “The Mead Theatre is an important venue and we wanted to get it righ
Latvia - The Latvian College of Culture (LCC) in Riga is part of the larger Latvian Academy of Culture and is described as "the best place to study creative industries" in the country.
The college has a continuous and built-in effort to keep up with the times, which is why school administrators called on SGS Sistemas, Clair Brothers distributor in the region. Normunds Eilands and Guntars Bluss of SGS were asked to recommend the best loudspeakers for LCC’s next upgrade of its audio production equipment. After evaluating the school’s needs SGS recommended the Clair Brothers kiT12-i loudspeakers, and kiT-Subs.
Along with the selected kiT12-i loudspeakers and kiT-Subs, the Clair Brothers PLM 12K44 power amplifier was also specified and installed. Other equipment chosen by the college includes a Lab.gruppen power amplifier; a Midas digital mixing console plus a Midas input/output stage box; Beyerdynamic wireless microphones; Clay Paky LED moving lights; Chauvet LED moving wash lights; and a Swefog haze generator, among other international brands.
The Latvian College of Culture gives special thanks to the team at SGS Sistemas. “Likewise,” adds Eilands. “We appreciate our relationship with LCC and are always pleased to play a part in the development of education, offering the best for the students - the opportunity to use world-class sound equipment from Clair Brothers as chosen by professionals.”
Norway - Touring theatre productions in rural areas of north Norway can be very challenging, especially with limited local facilities and equipment that has to cope with fast-changing extremes of temperature. But an Alcons Audio LR7 pro-ribbon system is proving equal to every challenge for the country’s northernmost regional theatre.
Established in 1971, Hålogaland Teater was the first regional theatre in Norway, serving counties of Troms and Finnmark. It occupies a modern building at Teaterplassen in Tromsø, built in 2005, which features two modern theatre stages, a cafè stage and a rehearsal stage.
It tours productions all year to 15 regular venues located throughout Troms and Finnmark, often in local dialects. The varied programme includes contemporary and classic drama, musicals, children's theatre and more. These shows need an audio system which can be easily transported and is very roadworthy, but delivers high quality audio for any kind of production in every venue where Hålogaland Teater tours.
Recently, the theatre needed to replace its touring system, so chief sound engineer Jim-Oddvar Hansen put together a technical specification based on all the needs, wants and challenges that it had to satisfy. He thoroughly researched every possible solution and system manufacturer and, after putting some systems ‘head to head’, an Alcons Audio pro-ribbon solution was the winner.
Supplied by Alcons’ Norwegian distributor and Pro-Ribbon Partner Lydproduksjon Tromsø AS, Hansen chose an Alcons LR7 pro-ribbon micro line array system, co
Dominican Republic Sound Video Lighting (SVL) has installed a full complement of Martin Audio CDD speakers and SX subwoofers in the Peperoni restaurant and bar in the Dominican Republic capital of Santo Domingo.
Describing the venue, SVL’s Jonathan Del Villar explains: “Peperoni is a very popular restaurant serving what is essentially international cuisine in a variety of styles. Owner Jean-Pierre Bahsa used to be a club owner who knows that business very well. He had gone to Bachata Rosa, a popular restaurant in Punta Cana, owned by singer-songwriter Juan Luis Guerra, and was very impressed by the Martin Audio system that we had installed there.
“Since we are friends, he asked us to work on the project early on during the planning stages which was good because we were able to have significant impact in terms of everything that has to do with technology - the audio, video, WiFi and security systems.”
In terms of the audio, the owner wanted a good system with small speakers that could be loud and clear when required. “Basically, there are four main areas in the restaurant with audio systems. On the first floor, they have a large dining area with high ceilings, then an indoor bar with lower ceilings and a cosy party ambiance where the music gets louder later at night. On the second floor, they have two separate areas for private parties.”
To provide the consistent audio coverage and quality required, SVL designed a system with six white Martin Audio CDD8 in the main dining area, three per side, mounted horizontally on the walls, faci
Europe - With more than 50 destinations across Europe, Event Hospitality Management Holding currently operates more than 80 business and conferencing hotels in Germany, Italy and The Netherlands under its Event Hotels brand.
The group’s corporate management regularly liaises with the directors of each hotel, with the focal point of these important meetings being the large conference room at the corporate headquarters situated in Cologne on the banks of the River Rhine.
In February 2019, work finished on an ambitious installation which featured Shure’s Microflex Complete Wireless Solution, complemented by an IntelliMix P300 Conferencing DSP Processor. The system was planned and installed by systems integrator Tascan.
Due to the conference room being an oblong shape, the previously installed conferencing system was unable to guarantee speech intelligibility during large meetings, affecting participants both in the conference room and at external locations, which led to a negative impact on internal and external collaboration and wider teamwork contribution.
Having opted to comprehensively modernise its on-site media technology, the company also decided to bring the audio system up to date with a new, state-of-the-art solution.
Given the challenging room shape and dimensions, Cologne-based integrator Tascan needed a flexible conferencing system that was also user friendly and simple to operate.
Tascan Systems installed a total of 16 MXCW640 Wireless Conference Units in the room, each fitted with an MXC420DF/C condenser gooseneck
USA - Home to 80 full-time musicians representing more than a dozen nations, the Colorado Symphony is one of North America’s leading orchestras and performs more than 150 concerts annually at the 2,700-seat Boettcher Concert Hall in downtown Denver, at nearby Red Rocks Amphitheatre, and across the state
In 2012, the City of Denver purchased a DiGiCo SD7 mixing console as part of a major audio facilities upgrade for Boettcher Concert Hall that also notably included a full L-Acoustics loudspeaker system. With productions growing increasingly complex and technically more demanding over the past seven years, the City once again chose to invest in DiGiCo - this time by upgrading its existing SD7 with a new Quantum engine.
For more than 15 years, Aric Christensen has served as Colorado Symphony’s head of audio. Seeing that he individually mics all of the orchestra’s instruments and typically runs upwards of 100 inputs on a standard show, DiGiCo’s flagship SD7 was his primary choice from the very start - as was the recent Quantum upgrade.
“As amazing as it might seem, we had actually started to outgrow our SD7,” he shares. “And really, without the SD7, some of our shows would never have been possible. To do as many inputs as we do at a sample rate of 96kHz, there’s really no other console out there that’s going to have the processing power and right MADI I/O to handle it. I also wanted to do Virtual Soundcheck of 96 channels at 96k, so I obviously needed a lot of ports to be able to accomplish that as well.”
The Colorado Symphony
USA - Located on Monterey Street in the heart of downtown San Luis Obispo, the 865-seat Fremont Theatre is a surviving - and now thriving - example of the Streamline Moderne style favoured by West Coast movie theatres and performance halls when it opened for both roles in 1942. As its entertainment appeal gradually waned over the decades, the facility dodged various attempts to modernize it as a multiplex cinema, and then to be razed altogether.
Thankfully, a new group of partners, the Fremont Theatre Entertainment Group, has invested in restoring the theatre’s visual and acoustical charm while also modernising its technical facilities. A key part of that effort was the addition of an L-Acoustics Kara loudspeaker system, originally installed in 2018 and then re-flown with a new truss system installed earlier this year.
“We knew from the very start that we wanted an L-Acoustics sound system because they’re simply the best, and we chose Kara because it fit the venue so well both sonically and physically,” explains Bill Gaines, owner of Bill Gaines Audio (BGA), who did the sound system design and installation—and, in an unusual twist, is also one of the venue’s six new partners.
“We knew that the original installation was going to be replaced with a much more suitable aluminium truss, but we wanted to start having shows in the theatre as soon as possible. Once the new truss went in, we simply reinstalled the Kara system to it.”
Gaines notes that Kara was the right choice because its smaller form factor still provides the power and