The Elbow Room chain of pool bars has commissioned a second audio installation from Essex-based Xtreme AV, for its newest venue, recently opened in Bristol. This latest contract follows on from the success of Xtreme’s design for the Elbow Room in Swiss Cottage, London, which opened in June. The three-floor bar in central London features a highly flexible Celestion CXi sound system, providing six zones of audio to the main bar, the gallery bar on the first floor and the club bar in the basement. The system is controlled by BSS Soundweb which allows the Elbow Room to route any sound source to any area - for example the DJ in the basement bar to a private party in the gallery bar. Private VIP areas, scattered throughout the club, are equipped with their own televisions and speaker system, allowing guests to choose their own programming. Each area has its own EQ setting on Soundweb.
"The client was looking for a sound reinforcement system that fitted aesthetically with the club’s interior design," explains Matt Burrell of Xtreme AV. The result was 15 CXi 821 wall-mounted cabinets from Celestion, with an additional four CXi 521s for the VIP booths. Bass is provided by seven Celestion Substation 10 cabinets, discreetly tucked away into purpose-built cupboards with grille fronts. "We used Celestion many years ago," says Matt Burrell, "and I guess you could say it was capable but didn’t really shine. However, we’ve been really pleasantly surprised by the new CXi products, which offer a continuity of high-quality sound right across
One of the UK’s leading sound installation companies, Northern Light, has just completed "the first of many" installs with Celestion professional loudspeakers. In Grangemouth, the Town Hall has commissioned a new sound reinforcement system, featuring the new Celestion CXi Series cabinets, for its 1000-capacity venue.
Stephen Stewart, installations engineer for Northern Light, has wall-mounted Celestion CXi 1221s left and right of the stage, with another pair of CXi1221s as a delay 30 metres up the hall. Celestion KR1s provide the balcony infill, whilst Celestion’s digital management system, the DMS2065, controls all the parametrics and delays.
"We’re hoping to establish a firm alliance between Northern Light and Celestion," explains Stewart. "Celestion is a name that our clients associate with, and this is going to be the first of many CXi installations for Northern Light."
Multitone Electronics has launched the On-Q theatre subtitling system which allows individual audience members to view translations of opera librettos or synopses, or the hard of hearing to follow scripts of plays. On-Q was originally developed for the prestigious Euskalduna Palace theatre in Bilbao, Spain, where it has been seen as a factor in the growth in audiences for opera and foreign language productions. The On-Q system is a real-time, wireless-based mobile text subtitling system specifically aimed at the theatre and opera market. It consists of small text terminals which receive data from a central PC. On-Q offers synchronised subtitling in a range of languages simultaneously, allowing audiences and the hard of hearing to enjoy productions which may not be in their native language. The terminals are small, silent and lightweight and require minimal interaction by users to select their subtitling requirements. Automatic, subtle backlighting enables the text to be read in a dark auditorium, and as the terminals will only function on-site, theatres do not have to worry about theft, although a deposit system can further reduce risk.
The On-Q system also improves customer safety by means of security message alert delivery to the screen which is of particular benefit to disabled theatregoers. Theatres can also use On-Q as a direct medium for unobtrusive advertising of interval refreshments or discounts on future performances.
Birmingham-based Central Theatre Supplies has just completed its third Performing Arts School installation in nine months. All three venues feature Zero 88 Dimming, and control along with Selecon lanterns. Two of the venues are using a Sirius desk for control, whilst the third has opted for the recently launched Fat Frog. CTS specified these particular desks as they will largely be operated by students, enabling them to learn about lighting on manual pre-set controls before moving into advanced environments.
Fat Frog was recommended for the one particular school as they are developing out of hours activities for community use. Andy Fidgeon, Electrical Supervisor at Birmingham Rep said "I was pleased Fat Frog was chosen for this venue as I light shows for a number of amateur companies and it will give me quick and easy control over moving lights."
Selecon Profiles were specified throughout for all three venues including the new Axial Profile and Pacific. Each venue was also fitted with full sound systems, video projection, hall perimeter tracks with full stage drapes and the latest included recording studio facilities with inductive loop systems as standard. The latest project included a comprehensive recording studio facility. Users at the school expressed total confidence in the product range supplied and a liking for its ease of use in their environment. CTS Director, David Harwood said: "We have had a very hectic 12 months in both hire and installation. I am convinced that our package of support and on site training was a major factor in being awarded
Bookings are now being taken for this year's Theatrical London tour (12-14 September), which follows on directly from the PLASA Show. The event will feature visits to the world-renowned Royal Albert Hall for a night at the Proms; the Apollo Theatre to see the upgraded Starlight Express; Tussaud's Group Studios for an exclusive technical tour, and the Donmar Warehouse for a 'Divas at the Donmar' performance. The cost is just £250 per person for the whole programme! For full details and booking information, visit the website below.
Few people understand the full complexities of health and safety regulations inherent in the design and installation of motion control systems, even less so when EU legislation is surpassed by a country’s own. The DIN standards, imposed by the TÜV, are known for being the toughest, most stringent safety regulations in the world and govern installations from railways and airlines to nuclear power stations. It was within such DIN regulations that AVW Controls designed, manufactured and installed the automation systems for the newly-built 1,450-seat Concert Hall in Thessalonika, Greece.
The facility is used for opera, theatre and as a convention centre, and as such needs to be totally flexible. The specification, one of the largest AVW has worked on, called for a fully computerised flying system for 34 scenery bars, 10 point hoists and four lighting bars, all with the capability of being controlled from multiple control positions. The control also needed to be easy to use and simple to programme, yet provide the sophistication of traditionally more expensive systems. The result was the AVW Impressario Motion Processor - IMP100, a motion controller with safety and simplicity as priorities. Impressario includes a generous 500 programmable cue capacity, advanced cue following facilities, group control and group synchronisation of scenery bars and even a real-time virtual reality simulator.
As well as the powered flying system, AVW Controls was commissioned to design and manufacture the proscenium control system, consisting of a portal lighting bridge and motorised pro
Coleraine-based Light & Sound FX has installed a new PA system at Coleraine Football Club. The system, commissioned by Mackie Designs’ technical manager Mick Williams, is based around RCF’s new RX 3000, a programmable matrix for sound system management and control. Light & Sound FX’s Darren Gardener explains the background to the install: "Initially, we were dubious about using a 100V line system. We were concerned about both the quality and clarity of such a system. During consultations with Mackie/RCF in the early stages of the project, both Andy Austin Brown and myself spent a lot of time going over the pros and cons for a low impedance system or a 100V line system. In the end, we felt that Andy had a stronger case and we went with the HD 550/HFT horn speakers and the RX3000 matrix system. On the day that Mick Williams came to commission and test the system, I have to say that we all held our breath. But there was no need to worry, when we heard the system for the first time, we immediately knew that we had made the right decision."
Working from the initial brief from Darren Gardener of L&S FX Williams worked on the RX 3000 system basic programming and configuration. The work was carried out during system build and test at Mackie's Wickford technical workshop. Williams explains: "The system design called for dual amplifiers for each of the three stands, with alternate A/B speaker wiring. This was to ensure 50% system operation in the event of amp or line failure. When I arrived at the ground, I was delighted to find that the job had bee
Lighting&Sound International, PLASA Media’s leading entertainment technology journal, is sponsoring the New Technology Gallery at PLASA 2001. This is the showcase of all products nominated for the prestigious PLASA Awards for Product Excellence. Situated on the Top Deck of the PLASA Show, near to the main bar area, the showcase offers visitors a chance to check out the features and capabilities of all of the major product innovations at PLASA 2001, in one place.
L&SI will be based on the Lower Deck (stand K19), where we will be offering free readerships to qualifying UK industry personnel, plus special offers on international subscriptions only available at PLASA 2001 - plus PLASA Media freebies to all new subscribers!
L&SI can be found on stand K19.
The famous Mann's Chinese Theatre, situated on Hollywood Boulevard, is presently undergoing a restoration which, among other things, will bring new, state-of-the-art audio to the structure using DCA Series amplifiers from QSC Audio Products. The largest supplier of power amplifiers to the cinema industry worldwide, QSC, along with other manufacturers including Dolby Labs and JBL, helped develop the theatre's new sonic blueprint. Implemented by Media Technology Source (MTS) West, the design incorporates 35 of the California-based manufacturer's DCA Series amplifiers. Delivering a combined total of over 100,000W to JBL loudspeaker components, the amplifiers include five DCA 3422 models operating in bridged mono at the system's low-end, and five stereo DCA 3022s powering custom mid/high and mid/low arrays. Three DCA 2422 units are used for the high frequency transducers within the system, while nine more DCA 3422s fuel the subwoofers, and 13 additional DCA 2422s were selected for use with over 40 surround sound speakers.
Having long specified the use of QSC amplifiers in its theatres (as have Loews, General Cinema, AMC, and United Artists), the Mann's theatre chain remains loyal to the brand based upon its reputation for both reliability and superior audio performance. Open to the public throughout its restoration, Mann's Chinese Theatre will be one of the central structures within a corridor of new development and refurbishment work underway along the legendary Walk of Fame at Hollywood Boulevard and Highland Avenue.
The Entertainment Services and Technology Association has launched projects to draft three new American National Standards:
BSR E1.18, Recommended practice for the selection, installation, use, and maintenance of single-conductor portable power feeder cable in the entertainment industry. The standard is intended to offer guidance on how to select, install, use and maintain single-conductor portable power feeder cables. The project will promote safety and compatibility in the equipment and practices used in live performance and in film and video production in North America.
BSR E1.19, Recommendations for the use of ground fault devices in the entertainment industry. The standard is intended to offer guidance on how to select, install, use and maintain ground fault protection devices in the entertainment industry. The project is intended to promote the use of these devices to protect people and property from hazards associated with using electrical equipment in wet locations, such as when pools of water are used on stage or a location video-shoot is conducted in the rain, and to promote reliability and avoid nuisance tripping.
BSR E1.20, Remote device management over USITT DMX512. The project is intended to develop a method of bi-directional communication over a USITT DMX512/1990 data link between an entertainment lighting controller and a remotely-controlled dimmer, moving light, or other device. The protocol for this communication is also intended to work with the BSR E1.11 lighting control protocol being developed by the same working group.Int
A Baldwin Boxall VIGIL voice alarm system has been installed into the first purpose-built racetrack in Britain for over 50 years. Following the phenomenon of Champ Car in the USA, the Rockingham Oval was designed and built so British crowds can flock to see these powerful cars race around a banked track at speeds of up to 240mph. This all-seater circuit required a state of the art voice alarm (VA) system, and ARB Audio & Visual Hire installed Baldwin Boxall’s VIGIL VA equipment. The system, installed prior to the official opening for the FedEx Championship’s visit to the circuit for the Rockingham 500, comprises two 43U racks, housing over 3.5kW of amplification and is controlled by Baldwin Boxall’s market-leading BVR20 ‘Microdrive’. The VIGIL equipment provides VA and Public Address facilities to eight zones, including the Pit area, VIP Boxes, all seating, concourses and fencing seating on the turns.
Following this installation, Rockingham decided to expand the seating so two further zones comprising BV333 amplifiers were added to the system to provide this extra zoning. The equipment is fully BS5839 pt8 / EN60849 compliant due to the whole system being monitored, battery-backed (24 hours in quiescent state then 30 minutes on full power) and has automatic change over of amplifiers. Unlike many Baldwin Boxall VA systems, this project does not require any emergency messages. Qualified personnel carry out all emergency announcements via the BFM08 Emergency Fire Microphone. It is also possible for the commentators or the pit area to make announ
The PLASA Standards Office has prepared a series of Guidance Notes for PLASA Members. Each provides useful information on current topics of interest and will be updated on an ongoing basis in line with developments. Further documents are planned in response to the needs of PLASA members. The following guidance documents are currently available. These documents are in PDF (Portable Document Format) and may be read with Adobe Acrobat Reader (version 3 or later) which is available free from www.adobe.co.uk
Guide to Australian EMC Framework: contains advice on the EMC and C-Tick labelling requirements for equipment destined for the Australian market.
Basic Guide to the FCC Rules: contains advice on application of the USA Federal Communications Commission (FCC) rules on EMC for entertainment equipment.
Standards for Dimmers: contains advice on the applicable safety and EMC standards for professional dimming equipment in Europe. Now revised - version 2.
EN 61000-3-2: details the current status and activity on EN 61000-3-2, the EMC standard for harmonic current limits. Now revised - version 2.
Electrical Safety for the USA Market: contains advice on the electrical safety requirements for the USA market.
CE Marking for Trade Shows: contains advice on the CE Marking requirements for equipment displayed at trade fairs and exhibitions in Europe, including the PLASA Show.
The C.D.M. Regulations - A Summary of the Regulations for PLASA Members: contains advice on the Construction (Design and Management) Regulations. Now rev
Marquee Audio has fitted a Meyer UPA-1P powered reinforcement system into a multi-purpose theatre in Radlett, Hertfordshire. Owned by Aldenham Parish Council, the five-year-old Radlett Centre is administered under a trust. The venue’s technical manager, Dave Glover, says that while the old PA system had been adequate for playback it simply wasn’t up to reinforcing the vast range of shows and events that the Centre stages, in a variety of configurations. A spec had been drawn up by previous manager, Miles Marchment, in the event of funding for a new PA becoming available. But in the end it was a private donation of £10,000 that provided the green light for the system. Dave Glover tested a powered Meyer system against another leading brand, and when the Meyer rig won the shoot out Marquee Audio were the preferred supplier and installer. "It was the fact that the UPA-1P was an all-powered system that I liked," Dave continued. "With our lack of space it seemed a lot easier, and it sounded good straight out of the box."
The system is mounted left and right on the on the proscenium wall, with a pair of UMS-1P subs ground stacked on either side of the stage. These are removed for lecture presentations and reinstated for shows. Marquee also provided two additional UPM-1P three-way powered speakers as fills, giving them the option of a satellite system, and a further three UPMs, flown off an existing lighting bar on drop arms, to provide the delay sound."The installation was very straightforward, and was carried out in a single day" says
For those visitors new to PLASA or simply keen to remind themselves how impressive last year’s event was, the Show website now features a virtual tour of last year’s PLASA Show. The tour takes in various elements of the exhibition with views from both the lower and top decks. By clicking on any of the green circles featured, visitors can look at the show floor in 3D and also explore other facilities at Earls Court 1.
The PLASA Show, London’s leading entertainment technology event, represents far more than just an arena from which to see the latest developments and innovations within the entertainment technology industry. It also offers visitors the opportunity to learn more about how to use this technology to best effect through its Masterclass Programme. This year, the Masterclass Programme, which runs from the Monday to the Wednesday, will focus on the fields of special effects, architectural installations and audio and corporate presentations and will include an impressive line-up of speakers, all of whom are experts in their specific fields.
Tuesday 11th September 2001, Theme and Leisure Day of the Masterclass Programme is a ‘must’ for visitors interested in learning how, through imaginative design and intelligent production techniques, special effects can be utilised in live entertainment to have maximum effect on the audience. There will be three presentations during the course of the day dealing with different aspects of this vibrant sector.
PLASA welcomes American WOW!Works chief effects artist, Tylor Wymer, an industry leader in pyrotechnics and special effects engineering and the former special effects design director for Walt Disney Entertainment, who will host an exciting session called, ‘Special Effects Ignite The Senses - Putting the Wow! Into Your Productions’. Highlights will include a fun and interactive overview by Mr Wymer in the areas of pyrotechnics, confetti, fog/haze, snow/wind/rain and the new trends in scent technology.
To complement the exhibition, PLASA has lined up a range of seminars, workshops and clinics that will give an insight into how new technology is creating new opportunities, how individuals have pulled together highly complex projects, why integration is so important and how you can achieve more by picking up tips and techniques from others.
DJs can learn more about MP3 digitally-compressed music files and how this new technology is already creating a platform for a more creative approach. In a programme of seminars sponsored by Installation Europe, audio installation and integration is the theme under which issues of networking, control and the benefits of converging technologies are explored. Tuesday sees a Theme and Leisure Masterclass, presented by Leisure Management, in association with the TEA and TiLE, which focuses on how the leisure industry exploits special effects, lighting and audio technology to create unique environments to enhance the visitor experience. On Wednesday, the sessions move to consider the integration of audio and lighting into building design, the regulations facing those who install lighting, the increasing profile of new media such as LED technology, and the basics of video conferencing.
For the first time, you can also attend any number of focused courses, workshops and clinics. The ISCE is sponsoring three sessions covering the issues associated with audio system design, whilst Loughborough College and the AETTI are jointly promoting a series of courses which offer those interested in theatre a chance to work towards BTEC certification. Al
Booking your tickets to the PLASA Show, the entertainment technology industry’s leading event, running from 9-12 September 2001 at Earls Court Exhibition Centre in London, has never been easier. You can now book in any of the following ways:
By Telephone: The Visitor Hotline is now live! Call +44 (0) 870 429 4472 to make your credit card booking or to request an advance booking form.
Online: Go direct to www.plasa.org/show/register to book online.
There are many advantages to pre-registration. Not only will you save £6 on the cost of entry to the Show (tickets on the door are £12) but you will be sent a personalized badge in advance permitting you fast entry into the show. You will also receive up-to-date information on the Show’s Masterclass Programme and how to book your seat at any of the sessions. Entry to the show is free for overseas visitors.
Now in its 24th year, the PLASA Show will feature over 350 exhibitors - manufacturers, suppliers and distributors of professional lighting, sound and AV equipment for the performing arts, night venues and theme bars, concerts and touring, the DJ market, architectural installation, corporate presentations, amusements and attractions, recording studios, cruise liners, TV and film, educational and religious establishments.
Stage Technologies has just been awarded the contract for the supply of rigging systems for the latest of the Grand class ships currently being built for P&O Princess Cruises by Mitsubishi Heavy Industries (MHI) in Nagasaki, Japan. Stage Technologies’ scope of supply includes nearly 100 axes of automation, both mechanical and electrical systems, installed in three venues. Rigging systems include 26 flying bars, 4 stage lifts, and 16 curtain tracks. Control systems include the company’s award-winning Acrobat, Juggler and Solo consoles. Mark Ager, Stage Technologies’ managing director commented: "We are very excited to receive this order which confirms Stage Technologies as a major supplier of automation systems to the cruise ship industry."
To date, the company has provided the control systems for eight cruise ships including the original Grand Princess and ships for Carnival Cruise Lines and Star Cruises. They have also recently completed the installation of both control and flying systems for the Golden Princess and currently have orders for similar systems on vessels in the Italian Fincantieri and French Chantiers de l'Atlantique shipyards, where Stage Technologies is acting as a subcontractor to Harbour Marine Systems (HMS). In addition, they have orders for control systems on more Carnival Destiny class ships in conjunction with HMS and Star class ships for Wagner Biro. Matthew Tonks, who recently joined Stage Technologies as project manager, commented: "We look forward to working with MHI on this project and together delivering the be
As you would expect, there’s an air of mystery about the new headquarters of the Magic Circle. Those wizards of trickery have spent seven years and £2 million rebuilding and refurbishing to create a new permanent base. At its heart sits an intimate 162-seat theatre, the first theatre to be built in this area of London since the Barbican. Here members of the Magic Circle, and the public, can marvel at the latest prestidigitations. This is no mean box of tricks: the theatre is technically well planned and equipped with the latest technology to cope with both Magic Circle shows, and for special events and corporate hire.
Gradav Sales of London chose a variety of Selecon products to provide the necessary lighting for a wide range of events. Selecon Pacific lanterns were used for front-of-house - the acclaimed optics of these luminaires make them ideal for gobo projection. Behind the proscenium arch, a selection of Selecon Acclaim Fresnels are used, a lantern with the output brightness of a 1kW lantern but using only a 650W bulb, greatly reducing heat on such an intimate stage, and of course lowering power consumption.
"As well as our members using the theatre, we hire out the building for corporate events," said building technical manager, John Hill. "We find Selecon’s versatile range of lanterns allows our corporate clients to achieve the results they desire, and provides us with a lighting system neatly tailored to our own members’ presentations."
Tannoy Dual Concentric speakers have been installed into the Cuban-themed restaurant/bar Ipanema in Birmingham to provide a range of sound levels from gentle background music through to foreground reinforcement in the Bar and Restaurant areas. Twelve Tannoy i7 Contour slimline speakers and two CMS 6 TDC ceiling monitors inside the Whitbread-owned restaurant, along with four Tannoy all-weather i5 AW speakers outside, ensured perfect audio coverage for diners. The music-based restaurant featured a natural themed design with cream décor and the Tannoy i7 loudspeakers distributed throughout the bar and main restaurant area were chosen for their discrete and elegant low-profile design, as well as for the high quality music and speech output. Nick Freeman from Birmingham based installers, Total Sound, commented: "We needed a wide, yet controlled coverage to ensure even audio distribution throughout the venue and the Tannoy i7 Contour infinite baffle installation speakers were perfect. The i7’s dispersion characteristics of 70 degrees vertical and 110 degrees horizontal ensured perfect coverage throughout the venue. In addition, the optional white enclosures ensured that the i7s blended in perfectly with the décor."
The smaller raised restaurant seating area posed a slight problem as it featured a low ceiling and wall-mounted speakers would take up much of the limited space. The solution came in the form of two Tannoy Dual Concentric CMS 6 TDC speakers, which operate as a full bandwidth, single point source to provide quality music playback throughout the whole
Stagetec has recently completed the installation of a complete stage management, stage communications, sound and video system into the new, purpose-built DH Lawrence Pavilion Theatre on the campus of Nottingham University - one of the UK’s leading universities. The building is designed as a contemporary 250-seat theatre, an exhibition gallery and performance space, and is named after a former University student - David Herbert Lawrence - who became one of the most controversial and popular exponents of 20th century literature. The equipment installed by Stagetec was specified by ACT Consultant Services. The three-zone paging and show relay system runs throughout the building, including a Sennheiser infra-red hard-of-hearing system for the main auditorium, plus Stage Manager’s desk and full cue light system. Stagetec also supplied and installed a flexible, dynamic video and communication system including a series of video tie-lines, distribution amplifiers and patch bays. Additionally, Stagetec supplied a separate equipment rack to house all the theatre’s outboard audio gear. This was designed to offer a robust and versatile array of machines, including Marantz CD and cassette deck, Sony Mini Disk machine, Yamaha graphic equalisers and the audio patch panel. The theatre’s main speaker system is Electro-Voice SX300s, driven from Crown CE2000 amplifiers via an Electro-Voice XP200a controller - all supplied by Stagetec, together with a Soundcraft LX7 mixer for control. The new Pavilion’s technical installation was commissioned and handed-over on sc
A joint project involving manufacturers Allen& Heath and Audace has provided a UK conference and exhibition venue with a unique paging system.
Bryan Waters, MD and founder of Audace, explained that the HIC system required a larger number of output zones than A&H’s DR128 digital matrix could provide. "The first challenge was the need for a system of 16 zones. We wanted to provide the Centre with a single control system that would work with two of the Allen & Heath units." Waters, who professes a keen enthusiasm for the Cornish pro audio manufacturer’s products, set up Audace specifically to provide one-off solutions and off-the-shelf support products for the blossoming digital market. "When the DR128 was launched, there was nothing like it on the market for anything like the price - and there still isn’t," he enthused. "However, the software supplied with the DR128 is for set-up, rather than an operational programme. Our solution, which is part hardware, part custom software, allows non-technical operators (in this case the HIC’s team of receptionists) to control paging levels and zoning from a simple control panel, while technical staff have full access to the two DR128s for the Centre’s computer network."
The central paging panel, which was commissioned for this project, offers users a pre-selection of multiple paging zones, which combines with a push-to-talk microphone to provide access to the Centre’s nine halls, the foyer, backstage and technical areas. Output level to each of these may be set within
PLASA has worked in co-operation with some of London’s leading entertainment venues to offer an exclusive insight into the workings of some of the city’s most famous venues; this exclusive backstage tour immediately follows the close of the PLASA Show in London this September. Theatrical London delegates will visit the world-renowned Royal Albert Hall for a night at the Proms; the Apollo Victoria Theatre to see the upgraded Starlight Express; Tussaud’s Group Studios for an exclusive technical tour, and the Donmar Warehouse for a ‘Divas at the Donmar’ performance. To top it off, you can step back in time at Shakespeare’s Globe Theatre . . .
Wednesday 12th September: The experience begins with A night at The Proms, The Royal Albert Hall, featuring Stravinsky: The Rite of Spring. Pre-show drinks will be served in the foyer. Performance starts at 7.30pm.
Thursday 13th September: This busy day starts with a coach-ride from Earls Court to The Royal Albert Hall for a guided technical tour of this famous venue, before moving on to the Apollo Victoria Theatre for a guided backstage tour of the recently-upgraded Starlight Express. Following lunch, travel by coach to the Tussauds Group Studios for an exclusive to PLASA tour of the facilities behind the Group’s famous visitor attractions, before visiting Madame Tussaud’s in Baker Street, with an option to go on to the London Planetarium. After a short break, delegates meet up at the Donmar Warehouse, with a tour and performance of Divas at The Donmar featuring Sian Philips. Drinks wil
The Swiss city of Berne is having the lighting system in its municipal theatre modernized by the Transtechnik Group at a cost of around 425,000 Euros. Due to be completed at the end of this month, the project will bring state-of-the-art lighting technology to this famous theatre. The new system includes two lighting control consoles - a Focus NT and a Prisma NT - each of which is fitted with a moving light controller and connected to the digital auxiliary console via a Transtechnik DMX-Gate protocol converter. The converter converts the DMX signals from the lighting consoles to the Profibus signals for the auxiliary console (and vice versa) to allow the devices to exchange data. The Profibus standard requires only a thin, two-wire cable for transmitting control signals, which means that there is no need for thick bundles of cables to the auxiliary console. Profibus also permits bi-directional communication: for example, a command to switch the foyer lighting is issued in one direction, and a confirmation that the command has been successfully carried out is sent to the auxiliary console in the opposite direction. If the confirmation is not received, the operator can take corrective action immediately. Transtechnik is also providing seven FDX2000 dimmer cabinets and nine HPZ211 convection-cooled Niethammer followspots, mounted on motorized yokes (from Lichttechnik) including colour changers and automatic iris drive.
As part of the modernization, the theatre will also have a remote control facility for the lighting functions and a control position in the auditorium, allowin