The PLASA Standards Office has prepared a series of Guidance Notes for PLASA Members. Each provides useful information on current topics of interest and will be updated on an ongoing basis in line with developments. Further documents are planned in response to the needs of PLASA members. The following guidance documents are currently available. These documents are in PDF (Portable Document Format) and may be read with Adobe Acrobat Reader (version 3 or later) which is available free from www.adobe.co.uk
Guide to Australian EMC Framework: contains advice on the EMC and C-Tick labelling requirements for equipment destined for the Australian market.
Basic Guide to the FCC Rules: contains advice on application of the USA Federal Communications Commission (FCC) rules on EMC for entertainment equipment.
Standards for Dimmers: contains advice on the applicable safety and EMC standards for professional dimming equipment in Europe. Now revised - version 2.
EN 61000-3-2: details the current status and activity on EN 61000-3-2, the EMC standard for harmonic current limits. Now revised - version 2.
Electrical Safety for the USA Market: contains advice on the electrical safety requirements for the USA market.
CE Marking for Trade Shows: contains advice on the CE Marking requirements for equipment displayed at trade fairs and exhibitions in Europe, including the PLASA Show.
The C.D.M. Regulations - A Summary of the Regulations for PLASA Members: contains advice on the Construction (Design and Management) Regulations. Now rev
Marquee Audio has fitted a Meyer UPA-1P powered reinforcement system into a multi-purpose theatre in Radlett, Hertfordshire. Owned by Aldenham Parish Council, the five-year-old Radlett Centre is administered under a trust. The venue’s technical manager, Dave Glover, says that while the old PA system had been adequate for playback it simply wasn’t up to reinforcing the vast range of shows and events that the Centre stages, in a variety of configurations. A spec had been drawn up by previous manager, Miles Marchment, in the event of funding for a new PA becoming available. But in the end it was a private donation of £10,000 that provided the green light for the system. Dave Glover tested a powered Meyer system against another leading brand, and when the Meyer rig won the shoot out Marquee Audio were the preferred supplier and installer. "It was the fact that the UPA-1P was an all-powered system that I liked," Dave continued. "With our lack of space it seemed a lot easier, and it sounded good straight out of the box."
The system is mounted left and right on the on the proscenium wall, with a pair of UMS-1P subs ground stacked on either side of the stage. These are removed for lecture presentations and reinstated for shows. Marquee also provided two additional UPM-1P three-way powered speakers as fills, giving them the option of a satellite system, and a further three UPMs, flown off an existing lighting bar on drop arms, to provide the delay sound."The installation was very straightforward, and was carried out in a single day" says
For those visitors new to PLASA or simply keen to remind themselves how impressive last year’s event was, the Show website now features a virtual tour of last year’s PLASA Show. The tour takes in various elements of the exhibition with views from both the lower and top decks. By clicking on any of the green circles featured, visitors can look at the show floor in 3D and also explore other facilities at Earls Court 1.
The PLASA Show, London’s leading entertainment technology event, represents far more than just an arena from which to see the latest developments and innovations within the entertainment technology industry. It also offers visitors the opportunity to learn more about how to use this technology to best effect through its Masterclass Programme. This year, the Masterclass Programme, which runs from the Monday to the Wednesday, will focus on the fields of special effects, architectural installations and audio and corporate presentations and will include an impressive line-up of speakers, all of whom are experts in their specific fields.
Tuesday 11th September 2001, Theme and Leisure Day of the Masterclass Programme is a ‘must’ for visitors interested in learning how, through imaginative design and intelligent production techniques, special effects can be utilised in live entertainment to have maximum effect on the audience. There will be three presentations during the course of the day dealing with different aspects of this vibrant sector.
PLASA welcomes American WOW!Works chief effects artist, Tylor Wymer, an industry leader in pyrotechnics and special effects engineering and the former special effects design director for Walt Disney Entertainment, who will host an exciting session called, ‘Special Effects Ignite The Senses - Putting the Wow! Into Your Productions’. Highlights will include a fun and interactive overview by Mr Wymer in the areas of pyrotechnics, confetti, fog/haze, snow/wind/rain and the new trends in scent technology.
To complement the exhibition, PLASA has lined up a range of seminars, workshops and clinics that will give an insight into how new technology is creating new opportunities, how individuals have pulled together highly complex projects, why integration is so important and how you can achieve more by picking up tips and techniques from others.
DJs can learn more about MP3 digitally-compressed music files and how this new technology is already creating a platform for a more creative approach. In a programme of seminars sponsored by Installation Europe, audio installation and integration is the theme under which issues of networking, control and the benefits of converging technologies are explored. Tuesday sees a Theme and Leisure Masterclass, presented by Leisure Management, in association with the TEA and TiLE, which focuses on how the leisure industry exploits special effects, lighting and audio technology to create unique environments to enhance the visitor experience. On Wednesday, the sessions move to consider the integration of audio and lighting into building design, the regulations facing those who install lighting, the increasing profile of new media such as LED technology, and the basics of video conferencing.
For the first time, you can also attend any number of focused courses, workshops and clinics. The ISCE is sponsoring three sessions covering the issues associated with audio system design, whilst Loughborough College and the AETTI are jointly promoting a series of courses which offer those interested in theatre a chance to work towards BTEC certification. Al
Booking your tickets to the PLASA Show, the entertainment technology industry’s leading event, running from 9-12 September 2001 at Earls Court Exhibition Centre in London, has never been easier. You can now book in any of the following ways:
By Telephone: The Visitor Hotline is now live! Call +44 (0) 870 429 4472 to make your credit card booking or to request an advance booking form.
Online: Go direct to www.plasa.org/show/register to book online.
There are many advantages to pre-registration. Not only will you save £6 on the cost of entry to the Show (tickets on the door are £12) but you will be sent a personalized badge in advance permitting you fast entry into the show. You will also receive up-to-date information on the Show’s Masterclass Programme and how to book your seat at any of the sessions. Entry to the show is free for overseas visitors.
Now in its 24th year, the PLASA Show will feature over 350 exhibitors - manufacturers, suppliers and distributors of professional lighting, sound and AV equipment for the performing arts, night venues and theme bars, concerts and touring, the DJ market, architectural installation, corporate presentations, amusements and attractions, recording studios, cruise liners, TV and film, educational and religious establishments.
Stage Technologies has just been awarded the contract for the supply of rigging systems for the latest of the Grand class ships currently being built for P&O Princess Cruises by Mitsubishi Heavy Industries (MHI) in Nagasaki, Japan. Stage Technologies’ scope of supply includes nearly 100 axes of automation, both mechanical and electrical systems, installed in three venues. Rigging systems include 26 flying bars, 4 stage lifts, and 16 curtain tracks. Control systems include the company’s award-winning Acrobat, Juggler and Solo consoles. Mark Ager, Stage Technologies’ managing director commented: "We are very excited to receive this order which confirms Stage Technologies as a major supplier of automation systems to the cruise ship industry."
To date, the company has provided the control systems for eight cruise ships including the original Grand Princess and ships for Carnival Cruise Lines and Star Cruises. They have also recently completed the installation of both control and flying systems for the Golden Princess and currently have orders for similar systems on vessels in the Italian Fincantieri and French Chantiers de l'Atlantique shipyards, where Stage Technologies is acting as a subcontractor to Harbour Marine Systems (HMS). In addition, they have orders for control systems on more Carnival Destiny class ships in conjunction with HMS and Star class ships for Wagner Biro. Matthew Tonks, who recently joined Stage Technologies as project manager, commented: "We look forward to working with MHI on this project and together delivering the be
As you would expect, there’s an air of mystery about the new headquarters of the Magic Circle. Those wizards of trickery have spent seven years and £2 million rebuilding and refurbishing to create a new permanent base. At its heart sits an intimate 162-seat theatre, the first theatre to be built in this area of London since the Barbican. Here members of the Magic Circle, and the public, can marvel at the latest prestidigitations. This is no mean box of tricks: the theatre is technically well planned and equipped with the latest technology to cope with both Magic Circle shows, and for special events and corporate hire.
Gradav Sales of London chose a variety of Selecon products to provide the necessary lighting for a wide range of events. Selecon Pacific lanterns were used for front-of-house - the acclaimed optics of these luminaires make them ideal for gobo projection. Behind the proscenium arch, a selection of Selecon Acclaim Fresnels are used, a lantern with the output brightness of a 1kW lantern but using only a 650W bulb, greatly reducing heat on such an intimate stage, and of course lowering power consumption.
"As well as our members using the theatre, we hire out the building for corporate events," said building technical manager, John Hill. "We find Selecon’s versatile range of lanterns allows our corporate clients to achieve the results they desire, and provides us with a lighting system neatly tailored to our own members’ presentations."
Tannoy Dual Concentric speakers have been installed into the Cuban-themed restaurant/bar Ipanema in Birmingham to provide a range of sound levels from gentle background music through to foreground reinforcement in the Bar and Restaurant areas. Twelve Tannoy i7 Contour slimline speakers and two CMS 6 TDC ceiling monitors inside the Whitbread-owned restaurant, along with four Tannoy all-weather i5 AW speakers outside, ensured perfect audio coverage for diners. The music-based restaurant featured a natural themed design with cream décor and the Tannoy i7 loudspeakers distributed throughout the bar and main restaurant area were chosen for their discrete and elegant low-profile design, as well as for the high quality music and speech output. Nick Freeman from Birmingham based installers, Total Sound, commented: "We needed a wide, yet controlled coverage to ensure even audio distribution throughout the venue and the Tannoy i7 Contour infinite baffle installation speakers were perfect. The i7’s dispersion characteristics of 70 degrees vertical and 110 degrees horizontal ensured perfect coverage throughout the venue. In addition, the optional white enclosures ensured that the i7s blended in perfectly with the décor."
The smaller raised restaurant seating area posed a slight problem as it featured a low ceiling and wall-mounted speakers would take up much of the limited space. The solution came in the form of two Tannoy Dual Concentric CMS 6 TDC speakers, which operate as a full bandwidth, single point source to provide quality music playback throughout the whole
Stagetec has recently completed the installation of a complete stage management, stage communications, sound and video system into the new, purpose-built DH Lawrence Pavilion Theatre on the campus of Nottingham University - one of the UK’s leading universities. The building is designed as a contemporary 250-seat theatre, an exhibition gallery and performance space, and is named after a former University student - David Herbert Lawrence - who became one of the most controversial and popular exponents of 20th century literature. The equipment installed by Stagetec was specified by ACT Consultant Services. The three-zone paging and show relay system runs throughout the building, including a Sennheiser infra-red hard-of-hearing system for the main auditorium, plus Stage Manager’s desk and full cue light system. Stagetec also supplied and installed a flexible, dynamic video and communication system including a series of video tie-lines, distribution amplifiers and patch bays. Additionally, Stagetec supplied a separate equipment rack to house all the theatre’s outboard audio gear. This was designed to offer a robust and versatile array of machines, including Marantz CD and cassette deck, Sony Mini Disk machine, Yamaha graphic equalisers and the audio patch panel. The theatre’s main speaker system is Electro-Voice SX300s, driven from Crown CE2000 amplifiers via an Electro-Voice XP200a controller - all supplied by Stagetec, together with a Soundcraft LX7 mixer for control. The new Pavilion’s technical installation was commissioned and handed-over on sc
A joint project involving manufacturers Allen& Heath and Audace has provided a UK conference and exhibition venue with a unique paging system.
Bryan Waters, MD and founder of Audace, explained that the HIC system required a larger number of output zones than A&H’s DR128 digital matrix could provide. "The first challenge was the need for a system of 16 zones. We wanted to provide the Centre with a single control system that would work with two of the Allen & Heath units." Waters, who professes a keen enthusiasm for the Cornish pro audio manufacturer’s products, set up Audace specifically to provide one-off solutions and off-the-shelf support products for the blossoming digital market. "When the DR128 was launched, there was nothing like it on the market for anything like the price - and there still isn’t," he enthused. "However, the software supplied with the DR128 is for set-up, rather than an operational programme. Our solution, which is part hardware, part custom software, allows non-technical operators (in this case the HIC’s team of receptionists) to control paging levels and zoning from a simple control panel, while technical staff have full access to the two DR128s for the Centre’s computer network."
The central paging panel, which was commissioned for this project, offers users a pre-selection of multiple paging zones, which combines with a push-to-talk microphone to provide access to the Centre’s nine halls, the foyer, backstage and technical areas. Output level to each of these may be set within
PLASA has worked in co-operation with some of London’s leading entertainment venues to offer an exclusive insight into the workings of some of the city’s most famous venues; this exclusive backstage tour immediately follows the close of the PLASA Show in London this September. Theatrical London delegates will visit the world-renowned Royal Albert Hall for a night at the Proms; the Apollo Victoria Theatre to see the upgraded Starlight Express; Tussaud’s Group Studios for an exclusive technical tour, and the Donmar Warehouse for a ‘Divas at the Donmar’ performance. To top it off, you can step back in time at Shakespeare’s Globe Theatre . . .
Wednesday 12th September: The experience begins with A night at The Proms, The Royal Albert Hall, featuring Stravinsky: The Rite of Spring. Pre-show drinks will be served in the foyer. Performance starts at 7.30pm.
Thursday 13th September: This busy day starts with a coach-ride from Earls Court to The Royal Albert Hall for a guided technical tour of this famous venue, before moving on to the Apollo Victoria Theatre for a guided backstage tour of the recently-upgraded Starlight Express. Following lunch, travel by coach to the Tussauds Group Studios for an exclusive to PLASA tour of the facilities behind the Group’s famous visitor attractions, before visiting Madame Tussaud’s in Baker Street, with an option to go on to the London Planetarium. After a short break, delegates meet up at the Donmar Warehouse, with a tour and performance of Divas at The Donmar featuring Sian Philips. Drinks wil
The Swiss city of Berne is having the lighting system in its municipal theatre modernized by the Transtechnik Group at a cost of around 425,000 Euros. Due to be completed at the end of this month, the project will bring state-of-the-art lighting technology to this famous theatre. The new system includes two lighting control consoles - a Focus NT and a Prisma NT - each of which is fitted with a moving light controller and connected to the digital auxiliary console via a Transtechnik DMX-Gate protocol converter. The converter converts the DMX signals from the lighting consoles to the Profibus signals for the auxiliary console (and vice versa) to allow the devices to exchange data. The Profibus standard requires only a thin, two-wire cable for transmitting control signals, which means that there is no need for thick bundles of cables to the auxiliary console. Profibus also permits bi-directional communication: for example, a command to switch the foyer lighting is issued in one direction, and a confirmation that the command has been successfully carried out is sent to the auxiliary console in the opposite direction. If the confirmation is not received, the operator can take corrective action immediately. Transtechnik is also providing seven FDX2000 dimmer cabinets and nine HPZ211 convection-cooled Niethammer followspots, mounted on motorized yokes (from Lichttechnik) including colour changers and automatic iris drive.
As part of the modernization, the theatre will also have a remote control facility for the lighting functions and a control position in the auditorium, allowin
Stagetec (UK) Ltd has recently won three major contracts covering a diverse selection of production industry areas. In the theatre market, the company is supplying and installing a complete new sound system at the Orchard Theatre in Dartford. The theatre 3D-modelled the auditorium to ensure optimum coverage and intelligibility, and were demonstrated several systems. They chose a Nexo system, supplied by Stagetec, consisting of eight PS15 mid/high speakers, four LS1200 sub-bass cabinets, plus three PS8 speakers for delays, all driven from Crown Macro-Tech amplifiers. The whole system is controlled via a Crown USM810 digital processor and three Sabine Graphi-Q digital programmable graphic EQs - the idea being to offer a quick, easy and very flexible system catering for the wide range of productions. Stagetec also supplied a Soundcraft K2 mixer, a range of outboard equipment and a Sennheiser Infra-Red assisted hearing system. The project is due to complete by the end of August.
Stagetec continue to flourish in the television market. The latest contract won was for the supply and install a complete new DMX and data distribution system for the BBC’s TC3 studio at Television Centre in West London. The core of the system includes Compulite demultiplexers and multiplexers, IES splitters and an LSC Softlink DMX patching unit. A total of 60 new DMX output boxes will be supplied and installed around the studio, plus DMX patch panels in the control room, studio grid and dimmer room.
Education is always a major market for Stagetec, and the company has just been awarded the con
Golden Princess, the newest member of the P&O Cruises fleet, left Southampton on May 16th to spend th summer cruising the Mediterranean, before heading off to the Caribbean for the winter. The ship features three separate show lounges, each of which incorporates Blackout Triple E engineering and equipment. Because traditional fittings are often unsuitable, contractor HMS Italia enlisted Blackout Triple E to develop systems for the particular environment of the cruise ship, including its Austrian curtain mechanisms and Unirail and Unitrack systems for installation in the principal and cabaret theatres. Though the tracks are mainly for curtains, the Vista Lounge uses Chaintrack to carry two 300kg rotating scenic panels, and the main lounge features Unibeam tracks to carry lighting ladders on each side of the stage. Blackout Triple E also provided the control for the safety curtain in the main lounge, which featured an additional control position on the ship’s bridge. Chris Bowen of HMS commented: "We often use Blackout Triple E products and we are already working together on another two ships for P&O Princess Cruises. Golden Princess will join a fleet that currently numbers nine ships, and the additional two vessels are due for delivery in January 2002 and Spring 2004."
Crest Audio Professional series amplifiers, supplied by The Sound Department, will be used to power the sound on a series of school discos with a difference. Provided by Tarsin Entertainments for promoter Bobby Sanchez, matched with ASS scoop bins and JBL Venue series mid-tops, the combination is deemed to deliver the perfect 1970s sound Sanchez is looking to achieve for his risqué nights at Hammersmith Palais and other venues, where his clientèle come dressed in school uniforms. In Hammersmith, the sound is complemented at balcony level by the flown in-house system. "Since he plays 1970s music, he wants to achieve a sound reminiscent of the era," says Tarsin’s Peter Dyer. "The event takes place once a week at Hammersmith and it’s a fabulous night out."
The mobile rig’s bottom end is driven by four Crest 8001s, the mid-section by four 6001s and the top by four 4801’. "The idea with ‘School Disco’ is that it’s run like a party and Bobby likes to get everyone up on the dancefloor," said Dyer. "The CD-driven system is loaded into a drive rack and Bobby is absolutely delighted with the type of sound produced by the new sound rig."
Dyer’s relationship with Sanchez (who is also one of the DJs), extends back to the Notting Hill Carnival and the Mayflower in Balham, when he was also using Tarsin’s ASS equipment.
An elaborate TOA networked system forms the core of the new tone and voice signalling system at the head office and distribution centre of RS Components (UK) Ltd at Corby. Retrofitted by Provoice, the audio division of Burnley-based fire protection and voice evacuation specialists, Protec, the system is based around a centrally-sited, 32-zone SX-1000 audio management digital matrix, powered by a combination of TOA VP240, VP120 and VP60 amplifiers, housed within a suite of five ‘Access Series’ drive racks, manufactured by Wilshire & Quick.
There are 48 amplifiers in total, and since the system is plugging into a pre-existing PA set-up, using branched circuits, Provoice opted to use an impedance monitoring system, specially designed by TOA Germany, and featured for the first time in the UK. Prosound’s Jan Hawrot explained that the system contained four automatic messages and a computer signal indicator and test diagnostic.
The SX-1000 is ideal for both routing of simultaneous audio channels and fault monitoring and logging. It can be configured as a 64-audio input/128-audio output device, with 128 x 128 control inputs. The 16 audio busses enable simultaneous processing of up to 16 audio signals, while the software-driven operation makes complicated wiring set-ups unnecessary. Two SX1200 microphones have been installed - one located in the security control room and the other, which is integral to the main panel, in a dedicated system room. These will be used for paging to all zones. There are 59 wired speaker circuits and the system is interfaced with the
The latest Jongleurs comedy club has been developed on the site of the former Mash & Air in Manchester’s city centre - in a multi-level building, requiring multiple signal feeds. When Andy Chamley’s Telford-based AC Limited won the contract from Regent Inns plc for the sound and lighting package, they put together a specification based around a pair of BSS Audio’s 9088 DSP networking devices, with two local 9010 ‘Jellyfish’ remotes. Chamley says the success of the installation owed much to the close support offered by BSS Audio’s Dave McKinney. "This was a complex installation, since the venue exists on four floors, and required careful design," he explained.
On the ground floor is Bar Risa - a daytime operation and night-time feeder bar, with a hard disk music system. This is linked by a Soundweb device and Jellyfish, offering satellite and other source input select from the Jellyfish. "We have also installed a DJ console, allowing them to create a trendy club atmosphere," explains Andy. "Thus we have different gain settings, EQ and other parameters stored in Soundweb. The system is also time-aligned for the DVD and satellite output to run in sync with the screens."
While the second floor is largely a service area, the third level forms the ground floor of the comedy club itself, which has a capacity of 500. Here the second Soundweb controls the entire PA system and there are three different stored settings. Chamley explains: "There’s the Comedy set-up, with the bottom end rolled off, time al
Hayden Laboratories has supplied West London-based installation and audio consultants Phoenix Technologies with a large number of Denon multi-play CD players for an innovative North London installation. Their client Richard Abbott has a large house and a colossal CD collection. He was looking for a flexible, cutting-edge audio system that would allow him quickly and easily to locate and replay any CD or track in his vast music archive – numbering over 2000 discs! Richard set Phoenix a demanding brief for a versatile and robust systemThe Phoenix Team set about designing a system, and selected the Denon Multiplay DCM-5000 machines at an early stage in the process.
Phoenix specified the Denon machines because they wanted the most reliable technology available. They have used the Denon brand in a variety of other installs over the years. It was also essential that this system was expandable and ‘future-proof’ to allow for the continued growth of Abbott’s CD collection. This element is easily dealt with by the addition of further Denon units. Phoenix, who also installed the house’s wiring infrastructure and audio/video system, worked closely with Simon Curtis from Hayden Labs to develop an imaginative technical solution. The streamlined, customised system amalgamates five 100-disc Denon DCM-5000 disc changers - each with a possible five companion Denon 5001 slave units housing an additional 100 CDs each - and an Escient hard disc control system. The latter is an American product, running TuneBase Pro Mark II software, operated via touch-screen.
The Broadcasting, Entertainment, Cinematograph and Theatre Union (BECTU) has defeated the UK Government at the European Court of Justice over the UK’s implementation of the Working Time Directive. The UK’s Working Time Regulations 1998, which implements the Directive, entitles workers to a minimum of 20 days paid leave each year. But employees are not entitled to the leave until they have completed a qualifying period of 13 continuous weeks with the same employer. This means that many freelance and contract workers who work for less than 13 weeks have been denied a right to take paid leave.
BECTU launched a legal challenge to the UK legislation and on 26 June 2001 the European Court of Justice (ECJ) accepted the opinion of the Advocate General of the ECJ, which stated that national governments may not exclude groups of workers from the rights that the directive gives them. The judgment effectively extends the entitlement to paid leave to all workers from their first day of employment. Later the same day the Department of Trade and Industry (DTI), which is responsible for the Working Time Regulations, announced an urgent consultation on regulations to amend those already in place and corresponding guidance. The amended Regulations will not mean that workers will be able to take four weeks paid leave from their first day of employment, but if the employment ends during the first 13 weeks they will be able to claim for leave which has been accrued but not taken during this period. The consultation will propose a system of accrual, providing one-twelfth of the ann
The United States Institute for Theatre Technology (USITT) has announced that the deadline for submissions to its 2002 Architecture Awards Program will be 2 October 2001. Nominations will be accepted for projects located anywhere in the world, and new construction, renovations, retrofitting or reuse of structures will be considered. Now in its ninth year, the Architecture Awards program was established by the group’s Architecture Commission to bring public and professional recognition to architectural projects chosen for their design excellence and ability to resolve the challenges associated with performance spaces. To be eligible for consideration, project construction must have been completed after January 1st 1992. Among last year’s Award winners were the Severance Hall in Cleveland, Ohio; Theater and Congress Hall in Weimar, Germany; The Lowry Centre in Salford, UK; the LG Arts Centre Sangman Hall in Seoul, South Korea, and the Royal Court Theatre in London, UK.
Kilmarnock Palace Theatre in Scotland has been re-equipped with new Sennheiser radio microphone and infra-red systems as part of a National Lottery grant-funded refurbishment. The Northern Light-supplied audio upgrade includes five dual-channel EM 3032-U wireless RF receivers, 10 SK 3063 miniature bodypack transmitters with MKE 2 Gold tie-clip mics, and a dual-channel, infra-red transmission system for use by the hearing and sight impaired. As a major boost to accessibility in the theatre, the infra-red system has been instaled to privide transmission to stethoset (wireless headphone) and neckloop receivers. The system consists of a Sennheiser SI 1015 two-channel wideband modulator, four SZI-1029-UK large area radiators in the auditorium, and 20 HDI-302 two-channel stethoset and 10 R15/O/L neckloop receivers. Northern Light’s Eddy O’Hare described the system as "a no-compromise system delivering reliability proven over many years."
The infra-red system can deliver a true dual-channel output, containing either a stereo balanced mix of the on-stage sound, or, in situations also requiring audio description for the visually impaired, two discrete channels carrying a description channel as well as a show channel. The on-stage Sennheiser 3000 Series wireless system is augmented by a Pro Split 600 aerial splitter, specially built to order by Sennheiser UK, with the receivers flightcased and able to be positioned at any of three pre-sired plug-in points, to provide control room, balcony and stalls control positions to cater for a range of production rigs.
The 12 Bar Club, famously voted the Best Live Music Venue in London by Time Out magazine, has taken delivery of a new 16-channel Soundcraft Spirit LX7. The intimate venue has recently played host to Nigel Kennedy, Lambchop, Mark Eitzel, Billy Bragg and the Jesus & Mary Chain’s William Reid, and with four acts a night, seven nights a week, the new console is already being put through its paces.
Paul Gilbert, engineer and on-line TV webcaster for the 12 Bar Club, knows how well the LX7 is coping with the demands placed upon it. "We’d been using a Spirit Live 3 for years. The longest anyone’s been working here is seven years and the desk was here before he started, so we figured it was time to get a new console. The Club is extremely small and the control room is tiny, so we knew we needed a really small console with plenty of features and outputs. And, as about 40% of artists playing here are singer/songwriters with acoustic guitars, it’s vital to have a really clean signal.
"I visited the Soundcraft website and picked the desk I felt was most applicable to our needs. It’s really compact; its six auxes and four sub-groups are really important as we broadcast every night live on our website. The two sweepable mids give us the EQ control we need, plus it has plenty of outputs. We run outs to the main bar and restaurant, one to the front of house, one to the camera, another one to a minidisc player if the bands want their show recorded and one to the monitors. Soon we’ll be installing AV screens throughout the club, so people in
Celestion’s new Cxi sound reinforcement cabinets have been chosen for a sizeable concert hall installation in Taganrog in Russia. Located in the city of Taganrog on the coast of the Azov Sea, the venue, which is sponsored by the large Tagmet mining company, has capacity for 850 people and will host a variety of musical events.
The new sound reinforcement system comprises 20 Celestion Cxi 1022P, a 2 x 10" mid-range cabinet with a 2" driver, and 10 CXi1812 bass bins. Amplification is from Yorkville AP4040s, with ART equalisation, and an Allen & Heath GL3300 front-of-house console. Elsewhere in the Russian industrial heartland, another mining company, Yakutugol, has financed a similar venue. In Nerungri, a town in the Yakutia Republic, an all-purpose music and conference hall has also installed a Celestion system. This time, the system is QX Series, mixed with KR2 background music speakers. Celestion products for both venues, and for the Church of John Kronshtadtskiy in Moscow, have been supplied by PAXT to Slami & Co, the distributor for the region.