Installation

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14 March 2016

The 2,200-seat Margot and Bill Winspear Opera House, created by architect Foster & Partners, with theatre design by Theatre Projects Consultants and acoustician Sound Space Design, is home to the Dallas Opera, and an anchor in the new arts district. The Winspear's sound system, designed by Martin Van Dijk of Toronto-based Engineering Harmonics, is centred around left/right arrays of 12 Renkus-Heinz STLA/9R RHAON empowered loudspeakers that retract into the ceiling when not in

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14 March 2016

The system has seen an upgrade this year with the addition of eight TCX-12 two-way loudspeakers and six B-18 subwoofers from the Compact series, powered by Turbosound's latest DSP-based amplifier: the RACKDP-50, which delivers an impressive 1250 watts at 2 ohms from each of its four output channels.

"Skybar opens at 8pm each evening and functions as a chill-out lounge with food and background music," says Agha. "Then at midnight it fires up as a nightclub, with DJ sets and occasional live performances. So the loudspeakers need to

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14 March 2016

ACSP design, supply and install lighting, sound and AV systems - as well as track and curtains, intercom and show relay. The company's previous installations range from a basic six circuit lighting bar, with a dimmer pack and lighting desk, to full blown theatre systems.

Working alongside designers and architects or directly for the performance venue, the company's fully qualified team of engineers will provide a first class finished system installation, on time and on budget.

ACSP has access to over 200 quality brands, including popular performance ranges from Chroma-Q, Jands, Spotlight, ETC, Philips Selecon, Pulsar, Sennheiser, Shure, Soundcraft, Allen & Heath, JBL, Andol

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14 March 2016

Replacing the old Civic Hall, which closed in 2004, the G Live venue provides a flexible performance hall, which accommodates 1,000 in all-seat or 1,700 in seated/standing modes. The venue also incorporates a flexible-use 100-seat studio space, substantial foyers, café and bars, kitchens to provide for banqueting, seminar and meeting rooms, dressing rooms plus green room and offices.

The hall acoustics and sound systems designs for G Live were specified by electro-acoustic consultants Peter Mapp + Associates. The main hall has been designed to be an acoustically dry space with an Acoustic Control Systems (ACS) system, supplied by RK Sound Engineering, giving the ability to alte

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14 March 2016

"We first came across the Midas PRO series almost three years ago, when we used a PRO 6 on a large surround sound opera, Skellig," says The Sage Gateshead's head of technical operations, Chris Durant. "It was obvious that this was a product that would more than meet our needs when we needed to upgrade, and would reinforce our reputation as one of the best sounding music venues in the world."

"Our demands range from small school concerts to large conferences and orchestral events to world class amplified artists," says Durant. "The various I/O boxes available as part of the Midas digital system means that we've been able to come up with solutions for all of these, as well as applications that were previously impossible. We found

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14 March 2016

Part of the Croatian Maistra chain of hotels and resorts, Hotel Lone is Croatia's first five-star design hotel, providing a year-round leisure and business destination. Dicroic has installed an L-Acoustics system into the hotel's multi-purpose conference hall, designed to host a range of conferences as well as theatrical and concert events, as well as into the hotel's jazz club.

The 600-capacity congress hall has been installed with L-Acoustics 12XTis as a left/right system, with two 108Ps as delays and two ground stacked SB18i subwoofers, all powered by LA4 amplified controllers. Designed to provide complete and balanced coverage for the main auditorium, the s

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14 March 2016

Some of their more visible west coast projects include the Walt Disney Concert Hall and Kodak Theatre. But their west coast work represents their practice as a whole, including regional theatres, university work, small-scale projects, performing arts centres, and renovations. Find out more about Theatre Projects' work on the west coast attheatreprojects.com.

Theatre Projects designs and plans performance spaces of every size and complexity and offers a broad range of services from auditorium and theatre equipment design to operations and business planning.

The new office is at 453 S. Spring Street, Suite 1230, Los Angeles, California 90013, T 213 375-3688.

(Jim Evans)

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14 March 2016

Jyti Ålander is the sales director for Espoo, Finland-based Electro Waves Oy, a leading Finnish company with expertise in the fields of sound systems, lighting, and water technology. A provider of innovative AV solutions, Electro Waves, in a cooperative effort with some partner companies, played an integral role in the deployment of the lavish Aqua Theatres for Royal Caribbean International's flagship vessels Oasis of the Seas and Allure of the Seas. As the designer of the new sound system at Kylpylähotelli Levitunturi, he discussed the challenges of the project and the decisio

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14 March 2016

Chicago-based systems integration firm AST (Advanced Systems & Technologies) installed a 70-volt system with eight weatherproof Technomad advanced audio loudspeakers to provide intelligible voice and high-quality musical reproduction throughout all seven acres of the zoo. Seven Technomad Vernal loudspeakers discreetly cover the grounds, providing audio to visitors nearby the animal exhibits. One Technomad Vienna loudspeaker provides long-distance audio projection to patrons at the main entrance gate and visitor centre.

The compact Vernal and Vienna loudspeakers, mounted on various building eves, light poles, and fences, are part of a custo

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14 March 2016

This year's event sets the scene for a strong return to Earls Court in 2012. Events Manager Sophie Atkinson commented: "Exhibitors have been enthusing about the high quality of visitors and the rate of sales enquiries, and with hundreds of new products being launched, there has been a great return on investment for them. We expect to see many back here at Earls Court next year."

Visitors also relished being first to get their hands on some of the industry's hottest new products. Over 500 products were launched at the show, including major new d

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14 March 2016

This year's event sets the scene for a strong return to Earls Court in 2012. Events manager Sophie Atkinson commented: "Exhibitors have been enthusing about the high quality of visitors and the rate of sales enquiries, and with hundreds of new products being launched, there has been a great return on investment for them. We expect to see many back here at Earls Court next year."

Visitors also relished being first to get their hands on some of the industry's hottest new products. Over 500 products were launched at the show, including major new

Details

14 March 2016

The month-long ballot, in which over 1,000 members participate, will decide places on PLASA's European and North American Regional Boards, together with a single seat on its over-arching Governing Body.

The two Regional Boards are still a relatively new concept for PLASA, having been formally launched at the start of 2011. Their role is to represent the interests of members affiliated to those regions, ensuring that PLASA offers strong on the ground support to members.

Both the North American and European Regional Boards are looking to fill a number of places for 2012. Following the death of the European Chair Rob Lingfield earlier this year, Ed Pagett of Panalux, who served as Vice Chair, is standing for the position of Chair. A number of representative positi

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14 March 2016

The Madeleine Centre is a fully functioning performing arts venue, incorporating a series of classrooms, drama rooms, a gallery space and the impressive Montagner Auditorium. The 456 seat auditorium and the accompanying rooms are already heavily used each day, playing host to drama and theatre studies, music classes, band rehearsals, meetings, assemblies, seminars, concerts, recitals and theatre productions.

Lightmoves were contracted to supply and install the theatrical lighting, sound and lighting control packages for the new artistic hub. For the PA, Lightmoves turned JBL.

The main auditorium features a high ceiling, curved walls and minimal space in which to mount a speaker system. A JBL VRX line array was chosen, given its small footpr

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14 March 2016

The ambitious development required the technical infrastructure to be replaced in the main auditorium and surrounding spaces. Audio Light Systems working to a Charcoal Blue specification completed the five-month build with the usual high standards required for this level of work.

Over 20 miles of cable, over 100 new panels were used and more than 3,500 man hours were taken during the short build period. The Audio Light Systems project engineer Dennis Martin used his extensive experience to make sure the project programme ran as smoothly as possible.

"The auditorium has been fully refurbished and it was a priority that newly installed facilities be discrete, if not invisible. This was a challenge, but the end result was outstanding. Doughty panels and IWB's wer

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14 March 2016

Rapenburg Plaza is responsible for the complete media and lighting control, the major part of the audio-visual installations and also the entire technical content, including the lighting & sound design for the Voyage at Sea - an impressive maritime experience. A Richmond Sound Design SoundMan-Server Virtual Sound System with 96 track playback and 48 input and output channels handles all the sound content and effects as well as all audio from the video sources in this attraction.

The Voyage at Sea is a 20-minute show divided over five rooms in which the public is taken on a jou

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14 March 2016

Charcoalblue began work on the refurbishment project in September 2009. Managing director of the company Andy Hayles explains, "The scope of the restoration for this Grade I listed theatre was particularly ambitious, and included complete internal redecoration, new seating, new and refurbished pit lifts, new lighting positions and extensive rewiring. Charcoalblue was responsible for the design of all the technical systems and their integration within the historic fabric of the building, as well as advising on sightlines and seating layouts."

The works, which restored the original 1901 designs by theatre architect Frank Matcham in the