Installation

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14 March 2016

With over 140 musicians, a choir, 12 solo singers and a dance troupe of 11 to accommodate, the shows required a flexible audio system with a large channel capacity and reliable connectivity, but which was easy to implement. Hamburg-based Pinguin Ing.Büro for Audio Production asked Arthur Koll from Yamaha Music Europe GmbH to act as the tour's live and broadcast audio consultant, supervising the system design and deployment for the elaborate show.

The system comprised one CL5 at the monitor position and two more at front of house - one doing submixes which were fed via Dante to the other two consoles. Th

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14 March 2016

Sapsis installed fall arrest equipment in both performance spaces at the Goodman - the 856-seat Albert Ivar Goodman Theatre's proscenium stage, and the flexible thrust-style stage in the (maximum) 450-seat Owen Bruner Goodman Theatre.

Daniel Porter, one of the ETCP-certified rigging professionals on the Sapsis staff, supervised the entire installation. He and his crew placed eight ProPlus horizontal lifelines on the Albert's catwalk, balcony rail, and loading bridge, as well as 36 ProPlus self-retracting lifelines (SRLs). These SRLs feature a dual inertia braking system, which stops a fall with minimal

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14 March 2016

Following on-site demos by TiMax distributor Duncan Crundwell of 1602Group LLC, TiMax2 Soundhub was specified as the overall system processor to provide routing, EQ and zone management plus the ground-breaking audio localization capabilities of its automated dynamic delay-matrix.

Propersi explains, "We wanted the TiMax Soundhub to matrix the main house sound system and manage speaker alignment and sound imaging within the performance space - so for all the system timings as well as room tuning. The EQ secti

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14 March 2016

The building's main conference hall seats 350 people, and ensuring that they all get a good view was the installers' key concern. The solution they chose was a Supernova Infinity screen measuring 5500mm x 3094mm, made of the standard 08-85 material to achieve the highest image possible, and driven by two Panasonic PT-DW100 10000 ANSI lumen projectors working in 'dot-by-dot' mode.

"We chose the screen size and material to give everyone a bright, clear image, and deliver the high contrast you need for viewing material on video," explains Ascreen brand manager, Oleg Gukov.

In two areas of the courthouse strong ambient li

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14 March 2016

Charcoalblue will kick off sponsorship this spring as the TMA's Touring Symposium takes place at the Congress Centre in central London on Wednesday 6 March.

The TMA's premier annual event has established itself as the key forum for debate on the development of the UK touring industry. It provides a unique opportunity for venue managers, producers and directors to discuss and determine the environment and practical operation of their sector. Last year's Symposium attracted a record breaking 238 delegates from all over the UK.

"The TMA is delighted to have secured a three-year partnership with Charcoalblue," says David Brownlee, general manager of the Theatrical Management Associ

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14 March 2016

"The Godset is run by an amalgam of volunteers and music organisations and provides a wonderful platform for developing grass roots talent, but our commitment to professional quality means that we have a national profile that attracts acts of international stature. Our success provides a feel good factor that politicians recognise as something of a vote

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14 March 2016

The multi-deck layered stage was designed by leading Bollywood set designer Varsha Jain, and this, the Milos roof system, all trussing, rigging and assorted scaffolding and structures utilised on site were supplied by Chennai based 'Men At Work Stagecraft Management Pvt Ltd'. The project was managed for them by Mankaran Singh.

The Milos roof system measured 24m wide by 18m deep with 13m of headroom. Various trusses were sub hung from its mother-grid, including six straight ones of different lengths and four circular - one at 8m, one at 4m and two 6m diameters.

(Jim Evans)

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14 March 2016

Proving the adage that the old ones are the best; Valhalla, Blackpool Pleasure Beach's most iconic ride, has been voted one of the best in Europe more than a decade after it first opened. The world's biggest indoor dark ride was given the honour at the European Star Awards after a panel of International experts voted it one of the best on the Continent.

Valhalla, which takes riders on a Viking journey through fire, water, snow, thunder and lightning, has enjoyed longevity thanks to Sarner's initial creativity and diversity in combining a white knuckle flume ride with theatrical dynamics of powerful storyline sequences. Sarner conceived the masterplan d

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14 March 2016

Located in the heart of London's East End and home to the 770 seat Great Hall, the theatre's transformation included a lighting and audio solution supplied and installed by specialist integrators Stage Electrics.

"Queen Mary, University of London is delighted with our newly refurbished venue and we're now getting a huge amount of interest from external hirers and promoters who are discovering this hidden gem in east Lo

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14 March 2016

When DR Quinton W Simpson was assigned CEO in May 2012, he was open to new ideas to further enhance the theatre including the request to transform the theatre to LED. "I asked if we could start changing to LED due to the power, gel and weight of conventional fixtures," said Simon King, senior lighting technician at the State Theatre.

Soon thereafter, the work began with the two smaller venues first. Robin DLX fixtures and LED parcans were purchased. "We realised that we could not buy LED fixtures alone, we also had to change

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14 March 2016

In preparation for Euro 2012, which saw a sizeable portion of the UEFA delegation staying at the Victoria, the hotel was thoroughly refurbished and all of its audio systems were renewed throughout. Odessa-based installer Real Music, who are also the QSC distributor for Ukraine, were responsible for installing all of the PA/VA speakers and systems.

A QSC ILA line array comprising 16 WL2082-i elements (eight left, eight right) and four WL118-sw subwoofers was used in the main conference hall at the Victoria, where all of the pre- and post-match press conf

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14 March 2016

"I believe it may have been the largest operational rig of Patt. 23's in the country," said Andrew Tweedie, head of lighting at Canberra Theatre Centre. "But they were getting harder and harder to maintain, especially as you couldn't find spare parts, and were not as punchy as they should have been."

A decision was made to replace the Patt. 23's with the main criteria being that the replacement had to be the same size as the space they would be housed in is very small. Canberra's Sound Advice recommended the ETC So

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14 March 2016

Fully restored in 1992, the Warner took on yet another incarnation and became an esteemed live performance venue. The new sound system delivers the power and clarity of Outline technology to support the venue's expanded entertainment roster.

Taking its name from Harry Warner, one half of Hollywood's famed Warner Brothers, the Warner Theatre is now a preeminent D.C. Metro showcase, and home to the annual BET Awards. Its lofty stage has been graced with performers from Frank Sinatra, Tony Bennett, ZZ Top, and

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14 March 2016

Increasing their existing studio facility by over 30%, the new dance floor has offered both amateur dancers and Dance Reality's 50 professionally employed dancers the opportunity to learn and rehearse on one of the most sophisticated vinyl dance floors on the market.

The specifically designed professional dance floor offers nearly 6mm of compressed foam, providing an instant and discrete shock absorbing top layer for hard floors.

Le Mark's Sharon Marshall said: "The transformation of this room was incredible. A huge advantage of Dynamic Compression is that it takes minimal time to install and it offers dancers and the studios themselves an impact absorbing surface with minimal cost.

"The

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14 March 2016

Looking to remain at the cutting edge via an architectural makeover late last year, they took delivery of a quantity of Spot One and Wash One LED moving head fixtures from GLP - commissioned by the then lighting director, Jon Griffin.

GLP Inc president, Mark Ravenhill, recalls: "Jon contacted us about the fixtures when they were planning a lighting upgrade to their main stage - replacing the existing discharge lights they had been running for many years. He had heard about the Spot One and could instantly see the potential of it for Saddleback."

The main sanctuary at their 3,000-seat Worship Centre in Lake Forest has long glass walls down each side and by conducting the demo at the peak of the day in

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14 March 2016

With such a varied range of events to cater to, Staging Connections has found the flexibility of their JBL VRX900 Series Constant Curvature Line Arrays to be ideal, so much so they ordered even more JBL VRX932LAP speaker and JBL VRX918SP subwoofers.

"The VRX line array is a welcome addition to our audio inventory," commented Matt Danks of Staging Connections. "These powered top boxes are light which means they are easy to fly and saves time not having to set up additional amplifier drive racks."

"They sound great. The array has an even sound-field and wide di

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14 March 2016

The enviable top spot went to New York's Cielo Club, which boasts a Funktion-One system. And this was no one-off for the British loudspeaker manufacturer, which also took position number three (Beta, Denver), six (Q, Seattle), eight (Mansion 360, Miami) and number 10 (Smart Bar, Chicago) - quite an achievement when you consider the thousands of nightclubs, theatres and bars dotted around the country.

Recognition from Beatport caps a successful period for Sound Investment Audio, which specified and installed the five

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14 March 2016

Managed for Charcoalblue by senior partner Jon Stevens, the project was designed in under six months and built in eight. "This forward-thinking experimental building will serve as a temporary and flexible space during the closure of the Cottesloe Theatre, which is undergoing major refurbishment before reopening as the Dorfman Theatre in Spring 2014 as part of the National Theatre Future project."

Steve Tompkins, Haworth Tompkins Architects comments, "The Shed was conceived in a process of concentrated dialogue between trusted collaborators. We always enjoy Charcoalblue'

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14 March 2016

"In order to load it you were reaching above waist level and we had no facility to attach it to trucks so it was very difficult to load from them," remarked Liz Mundell, technical operations manager. "There was always a gap between the lift and the back of the truck. Also if the winds got above 15 kilometres an hour we theoretically weren't supposed to use the lift - and in Ballarat that's a gentle breeze."

Other issues included the size of lift and the amount it could carry so council made funds available for a new lift and the project was put out to tender. Pr

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14 March 2016

Suitable for use with the ART SSC, the ART IO is an input/output interface module that is equipped with eight digital/analogue switchable inputs and eight relay-switched digital outputs. Designed to offer great versatility, it supports a number of different protocols, including DMX, RS-232, OSC, UDP and Art-Net.

Each of the ART IO's inputs can be individually configured as digital or analogue,

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14 March 2016

The new larger sanctuary was the result of a much needed expansion to the existing premises to accommodate the popular and well-attended worship services. The stage systems for the new auditorium were designed for concerts and broadcasts in addition to the five weekly services. Currently TFC has a web-based ministry, but future plans include going to a multi-site format, so good broadcast lighting was vital to the final technical plans.

Gear Systems specified four Robin 600 LEDWashes, eight Robin 300 LEDWas

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14 March 2016

When Arnout Verdonk, Stadsschouwburg's sound technician, started looking for a new intercom system he put several to test, and the whole technical team was involved in making the right decision.

"We decided on the ASL digital system because of its flexibility and its ability to easily interface to our existing analogue intercom systems, wireless systems and 4-wire equipment," Verdonk explains. "We are a theatre with many different productions (more than 380

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14 March 2016

"Actually," says Philip Sparkes, Maltbury's MD "this description tells only a small part of the story of Maltbury's involvement in the Games. We started with one contract and ended up supplying goods or services to half of the Olympic sports!"

Maltbury's story began with winning the tender for the contract to supply the stage and back wall for the Weightlifting competition. There was no technical specification for the platform so they first had to design the platform that LOCOG and the Olympic Weightlifting team wanted and then prove that they could deliver it. The same applied to the back wall, which gradually changed from a simple series of tall flats into a monolithic structure of almost 200m

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14 March 2016

Designed for use on-screen, Le Mark's Harmony gloss black dance floor has been selected as the dancing surface for the semi-finalists' pre-recorded 'Killer Move' video clip.

The smooth finish of the floor allows for a controlled glide whilst retaining the perfect element of grip. An exceptional level of dancing comfort for performers and a stunning high-gloss visual-effect for the viewers at home.

Le Mark's Sharon Marshall said, "Keeping up with the fast paced performances and such varied dancing styles is no easy task for any dance floor. The robust yet forgiving nature of our Harmony Dance Floor is a key reason why it's one of our best sellers around the globe."

(Jim Evans)