USA - Elation Professional has introduced the Fuze Teatro, a refined moving head luminaire that can be used to visually craft any scene without drawing attention to itself. Designed for any application where a noiseless, fully-automated framing fixture with full-spectrum colour range and quality is required, the Fuze Teatro is fanless for completely silent operation.
Illuminating the performing arts with automated luminaires has traditionally been a challenge. The technology required to provide the desired lighting levels, colour quality and remote positioning usually creates unwanted noise from fans, mechanical color mixing modules and other components, making their use in carefully-designed acoustical venues less than ideal. The Fuze Teatro has addressed these concerns with a fanless design and soundless color mixing system that makes it ideal for noise-sensitive environments. The convection-cooled system ensures absolute silence, and because less dust and other particles are not being distributed throughout the luminaire, it results in lower maintenance and a longer product life.
The Fuze Teatro is the first fanless automated luminaire incorporating an additive colour engine, which further reduces noise levels compared to conventional CMY systems. The 480W homogenized RGBMA LED array with CRI of 92 offers outstanding colour rendering capability, calibrated white points and a full-spectrum colour gamut from soft pastels to intense primaries.
The carefully-tuned LEDs ensure accurate colour reproduction and dynamic whites from 2400 - 850
Europe - Czech moving and LED lighting manufacturer Robe celebrated its 30th anniversary at the 2024 Prolight + Sound expo in Frankfurt and looked forward to another 30 years of lighting innovation.
The entertainment technology brand presented the finale of the Power of Imagination show, that entertained packed audiences five times a day and also staged a Rock ‘n’ Robe stand party on the evening of the second day, featuring Queen tribute band Queenie. Additionally, an array of new lighting products was launched and on the eve of the expo, Robe announced the acquisition of LSC Control Systems.
LSC joined the other Robe businesses – sister architectural brand Anolis, console manufacturer Avolites and control solutions provider Artistic Licence
The two public ‘dark demonstration’ rooms on the booth were constantly busy throughout the four days with the iBOLT, iFORTE LTX and the T32 Cyc attracting interest.
Robe CEO and co-founder Josef Valchar commented, “We enjoyed a truly amazing Prolight, the stand was busy, we saw a diverse mix of people from many sectors and from all around the world including so many of our own distributors who rocked up for the party, all of which made it very special.
“Everyone from our talented creative team who produced the show to our equally brilliant logistics, planning and administration teams that paid attention to every detail of the organising – from the products to the merch to the graphical elements, the refreshments and data gathering – both in advance and on site. A LOT of pe
Germany - Under the motto ‘Claypaky: leading through innovation. And Beyond’, Claypaky celebrated its participation in the 2024 edition of Prolight + Sound in Frankfurt.
The primary focus was on the latest addition to the ‘Multispectral family’ – Rhapsodya. Claypaky hosted a pre-recorded product presentation, including a short light show lasting about 12 minutes, which ran every hour. Following the demo, the Buddylight automated followspot was showcased in action during a special performance on stage, featuring singer Nevio Passaro.
Claypaky presented some innovative lighting solutions including:
Volero Cube is a compact IP66 fixture that seamlessly merges beam, wash, and strobe effects. This new, multi-function, multi-effect moving head is a real “4-in-1 fusion fixture” boasting 4 powerful 60W RGBW LEDs and plus-shaped cool white LED strips for strobe that can be pixel-to-pixel controlled.
Orkis Cyc is the game-changing cyclorama light from ADB by Claypaky. This innovative wall-washer combines theatrical colour perfection with FLOW Active Liquid Cooling technology. Built on a multispectral six-colour HCR LED technology, Orkis Cyc offers a wide selection of colours and precise dimming capabilities.
Mini-B Aqua PX is the newest member of the Mini-B family that inherits the core strengths of its predecessors, adding the pixel-to-pixel control of each LED.
Panify 2 IP66 motorised platform offers endless PAN operation and various speeds, and can handle fixtures up to 30 kilograms.
Claypaky sales director Alberico D
Europe - Throughout February 2024, German rap artist Luciano worked his way across Germany, Switzerland and Austria on his Seductive tour. One of the first German-speaking rappers in the UK drill style, Luciano was Germany’s most streamed artist on Spotify in 2022. For this year’s tour, 80 Ayrton Cobra fixtures were supplied by TDA Clair GmbH.
Cobra is Ayrton’s first IP65 laser-sourced fixture. Designed for rendering a D65 white point that allows perfect colour reproduction, Cobra has an output of 386,000 lux at 20m, a 38x zoom ratio and zoom range of 0.6° to 23°. It also sports a highly innovative colour section, graphics capability and continuous pan and tilt.
The Cobra fixtures were specified by Stop Making Sense’s Timo Martens who created the lighting design for the tour with support and cooperation from Bertil Mark (also from Stop Making Sense), and Raphael Demonthy. The Stop Making Sense design collective was responsible for the entire realisation of the stage, the lighting, the content production, as well as the programming and supervision of the project.
Martens explains why the Cobras were chosen for this tour. “In order to create the greatest possible impact with the lamps, so that we could practically make backdrops out of light, we needed a moving light that would provide maximum output with a low weight and a great CMY colour mixing. We compared a lot of moving lights and finally decided on the Ayrton Cobra, which we have not regretted.”
Forty-eight Cobra units were rigged around a specially made 10m circular truss
Singapore - Wild Rice @ Funan is part of a modern performing arts complex sitting at the heart of Singapore’s lively civic and cultural district. Built in 2019, the main Ngee Ann Kongsi Theatre space offers an intimate 358-capacity space with Singapore’s only thrust stage, which was inspired by the Royal Shakespeare Company’s Swan Theatre in Stratford-upon-Avon in the UK.
In 2022, the theatre took delivery of a new Robe moving light package – 10 x T1 Profiles and 16 x ParFect 150s – which joined the original lighting rig that was specified by theatre design consultants Charcoalblue when the venue opened. More recently, the theatre invested in Robe again, purchasing Tetra2 moving LED battens and LEDBeam 350 wash beams to boost the general lighting rig.
The fixtures were delivered via Robe’s Asia Pacific office, and these lighting investments were overseen by Wild Rice’s then technical manager, Sagaya David Kanagasingam, who has worked at the theatre since 2019.
David explains that Robe T1 Profiles were first used at the Wild Rice in 2020 for a production of Peter Pan, the annual pantomime show that year, and they were specified by lighting designer Michael Chan who wanted additional key lighting for faces.
Before then, David had used them a few times at the renowned Singapore Repertory Theatre (SRT) where he had worked for many years. There he also worked with Robe’s original DL7 theatre orientated luminaires, which he was instrumental in getting into SRT’s main venue.
David and his Wild Rice team which inclu
UK - Event technology and production services company Encore has named Stefica Divkovic as managing director for Europe, the Middle East, and Africa (EMEA).
Divkovic has extensive experience driving business growth, managing operations, and transforming corporate cultures in highly competitive environments. Additionally, she has a strong focus on delivering excellent customer experiences. She previously served as the senior vice president of the EMEA region at Everbridge Inc., focusing on scaling customer and partner relationships across the region. Prior to that, she led Verizon's DACH and EMEA businesses and held senior leadership positions at other large global organisations, such as T-Systems.
“Stefica exhibits the best leadership characteristics for the managing director role in EMEA,” said Dustin Worley, SVP of international at Encore. “Her experience across multiple industries positions her to lead a complex organization across multiple cultures and languages. Most importantly, she shares Encore’s core values and commitment to customer service excellence.”
UK - Robert Juliat reports positive response to its latest new products at Prolight + Sound, Frankfurt where it exhibited alongside its long-term German distributor, Lightpower.
Robert Juliat previewed its new LED, cool white 6000K Tristan followspot for the first time in Germany. Tristan is an 800W LED high output followspot with a 7°-14° zoom range and an output to rival the 1800W Victor MSR followspot.
Unique to Tristan is a totally new feature, a motorised iris, which enables the creation of iris presets. More features include electronic dimming, local and DMX control, integrated power supply and silent operation, along with a remote display and accessories for the operator. Tristan is compatible with DMX/RDM/Ethernet/ArtNet and sACN protocols.
Equally at ease in front-of-hour, truss and backlight positions, Tristan is set to become the LED replacement for the ever-popular 1800W MSR RJ Victor.
Robert Juliat also previewed its new LED profile spot, Ravel, which marked the introduction of a new family of Robert Juliat fixtures due to come on-line later this year.
Ravel sports a new lamp house design with a reinforced body and enhanced, efficient cooling system. Designed to be compatible with Robert Juliat’s 600SX and 700SX Series profile lens tubes, Ravel’s light output is equivalent to that of 2kW tungsten profiles. Its 450W tunable white LED source guarantees the same constant brightness whatever the colour temperature, with a CRI >90.
Available in three zoom options: 16-35°, 28-54° and 11-26°, Ravel has the same
USA - The 2024 edition of Premio Lo Nuestro dazzled on many levels, not the least of which were what critics called the “historic collaborations” that were performed throughout the three-hour programme.
The Univision TV special featured reggaeton performer Don Omar doing a rendition of Danza Kuduro with pop-punk rocker Machine Gun Kelly. Then there was Mexican music sensation Carin León joining forces with country music star Kane Brown in the world premiere of their song The One (Pero No Como Yo). Camilo and Evaluna also broke new ground at Miami’s Kaseya Centre by performing their song PLIS for the first time on television.
The spirit of collaboration also drove the creative juices behind the vibrant production that supported the iconic awards show according to lighting designer Tom Kenny, who described the process this way: “Production designer Jorge Dominguez and I worked together to create multiple levels and lots of linear lines. With the help of a wonderful team, including Mark Butts, Fuji Convertino, Alex Flores, Ronnie Skopac House of Sam, and The Univision producers Uli and Uji, as well as the crews from 4Wall and Acme, we managed to pull off this huge colourful show.”
Contributing to this collaborative accomplishment was a collection of 277 Chauvet Professional fixtures supplied by 4Wall Entertainment. Positioned through the raked overhead truss structure as well as on the tiered stage deck the 187 Maverick MK3 Washes and 90 Rogue R1 BeamWashes added a dynamic flavour to the production with their rapid pan
Argentina - Tale of Us, the Italian DJ duo based in Berlin, made their fourth stop on the Latin American leg of their Afterlife world tour when they recently played Buenos Aires.
Claypaky lighting took centre stage at the Mandarine Park & Tent at Punto Carrasco on 8-9 March for the two shows.
The duo is known for curating shows that transport audiences to another dimension with artistic activations, visually impactful installations and unique soundscapes, created by themselves and a variety of extraordinary supporting artists. They launched Afterlife in 2016, a show billed as an odyssey through the realm of consciousness, an immersive experience that transcends the limits of reality.
Lighting designer Pascal Bach was involved in the design of Afterlife. For the Buenos Aires show, BALS (Buenos Aires Live Show) provided a large complement of Claypaky fixtures to showcase the one-of-a-kind spectacular.
“This type of show requires lightweight, fast and sharp beams in order to achieve a visually stunning installation that is up to standards. With Claypaky Sharpy Plus and Unicos, we were confident that this objective could be achieved without any problems,” says Hugo Mossi, commercial director at BALS.
The design specified four Claypaky Scenius Unicos, two per side, extended in lateral sections inside the stage structure. They were specially positioned to act as follow spots for the performing artists.
A further 36 Scenius Unicos, 18 per side, were mounted on each side of the lateral stage structures. They were oriented to prod
Saudi Arabia - Lighting designer Thomas Giegerich of bright! studios and ES:ME Entertainment Services teamed up to illuminate an agal art piece for Saudi Arabia's 2024 Founding Day celebration and used over 250 Elation Proteus luminaires to fulfil the brief.
The event, held on 22 February, commemorated the founding of the first Saudi state and showcased the ‘heritage and spirit of the kingdom’.
An agal, a traditional cord worn by Arab men to secure their headcloth, served as the centrepiece of the art installation, symbolising the cultural richness of the region. Thomas, managing director of bright! studios, brought his expertise to the project, crafting a dynamic light show that captivated audiences and could be seen across Riyadh.
In partnership with Alex Wuerfel, CEO of ES:ME Entertainment Services, Thomas orchestrated the intricate lighting design using Elation's IP-rated Proteus fixtures, chosen for their beam characteristics as well as their adaptability to the often harsh environmental conditions of the Middle East. Alex, a long-time collaborator of Giegerich's, recommended the Proteus fixtures.
“At this time of year in Saudi it’s more about the possibility of heavy rain than a sand storm so it was an easy choice for me to make,” stated Alex, who has relied on Proteus on similar projects across the region since 2019. “I like to use Elation Proteus with their marine grade specification because they work under all conditions.” Alex fulfilled the role of technical director for the event, with ES:ME Entertainment Services se
Europe Creators of outdoor arts events Walk the Plank has partnered with Bluman Associates to offer tailored experiences for brands and events using new tech Geolights, GPS-enabled, lightweight, sustainable and handheld lights.
Geolights can be used to create mass participation public events and connect audiences to brands. They were innovated and developed for large-scale outdoor events Green Space Dark Skies by Walk the Plank working with experts at Siemens, Core Lighting and Bluman Associates.
The aims of this new partnership combine the forces of British creativity and tech innovation to offer ‘never-before-seen spectacles that combine performance, choreography and participation’.
Handheld Geolights include GPS-enabled technology, allowing real-time location tracking and real-time content delivery. The Geolights content can be pre-programmed to a specific geographical location and the Wi-Fi show canvas can be an area similar in size to a football pitch.
Audiences can feel connected to a brand with Geolights technology enabling an experiential, collective and highly participatory event. By remotely changing the colour of the Geolights, each participant becomes a pixel within a predesigned, dynamic and ever-changing image of live shapes and forms. Filmed by drone, the forms and shapes created by individuals on the ground are recorded. This new participatory technological innovation, combined with creativity allows people to become part of the event and also the legacy of an event, through film or photography.
Walk the Plank co-fo
France - At Les Rencontres Trans Musicales (aka Transmusicales or Les Trans) The music starts at 9pm and continues virtually nonstop until morning. This process is repeated over the course of four days inside 100,000sq.m of cavernous airport hangers at Rennes Airport Parc Expo.
The festival was founded 44-years ago by Béatrice Macé and Jean-Louis Brossard, who still run the event today.
Whether it’s Iranian American trip-hop innovator Rahill, or French Israeli jazz drummer Roni Kaspi, the festival embraces a potpourri of artists for the express purpose of finding “the next big thing”. Les Trans has done quite a good job in this quest. Nirvana got what many regard as their first big European exposure at the festival, so too did Björk, Cabaret Voltaire and Daft Punk.
Future stars, as well as established artists, performing in the festival’s spacious Greenroom hanger were supported by a dynamic and colourful lightshow with all the flexibility necessary to reflect their highly individualised styles and personas. This was accomplished thanks to a skilfully crafted lighting design by Julien Trochu the LD of West Evénement, that featured a collection of Chauvet Professional fixtures.
Drawn from West Evénement’s own inventory, these fixtures included 10 Rogue RH1 Hybrids, which were used to provide parallel beams above the stage, as well as for counter lighting; and 24 Rogue R2 Washes, positioned on the periphery of the room and arranged in blocks of six. Also adding to the visual impact were six Vesuvio II RGBA+UV LED colour mixing fo
USA - With its expansion to the famed Strip, Fontainebleau Las Vegas has launched LIV Las Vegas, the city’s latest nightlife destination, which lighting designer Stephen Lieberman has illuminated with an array of Ayrton fixtures controlled by a grandMA3light console.
The LIV brand from Groot Hospitality was born at the Fontainebleau Miami in 2008. Now, its 50,000sq.ft counterpart in Las Vegas delivers high-energy entertainment to that city’s clubgoers making its 2,000 guests feel in the middle of the EDM action.
Lieberman, who is president of LA-area SJ Lighting, which specialises in production systems for nightlife and hospitality, already had designed the lighting for LIV Miami when his firm was hired to design and develop the theatrical system for LIV Las Vegas. His team worked in collaboration with BWA Architects, Rockwell Group interior designers and Sound Investment AV audio designers.
“One of the challenges was having all the designers come together from different cities and make everything look coordinated - that’s as daunting a task as the actual design work,” Lieberman explains. “The theatrical lighting needed to include hybrid fixtures, wash lights to balance the look, strobes, LED strip lights, lasers and LED video panels with a high level of automation.
“The space is very fluid with a very clean layout and great sight lines: You’re able to do a lap around the first floor and second-level mezzanine and not get stuck in a dead end,” he says. “Whether you are at a table or a bar, you’re an active participant in
USA - When the Sphere opened last fall to resounding acclaim at the Venetian Resort Las Vegas, another eye-opening yet distinctly intimate entertainment venue made its debut at the same resort, Voltaire. Presented as an entirely new kind of entertainment space, Voltaire features architectural and theatrical lighting by renowned design studio Lightswitch, with Elation luminaires playing an essential role in crafting its atmosphere.
“I think it’s interesting to compare and contrast those two modalities, two totally different experiences and two ways of thinking about entertainment,” Lightswitch principal John Featherstone says of Sphere and Voltaire. “Both venues offer experiences pushed to the extremes, one a massive edifice of technology that immerses you in a grand experience, and the other a beautiful, small, intimate space that offers a remarkably personal experience.” There is a need for both, he emphasises, so that people can curate the kind of experience they want.
Lightswitch were brought to the project by award-winning environmental and scenic designer Derek McLane, a frequent Lightswitch collaborator. Lightswitch curated a one-of-a-kind aesthetic for Voltaire, drawing upon their expertise in architectural lighting design, theatrical system design, and entertainment creation. Norm Schwab, principal at Lightswitch’s San Francisco office, collaborated with Featherstone on the cross-disciplinary project.
Voltaire is fashionably chic. Guests are enveloped in an opulent, art-deco-inspired ambiance, complete with plush furnishings and
Germany - Alongside celebrating its 30th anniversary CAST Group of Companies will unveil its latest innovations including the wysiwyg 2024, and BlackTrax's new MiniBeacon Wave.
Enriching the Visual Design Experience with Wysiwyg 2024 Exclusively at ProLight + Sound, CAST will be sharing previews of wysiwyg's Release 2024 features and enhancements that are ‘set to open new possibilities for lighting and production designers’.
The new MiniBeacon Wave is the latest addition to BlackTrax. Engineered to guarantee seamless integration and maximum versatility, the MiniBeacon Wave features compact design and user-friendly interface. One of its key features is the ability to quickly attach stringers (tracking points), streamlining setup and reducing the load on belt packs.
"This year represents a significant landmark for CAST, as we commemorate 30 years of pioneering innovation in April,” says Stuart Green, CEO, CAST Group of Companies. “We look forward to connecting with both long-standing members of our community and new faces alike, as we showcase our latest advancements in wysiwyg and BlackTrax at ProLight+Sound.
“We are profoundly thankful for our exceptional team, whose persistent commitment and hard work have been crucial in achieving this milestone. Our gratitude also goes out to our broader community of clients and partners, whose valuable insights and support have been essential in shaping the future direction of our offerings. This achievement is as much a testament to their contribution as it is to our own, and we are excited t
Germany - The era of Germany’s Weimar Republic was marked by compelling imagery that can never be forgotten by those who lived through it or studied it. The haunting aura of those years is palpable in Babylon Berlin, the series on Sky Deutschland that is set in the German capital in the waning days of the republic.
The gripping power that has made the TV series so unforgettable runs through the three Babylon Berlin Live in Concert performances that took place at the Theater des Westens. Part of the TingelTangel concert series, this stirring performance by the Baltic Sea Philharmonic, transports audiences back to the Weimer era musically and visually.
Amplifying the impact of the concert for live audiences, as well as for those who watched recordings later on television, was a nuanced lighting design by Jerry Appelt of Appelt Lichtdesign that featured 12 Chauvet Professional COLORado PXL Curve 12 fixtures arranged across the edge of the downstage deck.
Appelt used the pixel mappable batten with 12 individually controlled RGBW heads to fill a variety of roles in his design. “We needed a fixture that was capable of lighting the orchestra from a downstage edge border lights position in addition to providing show- effect lighting in the direction of the audience and cameras at the same time,” he said. “The individual tilt and zoom capabilities of this fixture gave us that exact opportunity.”
Given the historical theme of the concert, Appelt paid careful attention to selecting redolent hues that evoked images of the Weimer era. “We focus
Luxembourg - After an absence of 31 years, Luxembourg marked its return to the Eurovision Song Contest 2024 by staging the precursor Luxembourg Song Contest event, organised and broadcast by RTL and featuring Claypaky lighting fixtures.
Prior to 1993, Luxembourg had participated in the Eurovision Song Contest 37 times, winning on five occasions. But after a poor showing in 1993, Luxembourg was disqualified from competing the following year then opted out of the event until the announcement of the country’s return last year. The national entry for Eurovision’s 2024 competition was to be selected through a televised final.
The final round show and the concluding super final, narrowed down to just three contestants, were held 27 January at the Rockhal in Esch-sur-Alzette, Luxembourg. The show was broadcast on RTL Tele Letzeburg, as well as on the broadcaster's radio stations, RTL Radio Luxembourg and Radio Today, and several online platforms.
Creating the Luxembourg Song Contest proved to be an international effort with Zagreb, Croatia-based Ivas Group producing the show for RTL, providing a turnkey solution with lights, video, audio, trusses, hoists and the entire production crew. Daka Azulay, from Lightvision Lighting Design in Tel Aviv, served as the lighting designer.
Azulay chose a large complement of Claypaky fixtures for his design, which enhanced the visual impact of the show for eager fans happy to see Luxembourg back in the famed Eurovision competition. The rig boasted 205 compact, lightweight Claypaky Sharpy X Frame multi-function
Spain - Rock Circus Volume 2 - a completely new version of this performance concept - returned to the stage at IFEMA in Madrid, produced by Productores de Sonrisas, choreographed by Albert Sala and lit by Juanjo Llorens with a set design by Anna Calvo. The show meshed the thrills of extreme circus with a string of ‘inspiring and monumental rock anthems’.
Ten dancers, an 18-piece rock ‘n’ roll band and over 100 Robe moving lights brought the performance to life, embracing 40 musical moments from artists like AC/DC, Kiss, Metallica, Miguel Rios, Iron Maiden, GNR, Led Zeppelin, The Rolling Stones, Tequila, Queen, David Bowie, Rosendo and more.
Having lit the first Rock Circus edition in 2022, Juanjo once again enjoyed working collaboratively with a creative team including video designer Romera Infografía and technical director Flavio Bañuelos alongside producers Manu & Rafa González. They combined minds and imaginations to choose the best themes for several different eras of rock history that were covered in the show.
Lighting was developed in a theatrical style that blended the precision and drama of circus performance with the emotion and power of rock music.
Juanjo explored the relationships between the various music genres - hard rock, heavy metal, rock ‘n’ roll - and daring circus acts, a process that evolved more into a musical show aesthetic than a circus.
Recalling his experience and knowledge of working in big top venues and understanding challenges and nuances presented for rigging and fixture placement, the si
Europe - ColorSource PAR jr is the newest addition to the affordable line of ETC fixtures that has become a staple in venues around the world. A complement to Spot jr, PAR jr boasts a similar feature set and includes a four-colour red, green, blue and lime array.
The fan-free, convection cooled design makes this luminaire ultra-quiet. And at nearly half the weight and half the price of a full-sized ColorSource PAR, PAR jr is designed for venues of all sizes.
This wash light is available in two array options. The Original array provides subtle pastels and beautiful white light to enhance skin tones. While the Deep Blue array is for anyone needing more saturated, dramatic colours. Like all ColorSource fixtures, PAR jr includes ETC’s colour integrity technologies.
Germany - Avolites showcases its new and latest technology at this week’s Prolight & Sound show in Frankfurt.
The main attraction for the Avolites stand (D28, Hall 12.1) at this year’s show will be the new Diamond 7 (D7) console, the next in the line to the flagship Diamond 9 (D9) console. “This initial product launch allows us to gain valuable feedback from lighting designers and operators, as well as extensive product testing over the festival season,” says the company. The full product launch, with all the product variants is planned for end of this summer. The Frankfurt stand will see two variants, D7-330 and D7-215, the three and two screen variant with 30 and 15 faders respectively, and available for individual demonstration.
Key product features of the new D7 include a new clam shell screen panel and locking mechanism. The console control surface follows the Diamond 9 design language. The D9-215 fits into a standard Peli-Air case and is under European 23kg aircraft hold weight limit.
Titan version 17, the latest of our popular lighting control software, will be released on 19 March and running on all the consoles on the Avolites stand. The main focus of v17 has been to greatly enhance the user experience and to further optimise performance, which will allow for a greater experience on larger shows as well as during longer programming sessions. This will be followed closely with a new version of the remote app, for both Android and IOS.
Media software application Prism will also have its first licenced version: Prism One, a
Germany - Robert Juliat will be exhibiting at Prolight+Sound, Frankfurt in its familiar position in the Lightpower Village in Hall 12.0, Stand C60.
Fresh to the stand, RJ will be previewing its latest followspot, the new LED, cool white Tristan with a 7°-14° zoom range, which is set to become the LED replacement for the popular 1,800W MSR Victor.
RJ’s Sully 4C profile will also be demonstrated on the stand: visitors will be able to have the full hands-on experience of the fixture and free rein of the controls to discover RJ colour. This software platform makes the Sully 4C fixture user-friendly while offering a wide set of features and controls.
Finally, RJ will also be previewing an exciting new LED profile spot which will mark the introduction of a new family of Robert Juliat fixtures later this year.
Germany - Ayrton will be exhibiting at Prolight+Sound this week (Stand D75), where it will be revealing two new products in its Multi Source 6 Series and Creative Solutions range: Kyalami and Nando 502 Wash.
Kyalami is a new laser-sourced, IP65 rated fixture inspired by the multiple award-winning MagicDot. First released in 2015, MagicDot sold by the thousands within months, and still inspires creativity. Nine years later it has given birth to Kyalami, the first IP65 laser source luminaire in the Creative Solution series.
Devised for architectural graphic effects, Kyalami is an ultra-compact luminaire with great creative potential. Its essential performance capability is based on its design, extreme miniaturisation, and a minimalist cylindrical footprint that allows multiple luminaires to be installed only a few centimetres apart.
A sphere of just 265mm incorporates Kyalami’s 100W laser module, cooling system and optics, while its 126mm front lens positioned in the continuity of the sphere provides Kyalami with a unique visual signature.
Kyalami’s proprietary three-lens optical system produces an intensive 1° beam and an extreme range of focus that permits the beam shape to be adjusted according to the operating distance.
Kyalami delivers a record luminous flux of 400,000 lux at 10m from its next generation speckle-free laser source, which is designed for rendering a D65 white point that allows perfect colour reproduction. A highly innovative colour section includes a high-definition progressive CMY colour mixing system and a mul
UK - The ALPD has announced the successful candidates for their Design Lumière and their Production Lumière for 2024. This is the first year in which the ALPD has been able to offer a Production Lumière placement to complement its successful Design Lumière programme.
A pathway scheme for emerging lighting designers, the Design Lumière Scheme gives the successful candidate valuable experience of working professionally as an assistant lighting designer for six months and the Production Lumière for four months. For both Lumières, the scheme begins with time spent at Glyndebourne.
The Production Lumière this year, Ellen Butterworth-Evans, is already at Glyndebourne and will continue there until mid-April, when she then spends four weeks at Regent’s Park Open Air Theatre and two weeks at Lamp & Pencil.
The Design Lumière for 2024 is Imogen Clarke. Imogen will spend three months at Glyndebourne followed by a further three months, when she will work with several different lighting designers on a variety of productions.
Imogen started out as an apprentice at Fairfield Halls, moving to Richmond Theatre and then The Peacock Theatre to work full time. As a freelancer, she works across dance, theatre, musical theatre and ballet as well as site specific projects wearing lots of different hats.
“I'm over the moon to become this year's Design Lumière and gain the opportunity to develop my craft and learn from working alongside the brilliant designers across this year's scheme. I’m greatly looking forward to beginning the course
Australia - Robe Lighting has acquired LSC Control Systems in Australia, a move that sees the Czech Republic lighting manufacturer further consolidate its portfolio of leading lighting and control brands.
This move follows the purchase of console manufacturer Avolites in September last year.
“We’re delighted that this opportunity arose - it is hugely exciting, and we look forward to a long and positive collaboration,” says Robe’s CEO Josef Valchar. “It will allow us to offer the best complete lighting and control turnkey solutions to our customers and their clients and projects across all sectors.”
As well as diversification, it also gives Robe a manufacturing base in Australia, in addition to its facilities in central Europe and the UK.
LSC’s founder and managing director Gary Pritchard adds: “LSC will gain access to greater investment and resources, and working through Robe’s renowned worldwide distribution network we can reach more global and diverse markets in turn stimulating greater opportunities for creativity, expertise, business and action for all of our team.”
LSC’s operation, which started over 40 years ago in Melbourne and has grown into a trusted and respected specialist brand well-known for inventive technology, will continue functioning exactly as it is now.
Gary sees the move as an affirmation of the company’s value. “An organisation of Robe’s stature wanting LSC onboard is a sign of confidence that also tells the world that LSC will continue doing what we do best - both now and well i