World - Registration for Virtual Showlight is now open. Tickets for the unique online event can be secured via Hubilo, here. Tickets are free of charge but delegates are encouraged to make voluntary donations when registering, as all proceeds will go to support industry charities Backup and Behind the Scenes.
The event will be hosted on behalf of Showlight by MaxLive Events and takes place on 25 May between 15.00 BST and 23.00 BST.
“We have an exciting programme of speakers lined up for your entertainment and education,” say the organisers. “These will be interspersed by a number of ‘Video Shorts’ - short stand-alone papers, some of which will be forerunners to the full Showlight event that we hope will resume next year. A discussion panel of international speakers will focus on the issue of diversity in the lighting industry. In between sessions, there will be a number of breakout rooms, hosted by our sponsors, which delegates can enter to view and discuss sponsors’ products and services, and a networking lounge for general mixing and mingling.”
The organisers continue: “We would like to thank our generous sponsors whose donations have enabled Showlight to cover the cost of this virtual event, allowing the maximum of delegate donations to go direct to the charities. Robert Juliat is our headline sponsor, and is joined by Ayrton, ACT Lighting, Inc., Altman, ARRI, Claypaky, Copper Candle, ETC, Robe and Vectorworks. Virtual Showlight is also supported by
germany - Wireless LED lighting specialist Astera has launched a new AX2 PixelBar product - a linear wash fixture with wireless control, onboard battery, individually addressable LEDs, ultra-high colour rendering, fabulous digital colour calibration and a 21-degree beam.
The AX2 is fully wirelessly controlled, robustly engineered, stylish and comes complete with a range of rigging tools to provide solutions for multiple lighting applications and sectors - from concert touring to live events to TV productions and architectural and installations.
The AX2 PixelBar is an extension of the Astera AX range which includes LightDrops and LED PARs. It is currently available in two versions, a 1m fixture with 16 x 10W LEDs and 50cm fixture with eight 10W LEDs.
It was developed to meet demand for wall, backdrop or surface washing luminaires offering the same highly practical and quality lighting options as other Astera products and is compatible with the AX and Titan ranges.
Premium optics focus the lightsources and colour mixing, and homogeneity ensure a ‘smooth even wash of light across its entire path’.
Utilising Astera’s Titan LED light engine, the AX2 features a high CRI and TCLI and can produce a range of colour temperatures from 1750 to 20000 Kelvin. The digital calibration allows it to precisely reproduce any colour or gel filter.
The quick connect system for attaching two or more units is designed to maintain a consistent pixel pitch between conjoined fixtures, and the feet can be loosened to assist in angling a row of AX2s un
Australia - Working as the creative directors and producers of the 2021 Parrtjima Festival, AGB Events, produced and delivered a travelling installation on The Ghan for NT Tourism.
The official opening night was on 9 April, but the celebrations actually began earlier that week, with the famed locomotive The Ghan - a 900m luxury train that travels the 2,797km (1,846 miles) stretch between Darwin and Adelaide.
Three of the train's carriages were wrapped in Aboriginal artist Chantelle Mulladad’s work Crossroads. The artwork was used in the external and internal dressing of The Ghan carriages, and features in the Merging Kultcha installation at Parrtjima.
Turning a whole carriage into a travelling Parrtjima light installation, AGB Events utilised digital imagery from the 2019 Ranges Show, a light and sound spectacular projected onto 2km of the MacDonnell Ranges. This was projected onto a wall the entire width of the Ghan carriage measuring 2.7m x 1.6m high with interior printed graphics measuring 16.7m x 17.15m each side, and was enriched by an epic musical composition and narration.
The 10-minute show included a welcome from AGB First Nation’s Advisor and Parrtjima Curator, Rhoda Robert AO and was narrated by Australian actor Aaron Pederson and Benedict Kngwarraye Stevens. The lighting designer was Richard Neville and was supplied by MPH Australia and Mandylights. Musical composition and sound design was delivered by Damian Robinson and supplied by the Central Australia Aboriginal Media Association (CAAMA).
AGB Events worked
USA - An artist whose career has been fuelled by his tight connection to fans, Josh Turner creates his own brand of magic when performing before audiences, something he’s rarely been able to do since the pandemic struck. But recently, the Grammy-nominated, chart-topping country star got to savour the live concert experience, as he played socially distant shows in Florida and Georgia.
Helping him feed off the crowd at both stops was an engaging, upbeat Mason Felps lighting design that featured warm white audience light created with a collection of Chauvet Professional STRIKE 4 fixtures that were flown across the upstage truss.
“Josh really likes to see fans at his shows,” says Felps. “It’s part of the bond he has with them. So, of course we wanted to include audience lighting in the rig, especially during these times when the fans have to be separated. The STRIKE fixtures are very bright with warm light, which is just what we wanted.”
Like the other fixtures in Felps’ rig, which included 24 Maverick MK2 Spots and 16 Maverick MK3 Washes, as well as Rogue R2 Washes, and Vesuvio RGBA foggers, the four STRIKE 4 units were supplied by ESI of Tampa.
Felps used the LED movers in his rig to create a range of intense colours on stage, from deep cherry reds, to softer pastels, to dark evocative hues. Having the broad palette, not only helped him convey different moods in light, it also added a special, almost celebratory, quality to the show, reflecting the spirit of fans who were happy to be at a live concert again.
For some of Turne
Sweden - Melodifestivalen - ‘Mello’ for short - the annual competition to select the Swedish Eurovision entry is organised by Sveriges Television and is a phenomenon in itself. In recent years, it has been a touring show visiting six key cities, but due to COVID restrictions, this year the six rounds - four heats, the ‘second chance’ and the final - were staged in one place, the Annexet arena in Stockholm, part of the Globe complex, and broadcast live on STV1.
It was lit - for the 20th time - by Fredrik Jonsson who utilised 200 Robe moving lights and four RoboSpot systems among other fixtures on the rig.
Taking this fund of experience into account, Fredrik always relishes the challenge of making Mello look fresh, exciting and fun each year and 2021 was no exception,
offering the rare opportunity to work in what was effectively a very large studio space without an audience, which opened new doors for technical experimentation.
Fredrik once again worked closely with set designer Viktor Brattstrom, another long-term member of the Mello creative team. The two enjoy a great imaginative synergy, and usually start throwing ideas into the mix the previous summer and autumn.
Video content was supplied by Green Wall Designs, another regular collaborator, who had their content wranglers onsite together with a disguise operator.
With a trim height of around 10m - and without the limitations of having to tour the rig - the circumstances gave rise to an idea floating around for some time which involved integrating a roof into the se
World - When show producers welcome throngs of enthusiastic Harry Potter fans to the live stage production of Harry Potter and The Cursed Child, they want to immerse the audience in a show experience like no other. Based on an original story by J.K. Rowling, Jack Thorne, and John Tiffany, Harry Potter and the Cursed Child is the eighth story in the Harry Potter series and the first official Harry Potter story to be presented on stage.
With demanding production requirements, show producers turned to multi-award-winning sound designer Gareth Fry, and his experience with technologies from d&b audiotechnik, to cast a spell over the audience.
“There's a big responsibility when you're working with such iconic characters and stories; the audience has a strong, emotional attachment to what's happening on stage,” explains Gareth Fry. “With such an invested audience, we're under pressure to produce the best show we can. There are big, epic scenes with lots of characters, and then there are also very quiet scenes where it's just two people talking - we need to make sure every seat in the house hears everything perfectly.”
Fry says that the director, John Tiffany, demanded that the sound quality be exceptional and that every production in each location have the same level of quality as the London production, or better. This means Fry and the team needed a sound system that could not only deliver the required quality and control to cover every seat in the house, but also flexible enough to work within a wide variety of theatres around t
Italy - Prolights has launched its new flagship - Astra Beam260IP, an IP-rated moving beam light, designed for any outdoor or indoor application.
The Astra Beam260IP includes a new lamp, made by Osram. The Sirius HRI 260W PRO lamp has a long-life span of 6,000 hours that, combined with a completely sealed enclosure, brings a near-zero maintenance cycle, reducing operating costs like cleaning and re-lamping. The Astra Beam260IP produces a parallel 2°, high-contrast, pure beam of light with an extraordinary output of half a million lux at 10 meters.
The fixture has a rugged and completely sealed chassis made of alluminium alloy, with internal components treated with an IP coating, providing real IP65 water and dust-tight design for lasting outdoor applications. Since it is completely sealed, the fixture doesn't require regular internal cleaning or service.
A wide choice of control options is offered, including DMX & RDM in/through, Wireless DMX & RDM, and Ethernet protocols such as Art-Net and sACN in/through.
USA - Last month, Obsidian Control Systems made available a comprehensive training video series covering its full-featured NX4 lighting console and Onyx lighting control platform. Now the lighting control brand has launched a corresponding training video series covering the smaller yet fully capable NX2 lighting controller.
The NX2 training series is an opportunity for any lighting enthusiast to get behind the desk and add to their craft. Hosted by David Henry of Learn Stage Lighting, nearly two hours of content is condensed into short, segmented videos to watch at your own pace.
The NX2 training series is available at obsidiancontrol.com/nx2-video-training.
All Obsidian lighting controllers run the uncomplicated lighting control software Onyx, available for free download from obsidiancontrol.com. ONYX scales from the smallest shows to the largest touring productions and fully integrates Obsidian’s artistic Dylos pixel composer.
Germany - Rapper Apache 207 holds nothing back in Angst, a song of alienation, isolation and fractured relationships. This is reflected in the recently completed video for the song.
Drawing on the brooding aura of its physical setting, Babenhausen Kasserne, an abandoned and desolate former military base that was built 120 years ago, the video evokes a haunting air of mystery. This quality is accentuated by Adrian Schmidt’s lighting design that he powered with his ChamSys MagicQ MQ500 console.
Throughout the video, Schmidt creates wave after wave of lighting intensity that includes towering aerial effects, brilliant white flashes, and cascading ‘waterfalls’ of light. Helping him navigate his way through this vortex of looks was his trusty console.
“I have worked with ChamSys for over 10 years now,” he said. “It’s a very stable desk that I know I always can rely on. With the MQ500, my work is made much easier because of its very intuitive layout and easy timecode programming. I am also a big fan of the MQ Track.”
During the production of the Angst video, the MagicQ MQ500’s reliable, rugged design was especially appreciated because of the high humidity and cold temperatures.#
“All the features of the ChamSys helped me in this project, as we had limited infrastructure, a huge (113m x 85m) area, and long cables for data transmission via ArtNet,” said Schmidt. “We also had very little time for setting everything up, as the sun went down at 5 pm. My console performed flawlessly through it all.”
USA - Much has been written about how the trend toward online and virtual options that was already taking place before the pandemic accelerated mightily in 2020. Church of the King, a dynamic house of worship outside New Orleans, provides proof of this phenomenum in action.
Prior to the coronavirus, well over 7,000 people were attending services every weekend at Church of the King, as they had been for years. But recently, a growing number of additional worshippers were also connecting to the multi-campus house of worship via livestreams.
As a growing number of its congregants turned to the internet during the lockdown, the church decided to make its services more camera-friendly without detracting from the in-person experience. This March, Church of the King achieved this goal when it completed a lighting upgrade that featured Chauvet Professional LED fixtures.
“Our goal when upgrading the lighting rig was to create a really good, colourful and engaging fill in background for our online broadcasts,’ said Phillip Braddock lighting and central support director at Church of the King. “For some time now, we’ve seen a growing interest in our broadcasts, so we wanted to improve the look and experience for online worshippers.”
In addition to seeking to provide realistic and vividly coloured backgrounds, the church wanted any lighting upgrade it did to add to its design flexibility, according to Braddock. “This was critically important,” he said. “We really wanted be able to fill camera shots with a wide variety of interesting dynami
France - GLP’s JDC Line was out in force when massive French band Indochine began celebrating its 40th year by playing an exclusive broadcast show at L’Espace Niemeyer in Paris recently.
This historic event was an isolated, audience-free gig for the French radio channel RTL2, which was broadcast on air and online - and is also now available on YouTube.
“This was a very special place,” says lighting designer Jean-Christophe Aubrée. “The building was designed by Oscar Niemeyer, and the band was playing in the main area - which is a big underground white dome, with a ceiling made from thousands of metallic fins hung all over the ceiling. Performing in a space that normally function as a 300-person conference room created such a beautiful and unique raw atmosphere.”
The artistic direction is driven by the band’s frontman Nicola Sirkis. “His brief was to animate the domed ceiling as a galaxy, bringing even greater dimension to this awesome place,” continues Aubrée. “Nicola was looking for a very neat and straightforward setup, avoiding the risk of transforming the venue’s atmosphere into something more technical.”
The LD specified 10 of GLP’s new JDC Line among a small array of fixtures, all of which were floor mounted.
The fixture itself is another of GLP’s popular hybrids, combining a powerful strobe line with an LED pixel mapping stick, mixed by a special 500mm lens tube.
“I was originally introduced to the JDC Line by [GLP’s French representative] Bruno Souchard in November 2020 during a demo of up
Qatar - Postponed until 2021 due to the coronavirus pandemic, the FIFA Club World Cup Qatar 2020 was recently held with Qatar Vision Production Company (Qvision) producing and delivering the infotainment for all matches played at Ahmad Bin Ali Stadium and Education City Stadium, as well as developing, producing and managing the presentation ceremony.
Claypaky Scenius Unico, Hepikos and Sharpy Plus fixtures played key roles in the Qatar Vision productions, which included synchronised light-and-music shows before each match and the final ceremony crowning Bayern Munich as champions.
The FIFA Club World Cup Qatar 2020 was the 17th edition of the FIFA-organised international club football tournament between the winners of the six continental confederations, as well as the host nation's league champions. However, only six teams competed in the tournament because of New Zealand’s withdrawal due to their country’s COVID-19 quarantine measures.
“Claypaky has a wealth of products suitable for any kind of lighting show whether it’s a large- scale stadium show or ceremony, corporate event or launch, small event or wedding - Claypaky has everything you need,” explains Sharif Hashisho, managing director of Qatar Vision who served as executive producer/artistic director of the shows.
“Claypaky fixtures are very reliable products when it comes to show business. Working with products that will not fail during a show was an important factor in our selection,” he points out. “In addition, Claypaky has the brightest lights available in the market
The Netherlands - Emerging victorious after an extensive tender period, Dutch supplier Ampco Flashlight has been selected to supply audio, lights and rigging for the 65th Eurovision Song Contest to be held in the Rotterdam Ahoy Arena in May 2021. After being postponed in 2020 due to COVID-19, preparations are already in full swing for the live 2021 broadcast.
Dick van Berkum, CEO Ampco Flashlight comments: “We are extremely pleased and proud to be able to cooperate -after a one-year delay- on this unique worldwide event, organised and supplied by Dutch professionals. It is an honour that after ESC Lisbon 2018, where we supplied lights and rigging, we have now been selected as supplier in Rotterdam, adding audio to the portfolio.”
Ampco Flashlight, based in Utrecht, has been a leader in professional lighting, sound, rigging and motion for almost five decades. Besides the Eurovision Song Contest, the company works for the North Sea Jazz Festival, Lowlands Festival, The Voice of Holland, A State of Trance and many other festivals, shows, tours, television shows and corporate events.
The Eurovision Song Contest 2020 takes place in Rotterdam with 41 contestants. Semifinals are scheduled on May 18 and 20, with the final broadcast on May 22.
More than 180 million live television viewers combined with state-of-the-art show technology make ESC one of the biggest and most widely covered TV shows in the world. Dutch organisers NPO, NOS and AVROTROS cooperate with European Broadcaster EBU.
Van Berkum adds: “There is no doubt that the Eurov
The Netherlands - Elation continues its informative and entertaining Coffee Break presentation series on 15 April with a thorough look at the two latest luminaires in the company’s popular Key Light (KL) Series: the KL Fresnel 8 FC and the KL Par FC, both theatrical and broadcast grade luminaires.
The KL Fresnel 8 FC and KL Par FC high-quality wash luminaires offer full-spectrum LED engines for a wide array of soft field saturates and pastels, including tunable white light. “Ideal for broadcast environments, film, theatre or any production requiring outstanding colour quality, they offer colour rendering of the highest quality and meet the strict standards of performance venues that are light critical and noise sensitive,” says Elation.
Join Alistair Smyth and Frederik Afif live on Thursday, 15 April at 11:00am CEST. Tune in at www.facebook.com/ELATION.Pro.Europe/live/.
The Elation Coffee Break is an online presentation series from Elation’s European office in Kerkrade, the Netherlands that takes an up-close look at some of the company’s most popular product series. To view previous Elation Coffee Break webinars, please visit www.facebook.com/ELATION.Pro.Europe/live/.
UK - Calibre UK has introduced the LEDFusion Pro direct view line of LED displays.
LEDFusion Pro will be available to market in the second half of 2021 in the APAC region, and in two sizes and differing pixel pitches catering for most viewing distances - 130-inch 1080p (1.5 pitch) and 163-inch 4K (0.9375 pitch).
“Calibre takes installation professionals on a brand new adventure which begins with the LEDFusion Pro,” says Willy Tsai, managing director at Calibre UK. “LEDFusion Pro addresses specific trends in today’s business workflows – specifically the increasing importance of colour accuracy, performance, versatility, connectivity and low cost of ownership. Fusion Pro is designed for sharing ultra-realistic graphical images with a sharpness and clarity that is unmatched by any other display solutions. Bringing the LEDFusion Pro to market will increase installation efficiencies as well as provide a better return on investment for users.”
The Fusion Pro LED features “greatly enhanced colour reproduction and dynamic imaging” thanks to it’s newly developed UltraX image processing engine, driver and LED controller. With this, colour saturation and accuracy, optimal image processing and connectivity can intuitively be applied to the screen in any installation space.
Global Colour Calibration allows users to control LED brightness from 0.06 nit compared to 1 nit of other competing displays. LEDFusion Pro has a contrast ratio of 10,000:1 and produces images near to 100% of the DCIP3 colour space that is commonly required by high-end
USA - The past 12 months challenged the AV industry in new ways, particularly when it came to sustaining and supporting partners and customers. LEA Professional saw the difficulties faced by system integrators and worked to connect with them and support their business through the use of cloud technology. Now, with the benefits of the cloud firmly embedded in the minds of industry stakeholders, LEA Professional expects there is no going back.
“Integrators have been able to navigate the ever-changing environment by capitalising on proven, robust cloud technology from global leaders, such as Amazon Web Services, to provide continued support for customers and partners. It’s made it easy for integrators to help customers through various work-from-home situations and to navigate social distancing and other health protocols,” said Blake Augsburger, founder and CEO LEA Professional.
“The advantages of cloud technology have been reinforced in the minds of system integrators over the course of the last few months, and now we’re at this critical moment where cloud technology has gone from a ‘nice-to-have’ to a ‘must-have’ for the future of the industry - the next generation of system integrators won’t know life without the cloud.”
LEA Professional is one of the first in the industry to create a cloud platform that allows complete control and monitoring functionality. This provides systems integrators with powerful, reliable and secure remote monitoring and control capabilities across their entire line-up of IoT-enabled amplifiers. The clo
USA - When Grammy winning vocalist Judith Hill shot a promotional video for the Elans Artists agency in March, the soaring quality of her sound was reflected in light, courtesy of a See-Hear Productions designed and supplied rig that included 33 Chauvet Professional fixtures and 89 F4IP video panels, along with some supplemental units from RZI Lighting.
Tony Milliet ran the rig for the four-day filming session with his ChamSys MagicQ MQ80 plus two extra wings, using his console to create a steady stream of bold looks that, like the music of this uniquely talented artist, conveyed an unbridled sense of energy.
“We had a lot of songs that needed to be shot in just four days,” said Milliet. “I was only given a few tracks ahead of time. I was able to build cue stacks for those songs. All of the other songs were done on the fly. Being able to come up with new looks was a fun challenge. Throughout the sessions, we used our Mavericks to create a wide range of dramatic effects - backlighting with split beams, silhouetting, and creating a lot of gobo patterns that came off well on camera and captured the spirit of the artist.”
Milliet credits his console with helping him manage the wide array of looks.. “I have been using ChamSys for 12 years and love the versatility and dependability,’ he said. “The MQ80 allowed me to build and edit cues and Fx quickly. The Exec page worked perfectly for all the busking I had to do. Even by day four, I was able to bring up new looks that fit the mood.”
Creating many of those looks were the rig’s 14 M
South Africa - It’s a new season for the Tshwane University of Technology (TUT) in Pretoria who rode the Covid-19 wave and have turned their Performing Arts Diploma curriculum upside down with a different approach. The students are currently working alongside technical supply company MGG, to host a virtual stage, which will also be recorded for external examiners.
“We are very excited to announce that all previous departments that worked within the Performing Arts have now merged into one Department of Performing Arts (DPA),” comments Janine Lewis, professor and HOD at TUT. “The six programmes we had before are being phased out while first-year students will now follow the new multi-disciplinary Diploma in Performing Arts and then go into a discipline stream of speciality where they can focus on Dance, TAD (Theatre, Art & Design which includes performance and technical), or Music incorporating opera and jazz.”
While students may know what they want to specialise in, the first year sees them all participating in the same classes. While technicians learn what it’s like to be a performer, performers gain an understanding of lighting and know where to stand on a stage, and how to sew on a button if need be! More importantly, the various departments now collaborate and work together instead of running as separate entities.
Part of the shift was initiated by the Covid-19 pandemic. “2020 was the best year and also the worst year,” says Hardus Koekemoer, a technical lecturer. “It was the best year as we discovered all the technologies
Germany - To light the 30m-high glass atrium of the Cologne Cinedom multiplex cinema, architectural lighting specialists Kardorff Ingenieure Lichtplanung chose Robe moving lights and Anolis LED floods to be at the core of a new lighting scheme to upgrade this impressive public area.
Cologne Cinedom was opened in 1991 and is one of the largest movie theatres in Germany with over 3,000 seats and 14 screens, located at the MediaPark in the Neustadt-Nord district of Cologne.
Jan Wichert was the lead lighting designer for Berlin-based Kardorff Ingenieure who were commissioned by the venue to re-light the atrium. The client already had some clear ideas about what they wanted, so Jan and his team added their imagination and expertise and worked closely with interior architects Maas & Partner to create a versatile new contemporary energy and cost-efficient installation.
“The client wanted dynamic and mood changing lighting that could be varied or changed to suit different movies or other events for which the space might be used,” explained Jan, adding that especially for regular visitors, they wanted to be able to change up the atmosphere and look. Their objective as lighting designers was to make the building look attractive from inside and out.
The atrium had two main architectural features.
The first is a four-storey high ‘media wall’ – covering approximately 1000sq.m – that was previously painted with movie star images through the ages. While the architects had initially mooted the idea of having morphing projected images,
UK - The Vitec Group has announced the acquisition of LED lighting technology provider Quasar Science. The business will become part of the group’s Production Solutions Division alongside Litepanels, the supplier of LED lighting panels for television lighting and cinematography acquired by the group in 2008.
“This acquisition is in line with Vitec’s strategy to drive growth by increasing our addressable markets and expanding our higher technology capabilities”. Said Vitec Group CEO, Stephen Bird, “Having the well-respected Quasar team within our portfolio, with their flair for new product development, on-set experience, and industry networks, will enhance our position as a leading player in the growing LED lighting for broadcast and cine market.”
Quasar Science products are used in professional large-scale film and television production as well as small scale new media markets. Popular with professional cinematographers, videographers and photographers, the brand has grown rapidly due to affordability, superior quality and design as well as renowned customer support.
“Quasar Science products are highly complementary to our Litepanels brand,” said Nicola Dal Toso, chief executive, Vitec Production Solutions. “There are growth opportunities to sell Quasar Science products through our global sales and distribution network, and to utilise their expertise and network to grow our Litepanels business in the cine market. Quasar Science will also benefit from Vitec’s marketing, manufacturing, and supply chain capabilities.”
Sweden - Interlite AB has been appointed the exclusive Swedish distributor of ChamSys products, including the MagicQ and QuickQ series.
“We are big believers in product training and demonstrations, “said Tobias Johansson, a 20-year industry veteran and brand manager of ChamSys for Interlite AB. “The commitment ChamSys has to service fits perfectly with our own philosophy.
“ChamSys products excel from the mid to the top range of the console market. Their powerful and user-friendly features have earned them a great reputation.”
“Interest in our MagicQ and QuickQ consoles has been expanding rapidly in Sweden,” said Aziz Adilkhodjaev, international sales and business development manager for ChamSys. “Having a company with the core values of Interlite AB represent us in that market will ensure that we are able to maintain the highest standards of service in Sweden as our business there grows. Great possibilities lay ahead in Sweden and we’re all very excited.”
Qatar - Qatar Vision (Qvision) partnered with VLS to produce a spectacular eight-minute projection mapped light show featuring the internationally-known animated characters, the Anooki. The event at the Qatar Foundation in Doha required an installation of 60 Claypaky K-EYE K20 HCR LED wash lights to illuminate Penrose House in Education City.
The Inuit-inspired Anooki characters were created by David Passegand and Moetu Batlle, founders of the French interactive design studio, Inook. The playful, parka-clad boy and girl spawned a brand and have become stars of video mapped shows worldwide. The environmental sustainability theme of the show in Qatar was particular close to the characters’ hearts: Their creators explain that since the Anooki’s house was melted by global warming they now travel the world discovering different cities.
The Anooki event spanned six days and was open to the public who pre-registered and observed COVID-19 protocols. Six-metre high inflatable Anooki characters were also installed around various Education City buildings. It is estimated that more than 7,500 people participated in the experience during its run.
For the show, the Qatar Foundation was transformed into a nighttime playground for the Anooki despite the pair’s serious environmental message. When the Anooki star in their award-winning projection mapped shows the animated characters play with the architecture of a building and react to the musical score doing things like racing across and climbing façades, peeling walls like old wallpaper, trampoline bouncing
Belgium - Volleyball has been booming in Belgium ever since the country won the men’s European title in 2013. For the Euromillions Cup Finals, fans flocked to the 18,400-seat Antwerps Sportspalies to cheer on their favourite teams last year. Things were radically different at the 2021 edition of the tournament.
With the threat of the coronavirus ever- present, the Euromillions Cup Finals was moved to the much smaller Lotto Arena, with no fans admitted. Not able to see their favourite volleyballers play in person, fans had to be content with watching the finals via livestream broadcasts.
The broadcast of the finals kicked off in celebratory fashion, thanks a pixel mapped lighting display created by AB Sound that featured the Chauvet Professional ÉPIX Flex 20 and ÉPIX Flex Drive, along with the COLORado 1-Quad Zoom Tour and foggers.
The display created by AB Sound turned the tunnel that led to the arena into a pulsating cylinder of light and atmospherics. Volleyball players running through this tubular panorama glowed in their team colours. It was a scene that not only psyched up players, but also the fans watching the broadcast.
“Giving the players the kind of entrance, they deserved was very gratifying,” said Bart Aelbrecht of AB Sound. “This meant a great deal to everyone, especially in these difficult times. We were happy to work with Heat International and Kris Schoeters as our partner in sports entertainment on this uplifting project.”
AB Sound used 25 of the 5-meter ÉPIX Flex 20 strips to create the tunnel display. The
UK - Bristol-based event production design and delivery specialist Pytch has invested in 72 new Astera Titan Tubes – adding to their existing 32 Astera AX3 LightDrops.
The LightDrops were originally purchased for creating table centres for events and gala dinners and Pytch have produced some custom covers that refract and treat the AX3 light in different ways.
Recently Pytch ran a PytchLab session - an experimental event where different ideas and concepts can be tried and tested for effectivity and practicality - using the AX3s and the Titan Tubes to illuminate the underside of the plane in numerous striking ways.
However, the Titan Tubes were specifically an investment for the three virtual studios that Pytch has been running since the start of the pandemic, which have steadily been getting busier, utilised for a range of corporate presentations, meetings and business events plus livestreams concerts, fashion shows and other broadcasts.
The initial 24 x Titan Tubes went into the first studio and were such a success that it was decided to replicate the look in the other two spaces so all were identical, explained Pytch’s head of lighting, Dan Giddings.
Recently, Dan designed lighting for a multiple artist recording session at Pytch for a collection of musical talent - vocalist Ruth Royall, the Paper Dragon collective, d ‘n’ b producers Grafix and Toronto Is Broken, dubstep bassmaster Axel Boy and fluid d ‘n’ b impresario Somatic – all for the Our Space record label.
The goal was to record the footage for music vide