Germany - Colour Sound Experiment returned to the Olympiastadion in Berlin for the 2019 Lollapalooza festival where they were the lighting and LED screen supplier - plus all related sub-rigging - for the Perry’s (Dance) Stage.
The West London-based technical specialist has been involved with the two-day event since 2015 when the Berlin edition of the popular music extravaganza started.
It was the second year for Lolla Berlin at the Olympiapark site, and once again Perry’s Stage was inside the Stadium arena itself, where the line-up was headlined by Underworld on Saturday and Martin Garrix on Sundaysupported by Don Diablo, Scooter, TV Noise and others.
Ricardo Lorenzini (crew chief) and Dave Ross led the Colour Sound crew, who sub hung three LX trusses from the roof plus four vertical tower trusses per side in the mid-stage area. Another lighting truss was rigged either side above the left and right IMAG video screens, and the rest of the fixtures were positioned on the deck along the front of the stage lip and in the stage wings.
The upstage video screen measured 17m wide by 9m high, made up from Colour Sound’s Unilumin Robe CB5 screen, and this was supported by the two portrait-format side screens, each 5m wide and 7m tall, built from BT7 LED screen.
The visual design, including lighting and screens, was created by Colour Sound’s team based on their vast collective experience of lighting multi line-up festival events, and also accommodating the two headliners - Martin Garrix and Underworld - both of whom also brought in substant
South Africa - Having congregated in the Barnyard Theatre in Rivonia, and filling the venue to its maximum capacity, the CRC Church started a 10-month project to build a new 6,000-seater church in Fourways.
DWR Distribution supplied and installed lighting, audio and AV equipment for the church which opened earlier this year, ranging from a grandMA3 compact console, 64 Robe lighting fixtures, an Absen DWP3.9mm screen, Prolyte trussing, L-Acoustics Kara System and a DiGiCo SD12.
The CRC Church led by Pastor At Boshoff, already has two branches in Bloemfontein, a massive auditorium in Pretoria and 90 satellite meeting points where services are broadcast each week.
“Pastor At is a focused man,” says Robert Izzett of DWR, who headed the install. “He is very straight, honest and doesn’t mince his words.”
While the CRC buildings are similar to each other, they are not exactly the same. Having supplied the previous locations, DWR could come up with a solution to meet the technical needs of the Fourways branch. While the church will ultimately seat 6 000 people, the system has been set out in phases and a basic infrastructure has been put in place for future growth.
DWR and the Install Crew, who assisted with the installation, were part of the project from the onset.
The first striking feature when entering the auditorium is the wedge shape and steeply raked seats leading down to the main stage, where the focus is a large high-resolution screen comprising of 336 panels of Absen DWR P3.9mm.
Complimenting the curves of the
USA - On 25 May, country music star Eric Church played a special show at Nissan Stadium in Nashville. The show was extraordinary in that it marked the first stadium headlining performance in Church's 15-year career and with 56,521 fans in attendance impressively broke Taylor Swift’s previous venue record.
The show was special for another reason as well. The last date of an extended spring run on the artist’s Double Down tour, lighting and production designer Butch Allen specified 135 Elation Professional IP65 Proteus Hybrids to fill the stadium in beams and effects. The multi-functional weatherproof lights were an addition to a large lighting package that also included some 420 Elation ACL 360i single beam moving heads.
“We chose the fixture as it was the last show of the spring leg, outdoors and a completely different show than we normally do,” says Allen of the Proteus. “Because we couldn’t predict what was going to go on weather wise, the search for an appropriately rated fixture to be in the unprotected part of the stadium was a pretty big task. Once we discovered the Proteus though, it solved all our problems.”
With the help of Robert Roth at Christie Lites, a large number of Proteus fixtures were sourced from a number of different sub suppliers. “The Christie team did a great job. Robert Roth beat the industry hard and found enough fixtures to cover our needs,” Allen says, adding that he finds it stunning that with so many festivals now on the calendar across the US that Proteus fixtures aren’t absolutely everywhere. “I
Sweden - Elite Park Avenue hotel is one of Gothenburg’s premier establishments, and also hosts the At PARK restaurant, run by Michelin-starred chef, Stefan Karlsson. Specialist Uppsala-based AV, lighting and multimedia systems integrator, Kreativ Teknik, was commissioned to develop a complete solution including audio and lighting automation for the restaurant and bar, and they opted for Genelec installation loudspeakers.
Kreativ Teknik’s Daniel Landmark comments: “Our first priority was sound quality. We needed to achieve smooth, even coverage and a balanced soundscape at low volumes that is pleasant to listen to without being aggressive or intrusive. However, the system is running almost 24 hours a day and, during the weekend, also needs to be able to run comfortably at high SPLs for several hours when the DJ is in residence. We required a high-quality system with both detail and headroom that was also aesthetically pleasing: so Genelec’s 4000 Series installation speakers fitted the bill perfectly.”
Landmark specified a total of 30 4030C loudspeakers in order to achieve full coverage of the space. “It wasn’t as straightforward as you might think, actually, but fortunately Genelec has solutions for most things!” he notes with a smile. “The first issue was how to physically mount the speakers, as many of the walls in the dining area are covered with murals from Peter Apelgren, a well-known Swedish artist and comedian. However, Genelec has a vast range of mounting options compatible with the 4000 Series, so it was possible to find a good c
UAE - SLS has recently made a substantial investment in Robe lighting fixtures. This included an initial purchase of 50 MegaPointes last year followed by 86 Spiider LED wash beams earlier this year, then 24 Pointes and a pair of DL4S Profiles.
Martin Luiz founded SLS 22 years ago in Dubai to provide full technical production management and design services - combined or individually as required - to a range of different events. He has built his business steadily based on being imaginative and delivering high quality results with outstanding technical expertise.
SLS provides equipment for all major disciplines - lighting, sound, video rigging and staging - and there are currently around 130 full-time employees, all dedicated to working, mainly on a mix of corporate and industrial shows across the UAE and in neighbouring GCC countries like KSA, Oman, Kuwait and others.
Serious expansion in the last couple of years has led to an imminent major relocation of all the current warehouse facilities and the main office into one central hub, a brand-new all-encompassing business premises in the DIP (Dubai Investments Park) area.
The Robe investment was triggered by the frequency of Robe now being requested on artists and band riders and / or LD’s specifications. “There is a clear trend for using a range of Robe moving lights and we need to be on top of this,” says Luiz.
In addition to the demand for Robe, he has always enjoyed a good relationship with Robe Middle East’s GM Elie Battah.
“Efficient and personable service with attentio
Europe - Belgian-based visual design studio Painting with Light (PWL) celebrates 20 years of utilising multiple media and luminescent sources - including lighting, video, lasers, projection - and content to create inspiring designs and dramatic immersive environments.
The journey has seen it grow from an ambitious dream to a leading international technical innovator and solutions provider.
The company was founded by Luc Peumans in 1999. His vision, imagination, focus and sense of adventure have driven PWL to become the imagineering powerhouse it is today, working across multiple entertainment and leisure industry platforms with a skilled team of dynamic multi and mixed media experts.
PWL’s core business started with designing lighting, video and scenic elements for music tours and festivals, television productions, a diversity of live events and theatre productions.
Peumans’ eagerness to experiment with and try out new ideas helped his work become noticed, which prized open new opportunities and areas especially in ‘crossover’ disciplines like ‘architainment’ which require a broader approach, thinking ‘out-of-the-box’ and the adaptation of light and ‘luminosity’ in its various forms utilising different techniques and treatments.
PWL’s work is now an invigorating balance of projects in these original sectors, plus newer areas where lighting and media installations are integral to creating atmosphere and mood like theme parks, attractions, museums, venues - from bars to live music and dance halls - and buildings (fro
UK - Norfolk-based LED lighting and control specialist TLS Pixelite has rebranded to TLS Lighting.
The company was founded by Alan Reeves in 2007 and offers control systems for LED lighting as well as bespoke lighting solutions manufacturing and design services.
Reeves reveals that he initiated the re-brand for the purpose of consolidation and simplification, “to create a stronger brand for our customers to identify with, drawing upon the solidity upon which TLS was built”.
The TLS Lighting website now boasts a new portal (www.tlslighting.co.uk) from which visitors are invited to view the company’s projects, its premium lighting and control system products, and learn more about lighting control in its technical knowledge section.
“Taking the time to clarify what TLS Lighting stands for and what it represents to its customers is a very important step that makes an important impression at this stage of the company’s journey,” adds Reeves. “It was important for me to keep the letters in the name and logo as a permanent reminder of the strength and integrity that we built upon and continue to take forward with us.”
TLS Lighting is a specialist dealer for Chauvet Lighting, Chromateq, PixNet, LED Strip Studio and Luxibel.
UK/Germany - Following on from a successful PLASA Show, Artistic Licence has confirmed Frankfurt-based AES Technik as a value-added reseller for its products in Germany.
As technical services provider and project integrator working with many leading brands, AES is known for its high level solutions across a broad sector including conferences, trade fairs, award presentations and concerts.
Artistic Licence CEO Wayne Howell comments: "As a UK-based manufacturer facing Brexit uncertainties, it's very important for us to maintain a strong international profile and ensure a business-as-usual approach. We have some incredible new products - our trailing edge mains dimmer, sunDial, won the Gold Innovation Award at the show last week - and I think many people will be surprised at just how keen our pricing is these days.
“Growing our European distributor base is an obvious move, and we are excited to be increasing our visibility in Germany through this new initiative with AES Technik.”
Europe - The 2020 Hog Factor Europe competition is now open, High End Systems has announced.
The company is inviting applications from students, apprentices and other aspiring lighting professionals under the age of 25 from across Europe, Commonwealth of Independent States (CIS), Africa and the Middle East.
Individuals or teams of two people are asked to submit a performance lighting piece programmed on a Hog or on Hog 4 PC, which can be downloaded for free with a special demo version of Capture visualisation. The deadline for submissions is 15 January 2020.
The top three entries will be selected and the contestants asked to programme another performance lighting piece based on High End Systems’ 2020 Prolight+Sound stand design. These finalists will be invited to the event in Frankfurt, Germany (31 March – 3 April) to demonstrate their programming skills live in front of a panel of industry experts and an international trade show audience.
The finalists will receive free travel and accommodation to PL+S. while the overall winner(s) will be awarded a trip to the LDI tradeshow in Las Vegas.
“Since its introduction in 2014, Hog Factor has become an internationally renowned competition and has helped launch a number of careers,” comments High End Systems brand manager, Tania Lesage. “We can’t wait to meet the next Hog Factor hopefuls and the talent of tomorrow.”
A previous winner of the competition, Austria-based Nina Mesitz of team Status Cue, praises her experience and encourages others to enter: “You learn so much an
Europe - Harman Professional Solutions has announced that Hamid Soufian has been appointed vice-president and general manager of EMEA.
Soufian brings more than 18 years of experience in the Harman organisation to his new role.
“We are pleased to welcome Hamid Soufian to this key leadership role as we continue to improve and strengthen the Harman brand worldwide,” comments Mohit Parasher, president & EVP, Harman Professional Solutions. “We are excited to have someone with Hamid’s expertise to help us grow and bolster our relationships with our valued partners in the EMEA region.”
Prior to his new appointment, Soufian was the VP and GM responsible for multiple European automotive customer accounts forging new relationships and enhancing existing partnerships with the OEMs.
“I’m extremely honoured by this appointment and will be working diligently to establish and strengthen long-term partnerships with our distributors and customers across the EMEA region,” says Soufian.
USA - TMB will introduce the first offerings in its new FloppyTape range during Lightshow West, taking place on 25-26 September at the Los Angeles Convention Centre.
Suitable for applications from bespoke retail lighting to the most punishing rock and roll tours, FloppyTape is offered in premium and standard versions. Both versions are also available sealed with a highly protective, ultra-clear, UV-resistant, fully submersible, flexible coating. In support of the range, a comprehensive selection of standard and custom profiles and diffusion accessories are offered.
Currently, FloppyTapes are available in Dynamic White, RGBW, RGB, and RGBA, with many more options coming soon. Also, as a very significant bonus - FloppyTapes are backed by TMB’s world famous service and support.
At the tradeshow, TMB will display a wide and varied selection of proprietary architectural products, many derived from the company’s decades of entertainment and production staging experience. From specification grade decorative and specialty lighting, to temporary power hook-ups, to networking and control, to high quality data cables, to the world’s brightest exterior lighting fixtures, there’s plenty to see at TMB’s stand 126.
Germany - ARRI has introduced Orbiter, a new LED luminaire that is “poised to change the way the industry looks at digital lighting”. A bright, tunable, and directional LED fixture, Orbiter is billed as “the most technologically advanced luminaire ever produced for image capture and colour fidelity”. Orbiter’s six-colour light engine promises to deliver a wide colour gamut across all colour temperatures along with smooth dimming from 100 to 0%. With its changeable optics, Orbiter can transform into many different types of lampheads including projection (profile), open face, and soft light. Additional features, such as a fast processor, ample memory, expanded connectivity, a built-in array of sensors, and weatherproof housing, make Orbiter a formidable machine.
Orbiter’s state-of-the-art technology and versatile design makes it an optimal lamphead for today and for the future, with endless possibilities for updates, configurations, and enhancements, says the company.
UK An accepted technical challenge of London’s outdoor theatre season are the major productions at Regent’s Park Open Air Theatre, which run right through the summer.
Working within the existing stage infrastructure, theatre lighting specialist Jon Clark helped interpret director Jamie Lloyd’s stripped back production of Evita, juxtaposing GLP’s new LED moving lights with traditional par cans.
GLP’s impression X4 Bar 20 battens have been put to many creative uses since their launch and Clark managed to extend the envelope further, assigning different roles to the 24 fixtures supplied from White Light’s inventory. He also road tested GLP’s new Fusion Stick 10 while giant impression X4 XL RGBW heads took the place of follow spots in what was generally a very monochromatic design, punctuated by cold ice blues to mimic the Argentinian flag.
Tim Rice and Andrew Lloyd Webber's musical tells the story of Eva Peron, from a life of poverty to spiritual leader of the nation, but here Jamie Lloyd had applied a contemporary twist.
Jon Clark and set designer Soutra Gilmour have collaborated regularly with the director over the past decade, and since Clark also lit Into The Woods at the Open Air Theatre in 2010 as well as the opera The Turn of The Screw last year, he was used to the challenges of working in this location.
“We have a very established relationship which is hugely valuable, given that the stage rehearsal period is short for a production of this scale. Most of the lighting is programmed overnight wit
USA - Towson University in Maryland has created an inclusive learning environment situated near the area’s prominent educational, community and cultural resources. From theatre to dance and music, the university’s performing arts programmes produce over 200 student and professional performances each year.
Needing performance venues which can keep up with the busy production schedule, they called up Pennsylvania-based Illuminated Integration to renovate the 500-seat Howard J. Kaplan Concert Hall with a new lighting system including Chalice 70W recessed downlights from Altman Lighting.
“We were initially brought onto the project as the antiquated lighting system in the concert hall had failed from a controls perspective, and they had decided to convert the entire space to LED as well,” begins Mike Birardi, lead design creative, Illuminated Integration. “The targets in doing this were to reduce energy and maintenance costs while improving the overall illumination of the space without losing the architectural design aesthetics. We really tried to give them a solution that could do all those things for better performance with lower maintenance and more energy-efficient usage.”
Working with Towson University for the first time, Birardi and the team at Illuminated Integration began researching the most beneficial lighting technologies.
“Form-factor was a big challenge because we had to find a lighting technology that could fit the existing openings in the ceiling for the downlights,” continues Birardi. “We also wanted a technology
Canada - RPM Lights is a long-time supporter of AC Lighting. Backed by a partnership between the executives of both companies, RPM Lights owners Jimmy Pappas and Glen Murphy, developed and built their vision for LED lighting in the Canadian marketplace eight years ago. With multiple decades of lighting and rigging industry experience between them, Pappas and Murphy built a reputation for their ability to adapt and utilise technology to achieve outstanding results in the markets and industries their company serves.
RPM Lights is a Toronto based rental and sales supplier offering an array of LED lighting products to tradeshows, film, TV and live entertainment industries. Working with well-known trade shows such as the Canadian Auto Show, as well as on popular TV shows and films including Designated Survivor and Big Brother, RPM Lights recently adopted the new Prolights Eclipse-FS, a full colour RGB+Lime LED Ellipsoidal that was introduced into the market in mid-2018.
UK - Event production specialists Light Fantastic Production Services supported the creative team behind Luminary, the recent art installation at Crossness Pumping Station devised by artists Anna Heinrich & Leon Palmer.
Commissioned by Peabody, London’s oldest and largest housing association, and working in partnership with Crossness Engine Trust and KD Productions, the event celebrated the 200th anniversary of the birth of Sir Joseph Bazalgette, the Victorian engineer responsible for implementing the London sewer system.
Created as a multi-media art installation, Heinrich & Palmer’s concept for Luminary was a spectacular combination of projection, audio and lighting effects. Designed around a visually stunning, ethereal experience, the project provided visitors an immersive exploration of the iconic heritage structure. Working to the specification of the artists and the KD Production team, LFPS provided all video, lighting, audio and rigging equipment to the highly original, beautifully presented production.
The show’s centrepiece featured an incredible suite of images that travelled through the architecture and physical make-up of the Grade 1 listed building. Created using 3D laser scanning technology by 3Deling London the exquisitely detailed sequence featured exploded diagrams and artistic interpretations of the structure’s DNA. The video content was screened across a large theatrical voile using a pair of Panasonic RZ21K laser projectors, with triggers sent from a media server to lighting and audio departments allo
Romania - In the second century, the Romans established Cedonia, a small settlement on the banks of the Cibin river that marked the outer reaches of their empire. They eventually left, and their small village grew into Sibiu, a cultural hub of central Europe where art and commerce thrived side by side.
Today, almost 2,000 years later, the creative vitality of this former hamlet is on vivid display in the Sibiu International Theatre Festival. Earlier this summer, the 25th edition of this 10-day event drew over 3,300 artists from 70 nations who performed for over 62,000 visitors daily. Supporting their work with smooth key lighting and vivid colors was a festival rig supplied by Backstage Production Group that featured Ovation and COLORado fixtures from Chauvet Professional.
Desiring consistency in lighting temperature and light field, Andrei Popéa, general manager of Backstage Production Group, tapped eight Ovation E-260WW and eleven Ovation ED-200WW for the festival stages. For colour, he specified eight Ovation F-915FC Fresnel units, as well as four Ovation E-910FC IP ellipsoidals, and 24 COLORado Batten 72X linear fixtures.
The intensity of the warm whites and smooth dimming curves of the Ovation ellipsoidals along with their variable beam angles, allowed Popéa to maximize placement opportunities for each theatrical performance and avoid unwanted shadows. The Ovation E-910FC IP also projected crisp gobo patterns to add visual interest and movement to the outdoor stages.
These performance features, along with the rainbow of colours created
France - Summer lingered for music lovers at Festival 39 Aout 2019, held at the Domaine de Chalain in France’s Jura region.
The multi-genre music festival was held in a beautiful setting alongside Chalain Lake where an array of Claypaky lighting fixtures illuminated Big Flo & Oli, Martin Solveig, Eagle-Eye Cherry and other performers.
Atomix provided lighting designer Guillaume Steck with 12 HY B-EYE K25s, 10 Sharpy Plus and six A.leda K20 Wash fixtures for the two-day outdoor event.
“With an open-air festival it’s always difficult to programme a show in the middle of the afternoon - it’s usually necessary to wait until nightfall to be able to offer real lighting,” says Steck. “But with these fixtures, allied with a good atmospheric generator, it’s now much easier.”
Steck positioned the K20 Washes at the front of the stage with the Sharpy Plus and K25s spread out on two decks. “With the HY B-EYE K25s the timeless kaleidoscope effect, known to everyone from the B-EYE K20, remains a key asset that no other projector has managed to match,” he states.
“The power of the K25, even in broad daylight, is simply amazing,” says Steck. “With Sharpy Plus we get the standard beam features of a Sharpy, which are not even necessary to mention any more, plus a full-blown ‘spot’ mode. The powerful beam of the Sharpy Plus delighted all the stage managers. The K25 and Sharpy Plus fixtures were a winning duo.”
Pierre Girard was the project manager for the festival with Quentin Vallet the lighting chief and Aurelien Rob
China - A High End Systems Hoglet 4 is providing lighting control for a new outdoor multimedia installation in China.
Two times each night, a lake in the park in Liaocheng, Shandong Province comes alive with lighting, lasers, mist, flames and fountains. The free half-hour interaction enthralls up to 10,000 spectators with the colourful, watery spectacle.
LD Theo Cox - a High End Systems Hog 4 lighting console user - chose the smaller, more compact member of the Hog family for this project. “I elected to programme with a Hoglet 4, as this was the right piece of kit to leave in permanent situ after the shows were up and running,” he explains. “As well as the nightly timecode shows, there was a requirement to run a few simple cues manually, and a physical console was desired but it had to be streamlined. So with only two kinds of fixtures to program, and no need for lots of playback control, the Hoglet with a touchscreen was the way forward.”
AAV China administered the install of a 150m (492 ft) long fountain system, and brought in Cox to co-create the two shows with Tara Winona designing the lasers and Rupert Morse on fountains.
In a control room overlooking the lake, the Hoglet controls all the moving lights - which are mounted in projection cabins built on stilts in the lake - and 30 searchlights on the far side. The lights receive data distribution via Art-Net run on fibre under the lake.
A Wings Platinum system controls the overall show. It plays the audio and video elements, triggers the fountain control system and sends timecode
Canada - ACT Lighting has been appointed the exclusive distributor for Ayrton in Canada, effective 1 October.
“We are excited to further our partnership with Ayrton to now service the entire North American market,” states Ben Saltzman, CEO of ACT Lighting. “Ayrton is the industry’s most innovative brand and market-leading manufacturer of professional digital lighting with unmatched quality and design. Ayrton’s product portfolio and development strategy are the perfect match for the ACT Lighting team.”
“As Ayrton continues to look forward, it makes sense to consolidate our North American distribution strategy,” says Chris Ferrante, Ayrton CEO. “ACT Lighting is the perfect partner, being the best placed company across the region, especially considering the incredible growth we have experienced together in the US market. We are looking forward to the broader partnership the Canadian connection will bring.”
“ACT Canada is very excited to be able to offer this industry leading brand through our full-service Canadian warehouse in Mississauga, Ontario,” adds Andrew Beck, senior vice-president of ACT Canada. “As in the US, Ayrton will strengthen and complement our existing product lines.”
UK - Lighting control manufacturer Zero 88 enjoyed a busy and lively PLASA 2019 where for the first time in the UK, the company presented its new RigSwitch remote controlled switching system together with a host of other neat, practical and innovative power, data and control solutions.
Running concurrently with the first two days of the show, Zero 88 also ran two days of free hands-on introductory and training sessions for the FLX lighting console family at the Hilton Hotel, a two minute walk from Olympia, which were popular and well received.
Product manager Jon Hole commented that the quality of the visitors to the show was “consistently good” and that the footfall was busy throughout, especially on the Monday and Tuesday mornings.
The specially designed one-hour training sessions were based on a very successful informal format that the Zero 88 team has developed, with four a day including an extended two-hour session over lunchtime - with refreshments and a light lunch. The 6pmsession featured an extra highly informative Q+A plus a drink for all those attending.
The main new product reveal was RigSwitch, a fully customisable range of switching cabinets from 12 to 96 relays per cabinet, with four pre-designed options to cover the most regularly requested combinations.
All relays feature staggered power-on, DMX control and remote switching, using anything from a simple contact to a network of engraved keypads and touchscreens. Each channel has an MCB as standard, with additional options of RCBO, ELCB and AFP (Arc Fault Protection)
Australia - Sydney Opera House on September 7 for Multi-instrumentalist Jacob Collier gave presented “a two-hour exploration of music’s outermost boundaries” at Sydney Opera House.
Stopping at the venue on his Djesse World Tour, musician from North London wove an intricately layered tapestry of sounds into his performance, captivating his audience with lightning fast piano lines one moment, and haunting bass playing the next, before veering off into a mesmerizing Harmoniser solo, all while making everything flow together with a simple, natural elegance.
Reflecting the essence of Collier’s music in all of its complex, yet accessible, possibilities, was a deftly balanced Luke Edwards lighting design that featured Chauvet Professional ÉPIX Strip Tour fixtures.
Edwards used 32 of the 1m long RGB strips in his 12 universe show. Each of the ÉPIX Strip Tour units was topped with an old school Edison bulb, an arrangement that symbolised the way his client’s multifarious music bridges the gap between the digital and analogue worlds.
The ÉPIX units were positioned in free-flowing fashion throughout the rig. Working from his 16 pages of cues, Edwards pixel mapped the strips using a pixel mapper and effect generator to create a galaxy of fluid patterns that changed and moved in harmony with Collier’s music.
“We go from sweeping lines to random twinkles on the ÉPIX fixtures, which all looks incredible in real life and on camera,” says Edwards. “Our show pretty much encompasses every colour, even pastels, and the strips ha
UK - As Central London’s largest conferencing and events centre, Central Hall Westminster recently played host to the Oscar Events House Live in London concert with Assi El Hallani and Mahmood El Turki. As the in-house technical production partner at Central Hall, White Light provided the lighting and audio solutions for this sell-out event.
The concert, held in celebration of Eid El Adha, saw both singers perform with their accompanying musicians to an audience of over 2000 people in the Great Hall. White Light were on hand to enhance the event with atmospheric lighting, utilising a combination of LED moving units and haze effects, and to provide full audio coverage and support.
Remon Hanna, director of marketing at Oscar Events House comments: “Central Hall Westminster was the ideal choice for our first London concert and the magnificent Great Hall looked and sounded perfect. It was a great experience working with the White Light team, whose production expertise made the whole event planning process a pleasure. We look forward to returning for future concerts and working them again.”
Paul Southern, managing director of Central Hall Westminster, adds: “Music concerts are an integral part of our business and it was an honour to host the first in this high-profile series. As always, our in-house production partner White Light, knew exactly how to enhance the audio capabilities of the venue and turn our historic Great Hall into a beautiful concert setting.”
Belgium - Filipe Dos Santos, director of photography at RTL Belgium, called on the high-performance features of the VL2600 Spot luminaire from Vari-Lite in his design for Belgium’s annual charity television broadcast, Télévie.
Produced by RTL-TVI, Télévie raises funds to help fight cancer and leukaemia in adults and children, so the creation of vibrant, sumptuous television images which both enhance the on-stage entertainment and engage the audience to the full is a key requirement.
With its wide and deep studio stage hosting a broad range of live entertainment, the show makes serious demands on lighting. It requires lighting capable of filling the space with a quality of light, a variety of looks and effects, and the textural depth needed to create beautiful television pictures for various acts, over a long period.
“A television production has two challenges for lighting: the functional and the decorative,” says Dos Santos. “That is, what is technically good for the camera and what is pleasing and entertaining for the television audience.”
He added, “I was looking for luminaires that could produce a powerful, quality white light, that could open wide. I needed projectors, wash effects and bright beams to carve large volumes of space and give depth to the image.”
To achieve this, Dos Santos included 24 VL2600 Spot fixtures in his rig. “I chose them for their great openness and incredible focus, plus their gobos and their beautiful mixed and fixed colours,” he says. “The finesse of the optics and the