Having announced a move to new premises to celebrate its 30th birthday during the 2001 PLASA Show, the White Light Group has announced the date of the move: White Light and the other members of the White Light Group will be open for business at 20 Merton Industrial Park, Jubilee Way, London SW19 3WL from Monday October 22nd 2001.
The new main telephone number for all of the Group companies, including White Light Hire, White Light Sales, The Moving Light Company, The Service Company, Modelbox and Colourhouse, will be +44 020 8254 4800. The new main fax number will be +44 020 8254 4801. The White Light Group's new home includes 35,000sq.ft of equipment storage and preparation space and 10,000 square feet of office space, allowing all the Group members to be brought together under one roof for the first time. The new building also offers ample parking and easy truck access, and is easy to reach by road or public transport.
The UV400 high intensity 400W ultra violet floodlight has proved a popular choice for visual effects since its launch last year, say manufacturer UV Light Technology. The level of international sales has prompted the Birmingham-based company to introduce a built-in electronic 'smart0box' to allow ‘plug in and switch on’ use anywhere in the world. The new electronics also facilitate power variation down to 60% of maximum, enabling adjustment of the light intensity and increasing of bulb life through under-running. A new rotating barndoor unit has also been added to the range, allowing more directed lighting effects. Light intensity may be adjusted by using Par 64 scrollers, which also permit rapid on/off ultra violet effects peviously not achievable with non-hot restrike ultra violet floodlights.
At the start of 1998, finance company Nykredit invited a number of architects to participate in a competition aimed at finding the best design for its new Head Office in Copenhagen. The winner, Schmidt, Hammer and Lassen, presented a building with its front and back façades made entirely of glass. Nykredit wanted to create a building of high architectural quality. Completed in October 2001, the architects have more than matched their demands. Only half the building is used as office space; the rest is given to a large, central atrium with a glazed façade, which makes the ten-story building very transparent.
The building’s northeast and southwest sides are defined by 24 horizontal ribs of granite, two per floor. By day these ribs serve to give definition to an otherwise virtually transparent building: with the onset of night, however, the architects’ clean lines were disrupted by the sporadic mosaic of light and shadow spilling from the offices inside. A creative lighting solution was required to restore the architects’ intended design. The architects turned to Martin Denmark to see what they could offer. Lighting consultant Peer Østergaard from Martin Danmark drew up a plan that called for 34 Exterior 600s. Østergaard’s design was to light the two sides of the building. By carefully highlighting the granite ribs the sleek geometry of the design could be regained. Working closely with the architects and Nykredit, a programme was devised that could allow the Exteriors to colour fade and accentuate the ribs with the company’s own corporate b
Now here’s an artist looking for a voice - literally. Since the demise of the ‘cock on legs’, Thin Lizzy’s guitarist has been in need of a singer. As a guitarist he stands tall, maybe not a Robert Cray or Mark Knopfler, but nonetheless he does have his own style, and it sells. As Andy Crookston (tour manager), Mark Scrimshaw (lighting designer) and Andy May (house engineer) all confirmed, "he tours year after year, and makes money."
He also produces an album every two years or so, and on tonight’s evidence he certainly has an ear for a melody. And that’s essentially why he needs a voice; for the bluesy part of his repertoire he can get away with his shouty vocals, just another cracked walnut veneer on the guitar of melancholy, but when it comes to Parisian Walkway and the like, he needs a voice that can match all the subtlety and nuance of his beautiful tunes. Thus a Gary Moore show is a concert for six string purists, his tours ply the small theatre and town hall circuit, hence just one 45ft stage truck parked outside (and hence the reason he makes money touring). But with the right larynx he could double his audience. Still, he looks happy enough.
LightingThe rig is supplied by DLD, or rather by LXCO (for the kind of complicated reasons it’s probably best to ask James Dan about). A rare visitor to these pages, the lighting is on first examination singularly conventional. LD Mark Scrimshaw has a simple two-truss rig (TFL pre-rig), about 100 Pars, including ACLs, with eight each of Martin’s MAC 500s and 60
Top UK girl band, Atomic Kitten, performed their first concert to a sell-out crowd recently at London’s Shepherds Bush Empire, and supporting them at their debut show was an array of Martin Professional fixtures. Lighting designer Barry Halpin used Bandit Lites UK to supply the Martin fixtures, along with generic fixtures and control equipment for the show. Halpin chose MAC 600 wash lights, MAC 250s and his favourite, the MAC 2000. Barry commented: "I know the MAC 2000 and its capabilities well after using them with Westlife earlier this year. I knew that in a venue such as Shepherds Bush Empire they would really cut through and be very dominating - and sure enough they were. One of the girls in the band has an allergy which prevents me from using smoke or haze during the show, so the beams don’t look as pronounced as normal, but they still show up, better than any other fixture I’ve seen."
Halpin also used three TrackPod automated tracking systems on the show, one to track each of the girls. These were hooked up primarily to the MAC 250s for backlight and house fixtures for frontlight. Again, Halpin knew the TrackPod from the Westlife show in which he used five systems. He comments: "The TrackPod is a superb system - it provides solutions for difficult situations. In this case I needed a tracking front-on key light, and because of the awkward positioning of the followspots, the TrackPod allowed me to achieve this using moving lights, which obviously can be placed where followspots cannot. Because I had no production rehearsals for this sh
The BEAB (British Electrotechnical Approvals Board) and The Lighting Association have joined forces to offer luminaire manufacturers quality ENEC testing and certification, enabling them to gain access to European markets and to international markets via the CB Scheme. The ENEC (European Norms Electrical Certification) Mark is a European Certification mark of Conformity, based on Harmonised European Safety Standards. Currently accepted by 20 European countries, the ENEC 19 Mark for luminaires demonstrates that a product has been independently tested by the Lighting Association and certified by BEAB. In addition to product testing, annual factory inspection and market surveillance are integral requirements of the ENEC Mark, providing maximum confidence to everyone in the supply chain.
International CB testing and certification is also available to manufacturers, helping them to access markets outside Europe and overcome the complexities of conformity to international standards. Together with the ENEC service, this will provide luminaire manufacturers with a one-stop shop for all their testing and certification needs.
In a joint statement, Mike Vint, managing director of BEAB, said: "The BEAB ENEC Mark projects a quality image throughout Europe. By working in partnership with The Lighting Association, we are delighted to be able to extend our expertise by providing a BEAB ENEC certification service for luminaires"
One of Amsterdam’s latest landmarks is its futuristic stadium, the Amsterdam Arena. Home to Holland’s most famous football club, Ajax, the Arena has also created a number of opportunities for developers. Since its completion in 1996, the surrounding area has fast become a hotspot of urban renewal, with an ever-widening range of restaurants, cafes and hotels, malls, cinemas, and business centers.
One such development is Amsterdam’s new design emporium, Villa Arena. Conceived as a stylish home furnishings center, the building includes over 70 designer stores, and is intended to address the growing reluctance of shoppers to spend time browsing in stores, and to counter the allure of the cyber mall by offering a degree of entertainment, and a range of ancillary, non-retail facilities. With this multi-functionality in mind, Villa Arena required a lighting design that could match the modern demands for versatility. Lighting designers Hans Wolff & Partners asked local lighting supplier Fairlight to help find a creative solution, particularly to enhance the interior at night. Having previously had success with the Martin RoboColor Pro 400 on another shopping mall project, the choice was made to use the Pro 400 with a 33-degree lens.
Key to the Villa Arena experience is its light, spacious interior. Its four upper floors are arranged around a central atrium and dominated by a transparent air-cushion ceiling. The roof is formed by two transparent, air-injected membranes and supported by a light steel structure, an attractive feature but unable to support the ori
Film, art, hosiery and fashion was the combined theme for Laser Grafix on 17 September 2001 with a spectacular film projection on to London’s Natural History Museum. The occasion was the first night of London Fashion Week and Julian Roberts, designer for the fashion label 'nothing nothing', was launching his label 'Julian And'. Laser Grafix of Royston used three DLP 10SX Digital Video Projectors and ran the show footage from a Beta Cassette - with the equipment installed within the (now famous) Laser Grafix projection vehicle sited directly in front of the Museum. A 2000W outdoor sound system was used to playback live mixing by a Japanese student who works for the Fashion agency nothing nothing. The film was art directed by Julian Roberts who described his featured collection as "based on all the ‘heroes and anti-heroes’ who influence my fashion world, whether I like them or not."
The stunning evening projection onto this landmark museum by Laser Grafix’ Richard Hawkins proved to be a real crowd puller and set London Fashion Week off to a spectacular start.
Color Kinetics Inc has announced the awarding of its fifth US patent (#6,292,901). This newest patent covers Color Kinetics' new Smartjuice intelligent power technology and encompasses methods and systems for multiplexing power and data over conventional wiring, allowing for control of intelligent digital light fixtures. Smartjuice technology can be found in the company’s Juice Box product, which is used to enable advanced control of the company’s award-winning iColor MR lamps.
Smartjuice is a new technology that adds a new level of lighting control and design options in many environments, such as retail, architectural, and residential. Producing advanced dynamic lighting effects before Color Kinetics Smartjuice technology meant adding a data cable to the existing wiring setup. But Color Kinetics’ patented Smartjuice technology multiplexes power and data on one wire so that data can be delivered over existing wiring, eliminating the need for separate wires. With Smartjuice technology, design professionals get sophisticated intelligent control of digital lamps with an easy, clean installation never before possible.
Stagetec enjoyed a busy PLASA Show, displaying a whole raft of new lighting products from Compulite, LSC and others. Several deals discussed at the show are already turning into solid orders and deliveries. Stagetec has supplied and installed a new Compulite lighting control system to the Towngate Theatre in Basildon, Essex. The system consists of a Compulite Ovation 4D console, plus a Compulite 4D tracking back-up system, complete with a new Rigger’s Remote and the CompuCAD 3D lighting design software package. To minimize disruption to the theatre’s schedule, the DMX output from the consoles was converted to the old Compulite C105 protocol so the existing demultiplexers could be re-used. The Compulite was specified by the theatre’s Technical Manager Tim Lloyd and follows Stagetec’s recent supply of a new Soundcraft M Series mixer to the venue.
Stagetec also closed a deal at the show to supply Redbridge Drama Centre, East London with two of LSC Lighting’s new iPRO UK dimmers - one of Stagetec’s many launch products at the show. The iPRO is a 12-channel hard-fired digital dimmer - available in several versions - with the new UK version offering twin 15A outlets. The dimmers were chosen by the Drama Centre’s technical resource officer Ray Balcombe, who picked iPRO for their build quality, good range of features and easy operation. The Drama Centre features three facilities - a theatre space, drama studio and a TV studio. It is a busy teaching resource for the many schools and educational establishments in the area, and also produces
Exhibition and conference lighting specialist Stage Light Design has had a hectic start to the autumn, with shows for Hewlett Packard, Cogent at the DSEI show, Logitec and the ECTS Show and the Awards Ceremony at Frankfurt Motor Show. SLD made LWT Studios on the South Bank into a trendy lighting environment for the latest Hewlett Packard product launch in a show produced by Studio 9. The product was a new wireless computer link. SLD’s Alastair Crooks designed the show, utilizing the studio’s in-house television lighting equipment, fixtures and facilities, and prepared the show in advance on screen with SLD’s WYSIWYG facilities. He also used WYSIWYG to visualize the show for the client.
The technical production and set design was by Studio 9 Conference Services. It featured a home scene, an office scene and three 3 x 5 metre pods, initially screened off, for a reveal. Crooks called the lightshow which was operated using LWT’s in-house Galaxy lighting desk.The format followed a technical briefing for HP staff, the product reveal, speeches and then a lively catwalk show. Stage Light also provided a small generic rig and complimentary lighting for HP’s two days of post-show technical briefings, staged at The Works photographic studios in Fulham.
For the Frankfurt Motor Show Awards, SLD supplied LD Ewan Cameron, plus equipment, to light the ceremony for production company Mainframe. Cameron produced a jazzy, colourful design utilizing a wide assortment of fixtures including Clay Paky Mini Scans and Stage Colors, Source Fours and Pars. Control wa
Architectural lighting specialists i-Vision supplied equipment, crew and expertise to lighting designer Lee Forde to illuminate a spectacular urban backdrop to the Liverpool section of the BBC’s recent Proms In The Park broadcast. Liverpool’s event - part of a quartet of shows also staged in London, St Austell and Gateshead - was located in William Brown Street near St Georges Hall in the heart of Liverpool’s Cultural Quarter. The concert was promoted by Liverpool City council, the Liverpool Philharmonic Orchestra and the Capital Of Culture bid, and was attended by a crowd of over 4000, entertained by the LPO conducted by Gerard Schwartz.
The buildings to the right of the audience as they looked stage-ward are the majestic NMGM Museum and the Liverpool City Council Central Library. After the first Liverpool Proms event last year, the BBC realized that they were missing some great visual opportunities by leaving these buildings in darkness. Lee Forde, heads Liverpool City Council’s Cultural Events office, is also at the core of Liverpool Vision, an on-going scheme to permanently architecturally light the city’s famous landmarks - the first part of which was the lighting of St George’s Hall itself. For the Proms, i-Vision provided various lighting fixtures and equipment including six Space Cannon Ireo Pros, over 60 blue and green HQI 400s, Coemar Panoramas, Studio Due City Colors, two Dominators, a Jands Hog 600 for control and a 40W YAG laser with it’s own Magnum controller.
The Space Cannons flanked the stage, and the laser was
Two new studios to be developed in the Channel 7 Melbourne Broadcast Centre are to be fitted out in a turnkey operation by Coemar De Sisti Australia. The installation will include full mechanicals (hoists, etc), dimming, control, DMX distribution system, power, leads and accessories and all luminaries. The Product Studio, to be used for drama and variety productions, will feature a full set-up of De Sisti hoists, with 36 self-climbing 140kg SWL units, 3 Modular Cyclorama 180kg SWL units, 4m Pantographs with a 14kg SWL. All hoist controls are also provided as part of the installation. Lighting for the Product Studio comprise a wide range of De Sisti luminaires including Magis 300/500/650 PO fresnels, DesiLux Fluorescent PO video luminaires with DMX on/off control, Giotto PO twin-compartment Cyclorama units and Duccio four-compartment groundrow units. Several zoom profiles are also part of the package of luminaires in both studios.
The News Studio features a fixed pipe grid, and a new style of dropper called a Cranky Pole. This is a telescopic hanger that can be operated from the floor or the catwalk. The telescopic tubes have a square cross section to insure they do not twist like rod-type hangers. The Cranky Pole comes with a friction clutch winch allowing a safe working load of 55kg. Lighting for the News Studio utilizes a similar range of luminaires as the Product Studio, as well as the De Sisti Leonardo 1kW PO fresnels and Leonardo 2kW PO fresnels. Dimming within both studios is provided by Coemar De Sisti Australia's own homegrown TechART Series 5000 installation dimm
Prolyte Products Group, the aluminium truss manufacturer from Holland, took the opportunity offered by the recent PLASA Show at Earls Court to reveal that the Stage Electrics Group had joined their UK distribution network. "This is a significant appointment for us and the other distributors in our network," said Prolyte’s sales director Menze van der Sluis, "and marks the culmination of 12 months’ hard work in setting up our multi-point distribution policy in the UK. Stage Electrics Group is a major player in the UK and European markets and we are delighted that they have decided to join our sales and rental network - it means that our sales re-organization in the UK is now complete, and that users will receive full product support nationally. Stage Electrics, along with our other distributors worldwide, will receive full technical back-up from our sales and engineering departments, and will be carrying stock of our products by the end of October."
Vari-Lite's electrical engineering manager Jim Bornhorst will receive the Wally Russell 2001 Lifetime Achievement Award at the LDI Show this year. Bornhorst, who has been with Vari-Lite since its inception, helped launch the automated lighting industry when he and a team of engineers developed the first Vari*Lite automated luminaires for a Genesis concert that took place 20 years ago last month. "To be acknowledged by your peers is something to be cherished. But to receive the 'Wally' Award is special because I'm proud just to be named in the same company with the likes of Wally Russell, all the past winners of the Award, and fellow 2001 nominees David Cunningham and Jimmy Fuller," said Bornhorst, Vari-Lite's two-time EMMY Award winner for Outstanding Achievement in Engineering. "This is truly an incredible honor."
The annual Wally Russell Lifetime Achievement Award was founded in 1992 to honor an individual exhibiting a strong sense of leadership, a commitment to technological innovation, and a career of service to the lighting industry. The prestigious award was established in memory of Wally Russell, an industry pioneer whose career influenced generations of industry professionals. Bornhorst will receive the Award at the LDI/ESTA awards ceremony on 3 November, at the LDI industry trade show in Orlando, Florida.
Bornhorst began his career as a touring sound engineer and console designer for Showco, originally the parent company of Vari-Lite. In 1980, Bornhorst helped solve the problem of how to produce a commercially viable remote-controlled spotli
Entertainment Design magazine has announced that the 2001 Broadway Lighting and Sound Masterclasses, scheduled for 5-9 December in New York City, have been cancelled. In a statement issued on the magazine’s website, the organizers said: "Due to a variety of circumstances, not the least of which is the attack on the World Trade Center in New York City on September 11, publisher Jacqueline Tien, editorial director David Barbour, and editor David Johnson have decided that the classes could not be presented with the kind of quality the industry has come to expect from this annual event."
Jacqueline Tien further commented: "This was a difficult decision for us to make, but we feel it is the right decision." She added: "We will now re-channel our energies toward celebrating and supporting our industry and friends at this year's EDDY Awards, in Entertainment Design and Lighting Dimensions magazines and at our LDI show, this November in Orlando."
Lighting designer Jules Fisher, one of the founders of the BLMC, commented: "It saddens me not to be able to present this year’s exciting program to so many eager students and practitioners. I am undaunted . . . we will just make next year’s that much better."
The annual Entertainment Design EDDY Awards, originally scheduled for Friday, December 7 at John Jay Theatre, will continue as planned.
ETC has promoted Lotte Clausen Rhodes to sales office manager, a position she's taking over from Sharon Todd for whom she worked as assistant manager. With her existing in-depth knowledge of the department, Lotte, who joined ETC three years ago, will also continue to act as the contact point for ETC's Northern European Region. A Dane by birth, Lotte moved to London six years ago to work in market research and brand management. ETC's Bill Gallinghouse said: "Lotte has been a key ingredient in our strong customer service effort for the past three years and is certainly a valued and respected member of our team. We are all delighted at her well-deserved promotion."
Enlightenment, the UK's specialist dealer for ADB - Siemens stage lighting equipment, has provided 48-ways of ADB Microrack all-digital dimmers to the RSC Fringe Festival for the third year running. Since its inception in 1997, Enlightenment has invested heavily in its ADB rental stock. The RSC Fringe Festival was held at the Other Place Theatre in Stratford-upon-Avon, which is due to close shortly as part the ongoing restructuring of the RSC. The festival incorporated 20 pieces of predominantly new work from writers all over the world, allowing the RCS's company of actors to get their teeth into something different to the usual RSC repertoire.
Los Angeles-based Elation Professional has introduced the Pro Color DMX color changer, a highly affordable intelligent colour changer that features 10 dichroic colors and 10 split colors. It includes a bright, 150W 9,000 hour discharge lamp and a special frost filter that produces a dynamic wash effect. The Pro Color is aimed at venues requiring more colouring options than a standard Par can provides, but who may not be able to afford the full colour-wash fixtures. The Pro Color also is equipped with two DMX channels that can be programmed to set the tone for any application. One channel controls the frost filter and a 0-100% dimmer, while the other operates the color wheel. This makes it easy for the user to program the Pro Color and automatically keep the coloured background effects changing. A 10-19° beam angle can be adjusted to set any stage accordingly.
Macy's 'Passport 01' is an AIDS benefit, fashion show and live music event all rolled into one. The show, staged in both San Francisco and Los Angeles, starred such notables as Magic Johnson, Elizabeth Taylor, Macy Gray and the Jeff Rollie Band. Lighting designer Tim Becker, along with moving light programmer Tom Thompson and conventionals programmer Jinx Kidd, put together a large rig which included 18 VL7s, 42 VL6Cs, 13 VL2402s and eight Studio Color 575s all run from a MA Lighting grandMA console, rented from Towards 2000 in Los Angeles.
Thompson specified the grandMA console in particular so that he could make use of the new version 3 software: "The console was powerful before version 3," he said, "but now I have features and programming tools that are radically effecting the way and the amount of time that I spend programming."
He continued: "The configurability has always been a strength of the grandMA. With version 3, however, I can swap fixture types and not lose any programming, undo any mistakes and recall complex commands. The grandMA is much like a time machine - you can re-execute a series of keystrokes by ‘turning back time’ in the command window. If the keystrokes are something I use often, I save them as a macro to be accessed by the press of a single button."
His final comment? "I couldn't give higher marks to a lighting console."
Leading lighting control specialist, iLight Ltd, has achieved a ‘double whammy’ by significantly increasing both its factory output and number of staff in just six months. Output at the purpose-built facility in Cwmbran has almost doubled since the company’s launch in March 2001. All products for the iLight Group plc - iLight Ltd and Zero 88 Ltd - are designed and manufactured at the UK factory. General manager, David Rosen told L&SI: "The sales forecasts are increasing all the time and we are expanding quickly to accommodate the growth of the business. It’s looking very positive and we have been able to invest in further equipment and personnel."
The factory team has also doubled with the appointment of 14 new operators and three test engineers to handle the increased workload. At iLight Ltd’s head office in Kent, eight new staff have been appointed, including three field sales and one internal sales support, and project engineers to service new and existing customers throughout the retail, commercial, leisure and smart-home markets.
The last time a son et lumière was staged in Sion, Switzerland, was 1961, but that didn’t mean the concept couldn’t be re-kindled. "This was a test project funded by the City, with the support of some local sponsorship," explained lighting designer Andy Doig. "They simply wanted to know if it was feasible and realistic to resurrect what had been an annual event."
Well they certainly had a stunning location, as the photograph reveals: two castles sit atop adjacent peaks and strategically dominate the valley that leads now to the modern city of Sion. Striking in their position, the impregnable nature of good castle design left Doig with a big problem. "Although the castles are just 500 metres apart as the crow flies, commuting between them takes a tortuous drive of several kilometres down one mountain and up the other." Which is exactly what Doig had to contemplate.
"I had originally been approached by the Concepteur, Christophe Gruyard (a local classical composer) and his collaborator Bernard Moix (an architect) earlier in the year. The composition was to be a narrated tale in the medieval tradition, a fairytale if you like, and they’d wanted to use projected images, but frankly there wasn’t the budget." Doig came up with a lighting concept that involved using movement within and around the two castles and their surroundings to evoke the dynamics of the story. "The difficulty was getting the lights in position - a helicopter was the only practical solution." And by good fortune this did not turn
Zero 88 presented three companies with Dealer Awards during the PLASA Show. Zero’s Graham Eales presented the UK Dealer of the Year award to Glyn O’Donoghue of AC Lighting, and the Overseas Dealer of the Year Award to Bob Gordon and Mike Falconer of LA-based AC Lighting Inc. The Award for UK Independent Dealer of the Year, however, went to a less well known company - Stagecraft. The award was presented to Stagecraft's managing director David Goodrich, senior sales executive Grant Bales-Smith and project manager Martin Palmer.
Zero 88 equipment has been used by Stagecraft in a number of the company's recent projects. For example the Frog control desk has been used by Stagecraft at St Laurence School, Testbourne Community School and Shrewsbury College. Senior sales executive, Grant Bales-Smith said: "We have recently invested in new Zero 88 products for our hire department and we're pleased that our commitment to supporting Zero 88 has been recognized in this way. We work for a number of schools, colleges and theatres, all of which have varying budgets for developing their lighting, so using the Zero 88 range we know that we can provide them with excellent products which will suit their individual needs."
A group of lighting technicians, riggers and designers have joined together to form 4Effect, a new company specializing in décor, effects lighting and special event packages. Led by a former Students Union entertainment’s manager and décor designer, Malcolm Cameron, 4Effect will work across the corporate, students union, trade show, nightclub and events markets.