Writing on her website, the singer said, "I have a request for all of you who are coming to the shows. We have purposefully chosen an intimate theatre setting rather than a large venue or stadium. It would mean a great deal to me if you would please refrain from taking photos or filming during the shows. I very much want to have contact with you as an audience, not with iPhones, iPads or cameras. I know it's a lot to ask but it would a
The Titan FC projectors - IP65-rated, fitted with full colour (RGBW) LEDs - will light the various buildings of the Chateau at prestigious events taking place in this historic location.
The colorimetric properties, light output and IP65 protection of the Titanss will allow effective indoor and outdoor use.
(Jim Evans)
There are 12 Nexus panels on the Today Show Toyota Summer Concert Series rig. Greenbaum uses the fixtures as set pieces, eye candy, colorizing lights and lighting frames. The LD calls the panels "amazingly versatile," noting tha
With such a history, expectations for his concert at the Fiest'a Sète 2014 festival were high. Here Bootsy Collins took the stage for what was the last performance of his French tour, before returning to the US for a new series of concerts.
With lighting design by Jean Marc Jolivet, Bootsy and his 11-piece band were lit by the latest generation of D.T.S. projectors, including the Max L and the Wonder - the only double-optics LED moving head currently on the market.
"In addition to being a great musician, Bootsy Collins is a man with an extraordinary sense of humour,
The main stage is the central point of the annual Petrozavodsk City Festival, which celebrates the anniversary of the city's founding. This year was extra special, because it commemorated the 70th anniversary of the liberation of the city from Finnish armed forces. Large crowds gathered to watch live music and entertainment, including local dance acts, orchestra ensembles, and the headliner, Bravo, a well-known Soviet band from 1980s. This was followed by a closing ceremony and fireworks. The lighting team, led by lighting director Ivan Malakhov of rental agency SMK, used moving lights, LEDs, strobes and audience blinders to help entertain the crowd.
Because Malakhov had never used a Cob
An elaborate Hotel M set designed by Piece Montée was constructed as the studio facility and backdrop to the daily magazine programme broadcast on national TV channel EEN, concluding each evening with a live music performance.
Lighting for the stage area on the set comprised 35 x Robe Robin LEDWash 300s.
These were specified by the show's lighting designer Michiel Milbou, one of Belgium's leading TV LDs. This was the fifth edition of this show that he has lit and the third year running that LEDWashes were specified to light the band stage.
The fixtures were arranged in a 5x5 matrix in the ceiling of the band stage, which wa
When looking at the technical needs for the Theatre Company's upcoming re-imagined production of The Unsinkable Molly Brown, (featuring lighting design by Don Holder), DCPA lighting director Charles MacLeod knew the DCPA would need to expand their wireless DMX and dimming capabilities.
The Denver Centre for the Performing Arts was an early adopter of wireless DMX technology with RC4's rack mounted systems in the 90's and then the RC4 Magic Series 2 system more recently. "I've come to depend on the flexibility and stability of the RC4Magic," said MacLeod "The tiny size of the DMX2micro solves challenges that we face on many productions. We are really looking forward to the expanded functionality of the S
These form the core of a fully featured fixture which offers pixel control in the form of 2-2-2-1 and the head movement of 720° (pan) or endless, and 270° (tilt) or endless with a Pan / Tilt Swap and Invert Function, Auto-position correction and Magnetic sensor positioning.
Colour mixing is RGBW linear (with macro), with linear colour temperature correction from 2700K to 10000K. There is 0-100% linearly adjustable dimming, electronic strobe (0-25 fps) and a lens angle of 6°.
Other functions of this DMX-controllable fix
Opened in April 2014, Qzone is a new multi-purpose venue that functions as sports bar, café and music venue and even holds corporate meetings from time to time. The space, which originally started as a nightclub before being converted to a gaming room and now Qzone, is located just off the main Quil Ceda Creek Casino gaming floor. The client wanted to use the space to provide different options and events that appealed to customers in order to draw them onto the property.
Six months prior
This has included a full technical upgrade - for which the lighting elements were supplied by Controllux.
The new lighting rig was designed by Controllux's Kuno Van Velzen and includes Robe's Actor LED fixtures, LEDWash 300s, LEDWash 600s and LEDBeam 100 moving lights - all from Robe's Robin series - together with Robe LEDForce 18 PARs.
Once the renovation project was underway, the original lighting proposals for the 'new' event space were revised by Chief LX Rob de Gier and Technical Director Maarten Prinssen who looks after technicals for Markant's event area.
He especially wanted LED lighting installed to make the
Each week two teams of sports stars, headed up by resident team captains Phil Tufnell and Matt Dawson, battle it out in numerous topical rounds which include Picture Round, Home or Away, What Happened Next and On the Buzzer.
LD Roger Williams continues to light the show. Richard Martin Lighting (RML) have been providing the lights for this show for a number of years now and have worked hard to make sure the transition from filming in London, to Dock 10 in Salford has been a smooth one.
Roger's rig is relatively basic in terms of moving lights but the effect is has with the vibrant set work brilliantly
One of the most successful tribute bands, Dark Star Orchestra has been covering Grateful Dead concerts song for song, often joined by members of the original band, since 1995. Dark Star has performed well over 2,000 Dead Tribute concerts, each one as free flowing and colourful as the next, thanks to the quality of their music and some ric
Starting 2 September, tickets can be purchased online. They can also be ordered through your LDI registration.
Current sponsors for the Behind the Scenes Happy Hour include: 4Wall Entertainment (Diamond), Altman Lighting (Diamond), CHAUVET Professi
The prominent event honoured the best teen movies, music, fashion and (new this year), web stars, and attracted many rising young stars and celebrities. This year's presenters included Modern Family's Sarah Hyland and Teen Wolf's Tyler Posey, and a staggering 164m plus votes were cast by young fans through various social media channels. The show was broadcast live on the FOX Television Network.
This is the fourth TCA that has been lit by Kenny and his team and again, this year, he worked closely with Set Designer Steve Bass and Video Designer Eli Kinney
"It was very nice to be able to illuminate the audience with colour coordination based on the mood of the show," said Todd Roberts, president of Visions Lighting. "As an artist Marco Antonio Solis is very one-on-one with his audience. The Nexus 4x4 panels were extremely helpful in allowing us to highlight diff
In order to best illustrate this year's Science Night slogan, which was Digital Society, the University's Event Management Department decided to illuminate the institution's main building, a beautiful renaissance castle where much of the University's activities take place, as well as the University's Academic Art Museum. Separated from each other by a 250m long
The Slots Factor is Tsogo Sun's annual national championship takes place across all 14 of its casinos with R1.8m in prize money up for grabs.
Theo Roodt from MJ Event Gear and his team added six Robin 100 LED Beams, eight Robin 600 LED Wash fixtures and two Robin 200 E Spots to compliment the ambience. Prolyte H40V Goal posts were used as pedestal on which some of the fixtures were placed.
Lighting was controlled and operated by Olebogeng Boinamo on an Avolites Tiger Touch 2.
(Jim Evans)
The Stone siblings, hailing from Australia, delivered a powerful and emotive set that, when paired with Hoggarth's intense imagining of Ed Warren's design, entranced an audience that at times fell so silent you could hear a pin drop.
"The design for the show was very theatrical," says Hoggarth, "All the lights that we used on the show were mounted on the sides or at the back. There was absolutely no light coming from below. It was all incredibly dramatic."
Hoggarth's rig for the show was comprised of an LED star cloth that hung as a backdrop, four boom lights, four Robe Robin 300 washes, four Fresnel spotlights, and a set of festoon light
Given the multi-faceted role the temple plays in its community, its leaders wanted a versatile lighting system that could adapt to their diverse needs. That's exactly what LD Jason Ayala of Jason Blends (New York) provided them with, drawing on the flexibility of the COLORado Batten 72 Tour and Ovation F-165WW from Chauvet Professional.
Ayala installed 15 of the COLORado units and seven Ovation fixtures around the stage in the 15,000 square foot house of worship. The COLORado fixtures were installed in the ceiling downstage as were three of the Ovation units. The four other Ovat
Akim is known for his expansive character and his enthusiastic approach to life and business! He has followed the development of the Robe brand right from the beginning - when Robe was originally a quality OEM manufacturer - and before 'Robe' was officially launched in 2002 and started blazing a trail in the world of moving light manufacture.
Bwefar was founded in 1998 and grew steadily and in 2008 an audio division was added to help further expand the company's scope. The first Robe products purchased - two DigitalSpot 3000DTs - also joined the hire stock in that same year.
When Robe
Rising behind the façade of the former San Antonio Municipal Auditorium along downtown's famed River Walk, the 1,750-seat multi-purpose venue will be the home of the San Antonio Symphony and other resident companies. It also plans to offer a diverse array of entertainment from comedy legend Bill Cosby and radio icon Garrison Keillor and The Prairie Home Companion to the Scottish Ballet's production of A Streetcar Named Desire.
The four-level H-E-B Performance Hall is the largest of the Tobin Centre's performance spaces; the Carlos Alvarez Studio Theatre is a black box-style space with multiple seating options. Dealer Texas Scenic and rep R
"Knowing both Glyn O'Donoghue (MD) and Lee House (technical sales) of Ambersphere Solutions of old, I knew that they would give me 'honest' information regarding Clay Paky products. So I went for a beer with them at PLASA 2013 and then again at PLASA Focus: Leeds and reviewed the products."
So what was the deciding factor in the fin
For his current tour, Bertil Mark (art director), JoJo Tilmann (image director) and Justus Molthan (lighting director), who together form LesUrbanProgressives, relied on 25 Clay Paky Sharpy Beams and 16 Sharpy Washes, two full-size grandMA2 consoles, one grandMA2 light, two grandMA2 fader wings and four Network Processing Units (NPUs), all made by MA Lighting.
Justus Molthan, who took part in the tour with JoJo Tilmann, explained: "We used both Sharpy Beams and Sharpy Washes on the rig. I already know the Sharpy Beam well, and there is nothing else to add. On the other hand, I worked with the Sharpy Wash for the first time on this tour, and it was a pleasant surprise, especiall
This was an integral element of a major refurbishment and technical upgrade to the 800 capacity club which has enjoyed great success and a high profile over the last five years. The owner wanted a fresh new look to ensure they keep at the forefront of trend-setting on the island.
Pereira chose 10 Robin LEDBeam 100 moving lights and two Robe Faze 800 FT Pro hazer for atmospherics; together with 72 Anolis ArcSource 4MC LED fixtures for the ceiling grid, with another 16 used to downlight a set of glass-bead chandeliers.
The LEDBeam 100s are positioned at the front and back of the stage areas and are used i
