"For three straight exhibition days we were overwhelmed with the response to new Series 3 technology. Costumers, Music Tour Designers, Light Artists, and OEM customers all saw the versatility of our new equipment and immediately knew that it solved their problems," says Sean Dane, sales director and application specialist for RC4 Wireless.
RC4 Series 3 Harmonized Design provides integration of numerous ground-breaking R
Campbell's budget defying rig comprises his own floor package, however he also has to rely on venue house rigs for the overheads. This means he chooses his floor package carefully and works it hard to bring the signature look he wants to every venue. To that end Campbell has specified Clay Paky Stormys, alongside just four Clay Paky A.leda B-EYE K20s and ten B-EYE K20s from Siyan Ltd.
"I'm using the RGBW Stormys as block colour washes," explains Campbell. "T
With immediate effect, Music & Lights will handle the full portfolio of ArKaos products which includes ArKaos Stage, Studio and Stadium media servers, the dynamic MediaMaster PRO and MediaMaster Express software and Kling-Net, ArKaos' user-friendly control protocol.
Music & Lights first made the headlines with ArKaos PRO in October 2014 when it adopted ArKaos Kling-Net into a number of its pixel-based LED lighting fixtures.
The arrangement between the two companies proved such a success that ArKaos PRO expanded the collaboration to incorporate the full promotion, sales and support of all ArKaos products across Italy.
"We are happy to increase the range of our solutions for the AVL market through the ArKaos brand," says Fabio Sorabella, product manager at M &
Aside from its impressive zoom ratio (7°-42°), the fixture has endless pan and tilt rotation. In other words it will pan 720°, 360° or endlessly, and tilt 270° (or endlessly), with Swap and Invert function, auto position correction and magnet positioning function.
Other notable features of the XLED 3007 are the fact that it will operate to sound (sound to light), has optional wireless control, features touch keys on the panel and over-temperature protection.
The XLED 3007 contains all the functions that one would expec
In the early Nineties, Graeme developed a relationship with Ian Kirby and Clive Bailey, who now head up SGM UK, and news that Peter Johansen had taken over the Italian lighting company and relocated it to Denmark quickly ignited his interest.
After making an initial investment in X-5 white LED strobes he was soon captivated by the P-5. "It was a combination of the compact form factor and high power output that impressed me and my customers - as well as the quality of the colours," he said. "We use them for up-lighting buildings
Designed by CEBRA Architects, StreetDome is an open playground and the biggest skating facility in northern Europe with both indoor and outdoor areas for skateboarding, BMX, bouldering, street ball, parkour, rollerblading, street dance, and more. Serving as a social meeting place for kids of all ages, skill levels and cultures, if street sports are your bag then this is the place for you.
Central to the StreetDome complex, primarily indoor activities like skateboarding, basketball and bouldering, is the 1,500 sq.m StreetDome Igloo. Unheated and lit primarily through sunlight during daylight hours, the dome-shaped roof hovers over
Kay, who has been working with Kelly since the 24-year-old rapper was doing local shows in his hometown of Cleveland, used a power blasting collection of fixtures provided by 4Wall Entertainment Lighting's Los Angeles office that utilized aerial beams, strobes, colourized foggers and a collection of super
grandMA2 full-size consoles were found "everywhere you turned" at the festival, Jackson explained. "It looked like an MA showroom! There were grandMA2 consoles on every stage. We had two at every station, and sometimes the bands brought their own.
"Ninety percent of the artists used grandMA2," Jackson reported, "and they brought their own show files. With grandMA2's networking capabilities people could work on systems simultaneously: Two artists could program their respec
Smith and Gare's clean, silhouetted design evoked a 'club' vibe, and was based around a 3D, trapezoid-shaped custom LED set piece provided by Eness that was positioned in the centre of the stage. The B-EYEs, supplied by Alive Technologies, were part of the floor package around the piece.
"We used the B-EYEs in the Shapes mode, with the on-board macros and effects giving us a fantastic way to open the show and the battery-powered menu system making them easy to prep - it's a nice feature that Clay Paky has been doing for some time." says
It was also Kruder's first chance to use Robe's new Bright Multi-Functional Luminaires (BMFLs) of which he had eight on the rig. "It's one of the most powerful fixtures I have ever used," he states.
In addition to the BMFL Spots, he utilised 133 x Pointes and 146 x LEDBeam 100s, all supplied by rental company Supporting Role, also based in Vienna.
Kruder has lit the last two editions of Die Große Chance. In 2011 the original concept of the show - popular throughout the 1980s - was reformatted and presented in a contemporary context, complete with tele-voting to decide on the winner ou
The production of 'Extravaganza' Prague was entrusted to event company Planet Service, long-time partner of Herbalife for its international conventions. Technical manager for the event was Alessandro Giangi; lighting design was by Luca Casadei and Claudio Tappi, and set design was by Emilia Covotta and Raffaele Persico.
The stage included a rotating circular stage, and an automated system to fly in a large chandelier during the launch of a new product line. To illuminate this design, Planet Service installed a lighting system consisting of over 350 DTS fixtures, includin
Routledge specified 55 Clay Paky Sharpys, 12 Sharpy Wash 330s, 36 A.leda B-EYE K20s, 10 A.leda B-EYE K10s, 15 Clay Paky Alpha Profile 1500s and 20 SuperSharpys to deliver versatility and impact to the diverse production by Louder Entertainment.
"The sheer brightness of the fixtures was the main reason for using the SuperSharpys this time around," says Routledge. "As we had moved to outdoors for the first time I needed something to make the show special. Whilst we played in darkness being in the middle of
"When it was clear that we would be taking production on this tour, I went straight back to Entec," explained James, who was delighted to be back working with Entec's Noreen O' Riordan and Pepper (Paul Schofield). "Once again they have been amazing," he declared.
James has worked with the popular Irish singer/songwriter since 2010, in which time her profile and fan base has grown steadily. The starting point for the lighting design on this tour was to make it look interesting and a bit quirky - a
Managed by Creative & Cultural Skills on behalf of a consortium of employers and industry organisations including Live Nation, Royal Opera House, White Light and the Association of British Theatre Technicians, the new National College will provide specialist training in the technical skills needed by the creative and cultural industries. This is in response to significant industry growth, with the creative economy growing at four times the rate of the national economy, and the value of the UK's creative industries exports standing at over £15 billion per year.
Business Secretary Vince Cable said: "The talent which brings plays, operas, and f
"As soon as our client saw demos of the Rogue R1 Spot and R1 Beam, they fell in love with the fixtures," said Krause. "They wanted them yesterday. They were super excited, because they saw what the Rogues can do in a bi-level club - which is create added depth plus all of these magical uplifting images in the air."
There are six Rogue R1 Spots and four Rogue R1 Beams in Krause's rig at the club. He positioned the beams midway between the first and second levels. "They sort of hang out o
Kings of Chaos featured special guest Steven Tyler alongside Billy Gibbons, Matt Sorum, Gilby Clarke, Duff McKagan, Robin Zander and Nuno Bettencourt and was brought to South Africa by Andrew Mac of AMP Events.
"It was a great show to do," said Bothma from Gearhouse who also lit the performance in 2013. "The only request was that the band should be seen all times and this was done. At the end of the day it's about the band and that is why people come to the show."
The rig and design were the same at both venues. The main challenge was setti
For the fifth consecutive year, the lighting was designed by Carlos Colina, LD for all of Univision's major shows and events. After using Robe's Pointes for a successful show-stopping 'special moment' last year, he chose Pointes again this year to add extra elements of magic to key moments in an evening of great entertainment, collaborations and landmark live performances, plus a string of Awards.
Colina worked closely with set designer Jorge Dominguez to create the aesthetic for the show. They took full advantage of t
So he must have been a regular grandMA2 user before then? "Well, actually that wasn't the case," says MacLaren. "I used the MA1 a few times but more recently have been using a few boards from other manufacturers, all of which have had some issues with reliability. So when we were deciding on the specification for this tour, the choice of console was obviously high on my list of priorities. I knew I would be picking up boards from local companies as well as touring closer to home with a full rental rig so my choice had to have reliability and availability at the top of the tick list. Integral to the decision was the knowledge that we would
Lighting designer Martin Kempton continues to originate the show, supported by Richard Martin Lighting (RML) and features their latest purchase the VL4000 Spot. The VL4000 Spot includes all the tools needed to create dynamic and useful lighting on any stage. Every aspect of the luminaire has been designed with performance in mind. To go with the rest of the set Martin chose MAC Auras, Chroma Banks and MAC 250s.
The show for 12 Yard Productions is filmed at the Pacific Quays, Glasgo
Based on a concept designed by Wildstone and approved by Westminster City Council, Wildstone developed an eye-catching 'Box of Christmas Presents' to surround the statue of Eros at Piccadilly Circus. Each side of the octagonal box features a 2.5m by 2.5m high definition LED screen promoting pre-Christmas marketing campaigns from a number of high-profile brand sponsors associated to West End retail.
ACSP were approached by Wildstone to tender for the supply of lighting fixtures used to light the 'Christmas Presents' boxes, which surround the figure around the top of the display.
Due to the harsh environment - which requir
Bullock was amongst the first to use Ayrton's MagicPanel 602 last year and has returned to it this year incorporating 48 of the units in his design. To these he has added fresh offerings from Ayrton's newly released Radical Series, employing 36 MagicBlade-R linear fixtures and 12 massive MagicRing-R9 fixtures.
Bullock, like Khalifa, is determined to expand the visual presentation of the tours using the latest technology to explore the unique design possibilities that new products present.
"After the success of the MagicPanel 602, I met with Ayrton in Europe and
Promoted locally by AMI Live and ATW Live in association with Live Nation Global Touring, artRAVE: The ARTPOP Ball took place at Meydan Racecourse. Eclipse provided the lighting, video and primary and secondary power distribution, while audio was supplied by Delta Sound.
"We are immensely proud to have been selected as event technology supplier for such a landmark show, the fact that so much of the production was able to be serviced locally is a real testament to the local market's ability to compete on a global stage," said Martin Lubach, general manager of Eclipse Staging Services.
The main stage lighting featured many fixtures, including 67 Clay Paky Sharpys, 11 Clay Paky Alpha Wash 1500s and 24 Clay Paky Sharp
The contractor on the project was Matrix Sales ApS with Urs Friis-Alstrup as the project manager responsible for budgeting, product selection and programming.
The mission was to light up the arched ceilings of the more than 100-year-old railway station which consists of two 100-metre long halls - each with more than 20 metres to the ceiling.
The halls, bearing the architecture and craftsmanship of the early 1900s, are set in dark green and red, which cause the visitor experience to be very dark and gloomy, especially during the winter months. Therefore, the challenge was to create an installation that respected and preserved the original building construction, while bringing it alive.
Friis-Alstrup ex
Vatel's owner Miriam Villalobos was curious to learn about the production industry, and back in 2000 took a job in public relations at local company A1 Audio, during a show by Mexican band Molotov. The company was the main one in Querétaro and serviced all the major shows in the area, allowing her to meet professionals and engineers from many other places.
She says: "Audio became my passion! After four years, I met Héctor Alvarez - currently soft rock singer Camila's engineer - and he recommended that I move to Mexico City because the market was bigger, more dynamic and interesting. He said I would never get tired of learning and also seeing new technologies which often don't reach
