USA - Elation sale representative companies RL Wilson & Associates and JLH Marketing have hired Grant Geiselman as a product specialist. He will assist both firms with product demos and overall knowledge of all Elation Professional product lines.
Geiselman, who has been involved in the entertainment technology industry since the age of 13, has developed a comprehensive technical skill set that includes lighting design, programming, networking, software development and more. Most recently working as a freelance designer and programmer, he has extensive experience working on lighting and video design projects across Southern California.
UK - White Light has supplied the lighting equipment for the recent West End transfer of Captain Corelli’s Mandolin following its critically-acclaimed UK tour.
Based on Louis de Bernières’ best-selling novel, Captain Corelli’s Mandolin is the story of romance in the face of the Second World War set on the idyllic Greek island of Cephallonia. The production marks the novel’s first major theatrical adaptation and marks the 25th anniversary since its original publication. For both the UK tour and West End run, the lighting design was by Malcolm Rippeth.
Malcolm comments: “As a creative team, one of our main aims was to find the look and feel of Cephalonia and the other spaces featured across the story; the key one being the Italian soldiers fighting their way through the country. In that sense, it was creating a space of peace and beauty in pre-invasion Cephalonia, contrasting with a space imbued with the anticipation of violence. There were also the ‘psychological spaces’ that certain characters experienced during the clashes of warfare.”
With Captain Corelli’s Mandolin being such an epic story, the creative team had to ensure they did this justice in only two and a half hours of stage time. Malcolm explains: “There are lots of jump-cuts and montages of years passing throughout the play, which are devices we're used to in the cinema. That said, we were keen to make this show as theatrical as possible and embrace the medium.
“As a result, we stripped the aesthetic back which immediately allowed this. Gi
USA - Australian band Ocean Alley completed a 32-city tour of the US and Canada earlier this summer. For the mainly small venue dates, Max Baldwin, the band’s lighting designer utilised Professional Rogue R1X Spot fixtures supplied by Squeek Lights.
“Our entire idea was to get looks in 400 or 500 capacity rooms with limited stage in North America that were similar to what we got at giant festivals and amphitheatres in Australia,” says Baldwin. “Obviously, we couldn’t duplicate the Australian looks exactly, but we could reflect the spirit of those shows with a smaller rig. The Rogues were essential to our plans. Working them with the various house rigs we encountered gave us a lot of options.”
Although he varied the arrangement of fixtures from night to night, depending on the configuration of each venue’s stage, Baldwin typically positioned a Rogue R1X Spot fixture on either side of the drum riser. He also placed units on the stage left and stage right deck.
From these positions, the 170W LED spots were used to create a variety of vibrant production looks. Drawing on the fixture’s three-fact prism, Baldwin created intense aerial effects that filled small and mid-sized venues with vivid light. He also evoked surreal moods for some of the band’s more ethereal songs by backlighting its members with a range of richly saturated colours.
The versatility of the Rogue R1X Spot gave Baldwin the flexibility to conjure up an endless array of looks that reflected the wide range of material in Ocean Alley’s 14-song, 70-minute set, whi
Germany - Robe’s new IP65-rated iPointe moving lights were prominent among lighting fixtures on the main stage at this year’s Elements Festival, a two-day showcase of house music in the amusement park at Dormettingen, 80km southwest of Stuttgart, Germany.
The festival is staged in a picturesque environment landscape and built on a former mining area, complete with its own artificial lake and beach. The event features three vibrant stages of music and is known for its high production values.
Lighting for the main stage - located in a natural dip in the topography - was designed by Raphael Herrmann whose company Prolite Event also co-ordinated the supply of the lighting kit which included eight Robe Pointes and 16 LEDBeam 150s as well as the 22 iPointes, plus some other lights.
Raphael has lit the main stage since Elements Festival started five years ago and has been involved in designing and supplying lights and running his own associated business since 2000.
Being dance / DJ orientated, the Elements stage set-up was different to a standard rock event. The set was also designed by Raphael and featured a 35m-wide pyramid structure, which was supporting striking columns of LED, with a large scenic / LED event logo sign in the centre upstage and above the DJ riser. The highest point of this back wall was 14.5m.
An overhead canopy provided immediate weather protection above the DJ, but the main structure was completely exposed to the elements.
Other challenges included lighting for daylight, as only the final acts of the two-day
USA - ADJ has announced the availability of the PAR Z Move RGBW, part of its PAR Z range.
This 300W C.O.B. LED colour mixing moving head par fixture that is suitable for fixed installation in theatres, churches, concert venues and nightclubs as well as for the temporary production of concerts, theatrical performances, festivals and dance events. The PAR Z Move RGBW houses a 300W C.O.B. LED engine, which generates an even wash and extremely smooth colour mixing with no colour shadows. It also offers variable colour temperature for white light washes, making it ideal for stage lighting as both a key light and a wash.
The fixture is available now in the USA and will become available in Europe from mid-August.
“The whole PAR Z Series, but particularly the PAR Z Move that we released earlier this year, has proved extremely popular with lighting designers looking for versatile LED-powered key lighting / wash fixtures,” comments ADJ USA’s national sales manager, Alfred Gonzales. “However, our customers were quick to tell us that they would value the combination of the PAR Z Move’s moving base and the colour mixing ability of the static PAR Z120 RGBW model.
“As a company it is our policy to always try to act on customer feedback to produce the products that lighting designers and other lighting professionals desire, which is why we are now pleased to introduce the PAR Z Move RGBW to the market. Offering punchy output, versatile colour mixing and agile movement, it is ideal for a wide variety of applications including key light, back light
USA - The Strings Attached tour, Weird Al Yankovic’s “most elaborate and extravagant” production to date, is out with a lighting and video package provided by Bandit Lites. Each performance features the works: costumes, props and a full orchestra accompanying the Grammy-award winning artist as he brings to life his hits including Amish Paradise White & Nerdy and Smells Like Nirvana.
Bandit Lites supplied lighting designer James Hergen a package that would illuminate the stage as well as each local symphony, crafting a design that would allow the production to have trusses up and out of the way as quickly as possible, affording the musicians enough time to load in and begin soundchecks.
VL 3500 Washes and Robe BMFL saturate the stage with textures and hues while Claypaky Sharpys supply additional coverage as well as well-time musical hits and strikes. Bandit also provided 200 Chauvet PVP 6mil video wall panels to showcase Weird Al’s history of songs.
“Jesse Baron, the video technician on tour, has been able to get the wall up and operating with the quick connect mounting and cabling the PVP System is known for,” explains Bandit Lites client representative, Shawn Lear.
Prior to tech rehearsals, Hergen was also able to spend time at Bandit’s Venue One rehearsal facility, getting a head start on programming.
“I am impressed with James approach and thought process for each and every fixture,” Lear says. “Knowing he was having to cover a much larger space and needed to get the trussing o
Germany - The Great Tropical House lives up to its name. Completed in 1907, it remains one of the largest and most impressive self-supporting greenhouses in the world, housing more than 1,400 exotic plant species. On Friday 19 July, the impressive structure took on another important function when it served as the centre of the Berlin-Dahlem Botanical Garden’s Botanische Nacht, an annual one-day summer festival organized by TLT Event AG that features music, magic shows, fantastical tales and non-stop fun in the heart of the German capital.
Glowing like a giant space ship, the massive domed structure that turned out for this night-time event. Outlining the building’s architectural features captivated the large crowd and adding to its stunning appearance were 110 Chauvet Professional ÉPIX Strip IP fixtures that Denny Arndt featured in his lighting design.
Coordinating the ÉPIX fixtures with five lasers, Arndt created sleek and compelling looks on the Great Tropical House that set it apart even from the already colourfully lit festival grounds.
“I used geometric lines and glittery images on the ÉPIX,” says Arndt. “The brightness and intensity of the ÉPIX Strip IP are wonderful. They give me a structure of light that stands out even against the laser light to create a brilliant display. My concept was to give the building a magical, surreal appearance in keeping with the spirit of Botanische Nacht.”
Even the rain that fell on this warm July night couldn’t dampen that special spirit. The IP65 rating of the ÉPIX fixtures helped
USA/Europe - ETC has formally acquired the ArcSystem, BlueSystem and CueSystem product lines from UK lighting manufacturer GDS.
Effective today (1 August), the US company assumes the global manufacturing and distribution responsibilities for the three ranges, which it used to manufacture exclusively in North and South America since 2015.
The agreement was first announced in December 2018 and signalled ETC’s intentions to expand its influence into the architectural lighting sector.
David Lincecum, ETC vice-president of marketing, comments: “Bringing these family lines into the ETC fold allows us to reach more parts of the world with ETC’s quality architectural lighting solutions and unmatched customer service. With this expansion, ETC increases venues’ access to beautiful and efficient LED lighting in auditoriums and other front-of-house public spaces.”
Already installed in many of the world’s leading venues, ArcSystem is established as a solution for auditorium house lighting, multi-purpose venues, houses of worship, and anywhere that requires a premium quality of light with flawless dimming. Optional wireless connectivity facilitates easy and non-destructive installation into an existing building. The line now includes new colour temperatures, RDM control, and Fade to Warm options, says ETC.
USA - Bandit Lites has announced three staff promotions at its Knoxville headquarters.
General manager Giff Swart has been named client representative and production manager. Swart, who has spent over 15 years at the company, will oversee local work at Knoxville, including numerous University of Tennessee events, more than 100 annual philanthropic endeavours and all events at the high-end resort Blackberry Farm.
Brad Hylton has been promoted to facilities manager where he supervises the Knoxville facility and staff. With the Knoxville location recently being transformed into a sales and installation-focused facility, Hylton will be responsible for all aspects of freight, sales inventory, coordination of project preps and the upkeep and organisation of the building.
Also receiving a promotion is lighting technician Alex Becker, who becomes a sales and production assistant. He will coordinate and prep gear for Bandit’s sales projects, ensuring everything that leaves the shop is configured for the most efficient and organised install experience.
These are the latest of a string of appointments and staff changes at Bandit’s Knoxville HQ, which has also welcomed Sharon Draper (controller), Chris Barbee (vice-president of sales) and Roth E
USA - Dynamic Productions USA recently made a significant investment in the new Chauvet Professional Maverick MK3 Profile.
“Our main reason for purchasing the Maverick MK3 Profile was to expand our inventory so we can continue to offer clients a wide range of lighting solutions,” says John Fitzgerald, the company’s technical director. “There are many ways that we will be using these fixtures. They will be on our festival stages throughout the summer, as well as with some of our A-list touring acts. We also see the MK3 Profile being a big help on our corporate side for events.”
“The Maverick MK3 Profile is an exciting breakthrough product, one that is the result of a long and dedicated R&D effort on the part of our entire team,” says Albert Chauvet, CEO of Chauvet. “We’re very pleased that a universally respected quality-driven company like Dynamic Productions USA shares our vision for this fixture and how it can bring a higher level of performance to so many different sectors of the market.”
For its part, Dynamic Productions USA is confident not only in the new Maverick MK3 Profile, but also in the company that stands behind it. “Working with Chauvet has always been great,” says Fitzgerald. “The customer service team there is outstanding.”
UK - In the late 1980s, the Theatre Royal Windsor underwent a minor refurbishment in which Stage Electrics provided new production lighting panels, moved and refurbished the existing dimmers, ensuring the theatre was operating in line with health and safety standards of the time. Nearly 30 years later, the company has returned to the theatre to upgrade their mains supply and 50 year-old dimmers.
“After a long period of service, the theatre’s dimmers were finally coming to the end of their lives,” explains Saul Eagles, business development manager at Stage Electrics. “With some of the dimmers being nearly 50 years old, the theatre contacted us to discuss their options for replacement.
“As the theatre is dependent on ticket sales to operate, the option of an extended dark period was unfeasible,” Eagles adds. “The project needed to be completed rapidly, with no room for delays. Stage Electrics’ reputation for seamless project management and careful planning, along with a long-standing relationship with the client, made us the perfect choice to carry out this work.”
“We completed the entire works a day ahead of schedule,” states Jonathan Adkins, technical project manager at Stage Electrics “This work involved the removal of all the redundant dimmer racks, the installation of all new switch-gear, extending a number of circuits, re-numbering and allocating the phasing of circuits and installation of thee ETC Sensor dimmers.”
In total there were over 200 channels of new dimming provided which incorporated the theatre’s
South Africa - Johannesburg rental company MGG supplied the full technical production package for the Africa Play Conference.
Hosted at The Maslow Time Square hotel in Pretoria earlier this year, the conference is a partnership between the Lego Foundation, the Department of Basic Education of the Republic of South Africa, UNICEF South Africa and the Association for the Development of Education in Africa (ADEA).
Four hundred delegates from around the globe, including educators, policy-makers and researchers, joined together to share insights and come up with ideas to help equip children in Africa to become creative and life-long learners. The emphasis was to explore learning through play and how this could improve the quality of early childhood development and become an integral part of the education system.
“To add an element of fun, MGG was asked to include Lego pieces in the set design,” explains Denzil Smith of MGG. “We soon realised that the Lego factory in Denmark was willing to manufacture actual Lego blocks, 500cm wide by 250cm high and 250cm deep, which were then shipped to South Africa. There was great excitement as the containers arrived at the MGG premises, and even more so when it came to the actual load-in. It was like watching children build a big Lego set.”
MGG project manager Günther Müller was on-site to head the project. The Lego built stage included three high-resolution Absen 2.9mm LED screens designed into the white set, which were the main source for content and information. The middle screen was able to switch
UK - Lighting designer Matt Tyler used Prolights LED fixtures to provide lighting for space-age performances by Orbital, Public Service Broadcasting and The Radiophonic Workshop at Apollo 50, a one-off event celebrating the 50th anniversary of the moon landing.
Tyler utilised his own stock of Prolights Luma 700s, Diamond 19s and StudioCOB FC PARs to create the dynamic looks. “I needed to use quality fixtures that could truly do justice to this iconic event,” he explains.
Millstone Sound provided lighting and sound production, whilst Tyler purchased the Prolights fixtures from exclusive UK distributor, A.C. Entertainment Technologies.
Held at Cornwall’s Goonhilly Earth Station to celebrate the technological accomplishment of the Arthur satellite dish, which in 1969 beamed the moon landing footage live to 200m people in Europe, the anniversary was marked with a day of music, science, art and culture.
For the evening’s triple-bill concert, Tyler drew upon the technological advancements of Prolights’ LED fixtures to deliver spectacular lighting to bring the artists’ space-age themes and sampled astronaut voice recordings to life.
Denmark - In lighting Musicalteatret’s Jack the Ripper musical at Copenhagen’s intimate Folketeatret, lighting designer Mikkel Bedsted faced some major lighting challenges. He found his solutions in the new VL2600 Profile LED stage luminaire from Vari-Lite.
Bedsted’s main challenge was the venue’s limited weight loading. With the small theatre’s fly bars able to support only around 125kg, it became essential that his lighting fixtures were lightweight and compact in size. Versatility was also a crucial factor, as the more functions a single fixture could fulfil, the fewer units would be needed overall. Next, as the show’s designer, operator and sole lighting technician, Bedsted required maximum reliability. And, of course, he needed quality performance - including high output, excellent optics and advanced theatre lighting features.
Through supplier Live Company, Bedsted sourced 14 of the new compact, VL2600 Profiles from Vari-Lite. He placed five on each of the front-stage and upstage overhead lighting bars, plus four in front-light positions. “The VL2600 is my workhorse fixture on this show,” he says. “With its power and zoom range, I can use it as a wash light, a profile and a spot. The big feature for me is to get that much output from such a relatively small light.”
Bedsted values the VL2600’s theatre-friendly features, including colour temperature control. “The CTO wheel is really, really nice to have,” he says. “I don’t think I could have lit this show without the CTO wheel. I use it a lot in transitions o
China - Ayrton has announced the installation of its first white Ghibli LED spot fixtures at the China National Centre for the Performing Arts in Beijing. Eighty of the white units were recently installed into the elegant interior of the Centre’s Concert Hall by ACE, Ayrton’s distributor for China, as part of a major upgrade of its lighting inventory.
The Concert Hall, designed by French architect, Paul Andrew, within a giant oval shell that includes a 2,000-seat opera house and 900-seat theatre, is distinctive in its silver-white interior with an acoustic ceiling that resembles undulating white waves. The 1,900-seat auditorium is arranged in-the-round to enable the large-scale symphonies and Chinese traditional music that are performed there to be heard and viewed from any angle.
Consequently, its new lighting fixtures had to be capable of handling swift lighting changes and multiple staging configurations. ACE recommended Ghibli on the basis of it being a truly versatile fixture that can handle a variety of uses and throw distances - and be customized in appearance to blend it with the stylish surroundings.
“Stage lighting for concert halls always requires an elegant appearance, uniform illumination, comfort and quietness,” explains Zhang Wei of ACE. “Classic halogen lights have always been used in the past. However, with the development of LED technology, the luminous efficacy of LED has overtaken most of the halogen lamps and discharge lamps, and Ayrton’s product portfolio is a testament to how good LED lighting fixtures have now bec
UAE - Reliability was a major factor for Middle East rental and production company MediaPro’s large investment in Robe moving lights earlier this year, according to sales and marketing manager Jinesh Nair.
When it came to making a decision about expanding the moving light inventory at their Dubai HQ, the vital parameters included engineering quality and versatile features as well as an increasing demand from international lighting designers requesting Robe products.
This all led to the purchase of 86 Spiider LED wash beams, 76 MegaPointes and three RoboSpot systems complete with the BMFL FollowSpot LT (long-throw) fixture with integral camera, which has been especially designed for large arenas and stadiums. These are the first of these special BMFL followspots in the UAE.
MediaPro’s initial relationship with Robe dates back to 2006. Established in the UAE in 2004, the company’s modest owner has worked hard on steadily building a world-class operation with a prominent presence throughout the Middle East and Asia which is driven by his vision and commitment to delivering cool and creative results.
“The Robe products are generally in demand,” comments Nair. “LDs and productions are constantly asking for them, and we want to give our customers the best and most flexible options to realise their shows.”
Having their own stock of new Robe products now also saves MediaPro substantially on cross rentals, in which they were increasingly engaged to give the LDs what they wanted.
Their work embraces music events and an interest
Europe - The Laserworld Group has released the tarm 2.5 laser light systems, a new generation of Art-Net/DMX-controllable lasers that can create and store artwork straight onto the device.
The laser module in the tarm 2.5 has been improved by combining all laser sources in one white light module, which has professional mirror mounts allowing for precise module alignment with hex keys. Different laser software can be used to directly access the built-in DAC (digital-analogue-converter) via LAN for professional show control.
Meanwhile, mobile DJs or entertainers who cannot actively control the laser during performance can make use of the sound-to-light or the standalone operation mode, which - combined with the option to load custom graphics to the mainboard - makes the tarm 2.5 suitable for advertisement projections or use in architecture illumination.
The tarm 2.5 has an overall power of 2.7W RGB. Several modification options are available on request, including CT Scanner upgrades to maximum scanning performance.
“It has taken some time for lasers to become versatile, intelligent systems,” explains Norbert Stangl, CMO of the Laserworld Group. “The technical circumstances didn’t allow for developments like this in the past, but these challenges have been faced and the result are lasers that can easily be used as conventional intelligent lighting systems.”
Hungary - The open-air theatre in Nyíregyháza recently upgraded their stage lighting capabilities with Prolights.
Located in the heart of the city of Nyíregyháza, the 1,000-seat theatre has been a key attraction in the area since 1955. Previously fitted with halogen fixtures, the renovation focussed on re-invigorating the space throughout and upgrading the technology to reduce running costs, increase energy efficiency and increase light output.
The new stage lighting system contains 20 Prolights Eclipse HD2 TU fixtures that were chosen for their brightness, even beam and clean shutter cuts, along with 20 Prolights full colour LED fixtures which provide a dramatically higher lumen level than their halogen predecessors. Both ellipsoidal fixtures were chosen for their versatility, broad functionality options and outstanding output levels and completed the reinvigoration of the space.
To complete the package, four Prolights Sunrise fixtures were installed; the theatre opted for the LED blinders as they could equal the brightness of traditional fixtures.
The Netherlands - Smile Licht En Geluid Utrecht BV is a busy design and technical production company based in Utrecht.
The company has recently purchased 12 Robe VIVA CMYs and 32 LEDBeam 150s - to assist in the creative illumination of a wide range of events.
The company was founded in its present format by Remko Vossen in 1998. The name already existed, however Remko took it from a disco based operation to a full-blown professional production facility which has become very well known locally and across Benelux.
Smile supplies lighting, sound, AV, staging, and expertise to the events sector and has a reputation for imaginative flair and offering innovative technology and high standards of excellence. They have just moved into a large and spangly new warehouse and office space in Lage Weide, in the west of the city of Utrecht.
These were the first Robe moving lights Smile has bought for some time. With the changing needs and demands of events today, they needed to upgrade some of the kit and get some good, reliable, all-purpose LED moving lights onboard for their work - 70% of which is in the corporate world.
The LEDBeam 150s essentially replace old PAR 64 cans and bring a host more features and flexibility to the party. “We also needed a fixture to provide ambient lighting effects that could be focussed from the desk,” adds Guus Smorenburg, Smile’s first full time LD.
The first gig shortly after the fixtures were delivered by Robe’s Benelux distributor, Controllux, was the Choice Hotel Awards staged at the Kromhouthal in A
Australia - After months of anticipation and secrecy, Halo - the light and sound experience designed specifically for Townsville, a coastal city in north eastern Queensland - has opened.
Created and produced by Sydney-based AGB Events, Halo transforms Castle Hill, the natural ‘halo’ that hovers above Townsville. Presented by the Townsville City Council, Halo runs in conjunction with the inaugural North Australian Festival of Arts, and has been made possible through the support of the Australian Government’s Building Better Regions Fund.
“Townsville City Council wanted to create something highly memorable that would truly mesmerise and captivate the public’s imagination,” says Anthony Bastic, CEO and creative director of AGB Events. “We were thrilled and honoured to be asked to undertake such a prestigious and challenging project. We’re delighted with the results.”
Halo which runs from 19 July - 4 August between 6:00pm and 10:00pm - is the latest in a series of large scale multimedia shows produced by AGB Events. These have included Vivid Sydney Light Walk, Australia’s largest annual event; Parrtijma, a light festival in Alice Springs that took its inspiration from indigenous stories and culture, lighting up two kilometres of the MacDonnell Ranges, and the Lights of Christmas in Sydney and Brisbane.
“Halo is a new event experience that showcases creativity in one of the most aesthetically compelling new art forms; light art,” continues Bastic. “Over the past decade, th
South Africa - Rental company MGG - the largest Claypaky stockist in South Africa - has purchased six Scenius Unicos from DWR Distribution.
“We initially received the Scenius Unicos as demo units and it was love at first light,” explains Denzil Smith from MGG. “In the end, they were never given back. The punch, brightness, versatility and fantastic gobo selection make it the first choice for events (budget dependent), and my personal favourite fixture.”
The Scenius Unico is able to perform in spot, beam or wash mode, and offers an assortment of solid colours. MGG’s lighting HOD, Jacques Pretorius, has test-driven the new workhorses and used them for front light and back light. What stands out for him is the full framing shutter, effective for applications like highlighting banners on stage as well as the renown Claypkay optical design.
“Claypaky is reliable and our crew is proud to be associated with the brand,” continues Smith. “MGG already own Alpha Profiles that are showcased on larger productions such as Afrikaans is Groot and EOH, the Sharpys are utilised on most day to day events, Mythos, A.leda B-EYE K10s and K20s.
“While the Scenios Unico may be the new kid on the block, the highly appealing fixture is a magnificent spot light and excellent wash light. But it’s the ability to generate a powerful narrow beam of super concentrated light makes it a formidable tool for lighting designers.”
UK - Technical production company Maestra Group has launched a scenic division. Based at Maestra’s London HQ, Maestra Scenic will offer services including CNC, carpentry and joinery, fabrication and engineering, painting and finishing as well as integration of other technical detailing - such as lighting, video or audio - into scenic fabrication projects.
The new division will employ a team of 20 full-time staff, who will be led by director of production Mark Davies, former director of technical operations at the National Theatre and sales director at Stage One Creative Services.
Davies comments: “The goals for good scenic companies are about meeting and then exceeding client expectations in all aspects - quality and build, finishing, being on-budget and ease of installation. It is essential to have the right people and processes all working harmoniously and with a full understanding of each project’s individual requirements. At Maestra, we strive to achieve this every time.”
Joining Maestra Scenic as head of its construction department is Paul Evans, former NT head of construction. Another key appointment is Jon Chute as head of production. Chute was previously an account director for Stage One Creative Services and a senior production manager for Imagination.
Meanwhile, the Maestra Scenic facility is made up of a 9,000sq.ft fabrication area which will include CNC equipment for carpentry and metalwork, and a mezzanine area that will be utilised for CNC poly carving and other 3D modelling. An external spray booth will deal with all fi
UK - A.C. Entertainment Technologies (AC-ET), a Patron of the British Racing Drivers' Club (BRDC), supplied the event lighting for the Club's annual British Grand Prix party at Silverstone Circuit to showcase its latest product portfolio.
Staged within the grounds of the BRDC Farm as part of the Formula 1 Rolex British Grand Prix weekend, the occasion attracts high-profile members and motorsport personalities. AC-ET has been a Patron of the BRDC’s exclusive Young Driver Programme for over a decade and supplied the lighting design for the event ever since.
AC-ET worked closely again with the BRDC to create the event lighting. The company supplied the complete indoor and outdoor lighting systems, which utilised approximately 200 fixtures. The project was designed and overseen by AC-ET production manager, Andy Walne Smith.
Featuring heavily in the marquee lighting design, Chroma-Q's award-winning Color Force II LED wash lights delivered immersive colour-changing effects lighting alongside Space Force LED soft lights providing general illumination.
To celebrate 25 years since BRDC member, Damon Hill OBE won the 1994 F1 British Grand Prix at Silverstone, an enclosed display of his race-winning FW16 Williams car and Clay Regazzoni’s 1979 FW07 car - which gave the team its first ever F1 Grand Prix victory - were illuminated by Space Force fixtures.
In addition, a ‘Union Jack’-arranged flower wall which proved a popular photos backdrop for attendees in the garden area, was lit using Color Force II fixtures enclosed in a custom water-pro
Russia - While the founding of the Bolshoi Theatre dates back to 1776, its production team is looking to the future with the newest LED technology from High End Systems.
The theatre – a cultural landmark and home to the Bolshoi Ballet, Opera and Orchestra – opened a second venue, the New Stage, in 2002 to host performances while the Historic Stage underwent refurbishment. By 2011, both neighbouring performance venues were offering a full schedule of events in the heart of Moscow.
In 2018, it was time to make some changes over at the New Stage. Lighting designer Anatoly Samosadny was seeking an alternative to the older lamp-based fixtures. Preferring to work with a modern, LED-based automated luminaire in his productions, he turned to High End Systems’ Moscow-based distributor SiM, which recommended High End Systems’ SolaFrame Theatre fixture.
Eight SolaFrame Theatre units were supported, tested and delivered by SiM to the Bolshoi in September and made their premiere in productions shortly thereafter. The main tasks of the fixtures are to serve as back truss lighting and front support light.
“The absolute silent operation allowed me to install the SolaFrame Theatre units directly above the orchestra or in the auditorium,” says Samosadny. “These positions are very important when working with certain productions, such as The Orchestra Survey and Camille Saint-Saëns’ The Carnival of the Animals.”
He adds, “The framing shutters are also extremely beneficial to my designs. The colour mixing, CTO, prism, zoom,