Mexico - A full complement of Elation luminaires gave a spectacular closing to Colombian singer Sebastián Yatra's tour earlier this year in Mexico City, where he shared the stage with several artists, including Mexican singer Carlos Rivera. Chris Penso, an experienced lighting designer who has worked with Latin stars such as Franco de Vita, Carlos Vives, Chayanne and Marc Anthony, was responsible for lighting Yatra's tour.
For two special performances at the Auditorio Nacional in Mexico City, the amount of lighting gear was enhanced and to spectacular effect. At Penso’s disposal were 66 Chorus Line 16 LED pixel bars, 36 Rayzor 760 LED wash/beam lights, 34 Smarty Hybrid and 28 Smarty Max moving heads, 10 Fuze Wash Z350 single source par moving heads, 24 ACL 360 Matrix LED moving head panels, 20 Protron 3K Color strobes and 12 DTW Blinder 700 IP. Yatra worked with video engineer and content creator Williams Hincapie on the tour.
Penso commented about his lighting design: "The objective for this tour was to have a wide variety of textures, atmospheres and different sensations. Since Sebastian's repertoire is very diverse, we wanted to be able to go from very aggressive and dynamic looks to very subtle and minimal scenes.”
The LD revealed his favourite Elation lights to be the Chorus Line 16, positioned above the LED screen in the centre of the stage with others in musician platforms and on the stage proscenium; and the Rayzor 760, which were mounted in pairs on three parallel structures to project general washes or narrow beams thanks to its wid
Ireland - Fiach is a new work by Philip Doherty that unites the disciplines of theatre, cinema and comedy in a live onstage and in-car drama, accompanied by large format video visuals, powerful sound system and theatrical lighting all in a Covid-safe drive-in viewing environment.
It is also an example of how a kit of eight Astera Titan Tubes, used with thought and invention by lighting designer Mick Murray can go a long way.
The Irish-language work was presented (with English surtitles) by Fíbín in association with An Taibhdhearc in a car park at Baile na hAbhann, Connemara, County Galway, starring award-winning actors Fionnuala Flaherty and Dara Devaney.
Producers Fíbín asked Mick Murray to create the lighting, video and staging designs. With an impressive array of idiosyncratic mixed media projects to his credit, Mick jumped at the chance and reached for Astera Titan Tubes – supplied by lighting rental and installations specialist Cue One – as a practical, powerful and aesthetically pleasing lighting solution.
Mick and Philip (Doherty), who also directed his work, discussed numerous elements and ideas. The requirement was for a mix of cinematic and theatrical lighting techniques and treatments, and for this to work properly, the quality of light was “hugely important” stated Mick.
As Philip really wanted to immerse the audience in the show, in the stage design Mick positioned the cars – the dealer’s Ford Capri and the policewoman’s unmarked Nissan Primera vehicle – on staging decks with the actors inside as
USA - Earlier this month, Essential Church in Huntsville, Alabama, upgraded their stage lighting to improve the production quality of both in-person services and the footage they capture for online broadcast. Conventional fixtures were replaced by energy efficient LED lighting from ADJ and sister company Elation Professional, improving the aesthetic appeal of the stage and at the same time reducing the church’s energy bill.
Like most religious congregations around the world, Essential Church have made online services a major priority this year. However, as they experimented with filming their worship and teaching in their auditorium, they realized that the lighting setup, while adequate for those attending in person, was limiting the quality of their video recordings. They brought in Christopher Watts of Watts Technology to advise on a cost effective, efficient and effective solution to add creativity to their stage lighting and also improve the quality of their online broadcasts. In turn, Christopher brought in lighting designer and regular collaborator Thomas Griffin of Lti Productions.
After visiting the church and discussing with leadership what they were looking to achieve from their lighting, Thomas designed and specified a new system. The current conventional front lighting fixtures were replace with LED fixtures, new LED pars and battens were installed above the stage, while a small number of existing LED fixtures were repurposed and integrated into a new DMX control system, which Thomas programmed to be easily operated by the church’s volunte
Italy - GLP’s new KNV series has been used for the first time in Italy, on two high profile broadcast TV shows.
The first of these was Radionorba Vodafone Battiti Live, where DoP Massimo Pascucci featured a large selection of KNV Cube, KNV Dot and KNV Line in the scenography, working alongside set designer Luigi Maresca and show director, Luigi Antonini.
This popular musical show is produced by Radionorba and broadcast by TeleNorba and Mediaset on the Italia 1 channel. Hosted by Alan Palmieri and Elisabetta Gregoraci, it features leading artists and their hits of the summer.
Generally, the traditional five episodes are recorded during the months of June and July in five different locations that represent the main cities of Puglia. However, this year, due to the Covid-19 pandemic, the show would have been cancelled were it not for a supreme production effort and the rapid drop off of infections. Thus a single location was chosen - the square immediately in front of the Aragonese Castle of Otranto - in order to avoid moving equipment and manpower.
All GLP fixtures are imported into Italy by distributor, Alto Lighting, and for this show were supplied by rental company, MOD Srl.
Massimo Pascucci had no hesitation in using GLP’s solutions after seeing videos of the KNVs in use. “Because in this show I had focussed a lot on using the lights graphically, the product seemed perfect to me,” he said. Thus 12 of the KNV Cubes were accompanied by 25 KNV Dot and 10 KNV Live. Each KNV format can be used independently, or seamlessly com
UK - Shaun Pearce, MD of Pearce Hire, is actively lobbying the government, as are many throughout the sector. He is asking for urgent government intervention. Specifically the continuation of SEISS (self-employment income support scheme) for those individuals working in the industry, continuing furlough support for employees and extending rates relief to event hire businesses (most of which are SMEs and owner-operated like Pearce Hire).
Pearce and his management team were looking forward to a record year in 2020, recruiting another four permanent members of staff with typically, over 70 seasonal freelance technicians being employed. Pearce Hire was on the cusp of rolling out its busiest summer season ever when the government shut down the economy and everything came to a grinding halt. “The impact was immediate and disastrous for us,” says the MD.
As an event production company, with an expertise in temporary power and production services for outdoor events and greenfield site events, May to October are Pearce Hire’s busiest months. With an all too familiar and gloomy story, Pearce explains what happened next. “Even before lockdown was officially announced we had started to get cancellations from early March onwards. From then on it was a downward spiral and within six weeks we had lost over 85% of our annual business because of circumstances entirely out of our, or anybody else’s control.”
Late Autumn and Christmas work is also now being cancelled as fears of a second spike loom. “We have an extremely loyal customer base and many of
South Africa - For those who refuse to give up on life, events and making memorable occasions, DKSS has announced Pop-Up Events and their in-house virtual live studio.
Midrand based technical supplier, DKSS, has surrounded itself with upbeat clients and suppliers to create unusual events during these unusual COVID-19 times. The company's in-house studio, more like a television broadcast space, consists of a 12m x 4m stage with a 13m x 13m (12.5m x 3m) curved Absen PL 3.9 Lite screen, while lighting includes 18 Robe LEDBeam 150s for fast beam work and a quality wash and 12 MiniPointes, particularly useful when hosting a band or music production on stage.
"Our saving grace has been the relationships built with our suppliers over the years," say CJ de Klerk and Warwick Lawson of DKSS. "Changing the look and feel of the studio is as easy as picking up the phone and requesting furniture, draping or a call to Fogtech for additional equipment." The studio can be set up as a hybrid event to accommodate a small, seated audience.
While the virtual studio currently has four events for the coming months, it's DKSS' Pop-Up which is causing a stir. Pop-Up can host up to 250 guests indoors or 500 guests outdoors in adhering to the current South African gatherings regulations. "It means that clients can choose to come to us, or we can go to them with our micro-studio solution," said de Klerk.
DKSS have taken it a step further and will either solely provide the full technical and live stream solution at events or clients can take advantage of their various pa
Belgium - Social distancing protocol has kept many of Volvo Van Kasteren’s customers from visiting the dealership’s new showroom on Grembergen Stone Road in Sint-Niklass, but those who were fortunate to attended the facility’s grand opening celebration, held just weeks before the lockdown went into effect, still have vivid images of a memorable evening.
Taking place in mid-February, the two-day event, which introduced Volvo Personalized Service (VPS) concept to its market, featured the latest hybrid and electric vehicles, such as the XC40 and XC90, set against the background of a sleek glass and metal showroom.
Accenting the sights of the celebration was a lighting rig, brought in for the occasion by Solico Event & Expo Technics, that featured Chauvet Professional WELL Fit and Rogue fixtures.
In keeping with the engineering tradition of Volvo, the temporary lighting system was the result of a carefully thought out design process. Thanks to this attention to detail, Solico was able to overcome the challenges of lighting an event in a space that was created to function as a retail environment.
“Highlighting the combination of cars without our light getting in the way required planning, because there were no hoist possibilities in this facility,” said Solico’s Davy Vandaele, who served as project manager. “This was something we have done before. That said, all mood lighting had to be placed correctly to illuminate the vehicles and the venue without distracting the guests during their visit. It was especially important for us t
USA - The long, hot summer of COVID-19 saw live music safely come back to Chicago’s lakefront with the new Lakeshore Drive-In venue. Artist management company AudisBliss spearheaded the project working with LEC Event Technology, (LEC) to transform a parking lot just west of the Adler Planetarium into an in-person concert venue that keeps the safety of the attendees, artists and employees in mind.
LEC provided Ayrton Perseo-S fixtures for the stage, the first compact, multi-function luminaire with an IP65 enclosure rating developed for intensive outdoor use.
“The Lakeshore Drive-In is one of the most respected drive-in operations in the country and the only sustainable drive-in model in Chicago, which is operating very successfully within COVID guidelines,” says Matt Brotz, owner and director of Operations at LEC. “LEC took on the role of hardware provider producing the event under a strict budget and with no room for failure. We’ve been very happy with the Ayrton Perseo fixtures and so has the client.”
“With the Lakeshore Drive-In we’ve given our guests the closest experience to a normal live show,” notes Adam Weiss, co-founder of AudisBliss. “We put on these concert events to bring gigs back to the community and give people the opportunity to enjoy live music safely - and see the best views in the city. Chicago needed this.”
The parking lot accommodates about 200 socially-distanced cars; guests can leave their vehicles to set up chairs within the boundaries of their parking spaces. Delivery of food and artist merchandis
Czech Republic - Škoda world premiered its new Enyak iV all-electric SUV in the main hall of the O2 Universum event and conference complex in Prague.
This event generated a buzz of excitement, not just because of this landmark vehicle, but also as one of the first properly ‘live’ events delivered safely and spectacularly in a post COVID-19 world.
Germany-based creative producers Schachzug collaborated with event planners Pure Perfection, technical specialists MacomNIYU and technical supplier Ambion, with the latter delivering the lighting, audio, video, SFX, staging, etc.
The MacomNIYU team had started speaking to lighting designer Chris Moylan from Berlin-based design company Optikalusion about the event back in in January, well before anyone realized how changed the world would be by showtime!
Chris created a highly flexible lighting scheme for the event, with his choice of beam fixtures being 54 x Robe MegaPointes. He also utilised three Robe BMFL Spots operated via three separate RoboSpot remote BaseStations, which joined around 450 lights on the rig all supplied via Ambion.
As the COVID relevant rules were constantly changing almost daily, the show evolution was also fluid right up to the last moments as recommendations about distancing, mask-wearing and audience numbers shifted. As the show dealt with these demands, Chris ensured that he had enough lights to cover all possibilities.
All the crew were tested prior to starting work on site, then rigorous mask-wearing and social distancing was enforced during the build a
USA - ADJ is offering lighting pros the chance to win one of three prizes simply by using their ADJ fixtures as part of a Halloween display and tagging the photos or video on social media.
With the Coronavirus pandemic disrupting live events and large social gatherings all over the world in 2020, it’s ADJ's aim with this contest to spread cheer and evoke a creative spark in lighting designers and haunt enthusiasts as we all celebrate Halloween in the ‘great outdoors'. With outdoor events becoming more prevalent, such as: pumpkin patches productions, drive-thru haunted houses and live music events, this is a an opportunity for lighting designers to share their creation and win prizes.
Entries could be a Halloween project you’re creating for a client or you could simply use your ADJ lighting, video or effects equipment to decorate your own yard, front porch or home for the holiday, says the company. It probably goes without saying, but in whatever you do to celebrate Halloween and enter the contest, please be safe, take any necessary precautions and practice social distancing.
ADJ will be selecting the three winners based on how good the photos/videos look as well as the creative use of ADJ products. The contest is open to anyone around the world and you can enter as many times as you like, just be sure to let ADJ know what fixture(s) you have used in the description of your social media post(s) and include the hashtag #ADJSpooktacular.
How To Enter: Create a Halloween display or lightshow using one or more ADJ fixtures; Post a video or ph
Europe - CLF Lighting has announced the appointment of Licht Produktiv as second distribution partner in Germany. Licht Produktiv is an all-round distributor that serves its customers with quality brands and high service in all disciplines in the entertainment industry.
Licht Produktiv has a 15 year history of being a truss and stage products distributor. Later on, audio products were added. Director Nico Bruder says: “We received a lot of requests for high quality lighting products.”
Director René Haarseim continues: “Too many times we had to say no to our customers. From now on we can fulfil our customers’ needs to buy quality lighting products at Licht Produktiv, with the service they are used to."
"From the first moment that we talked, it was clear that CLF and Licht Produktiv have a strategic fit and the strong ambition to grow", says Martijn Gerards, export manager CLF Lighting. "I truly believe that we have a very good match in customer base and product range. Especially with our philosophy to create products with consistent colours, fast return on investment and a ‘never a version 2’ approach.”
UK - The #WeMakeEvents campaign aims to raise awareness around the current plight of the live entertainments sector and its urgent need for financial support if it is to support the COVID-19 crisis.
Last month, it was announced that it would be steered by a collective of industry trade bodies, businesses and freelancers; all working in collaboration with each other. Over the past few weeks, the team has continued to build momentum around the campaign, working endlessly to rally the government for much needed support.
Following last month’s Day of Action which saw buildings across the UK lit up in red as a show of support, the #WeMakeEvents team has been busy capitalising on the extensive media coverage and attention this received. One of those involved is White Light’s managing director Bryan Raven, who comments: “The Day of Action was vitally important for our cause as it finally got people talking.
“There were a few government figures who weren’t particularly listening to our concerns prior to this and didn’t fully appreciate the scale of the crisis we are in. That certainly seems to have changed now and, whilst it may appear that the campaign has been slightly quieter for the past few weeks, this is only due to us putting all of our energies into the various meetings and surveys we’ve had to conduct to ensure the campaign continues to gain momentum.”
Activities over the last few weeks include meetings with political advisors, who are helping to formulate precise action points of the campaign’s next steps, as well as coll
USA - Located in Westfield, Indiana, the mission of Westfield High School is to provide rigorous and engaging experiences for all students with a performing arts programme dedicated to creating a lifelong appreciation for the arts.
With a busy annual event schedule which keeps their 868-seat auditorium in regular use, the antiquated house lighting design was often struggling to provide the illumination desired. Working with long-time partner Associated Controls + Design, the school decided it was time to renovate the aging house system for a brighter and more visually engaging environment using Altman Lighting Chalice LED downlights installed by Huston Electric.
“Westfield High School has been a long-time client of ours and we even sold them the first lighting control system when they originally built the auditorium,” began Mike Brubaker, Associated Controls + Design. “We’ve been involved at the building for about 20 years now, but this transformation from halogen downlights to Chalice LED luminaires is probably the change with the biggest visual impact.”
As with many high schools across the nation, the auditorium is not only the main performance venue for the arts program, it is also serves as the primary gathering space for numerous events and meetings. Needing a house system that could keep pace with the schedule at hand, the antiquated system currently in place was falling behind with a heavy power consumption.
“They’ve been working towards converting the entire lighting system to LED for a while now, so the house lighting u
UK - Peachy Playhouse, a new socially-distanced entertainment concept developed to deliver safe live performances during the coronavirus pandemic, closed its summer season at Loseley Park, Guildford, Surrey, on a high note.
That didn’t just include a spirit-rousing performance and from the Ambassadors Band, the ground-breaking season, a big leap of faith and some serious planning and investment by Philip French from Peachy Productions, was a resounding success.
Philip and his team supplied 95% of the technical production infrastructure for the six-week period including staging, lighting, video, and audio. The Playhouse show schedule ran for two two-week sessions with a two-week break in-between, working alongside some carefully selected locally-based partners to provide the other elements including catering, generators, marquees, and toilets.
Robe moving lights were front and centre of the production rig - with eight Pointes and 12 LEDBeam 150s prominent on the rig, pulled from Peachy Productions’ stock. When the company initially started and was investing in equipment, explained Philip, they chose a few key brands in all departments, and for moving lights, that was Robe.
“They are robust - definitely an asset in the English summer known for its erratic weather - great value for money, they have a good colour mix and the physical movement is very smooth,” he states. “They also provide a lot of power and punch for the size.”
With Pointes rigged overhead and upstage sides and LEDBeam 150s on the front bars above the cantilever
UK - Last month, Regent’s Park Open Air Theatre reopened with a concert version of Jesus Christ Superstar, making it the first major London venue to do so post lockdown (a full technical report will be featured in LSi October). Having supplied the Open Air Season for many years now, as well as working on a host of outdoor productions over the past few months, WL was called upon to supply the lighting for this much anticipated concert.
Created by the team behind the Olivier and Evening Standard Award-winning production, Jesus Christ Superstar: The Concert is a special staging of the Tim Rice and Andrew Lloyd Webber classic.
Complying with government regulations, this version is being performed in front of a socially distanced audience in order to ensure the complete safety of everyone in attendance.
While there has been a lot of changes to when the show played here last, the creative design team remains largely the same, including lighting designer Lee Curran who was nominated for an Olivier for his original design. He comments: “This is the first show I have worked on since lockdown. Over the past six months, I’ve had five shows either cancelled or postponed, one show close early, as well as the US tour of Jesus Christ Superstar put on hold. So when I was asked to come back and light this concert version, I was incredibly happy to do so!
“That said, nothing about this has been normal. Everything happened so fast, to the point where the time from which I had the first phone with Tim Sheader until the first
USA - Kentucky-based production designer, Bobby Grey, already had a wealth of real-world experience behind him - ranging from theme parks to theatre, touring and designing top-end festival stages - by the time he had reached 30.
Concentrating on lighting he came under the influence of Joe Paradise - and it was he who introduced Grey to his current charges, veteran rock band 311. Along the way Grey became an associate designer with Sightline Design Group, before starting his own company, Notan Creative in January 2020.
The band are now noted for their summer tours and legendary ‘311 Day’, held annually at the Park Theatre, Las Vegas (Park MGM) on 11 March. But this year the event went into overdrive as they celebrated their 30th anniversary over three nights. Bobby Grey designed another bespoke rig, using an abundance of GLP X4 Bar 10 and Bar 20 and JDC1 hybrid strobes, run in full pixel mode.
Of GLP’s automated lighting he said: “I’m a big fan of the way GLP creates unique fixtures that don’t fit the mould of what everyone else is making. It’s great that a fixture like the X4 Bars can line architecture or sets so that the lighting and geometry work together. And I like the versatility of lights like the JDC1, which can be used in different ways to keep the rig looking fresh through the night. Instead of choosing an RGB strobe that gives you colour, or a white strobe that gives you punch, we get the best of both worlds in a unique form factor.”
For the success of the three-night extravaganza, Grey praised touring director / op
Italy - Situated in the northern Italian town of Arco, the Centrale Caffe recently underwent a complete renovation, which in addition to the general interior and patio also included the sound and video systems.
Local contractors, Iiriti srl, were brought in, and having installed Martin Audio systems many times in the past, again recommended the brand - as did the project architect Thomas Matteotti.
Owners Ciroc Srl had commissioned the substantial upgrade just before the COVID19 lockdown. Special attention was paid to the terrace, which has been completely renewed, with three Blackline X8 mounted horizontally on the external walls of the patio. Meanwhile, 10 Adorn A55 loudspeakers populate the main room and lounge.
The system was designed by Iiriti owner, Giacomo Galassi, and supplied by Audiosales srl, Martin Audio’s territorial distributor.
The sound system, which is split into three audio zones, is controlled by the customer’s computer running Xilica X-Touch App, with two quad channel power amplifiers driving the loudspeakers. The video system is controlled from the AVPro Edge video matrix, integrated into X-Touch.
According to Giacomo Galassi, “The new audio system guarantees optimum sound and helps create the perfect atmosphere throughout the entire day - from breakfast to after-dinner.
“A complete renovation of this nature required a step forward in sound quality as well, and once again Martin Audio has been able to provide this.”
The new-look Centrale Caffe is proving to be a landmark for both locals and tou
USA - History resonates throughout the Roxy Theatre, the legendary Sunset Strip club opened in 1973 by Lou Adler and a group of celebrity partners. It was here that the Rocky Horror Picture Show made its US debut, and the Ramones gave their first California concert. Bob Marley recorded a live album at the club in its first decade, so too did Ratt, Frank Zappa, George Benson, and Bruce Springsteen.
Impressions of these moments echoed through the mind and imagination of Julien Reux, the owner of ReuxLight Design, when he sat down this summer to create some special looks for a virtual four-show tour by Wallows at the legendary venue. Summoning the evocative spirit of the club’s rich past, he gave his shows a haunting, redolent flavour with help from the warm white light of 20 Chauvet Professional STRIKE 1 fixtures supplied by the Envizion Group.
Reux, who has been designing for Wallows since the alt rock band’s first tour in 2019, described how his creative process kicked off. ”When management told me that they were going to shoot at, The Roxy, I knew that I wanted to bring back an old school feel to the space,” he said. “Recreating the live concert par can tungsten vibe from the 80s and 90s was a crucial to my plans for lighting the band.”
Wallows played one-hour concerts at The Roxy on four different nights. Reux gave each show its own look by configuring the single source 230W warm white blinders differently for each performance. Arranging the fixtures in a straight horizontal line for one show, having them form a semi-circle for
USA - Astera products played their part in the recent #RedAlertRESTART campaign in the US on 1 September, a collective lighting action that saw over 2000 buildings, places, structures, landmarks and spaces lit in red to highlight the critical situation facing live events and entertainment.
John DiEleuterio, sales / project manager for from Wilmington, Delaware-based dry hire company Main Light Industries, reached for the company’s stock of Astera AX5 TriplePAR battery powered LED fixtures in support of the event.
This latest lighting ‘red day of action’ was part of a wider international industry campaign being led by the #WeMakeEvents movement, a collective of trade organizations, companies and individuals including PLASA (the Professional Lighting & Sound Association).
Like many in the technical production industry, John is passionate about his job, career and community, which is also a lifestyle, so he jumped at the chance to be involved.
Earlier in the year, he was also at the centre of Illuminate Delaware, a Memorial Day lighting event to honour the hard work and dedication of frontline workers during the Coronavirus pandemic.
For #RedAlertRESTART, John lit the Main Light office and warehouse building in Wilmington with 32 x AX5s positioned around the exterior, cutting a striking rich red look. He supplied another eight AX5 fixtures to the Wilmington Drama League community theatre group to illuminate their theatre building in a vibrant red.
Working closely with Ryan Morris (also a #WeMakeEvents local organis
USA - ETC has introduced Source 4WRD Color as the latest addition to the Source 4WRD fixture family. This new product offers a colour-changing retrofit for existing full-size Source Four ellipsoidal/profile fixtures, bringing additive RGBA colour-mixing, saturated washes, quick colour changes and more to Source Four.
As a non-destructive retrofit, Source 4WRD Color is the next generation of ETC’s Source 4WRD LED line. Source Four ellipsoidal/profile fixtures can be transformed into RGBA LED luminaires with the Source 4WRD Color LED engine, while retaining all of the features of the Source Four including the lenses, accessories and its renowned reliability.
Source 4WRD Color technology is also available in two complete wash light fixtures. The Source 4WRD Color PAR and PARNel deliver soft-edges and saturated color, no retrofit required. These luminaires incorporate the Source 4WRD Color LED engine into a custom housing, offering economical colour washes, including zoom on the PARNel version.
David Lincecum, vice president of marketing at ETC comments: “With Source 4WRD Color, you get a simple and cost-effective colour-changing retrofit that can upgrade an existing lighting system quickly, allowing you to create even more stage looks than before. 4WRD Colour will allow venues to move their existing equipment to LED, using less energy, lower maintenance and all this at a very compelling price point.”
USA - Volt Lites co-founders Matthew Shimamoto and Harrison Lippman and Lulu Creative director Michael Zinman of Zinman Company have launched the 3by3 Space on the premises of entertainment production services company Volt Lites in Burbank.
The three partners have created a safe stage for the COVID-19 era that’s equipped with a trio of lighting, video and xR capabilities. Sixty-four active Claypaky Mini-B LED moving lights comprise the workhorse fixtures for the space.
“We wanted to create a safe space that would allow people to get back to work and stimulate them to think out of the box,” says Shimamoto. The 3by3 Space has already been used by rock band Bush to shoot Quicksand with Augmented Reality, the Black Eyed Peas shooting Feel the Beat for Macy’s Fourth of July Fireworks Spectacular, the iconic Temptations reprising their greatest hits for PBS’s A Capitol Fourth broadcast, and the product launch of LiteGear’s Spectrum OS2 lighting control system.
The 3by3 Space is outfitted with a large upstage LED videowall and LED floor from LED partner NEP Screenworks. Four lighting towers flank each side of the stage, and a horizontal truss is suspended above the space. Claypaky Mini-Bs are mounted on the towers and four rows of the truss.
“The versatility, size and output of the Mini-B fits well within the scale of the 3by3 Space,” says Shimamoto. “We have a limited trim height so proportions are everything. The Mini-B’s wider zoom range and shorter throw is very helpful, and the fixtures are very fast. Everything
South Africa - As the city slept during the Covid-19 lockdown, a deserted building in downtown Johannesburg became a beacon of hope for musicians. Urban Sessions 2020, an amalgamated project by Militia Broadcast, technical supplier Stage Effects and Smack Entertainment for audio, created a studio for musicians to livestream concerts to their fans. To date, over 150 performances have been hosted in this space.
Erik de Bruin of Stage Effects explains that as early as May 2020, Militia Broadcast, Stage Effects, and Smack Ent knew they had to do something to survive the strict lockdown in South Africa as a result of the Covid-19 pandemic. They managed to secure an empty warehouse at Thabo Mpelo Studios in Johannesburg and converted it into an intimate environment with a bit of a nostalgic feel, giving viewers at home the impression that they were part of a rehearsal or jamming session, with rugs, ambient lighting and five cameras set up in a 180-degree angle to capture close-ups of the musicians.
Choosing lighting that would need the least amount of maintenance, Erik opted for LED-based fixtures, including 15 Robe Robin 600+, five Robe Pointes, 15 Mac Quantum Profiles, 12 x Portman P1 retro lamps, and Elation DTW 1000s bars with control on a grandMA2 light.
Under normal circumstances, lighting designer Erik would be on the road with festivals and music concerts. Now based in the same location, week in and week out, from Wednesdays to Sundays, he and the team have changed the set several times to keep it looking fresh and new. He has also invited some o
USA - One of the growing trends in entertainment lighting the past few years has been the increased use of UV light in productions of all kinds. On Thursday, 17 September at 11:00 a.m. CEST, the next Elation Coffee Break sees Alistair Smyth and Frederik Afif take a closer look at the Prisma line of advanced UV LED lighting products from Magmatic Atmospheric Effects.
This new generation of IP65 lighting is changing the quality of UV light projection while making it easier for designers and production houses to implement UV light into their projects. Because Prisma uses high quality, medical grade LEDs that emit UV light in the 365nm range, no visible light is emitted, meaning only the UV reactive material glows and nothing else.
The Elation Coffee Break is available on Elation Europe’s Facebook page at www.facebook.com/ELATION.Pro.Europe/live/. No registration is required. To view previous Elation Coffee Break webinars, please visit www.facebook.com/ELATION.Pro.Europe/live/.
UK - The ALD has announced that applications for its popular Sponsored Student Scheme for the year 2021 are open, and that also running alongside the scheme, for the month of September only, is a promotion targeted at the other individual membership categories, for discounted subscription rates for the rest of the membership year to March 2021.
The Sponsored Student Scheme is funded by ALD ccorporate members and is targeted towards students who have not previously been members, offering the opportunity of free ALD membership until the end of March 2022.
Membership within any category provides vital interaction opportunities and connection between established figures in professional lighting and video design, and the next generation of talented designers, programmers and technicians. Members also enjoy complimentary copies of the Association’s magazine Focus, as well as full access to the ALD website (and student micro-site for students) which provides a range of documents and resources designed to inform your contract negotiations, assist your working conditions and highlight issues affecting members.
Jack Wills, of the ALD student working group explains why students should apply: “ALD student membership gives an excellent introduction to those entering or considering a career in the lighting and video areas of the live performance arts. It allows you to plug directly into a network, and through the experiences and literature offered by the Association, exposes the breadth of jobs and career paths available within the in the UK and around