UK - TechPro, a provider of lighting, video and sound services for the live events industry has announced Yvonne England as its new client account manager.
England, who brings more than a decade’s experience to the role, will be responsible for strengthening relationships with existing and new clients, as the business looks to build on its growing success working with live event agencies.
England comments: “TechPro appears to be one of the live event industries best kept secrets and ensuring prospects and clients understand everything we can do to make their lives a little easier will be an exciting challenge.
“Working closely with the directors and the marketing team, it’s important we not only explain what we do, but listen carefully to them to understand how we can make the workload of event agency teams simpler.”
TechPro director Rob Stokes says: “TechPro has achieved significant growth in recent years and we are ready to take the next important step in our development, which is how I see the appointment of Yvonne.
“We know we’re good at what we do and now it’s time for Yvonne to convince more agencies that if they want to look good in front of their clients, with an enhanced reputation for delivering flawless live events, then appointing TechPro as their AV service partner is a good start.”
Belgium - Route 66 - the symbol of the American free spirit - served as an appropriate backdrop for the 2019 Hype-O-Dream festival, which featured EDM performances by stars like Nico Morano and Cherry Moon Trax. Bringing this thematic setting to life was a dynamic festival lighting rig designed and developed by Lieven Tacq, Thomas Vandekerkhove and their team at Creative Rental Solutions that featured over 470 Chauvet Professional fixtures.
Having worked on seven previous Hype-O-Dream festivals, Tacq and Vandekerkhove are familiar with the role that bold, original scenic designs play in creating the overall fan experience at these events. This year, at the centre of the impressive main stage was a massive video wall, flanked by Route 66 signs and other thematic scenic elements, such as mountains, gas stations and billboards.
Route 66 is also strongly associated with neon lighting, and Tacq played on this link for the Flashback stage by using 270 ÉPIX strip IP fixtures to create neon-like looks throughout the sprawling set.
“We adorned the entire trussing structure with ÉPIX Strips to emulate that neon glow that is so typical of those classic route 66 motel and diner images,” he says. “The saturated colours we got from the strips provided a convincing neon feel and atmosphere. Our main colour was the beautiful cyan, which is also one of the standard colours in the programme settings of my ChamSys MagicQ MQ500. As a result, we were able to create that incredible neon effect right out of the box.”
Contributing to the evocative mood on
USA - In 2019, Olive Baptist Church in Pensacola made the decision to upgrade the stage and house lighting systems in the main sanctuary – a significant undertaking that meant replacing over 600 lighting fixtures.
“We decided to replace every tungsten light that illuminated in the room with an LED fixture,” says Bobby Taylor, tech director and director of communications at Olive Baptist Church, “and for the stage lighting project chose a full complement of Elation LED fixtures.”
Olive Baptist Church was founded over 125 years ago and has grown into one of the largest Baptist churches in America. Under the leadership of Dr Ted Traylor, Olive Baptist is an active and growing ministry with a large worship space designed to hold about 4,000 people. In any given week, the sanctuary may host anything from weekly services, weddings, or funerals to full concerts and community events.
Taylor says the existing lighting system was getting old and he knew they were going to have to replace it, also the dimmer racks, at some point. “As parts would fail, the room began to get darker in sections,” he says. “We did some studies internally of the money it was taking to maintain the tungsten light fixtures with manpower and lamps. We also looked at the wattage loads we were using and determined it was best to upgrade the entire system to LED technology. The pay back made financial sense to us to make this change.”
Taylor, who has a long-standing relationship with Elation manufacturer rep firm Freed Sales and company head Dustin Pesnell, tra
Belgium - Although Ghent is famed for its medieval church spires, quaint market squares and its week-long summer city festival, for the students and academics who make up roughly one fifth of the city’s population, one event in particular stands out on the calendar: the Ghent University students union annual party for returning and new students.
This year’s party, which took place within the art nouveau surroundings of the city’s Vooruit Hall. To provide memorable looks for the event, Grizzlysound supplied VéDéLighting with 20 Chauvet DJ Intimidator Hybrid 140SR and 12 Chauvet DJ Intimidator Wash Zoom 450 IRC fixtures. Together, these fixtures formed the foundation of their EDM infused lighting concept.
With the expectant students eager to see both exciting and fresh visuals for the most hyped event of the year, which saw a number of DJs take to the stage to inaugurate the new academic year, Arne Vandenbroucke and the team at VéDéLighting went about transforming the turn of the century theatre into a contemporary party temple. Central to this transformation was the decision to focus light around the DJ booth on stage.
“I’m a huge fan of designing for shows in incredible venues such as the Vooruit, which demand a grandiose approach with lots of exciting visuals,” explains Vandenbroucke. “As a result, our concept was designed around the Intimidator Hybrid 140SR fixtures, which provided maximum stage orientation for the DJ sets while simultaneously illuminating the incredible venue.”
Ensuring that the DJ booth was of centra
South Africa - DWR Distribution is hosting a workshop with Roland Greil, lighting designer, director and programmer for artists such as Rammstein, The Rolling Stones, Phil Collins, Adele and Spandau Ballett.
The event takes place on 18 February at the Mosaïek Teatro in Fairlands, Johannesburg, with Greil sharing the stage with local lighting designer Joshua Cutts.
The workshop will concentrate on lighting design for concert touring. “We will look at a few recent and past projects with a particular emphasis on the Rammstein production which I have worked on since 2019. I look forward to sharing an insightful view of the creation process as well as efficiently getting from the first sketches to the final show.”
Duncan Riley of DWR Distribution comments: “This is a wonderful opportunity for South Africans to learn from one of the top lighting designers in the world. If you are in the entertainment industry, the workshop will be presented free of charge and we’d love to see you there. You will walk away feeling inspired and enlightened.”
While entry is free of charge, refreshments and eats will be available for purchase at Café Familia, the coffee shop based at The Mosaïek Teatro.
Booking is via dwrdistribution.co.za.
The Netherlands - SKALAR - the large scale immersive kinetic lighting and electronic music art installation created by light artist / designer Christopher Bauder and composer / music producer Kangding Ray - has been reimagined for Amsterdam’s The Gashouder, a circular space where the work is being presented by Audio Obscura.
Once again, Christopher is utilising Robe Pointes as lightsources - 93 in total - in this new space. The installation which he calls SKALAR 360, also features 61 double-sided mirrors with perimeter rings of 180 addressable pixels which are suspended on 183 custom Kinetic Lights motorised winches.
In addition to the looped installation piece, Christopher and Kangding Ray are playing seven special related live performance shows in the same space.
SKALAR was first realised in the turbine hall of a former Berlin power station now the Kraftwerk art space, and then the same rectangular shape and dimensions were replicated for SKALAR MX which ran for five weeks in November / December at Fronton Mexico, Mexico City.
The Gashouder was one of the original buildings that Christopher earmarked as ideal to stage a SKALAR experience, with the right combination of quirkiness, funkiness and industrial history. However, its spherical shape required a completely different approach, which has resulted in this unique in-the-round presentation.
The charismatic circular chamber - now been redeveloped as an arts, cultural and leisure area - has an iron roof and was once at the hub of Amsterdam's Wester
The Netherlands - CLF Lighting has launched CLF Poseidon, a powerful outdoor beam fixture that has been developed for smooth CMY colour mixing.
Based on the successful CLF Aorun, Poseidon comes with a fast and accurate feature set including a double prism, gobo wheel, animation section and frost. The 190mm wide lens and optics allow big mid-air effects with a bright and punchy beam, delivered by a 400W light source. Colours can be mixed smoothly by using the CMY wheels and a fixed colour wheel is also available.
The IP65-rated housing is equipped with specially designed motors enabling fast pan and tilt movements. A bright O-LED screen offers easy access to on-board settings, even in bright environments.
USA - Fans, who turned out for Anthony Hamilton’s three-date Florida swing in late December, finished 2019 with a bang. In addition to seeing the Grammy-winning R&B artist perform his hits, they got to enjoy a stellar cast of supporting artists, featuring Ja Rule, K Michelle and Joe.
Each act was supported by a punchy Josh Lawson lightshow that delivered its searing visuals with help from six Chauvet Professional Maverick MK2 Profile fixtures supplied by Apogee Productions of Longwood, Florida.
“I approached each act differently as Ja Rule is classic hard-hitting rap, Joe is a more laid-back version of R&B, and K Michelle is an artist who tells a lot of stories of her past relationships,” says Lawson. “Since the three stops made in Florida were at arenas, it gave me more stage space to play with than I have at my normal club shows. I took advantage of this, by working with different light angles, backlighting and colour combinations to reflect the individual style of each artist on stage.
“Early in the show, I used a solid colour wash with a follow spot, and then transitioned to more colour as the night progressed,” continues Lawson. “When I do multiple acts I like to build on them and make the looks more complex as the night progresses.”
Flown at evenly spaced intervals on upstage truss, the Maverick MK2 Profile fixtures filled a variety of roles in the flexible design, serving as general stage washes, in addition to being used for spot lighting, specials, backlighting, and audience washing.
“The shutter blad
UK - Lighting designer James Scott specified 96 impression X4 Bar 20 battens from GLP when London-based rapper / producer AJ Tracey played two shows at Alexandra Palace recently.
The gigs were the culmination of a long year in which Scott, director of multi-disciplinary creative design studio Suluko, had been an essential part of the artist’s creative team, headed by Tawbox. AJ Tracey toured first the UK Academy circuit followed by the festival season, with a simple floor package.
Lighting inventory for the tour had been supplied by Siyan but when it came to the Ally Pally shows production manager Joel Stanley awarded the project to Neg Earth.
The creative for the show was devised by Tawbox, who designed the screen layout and the concept of AJ performing in the round. “This was a specific show design for Ally Pally,” explains Scott. “The concept of the show was in connection with the historical broadcast nature of Alexandra Palace, which ties in with AJ Tracey’s iconic tag line of ‘AJ Tracey . . . Live & Direct’.”
The X4 Bars had formed an essential part of his rig and were specified to fulfil a specific purpose. “I needed a batten fixture that was capable of multi cell control and that was also zoomable,” he says.
“They had a very noticeable role in this design; they were positioned in a square layout to delineate the edge of the 350mm deep square stage and then mirrored in the air to echo the shape of the video box.” Scott adds that he always runs the X4 Bars in Single Pixel High Resolution Mode (89-channel)
UK - White Light has supplied the lighting for You Stupid Darkness!, which recently opened at the Southwark Playhouse in London.
Presented by Paines Plough and Theatre Royal Plymouth, You Stupid Darkness! is a new play set within the Brightline Call Centre. It focusses on four colleagues who try to keep their lives together whilst the outside world falls apart.
The lighting designer on the show is Peter Small, who comments: “My brief for this production was that it shouldn’t feel ‘lit’; meaning I wanted it to feel as natural as possible to the audience. The concept was that you had sort of peeled the wall off this strange office and were peering in from a dark place, somewhat ‘fly on the wall’. This concept meant working closely with set designer Amy Jane Cook and adding in masking which would allow me to drop the rig very low and hide it away from the audience. As this was a dystopian piece, I also had to have a rig that would allow for bursts of surrealism, alongside the hyperrealism.”
And whilst the show is dealing with large issues, the production itself was all about the smaller details. Peter explains: “The set is the same location throughout and also very naturalistic. Therefore a lot of my lighting had to showcase a passage in time, as this was often the only indication in between scenes. I did this by varying the background from return to return; sometimes the computer was on, sometimes the lamps were on and off, sometimes someone left the main light off but forgot to turn the kitchen light off etc. The show al
UK - Sound Technology, the distributor of Martin by Harman in the UK, is holding a Martin ERA Performance showcase event at the Royal Opera House in London's Covent Garden on 17 February.
The event will run from 11am to 4pm and will see the complete ERA Performance range on demo.
Sound Technology has also announced the immediate shipping of the Martin ERA 400 Performance CLD. The ERA 400 is the first of the ERA Performance series, announced at LDI in November, to become available, with the remainder of range which consists of the warm white version of the ERA 400, the ERA 600 Performance and ERA 800 Performance - the brightest moving profile fixture in Martin's history - arriving in February.
The 10,000lm ERA 400 Performance CLD features a 300W 6,500K LED light engine, and in common with the entire ERA Performance range, has crisp optics with a flat field, CMY colour mixing, a full curtain framing system, fixed and rotating gobo wheels loaded with user-favourite gobos from the renowned MAC range, iris, prism and frost filter. Weighing just 20kg, the ERA 400 Performance is lightweight, compact and easy to rig.
Whether being used for small and mid-sized concert and touring, live TV productions, corporate shows, cruise line or houses of worship, the Martin ERA 400 Performance CLD is suitable for a long list of scenarios, requiring a versatile LED profile.
USA - Obsidian Control Systems’ complete line-up of Netron data distribution products is now in stock and ready to ship from the company’s US and European warehouses.
Netron is a comprehensive range of DMX splitters and ethernet to DMX gateways, supporting applications from live production and venue installations to architectural environments. All Netron products can be configured through either the internal OLED screen and encoder, or the integrated web menu system, which works from PC, Mac and any mobile device.
The Netron range offers three Ethernet to DMX gateways and three RDM splitters.
The EN12 is a powerful, high-density Ethernet to DMX gateway with 12 RDM compatible ports. The EN4 is a powerful Ethernet to DMX gateway with four RDM-compatible ports. Designed for live production and installations with a rugged housing and high-performance processing, it offers flexible rack, truss, wall or DIN-Rail mounting options to cover any situation.
The EP4 is a compact Ethernet to DMX gateway with four RDM compatible ports. It is configurable via its internal web remote and powered over ethernet or via the USB-C connection.
Three variants of RDM splitter round out the range: RDM 6XL, RDM 645 and RDM 10.
USA - Chauvet Professional has released the Ovation CYC 1 FC.
Debuted at LDI 2019, the fixture can be positioned unobtrusively on the stage and in the broadcast studio. With an illuminance of 173lx at 5m, the CYC 1 FC ensures a wide, smooth coverage area, often allowing larger backdrops to be fully illuminated only from the ground, without the need for downlighting. Since its light source is so near the ground, it can wash backdrops without dark dead areas at the lower end.
The CYC 1 FC can also a foot light, fill light and side light in a wide variety of applications. When the fixture serves as a foot light, its in built shutter can serve as a glare shield, in addition to being used to adjust the light’s throw. An integrated kick stand adds to the fixture’s versatility.
Drawing on Ovation’s award-winning RGBAL colour-mixing technology, the CYC 1 FC produces virtually any hue with the utmost realism and saturation. A virtual colour wheel in the unit matches popular gel colours and colour temperature pre-sets. The fixture also features 16-bit dimming of the master dimmer and individual colours.
The adjustable Pulse Width Modulation (PWM) feature in the fixture ensures that its flat, even field of light is never disturbed by flickering on camera. This attribute, together with its silent, convection-cooled operation, makes the CYC 1 FC suited for broadcast applications.
“We have always pushed the envelope with new concepts in our Ovation products,”comments Albert Chauvet, CEO of Chauvet. “With the CYC 1 FC, we feel we have done
France - Creative lighting artist / designer LeRoy Bennett utilised 91 Robe BMFL WashBeam high powered moving lights - nine working in conjunction with RoboSpot remote operation systems - to help deliver the opening ceremony (OC) complete with holographic projection effects, for the of the Riot Games’ 2019 League of Legends World Championship Finals, staged at the Accor Arena in Paris.
Roy collaborated closely with the creative team from Riot Games and Possible Productions who briefed him on the look and style of lighting that they wanted to achieve for the in-the-round OC show. It energised an arena packed with eSports fans ready for a thrilling seat-edge final.
Drawing on his previous experience of working with Kaleida Holonet screens, projection and multi-layered imagery shows, Roy knew he needed mega-bright moving lights with super-accurate shutters - and the BMFL WashBeam was his fixture of choice.
The lights for the OC and the overall LOL World Championship Final events, were supplied by UK based rental company TSL working for production company ConCom Inc.
The OC choreography covered a wide area, so precise key lighting was essential to delivering the show’s aesthetic and narrative which involved creating a series of game-related environments and effects that interacted with the artists and dancers onstage.
A number of pre-set positions had to be lit and artists had to be lit as they moved between these.
Roy described lighting the event as “a bit like performing surgery – critical base timing, acute attention to det
UK - The International Convention Centre Wales (ICC Wales) is a joint venture partnership between the Welsh Government and Celtic Manor Resort. The centre provides 26,000sq.m of floor space for up to 5,000 delegates, which includes an auditorium with tiered seating for 1,500, a 4,000sq.m pillar-free space that can be divided into six sections creating up to 25 different configurations, and an additional 15 flexible meeting rooms.
Architecturally, it is a refreshing departure from standard conference centre fare, with a triple height atrium at its entrance and a light and airy feel throughout. It has been designed to engender a feeling of well-being, and many of its spaces have impressive views out across the adjoining woodland.
This open, progressive approach has also been applied to the centre’s AV design integration, and installation processes, which gave technical contractor Stage Electrics a level of freedom and collaborative input that has paid dividends for the resulting infrastructure and has made best use of an exacting budget.
Stage Electrics was responsible for installing integrated lighting control throughout the venue, plus PA, voice alarm, production lighting and associated infrastructure - including a Dante AoIP network - for all meeting rooms and public spaces. The company also worked with the client to manage stage engineering and equipment suppliers, technical budgets, and eventually helping to hire technical staff for the venue.
The Stage Electrics team included chief engineer Simon Cooper, who held principal responsibili
Australia - The Australasian Lighting Industry Association (ALIA) has abandoned plans to celebrate its 20th anniversary, opting instead to raise money for the Australian people and wildlife affected by the recent bushfires.
ALIA has set up the ALIA FireAid Auction, an online auction where gear donated by lighting solutions manufacturers from across the globe will be auctioned online. All money raised will benefit the Australian Red Cross and the RSPCA’s National Bushfire Appeal. Bidding is only open to Australian residents due to shipping costs.
“A big thanks must also go to the Australian distributors who are tasked with getting the gear to the buyer. It couldn’t have been done without them,” says ALIA.
The association is still accepting equipment donations to add to the auction - manufacturers who wish to contribute should contact ALIA directly.
Companies who have donated so far include ACME, ADJ, ArKaos, Artistic Licence, Avolites, Capture, Chauvet DJ, Clearlight Shows, Creative Lighting, Design Quintessence, Elation Professional, Event Lighting, FireFly Lighting, GLP, Griven, High End Systems, LightShark, LSC Lighting, LumenRadio, Martin, Phantos, Pharos, Robe, Show Technology, Smoke Factory, Theatre Safe Australia, TMB, Touring Industries, Wireless Solutions and Zero 88.
USA - Illumination Dynamics (ID) has announced the transition of its Los Angeles headquarter from San Fernando to a new location in Santa Clarita. The new, 67,639sq.ft facility is located at 21335 Needham Ranch Parkway, within sight of the 14 Freeway and just a few miles from Interstates 5, 405, and 210. As such, it allows easier access to the film industry in the Santa Clarita Valley, while still remaining just a short distance from Hollywood.
The new facility is the first building to be completed in a new industrial park, surrounded by extensive landscaping, walking trails, and bike paths. Key features of the building include 30ft ceilings, a large demo room, centralized loading docks, ample staff and customer parking, a large canopied work area, and an exclusive private parking lot for trucks and generators.
“We are excited about moving to our new facility in Santa Clarita; it is a beautiful building, custom-designed to meet our specific needs and offering a clean new environment for our clients and employees,” says Carly Barber, president and CEO of Illumination Dynamics. “This move is energising all of us, motivating us to reinvent our operations and better positioning ID for the future trends of our business. The city continues to embrace our industry and we look forward to future opportunities within the local entertainment community, while still actively servicing our customers in the Los Angeles area.”
UK - White Light has supplied the lighting for Magic Goes Wrong, which recently opened at the Vaudeville Theatre in London’s West End.
Created by Penn & Teller, Magic Goes Wrong focuses on a hapless gang of magicians trying to host a charity fundraiser – with entertaining results. It features a lighting design by David Howe, who is lighting several of Mischief Theatre’s other shows. He comments: “The basis of the show is that it’s very much a slick variety show where everything should technically run smooth. However, the magicians and acts who perform aren’t the most skilful which results in everything going wrong.”
Set designer Will Bowen created a ‘variety-looking’ stage, complete with glossy floor, big theatrical tabs and glitter-drapes. There is also a large video wall at the back of the space which is used to introduce the acts as well as add texture, with a video design by Duncan McLean.
Bowen continues: “Taking all of this into consideration, my design has three goals. The first was to support the ‘variety show’ feel, with strong washes of colour, lots of comedy face light yet still be suitable for camera work. The second was ensuring that the portals and flown drapes received lots of lighting in order to make them ‘zing’ and ensure we maintain that light entertainment feel we’re used to seeing on TV. Thirdly, there was the wider brief of lighting the various tricks and keeping them ‘magical’ whilst still allowing the comedy to shine.”
David approached WL who is also supplying the M
Italy - Jo Campana is with Francesco Renga on his L’altra metà (The Other Half) tour. The name refers to the hidden part of every one of us which can only be seen by looking into the mirror.
On the basis of this idea, lighting designer Jo Campana came up with his Uno Nessuno Centomila (One, No One and One Hundred Thousand) concept. The set features several panels with reflective surfaces and columns with concealed video elements, which can only be seen when reflected in the back wall, also covered with mirrors.
“The tour is remarkable for its rather small number of lights. So I decided to create a concept with mirrors to make the stage look visually wider and increase the number of light rays," Jo Campana said.
The impact is surprising. With only 13 Claypaky Mythos units for the effects, we came up with a varied, engrossing light show. Jo Campana went on to say why he wanted to try something different.
“In our work, creativity and the constant desire to try new experiments are fundamental. They are the added value we can really give to the look of a tour. In this case, the idea developed into a play of reflections, refractions and replications, which really impressed the production team and the fans.”
Francesco Renga's Italian tour concluded on 23 December in Cagliari, resuming in Europe in May in major cities.
France - On 8 December, 1852, the city of Lyon’s large Catholic population had planned a spectacular firework display to mark the installation of a statue of the Virgin Mary on the bell tower of Fourvière.
A violent thunderstorm intervened, forcing a cancelation of the outdoor celebration. Undeterred, the Lyonnais lit candles in their windows, endowing their city with a radiant, hopeful glow, and giving rise to an annual celebration that today attracts some two million visitors from across the world.
The light displays that enthrall Fêtes des Lumières visitors today, could scarcely have been imagined in the pre-Edison era of the original celebration. Contributing to the rich tapestry of vibrantly coloured LED lights at this year’s four-day festival were panoramas at the Place des Célestins and Grand Hotel Dieu that featured Chauvet Professional COLORado Panel Q40 fixtures.
Tech & Live, a subsidiary of the Eurosono Group, created the light plots in addition to supplying and installing the IP65 rated fixtures at the two historic sites. A collection of 25 COLORado Panel Q40 units was used as part of a sound and light show with mapping at the Place des Célestins, and eight of the RGBW panel-fixtures were deployed at the Grand Hotel Dieu.
Positioned on scaffolding towers at the four corners of the spacious Place des Célestins square, as well as on two bridge structures, the COLORado Panel Q40s showered the UNESCO World Heritage Site in bold, realistic colours that contributed to the festive atmosphere, without detracting from the sq
The Netherlands - When Dutch rock band Krezip reunited after a 10-year hiatus they wanted to make a big impact, so their management Friendly Fire asked Andre Beekmans of The Art of Light to create a signature lighting and video production design for three epic shows at Amsterdam’s Ziggo Dome.
Assisting him in the task were over 150 Robe moving lights - a mix of Spiiders, BMFL Spots and BMFL Blades.
The stage design, including a thrust connecting main and B stages, was already decided on when Andre joined the team, but he had an open brief for lighting and video.
Six 9m high by 2.5mwide upstage video columns defined the upstage area, and these moved sideways on a tracking system making up multiple configurations. While the show narrative was evolved from the band’s music and history, another wish was to move the whole production up several levels from where they left off on 2009.
Andre collaborated closely with the artists and their technical producer Marcel Buurman and the band’s manager Robert Swarts, who both had some requests, but they were keen for Andre to further develop his creative ideas, so there was a healthy bi-directional dialogue and communication as well as a complete trust of each other’s vision and talent. “It almost felt like I was another band member at times,” Andre stated.
The show started with all the screen elements butted together in a solid block with a lot of IMAG on it for the first part of the show so audiences could clearly see everyone. When the screen divided it revealed nine columns of six Rob
UK – AV equipment hire company Expression Events has made a major investment in Luxibel’s B PAR180RGBW fixtures for its range of projects, including festivals, corporate and architectural.
The team, headed up by Lewis Richardson, arranged a shootout to source a bright, IP-rated, multifunctional PAR fixture for its expanding outdoor architectural and entertainment portfolio.
“We trialled most of the other brand fixtures during the shootout and Luxibel came out on top for each element we were looking at: build quality, brightness, size, weight, functionality and of course price point,” says Richardson. “It was an easy choice.”
The B PAR180RGBW is made up of 12x 15W LEDs in a 25° angle, offering high saturated colours and smooth dimming. It is one of the most powerful RGBW LED pars on the AV market.
“Our clients can rely on the fact they will be getting what we consider to be the best IP-rated par fixture available, with brilliant colours,” Richardson continues. “Being backed up by AED Rent, we can get large numbers to support any size of project.”
Over the winter months, Expression Events has seen the new fixtures go out on three different ice rink seasonal installations, with 50 of the units going out at once. “The B PAR180RGBW were key for continuing with our contracts with these attractions in the run up to Christmas,” he says. “We are also doing much more architectural jobs alongside our live music clients.”
The entire Luxibel range, including the B PAR180RGBW, is available from AED.
USA - High End Systems has announced that the 2020 Hog Factor USA competition is open, with teams now able to register to participate in Phase One. First held in 2015, High End Systems’ Hog Factor Collegiate Lighting Programming Competition has become a premier lighting programming contest in the United States and across the globe.
Hog Factor USA Phase One is an open competition and consists of each team providing a performance lighting piece, programmed on a Hog or on Hog 4 PC, which can be downloaded free of charge with a special demo version of Capture visualization. Once performance piece submission closes on 15 June, 2020, the top three teams will be selected by 15 July, and Phase Two will see these teams in programming a performance lighting piece based on High End Systems’ 2020 LDI booth design. These teams will then be invited to perform their shows live at LDI on the High End Systems booth, where the winners will be judged.
Senior product manager Sarah Clausen comments, “We are looking forward to this year’s Hog Factor Competition. Just like our parent company, High End Systems is committed to supporting students and cultivating the next generation of Hog Programmers. The popularity of this competition has grown exponentially each year, and the quality of work is constantly improving. I cannot wait to see what the students achieve this year.”
For more information on the Hog Factor competition and to register your team, visit www.highend.com/hogfactor.
USA - ETC is now shipping a full family of white light LED luminaires for the 230V market. With an impressive lumen-per-watt output, Source 4WRD 230V is available in both warm and cool white arrays.
The warm white 80CRI and 90CRI (Gallery) arrays are designed for theatres and other venues where tungsten fixtures have been the favourite for years. While the cool white 90CRI (Daylight Gallery) array is suitable for industrial trade shows and other live events where “the coolest and brightest white light is desired”.
Both arrays are available in four different form factors including Source 4WRD Spot, PAR, PARNel, and a non-destructive LED retrofit for your existing Source Four fixtures.
ETC’s PAR and PARNel fixtures get a modern upgrade with the added benefits of LEDs and more than 1000 lumens of output. All existing Source Four PAR lenses and accessories are compatible with these LED fixtures. Featuring a patented wave-lens design and easy focusing knob, the Source 4WRD PARNel lets you quickly access a range of 25º-45º - a smooth, soft, symmetrical field that you can spot or flood as needed.