UK - ChamSys has introduced the first release of its MagicQ Stable software.
Available on the ChamSys website, MagicQ Stable v220.127.116.11 can be downloaded at no cost to all MagicQ consoles and PC platforms. In addition to being capable of importing GDTF files directly, the new software embraces a wide range of performance features that have been universally well-received when tested in beta versions.
Among these features is an Undo function that allows actions by the programmer and the console to be undone and redone. For easy reference, an Undo History is also available. Another notable programming function is FX Tracking Out, which allows programmers using Cue Stack Tracking to track out individual FX with different fade times.
Together, the new features provide programmers with more powerful and flexible tools to use to control and expand lighting designs. These tools all were all designed to be user- friendly and readily accessible.
“The MagicQ Stable software release further develops our award winning powerful MagicQ platform,” says Chris Kennedy, ChamSys software director. “We are pleased to be amongst the first to embrace open protocols such as GDTF. Our new MagicQ Stable v18.104.22.168 takes these a step further by adding other unique features to MagicQ.”
USA - Two Elation Professional luminaires were recognised by the industry with product awards this month.
The Artiste Monet LED profile fixture won an Indispensable Technology (IT) Award. The accolade was bestowed at the recent Parnelli Awards, which took place on 17 January at the Anaheim Hilton Pacific Ballroom.
Days earlier, the company’s Fuze Profile was chosen by ProSoundWeb readers to be a top lighting product in the entertainment technology industry, winning a 2020 Readers’ Choice Award (RCA).
The IT Awards recognise products that have advanced the state of the art in entertainment technology and are voted on by subscribers to PLSN and Front of House magazines. The recognition for the Artiste Monet, which also won a PLASA Award for Innovation in 2019, was the eighth industry gong bestowed to fixtures from Elation’s Artiste series.
Accepting the IT Award were Elation sales & marketing director Eric Loader and the company’s product manager Matthias Hinrichs accepted the award. “Winning an award never gets old and the Indispensable Technology Award is extra special as it reflects the opinion of users and knowledgeable professionals who use and specify products every day,” comments Loader. “We’re thrilled to again be recognised as an innovator in entertainment lighting and honoured to add it to the Artiste’s growing trophy case.”
Qatar -UK lighting specialists Ventola Projects has completed a high-profile project in the Middle East at the Sheikh Abdullah Palace in Doha.
Business in the region has been booming for Mick Ventola and his team since they supplied and installed lighting to the Royal Palace of Sheikh Al Thani back in 2016.
Secured via Ventola’s Egyptian distributor, this latest project brief was to provide an all-in-one lighting effect within the palace’s leisure facility, using white lighting, UV and colour change to create the right mood and atmosphere.
Mick and his team chose to use the VAvR Lighting System, along with LED48RG-UV-W fixtures and CS16 LED spotlights - a combination which provided the right effect to complement the luxurious surroundings, whilst adding a touch of fun and excitement.
The entire installation was completed in 10 days. Efficiency was key as the project utilised the latest eco-friendly technology to keep energy use to a minimum. Even on an on-going basis, the system installed will be around 60% cheaper to operate than conventional lighting, requires no mains power and has minimal maintenance associated with its upkeep. Who knew that this level of luxury could come with all these extra environmental and financial savings!
Founder and managing director, Mick Ventola, comments: “This really was an amazing project. The lighting showcased to its very best and the venue illustrated just how great these products are for applications like this.
“There’s always a bit of nervousness when you are working for the Qatar
USA - Struck by the TurboRay’s face and features in the promotional industry media, production/lighting director Keith Smith called High End Systems’ Terry Heisler for a demo. “I had to have some,” explains Smith.
The McCallum Theatre for the Performing Arts has been entertaining and educating residents and students in Palm Desert since 1988. The staff thrives on providing state-of-the-art equipment for the seasons’ programs and for technical training.
Smith purchased eight of the special effect LED units through 4Wall Entertainment in Las Vegas, and immediately debuted them to dazzle their December gala fundraiser.
“I kept wishing I had more as the show was going on,” Smith notes. “I placed them downstage on the apron edge and used them for their effects and as eye candy.”
TurboRay was designed not only for wash and aerial effects, but to serve as audience entertainment with special pixel-mapping effects. Smith likes the four different quads of the LED fixture, which allow segmenting the face or using it as a full wash unit.
“I love this fixture,” Smith says. “The four different quads of LED are great and the frost flags are effective and fun.”
The McCallum Theatre Gala is an exclusive evening honouring well-known Coachella Valley philanthropist, Jan Salta. For this year’s event, attendees enjoyed fine dining at a local participating restaurant and then a performance by Grammy Award-winning artist, Seal, with a 29-piece orchestra performing standards by George Gershwin, Cole Porter, Duke Ellington and m
Sweden - The life of the late Swedish DJ, songwriter and producer Tim Bergling (better known as Avicii) was honoured recently with a tribute concert in Stockholm. Nearly 60,000 fans turned up at the Friends Arena to pay their respects - an all-time Stockholm record for a single show.
The show was the result of a request by Tim’s family following his passing. He wanted a celebration of the artist’s music presented as the fulfilment of an idea Tim had to have his music performed by a live band and orchestra.
Among the all-star line up of guest artists who also paid their own tributes were Aloe Blacc, David Guetta, Kygo, Nicky Romero, Dimitri Vegas & Like Mike, Adam Lambert, Rita Ora - plus long-time Avicii collaborators Carl Falk, and Vargas & Lagola.
From a technical perspective, the production values were befitting of the occasion and the main show was live streamed on Tim ’s Facebook and You Tube channels. GLP Nordic’s Daniel Hellsten was appointed production designer and production manager by event producers Panos Ayassotellis and Michael Jobson, on behalf of the Tim Bergling Foundation.
“Getting the production up in time became a challenge, given the fact that we only had 36 hours from first truck loading in at the venue to artist standing on stage for rehearsal with full camera production. But we gave it our all and the entire crew did an amazing job working side by side with each other to make it in time,” states Daniel.
The highly experienced Paul Normandale was invited by Tim’s former tour manager Michael Job
UK - The Warehouse in Leeds will bring back live music to the fore later this month, building on a legacy that includes performances by U2, Oasis, The Stone Roses and Soft Cell.
Celebrating its 40th anniversary, The Warehouse has had a quarter of a million pound investment into the production infrastructure and now boasts three rooms with a capacity of 600 for live music and 1100 for DJ-led events.
Curated by TEG | MJR, the live music 2020 programme will showcase a mix of touring artists and local musicians on a regular basis, with the first events kicking off later this month.
The Warehouse relaunch weekend will kick off with a live performance from singer-songwriter Badly Drawn Boy on 23 January, followed by two sold out performances from Terrorvision on 7-8 February.
TEG | MJR has added a new L-Acoustics sound system which brings the live and club experience into the modern day. The venue now also has a new Chauvet R2X line of lighting fixtures, covering the entire main room and is accompanied with a new video wall and CO2 jets. In addition, the stage will be suitable for live and club events, with the ability to extend for larger set-ups.
Dan Ickowitz-Seidler, chief operating officer of TEG | MJR, says: “Live music is a huge driving force in any big city and we wanted The Warehouse to showcase a real plethora of events. The venue was built on live music and what better way to celebrate 40 years of The Warehouse than bringing back its roots.
“We’re looking forward to welcoming a credible selection of performers and club
Czech Republic - Transmission is Europe's most spectacular trance music festival, with a legion of loyal fans who return year on year. As usual, the 2019 event was enhanced by haze from MDG generators, which showcased the spectacular lighting and laser shows that accompanied the artists.
Transmission is held annually in Prague at the O2 Arena and attracts thousands of fans from over 70 countries. The line-up for Transmission 2019 included trance legends such as Blastoyz, Cosmic Gate, Darren Porter, Ferry Corsten presents System F, Giuseppe Ottaviani, Key4050, MaRLo and Thomas Coastline.
The acts are knitted together by Transmission’s unique, themed storylines that take the visitor on a journey throughout the night, with each artist introduced by their own bespoke ‘show movie’ and visuals, all of which are accompanied by spectacular lighting, laser and special effects. To showcase the lighting and lasers to peak effect, Transmission’s lighting designer, Bas Kemper, needed to fill the huge 15,000-capacity venue with large quantities of smooth, pure white haze. He knew exactly which manufacturer to turn to which would give him precisely what he needed. He invested in an ATMe haze generator from MDG and three MDG MAX 3000 generators, supplied by Rudo Tucek of Slovakian rental company, Ministry.
“The venue is huge and filled to capacity for the festival – the stage alone is 48m x 24m and the floor space covers approximately 80m x 80m, with the hall stretching - with the tribunes included - to something in the region of 120m x 120m,” says Ke
Russia - Astera’s wireless LED Titan Tubes helped the action come alive in Moscow for performances of The Worker and Kolkhoz Woman, a comic opera by Pavel Kaplevich, staged at the Zaryadye Concert Hall.
The opera is dedicated to the history of one Russia’s most famous monuments, The Worker and Kolkhoz Woman, a 24.5m-high sculpture by Vera Mukhina, renowned globally as an example of socialist realism and art deco. Two figures - male and female - are leaning forward holding a hammer and sickle above their heads. The work was designed for the Soviet Pavilion at the 1937 World’s Fair in Paris and was subsequently moved to Moscow. It is instantly recognisable as a powerful Soviet-era symbol.
Last year marked the 130th anniversary of Vera Mukhina’s birthday and the 80th anniversary of the monument’s ‘home’ at the Exhibition of Achievements of the National Economy (VDNKh) in Moscow.
In the opera version, Worker and the Kolkhoz Woman come to life as two real workers who get packed up and sent to Paris for the Fair, where they reassume their poses and engage in a series of bizarre and surreal adventures and encounters - including with Marlene Dietrich and Pablo Picasso.
Lighting designer Alexander Krasnolutsky created a distinctive look and style for the show utilizing a conventional lighting rig, LED screens and the 60 Astera Titan Tubes that were a central element to the performance.
Alexander explained that he could not work with traditional beam lights as the Zaryadye Concert Hall itself has high ambient light le
USA - Anyone enjoying Maroon 5’s New Year’s Eve special shows at Mandalay Bay Arena in Las Vegas would have witnessed the elegant geometric lines of Brian Jenkins’ production and lighting design, for which he utilised over 200 Robe moving lights.
The band have frequently played this December slot at the venue in recent years, and the objective for 2019 was to present a new and fresh visuality for the occasion, different from any of their touring shows. This year the New Year shows were ahead of an upcoming album release and 2020 world tour.
Jenkins had wanted to “go geometric” as a design concept for some time, and this presented him with the perfect opportunity, together with the relative luxury of two days for the get-in and set up.
Knowing the band’s video content also helped fuel Brian’s thought process. The upstage LED screen was a triangle 50ft wide at the base and 30ft high, and this was flanked by two angled lighting pods either side at the top - in a diamond orientation - with a third pod over center stage, also at 45° to keep the triangular / diamond architecture. These three trussing pods were each filled with 49 Robe Spiider LED wash beams in a 7x7 matrix format.
Brian needed a lightweight fixture for this that he could source easily in quantity, and that had some degree of pixel control. Spiider was “a robust fixture and a great fit”.
Fifty-six MegaPointes were on the plot. Describing these fixtures as “reliable and with plenty of tools”, 30 MegaPointes were positioned along the sloping edges of the
UK - Event production services & hire company Light Design supplied Claypaky Sharpy Plus moving spot lights for the recent 2019 UK Festival Awards, hosted at London’s Troxy.
A long-time user of Claypaky products, Terry Lewsey, MD of Light Design, was very keen to add the Sharpy Plus fixtures to his rental stock. He comments: “For us as a rental company, the Sharpy Plus is the perfect fixture and exactly what we were looking for. As a beam spot hybrid, it does both jobs very well.
“We already stocked a number of fixtures from Claypaky’s range and have years of trust in the brand. The Sharpy Plus’ versatility, combined with how rider-friendly it is and the strong appeal of Claypaky products as rental items, made it a logical decision for us to add it to our portfolio.”
Jonathan Walters, UK sales & purchasing director of A.C. Entertainment Technologies, Claypaky’s UK distributor, provided the fixtures to Light Design. Lewsey comments: “It’s always great to work with Jono and his team at AC-ET. They are always so helpful and knowledgeable, especially when it comes to supporting us with both new purchases, and existing product support.”
China - PR Lighting has announced two marine-grade, IP66-rated moving heads: the 3-in-1 AQUA Marine 580 BWS and AQUA Marine 580 Beam.
Thanks to the double-layer coating of the chassis and PR's sealing system, both AQUA Marine 580 fixtures can provide ‘superior resistance to a wider range of corrosive media, making them ideal for use on projects close to the seashore or in sea water’.
Housing either a Philips MSD Platinum 25 R lamp or Osram Sirius HRI 550W XL, both the AQUA Marine 580 BWS (PR-2596) and AQUA Marine 580 Beam (PR-2568) are fully featured. Colours include CYM linear mixing system with macros, a colour wheel with 12 colour filters (plus open), rainbow effect with bi-directional and variable speeds and stepping/linear colour changing, while the colour filters can be in any position. The fixtures also boast a linear CTO system.
The products accommodate one fixed gobo wheel (containing 17 gobos plus open), bi-directionally rotatable and shakeable at variable speeds. There is also a rotating gobo wheel, with seven interchangeable rotating gobos (plus open), bi-directionally rotatable and shakeable at variable speeds.
There are four different facet prisms which can be overlapped (other prisms are optional). The graphic effect wheel offers bi-directional rotation with variable speeds, and can be overlapped with the fixed and rotating gobo wheels. Features also include an independent frost filter.
Both fixtures are contained in dust-proof and water-proof cast aluminium, high-temperature resistant and UV-resistant engineering pl
France - Playing a rich and colourful role in the history of its region’s wine making (it was once owned by legendary vintner, the late André Lurton), the estate of Couhins-Lurton was prominently featured in the recent 100th anniversary celebration of the Grands Moulins de Bordeaux.
Accentuating the intricate architectural qualities of the château during this event was a collection of wireless, battery powered Chauvet DJ lighting fixtures installed by Benson’ Audiovisuel.
The Benson’ Audiovisuel design team, under the direction of Benjamin Faure, positioned 12 Freedom H1 par units below the ornate cornice to highlight its details. Thanks to its compact size and wireless properties, the 10W fixture was able to fit unobtrusively on the site without distracting from its aesthetics. Drawing on the fixture’s RGBAW + UV colour mixing engine, the design team was able to create a wide and varied palette of hues during the event.
Bathing the building’s façade in an array of richly saturated colours were 24 Freedom Flex H4 IP uplighting fixtures. With their intense output, these units were able to send smooth, even fields of light high up the exterior walls of the château.
A group of 16 freestanding Freedom Stick RGB LED linear fixtures was used to enliven the estate grounds, as well as provide a colourful setting on the dancefloor inside during the party. Also generating excitement on the dancefloor were a Derby X effect light, a Line Dancer that projects intense strips of colourful light, and two mini Kinta beam units. Like the outdoor
Singapore - Lighting designer Nick Ho began working with the G12 worship rally in 2005 and has lit every one of its annual conferences since 2016.
Although his big, multi-faceted lightshows have earned widespread praise from the conference’s attendees and its technical director, Dennis Thien, Ho is always working to make them more compelling. This year, he and his programmer Justin Poh upped the engagement level by doing something they’d never done before: pixel map their rig’s washes.
Creating this new design with the 78 wash fixtures in their rig was made much easier, they say, by the pixel mapping features in their ChamSys MagicQ MQ100 Pro. “This was the first time that we have tried pixel mapping washes for such a large scale event,” explains Ho, noting that the conference, which was held at the Singapore Expo Hall, drew 10,000 people. “The pixel mapping functions in our ChamSys works very fast, which was good, because Justin wound up creating looks on site during the conference.
“Pixel mapping the washes added another dimension to our show,” continued Ho. “Having the simple low-res animation effects run across the back line truss created very engaging looks. Doing this was a straightforward process with ChamSys. We just had to create a fixture layout in the Output Window View Plan, create the grid size, and assign heads correctly into the boxes, then patch PIXMAP - and we were done! The ease of working with ChamSys removes a lot of stress when you are trying something new.”
Ho was also impressed with how smoothly hi
UK - The Elgiva Theatre has invested in a Vista by Chroma-Q lighting & media control system to take full advantage of its recent upgrade to an all-LED house rig.
Located in Chesham, The Elgiva presents a wide-ranging programme of professional and amateur productions, touring concerts, top comedy, musicals, ballet/dance, one-night shows, professional pantomime, movies, and private events.
After upgrading its house rig to all-LED, the theatre’s ageing control desk had been struggling with the quantity and greater sophistication of the fixtures, and the extra workload created by additional shows as a result of the venue’s increased popularity.
This was limiting what could be achieved creatively in the time available - both for Elgiva’s own productions, and in the theatre providing high quality technical support for its clients, which include major international tours.
The theatre therefore decided to invest in the next generation Vista 3 control system, purchasing the latest Vista EX control surface, plus a Vista MV to use as an extra playback wing.
Tristan Collett, the theatre’s technical manager, comments: “I have found that the speed with which Vista allows users to work benefits Elgiva not only with saving time, but also positively impacting shows’ quality and budgetary constraints.
“Our technicians are extremely creative, and finally don’t have to struggle to transpose their vision onto the stage. What would previously take hours to program now takes minutes or seconds using Vista.”
The Vista syste
Poland - Mateusz Karon, deputy of technical manager the Teatr Dramatyczny m. st. Warszawy (Dramatic Theatre of the capital city of Warsaw), is happy with the new Robe Tarrantulas that are part of the house lighting rig for this important venue, which has been at the forefront of producing Polish drama since 1949 and ensconced in the Palace of Culture and Science venue since 1955.
There are two performance spaces at the Palace of Culture, and the company also runs programmes in two other buildings around the city.
These four stages offer a busy and vibrant schedule of modern, classical and new works with a reputation for excellent acting and tackling relevant contemporary issues. Each space stages between 10 and 12 shows a year, primarily their own productions.
Mateusz oversees all things technical in the main Dramatic Theatre building and creates new lighting specs as and when they are needed to ensure they keep pace with developing technology. These then go out to open tender.
When initially looking for new fixtures for key lighting - with Tarrantula as one of the contenders - Mateusz and his team were all impressed with the controllability of the fixture, and beyond that, the sheer power, which they thought would be perfect for the 460-capacity ‘Big’ stage - in addition to key lighting duties. They also wanted a source with a high CRI and Tarrantula fitted all the criteria.
The decision to choose the Tarrantulas - delivered directly by Robe’s Polish distributor, Prolight - was a collective one made by Mateusz and the Dramatic T
Australia - Fusion Entertainment provided the technical production for the gala unveiling of the Ferrari F8 Tributo in Sydney, using a complement of Claypaky fixtures to illuminate the car’s debut at the black-tie event.
The evening marked the first Australian appearance for the new, half-million dollar mid-engined supercar.
More than 300 guests gathered at Sydney’s White Bay passenger terminal for an immersive Ferrari experience. The 2,000sq.m space was filled with classic cars in Ferrari’s shade of red and speeches paid homage to the luxury brand’s history and the debut of “the best eight-cylinder in the world.”
Some 200 Fusion staff members worked continuously across 36 hours to install and prepare for the event. They put together 5.1 tons of rigging equipment, 6,000m of cabling, 158m of black drape and a total of 236 lights to create a 348sq.m staging structure standing 1.5m high.
The evening began with guests watching a five-minute AV spectacular on the F8 Tributo, dotted with archival footage from Ferrari’s vault, in the pre-function area. When it was time to reveal the new vehicle the function area went to black and a 60-meter kabuki drop showed an astonishing collection of Ferrari V8s, on display for the first time outside Italy. The F8 Tributo emerged from under the stage through fog and lasers and past its predecessors to take its position on the podium.
Fusion mounted Claypaky Sharpy fixtures on either side of the podium; several more were used for the moment of reveal with Oracle Laser’s Laser Sharpy attachmen
UK - Lighting rental specialists Version2 supported The Brits Are Coming at the newly re-opened Riverside Studios. Working with award winning lighting designer Tim Routledge, the Version2 team supplied a comprehensive lighting package, including a healthy selection of recent additions to the company’s growing inventory.
The Brits Are Coming TV special is the reveal of the nominations for the BRIT Awards 2020. Hosted by broadcaster and presenter Alice Levine, the show featured special guest performances by nominated artists including Liam Payne, Aitch and Mabel.
Recorded for ITV in front of a live audience, this was one of the first and one of the largest productions staged within the newly opened Studio 3 at Riverside Studios. Following the extensive re-development of the historic West London site, Riverside’s hosting of the show conveyed a clear message that the production centre is back open and ready for business.
Commenting on working with Version2 at Riverside, Tim says, “I use V2 a lot for my broadcast work as they always go the extra mile and have a want to make a great show every time. This was also only the second show in the all new Riverside Studios which was a blessing - a fantastic new studio with a saturated overhead grid of lighting hoists and the ability to patch data anywhere, it was a really easy studio for this show to move to and it worked for us brilliantly.”
Over the past year V2 has been steadily growing their inventory to increase both the scope and range of products they have available. Ahead of t
USA - Nesta Garrick lights the Welcome to Jamrock Reggae Cruise, an annual December excursion that showcases many of the genre’s leading stars. But every year, the Jamaican-born LD disembarked from the floating festival’s ship with the same unfulfilled wish: he wanted an outdoor rated moving wash.
“I have been working on Jamrock for five years, going on six, and in that whole time I’ve asked myself ‘why can’t someone make a moving wash that’s IP rated?’” he said. “This is a five-day cruise, and every night we’d have to take our washes down, because it rains a lot at sea. Then, the next evening, we’d have to focus them manually, which was difficult given the short amount of time we had to set up.”
The owner of RAS Visuals & Lighting, Garrick was visiting LDI in 2018 when he came across the Chauvet Professional Maverick Storm 1 Wash. “Right then I knew I found my answer,” he said. “I called Abbas Ritscher from The Design Oasis and asked if he had the Storm 1 Wash. He told me he did, so here we are!”
When the stately Independence of the Seas set sail in the Caribbean on Welcome to Jamrock Reggae Cruise 2019, reggae stars like Stephen ‘Ragga’ Marley, Buju Banton, Popcaan and Taurus Riley were on board, so too were 12 Maverick Storm 1 Wash units, which like the rest of the fixtures in Garrick’s rig, were supplied and installed by The Design Oasis.
Although the issue of having to take down non-IP rated moving washes every night was resolved, Garrick had to contend with other challenges on board the vesse
USA - CMI Communications supported the stage production for a multifaceted event at the Minneapolis Convention Centre in August, where they utilised a large complement of Ayrton Ghibli LED spot luminaires to illuminate the Knights of Columbus 137th Supreme Convention. Sessions were broadcast internationally, and to over 1800 attendees of the event. The fixtures matched exactly in output and colour temperature even though they were supplied by three different vendors.
AV service provider CMI Communications of Rochester, New York asked Light and Shadow, LLC of Winter Garden, Florida to provide turnkey lighting design for the convention as the company has in the past. During the three-day event the daily morning Mass and business sessions were broadcast on EWTN, CatholicTV and other outlets. The convention hall featured a 120ft-wide stage with a 115ft projection screen as a backdrop.
“We needed a high-quality broadcast light that we could also use for the opening dinner,” says lighting designer, Shawn Seithel. “We were looking for a replacement for our previous go-to fixture, and a Ghibli demo by ACT Lighting sparked our interest.”
During the demo, “Ghibli did everything our usual go-to fixtures did and did it better. Ghibli was brighter, had a nice flat field and its framing shutters were a huge plus. It looked like a well-rounded light for every kind of event we do,” Seithel says.
For the convention Seithel rented 78 Ghibli fixtures from three vendors placing them on mid-stage and downstage truss and on two trusses running the lengt
Europe - Award-winning independent French theme park, Puy du Fou, unveiled its first venture in Toledo, Spain with an epic night-time immersive spectacular El Sueño de Toledo (The Dream of Toledo), creatively directed by Nicolas de Villiers and the team from Puy du Fou with lighting designed by Koert Vermeulen from Belgian creative visual practice, ACTLD.
At the heart of Koert’s lighting spec are 74 x Robe BMFL WashBeam and 20 x MegaPointe moving lights.
El Sueño de Toledo takes spectators on a hi-octane condensed one-hour journey through history – from the Reign of Ricaredo in the 6th century to the arrival of the railways – touching on the battle of Navas de Tolosa and the discovery of America along the way! The 1500 years of history is represented by 185 actors and a plethora of special effects.
Koert and Nicolas have worked together on several previous Puy du Fou live shows and projects in France. The show is staged outdoors on a performance space approximately 125m wide by 100m deep, rising up towards the back. The set includes several permanent buildings and structures and a large lake, with the action taking place both on, in front of, and behind the water.
Nicolas briefed Koert on the historical narrative and Koert produced a lighting concept for the show which is played out by the large cast to a special soundtrack composed by Nathan Stornetta.
“The show’s essence was similar to some of those we have created in the French park, so some of the base principles and style needed to reflect a continu
Switzerland - Winkler Livecom of Switzerland has added 200 Elation Professional KL Fresnel series luminaires to its inventory.
Winkler, based in Wohlen, near Zürich, is one of the largest full service companies in Switzerland, handling virtually all aspects of exhibition, corporate and public events from initial idea to execution. Since its founding in 1996, Winkler has often employed Elation lighting in its broad portfolio of projects, but the KL Fresnel acquisition marks the company’s first purchase of Elation gear.
“We continue to replace our bulb-based static lights with LED versions and invited several distributors to a shoot out here at our facility,” recounts Frank Burghardt, head of sourcing at Winkler Livecom. “Elation’s Swiss distributor Cast came with the KL Fresnel 4 and Kl Fresnel 6 and in the end it was the price vs performance ratio of the KL series that was the best.”
The KL Fresnel Series is a line of warm-white or cold-white LED Fresnel lights available in 50W, 150W and 350W models. Winkler acquired the 50W KL Fresnel 4 CW (50) and 150W KL Fresnel 6 CW (150), cold-white LED Fresnel lights with a 5,600K Cool White LED engine. Both luminaires include manual zoom, manual and DMX controlled dimming, and silent operation mode. Barn doors and gel frame holder are also included.
“We decided to invest in the cold-white version and then we can add full CTO or half CTO filters when we need a warmer look. It was a smart solution and gives us the flexibility to cover a wider color temperature range,” states Burghardt,
USA - Bandit Lites has launched into 2020 with a sizeable purchase from Chauvet Professional, including Maverick MK3 Spots, COLORado Solo Battens and Rogue R2X Washes.
The Maverick MK3 Spot has already proven itself to be a pillar in designs as it has been featured on Mark Carver’s design for the 2019 Dove Awards, Seth Jackson’s design for the Hillsong Worship/Casting Crowns/Elevation Worship Tour 2019, Jason Aldean Kitchen and Rooftop Bar special show, Julien Reux’s design for the 2019 Sasha Sloan Tour and Jerry Holcomb’s design for the 2020 Winter Jam Tour.
“When I learned Chauvet was building the MK3 series, I was very excited to see them jump into this market,” explains Bandit Lites director of technical services Jake Tickle. “The Chauvet Maverick MK3 Spot has all the horsepower needed to take full advantage of its full feature set. This fixture will be a workhorse in our inventory.”
Bandit Lites also supplied Chauvet COLORado Solo Battens on Mike Marcario’s design for Tenth Avenue’s North tour, the Dove Awards, Erik Parker’s design for Jack Daniel's Music City Midnight: New Year's Eve in Nashville and the 2020 Winter Jam Tour.
“With its lensing, excellent output and IP rating, the Chauvet Solo Batten ticks and lot of boxes that I could ask for from a batten style fixture,” adds Tickle. “One of my favourites in that category.”
The Chauvet Rogue R2X Wash has already been seen at the 2019 NASCAR Sprint Car Awards, Lumina Design’s rig for the 2020 YoungLife Conference and the upcoming Crescent Produc
Belgium - Het Kunstuur (the Art Hour) is a new ‘interactive’ gallery concept developed by art collectors and entrepreneurs Hans & Joost Bourlon, presented in the former Holy Ghost Chapel in the historical heart of Mechelen, Belgium.
Thirty-two Belgian paintings from the 19th century are displayed in three gallery spaces where their stories are told by a series of well-known Belgian personalities.
Creative lighting design and media specialist Painting with Light (PWL) was asked to manage and co-ordinate and design the technical systems and control for lighting, video, audio and humidity control for this intricate and unique project.
Visitors wear headsets and listen to an audio track as they move around the spaces, prompted to stop / move on cue to designated areas by the audio track, where they watch and listen as the AV effects play out. The walkthrough lasts an hour, which inspired the name.
PWL was asked onboard by concept designer Wouter Verhulst of King Concept who created the original idea and storyline with the Bourlon Brothers and designed the gallery layout.
The first phase of the design process saw the whole museum virtually created in WYSIWYG and presented as a VR experience to the project’s initiators.
The PWL team, under the creative direction of Luc Peumans, was led on site by Céline Cuypers who project managed delivery of the full technical design including the projection system, creative lighting, audio track and control, plus specification, procurement and commissioning of all equipment and its impleme
USA - Bandit Lites most recent annual general meeting included a special celebration to mark the 40th anniversary of Eric ‘Rock’ Shafferman joining the Bandit Lites family in 1979.
Bandit Lites was just over a decade into its founding when Shafferman found himself with a summer off from college in East Tennessee. His brothers had been working with the company when they asked him to come to the warehouse and meet everyone. In what later could only be a destined happenstance, Shafferman found himself joining the team for a series of weekend warrior runs.
“We had two Shafferman brothers already, and in walks a third,” recalls Bandit Lites founder and chair Michael T. Strickland. “This guy was a high school all-state football player and looked the part. He was so tough, they called him Rock. Boy were they right! Eric was the toughest, hardest working guy at Bandit. Nothing stopped Rock. I was glad to hire him based on sight and the way he carried himself. It was one of the best hires we ever made! I love Rock!”
“Bandit was starting to really grow and was taking on the big names acts,” Shafferman shared. “We still didn’t have any chain hoists, but we had lights that were like little trees that went into the air, and maybe ten or twelve par cans on them. Once we got Kenny Rogers, we got all new equipment and after that it started to take off and we got to doing more bands. Alabama hit it big, and then I joined their tour a little after their first year out of clubs.”
While things in the industry have changed drastically, fr