James Jewry, Soundteks with Mainline’s Nick Hewitt, Dave Mylett, Alan Lee, Mark McEwan and Rob Lorton
UK - Mainline Show Productions have invested in both Martin Audio’s Wavefront Precision WPS and WPM rigs.
The Manchester-based event providers, described as a one-stop shop for most technical aspects of live production and dry hire, decided to extend their capacity rather than simply replace existing PA. “We saw WPS opening up more possibilities for us on small to medium festivals, so went for 16 boxes. WPM will give us flexibility on smaller gigs in its own right, or as fill for WPS-rigged stages, so we opted for eight enclosures,” states Director, Rob Lorton. He confirms that the company will also be pushing further into corporate and installation work as the industry emerges from lockdown.
Carrying on the festival theme, he says, “We're confident the kit list should double our capability for a reasonably sized independent festival stage or major festival supporting stage. We'll now be able to supply to multiple smaller stages. The ability to pole-mount [Martin Audio] LE100 or LE200 wedges will be useful too. Murphy's Law normally sees us split across multiple jobs on a weekend, having to divvy up boxes, amps and cross-hires.”
The search for a new system began in earnest at the beginning of 2021. “We were soon well down the line considering a rival system that ticked so many boxes for us,” he admits. “We tested the water with our good friend James Jewry (soundteks.co.uk) who suggested Martin Audio might suit us better, with more immediate appeal.” And so it proved.
Their existing front-line system was nearing end of life: “It was tired and never had the live sound industry appeal we hoped for,” Lorton continued. After making a significant investment in LED screens they had time to reflect. “We realised we didn’t have a PA that would suit an AV package - more compact, better sightlines, better audience coverage. Any new system needed to give us better market reach. Having authorised retailer status is also a great opportunity for us.
“But most importantly, a replacement had to be flexible enough to cover the wide range of our existing event and client demands, while also enabling us to grow, not just a like-for-like replacement of our old PA. It would need to handle smaller bar gigs with a band, indoor raves for 1000+, and outdoor music festivals. We’d need great manufacturer support and a network of other suppliers for cross-hiring and collaboration.”

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