Maggie Rogers shines with Sapphire Touches
Tuesday, 12 November 2019
avolitesLighting designer Ben Everett
UK - A lot has happened in Maggie Rogers’ world since 2016, when a video of her demoing a then-newly-recorded song, Alaska for Pharrell Williams at NYU went viral. Following opening slots on major tours with both HAIM and Mumford & Sons last year, Rogers dropped her own major label debut, Heard It in a Past Life, this past January, which charted in the second highest slot of the Billboard 200. Consequently, the artist has spent much of 2019 on the road in support of the album.
The “look and feel” of Rogers’ tour this year has been a collaborative effort between the artist and lighting designer Ben Everett, who first started working with her when he lit Rogers’ first-ever show in London two years ago. Having toured with an impressive roster of bands over the past five years, Everett is now part of the UK-based MIRRAD team, which has been supplying a pair of Avolites Sapphire Touch lighting control consoles for Rogers’ 2019 worldwide trek.
While on tour with Rogers, Everett sits behind Avolites’ flagship Sapphire Touch, with a twin second console used by Bodie Tureson or Chas O'Bradovich, his techs, for the show’s opening acts (Empress of, Jacob Banks, Melanie Faye, or Now, Now), and as an immediately-available backup desk, should the need ever arise.
“I have used these consoles with many different types of artists and shows, and I can set them up in a way each time that works exactly as I need them to for that show,” he says of his Sapphire Touch. “Essentially, I just really enjoy working on this console.”
(Jim Evans)

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