The new-for-2017 Warehouse venue
UK - Technical producers LarMac LIVE once again chose to bring in PRG XL Video as a supplier of video, lighting and rigging technology across multiple stages at this year’s Creamfields 2017.
PRG XL’s team supplied rigging, indoor and outdoor video screens; a broad variety of lighting; LED signage; media servers and content manipulation technicians; and broadcast equipment and support.
For all the video elements, PRG XL senior account manager Paul ‘Macca’ McCauley took care of the specifications, with project manager Ian Jones taking care of the technical delivery. For lighting, account manager, Gordon Torrington, and event services coordinator, Chris Scott, took care of the design and implementation on site.
On the main Arc (CF01) and Horizon (CF02) stages, PRG XL Video supplied festival technology including lighting, rigging and video across both structures. Head of rigging, Q Willis took care of the rigging on both stages, leading a team of expert riggers who created the backbone for the lighting, video, and audio technology.
The Arc stage’s curved wings made up of vertical columns of 12mm ROE Visual LED, built into PRG’s custom touring frames. The spaces in the frames between the columns were used to rig a variety of lighting fixtures including Ayrton Magic Panels, 4 and 8 Lite Molefays, and Atomic Strobes.
Icon Beams lined the front of the stage below the wings, creating beams of light which stretched into the sky as the sun set. A large upstage back wall was formed from ROE 7mm LED on stage, with a DJ riser built from the same material.
The flown lighting was designed to offer incoming artists with a versatile package of fixtures, and this included Icon Beams, PRG Best Boy spots, Solaris Flare Jnrs to either side of the stage, GLP X Bar 20s, and B-Eye K10s. Additional GLP X Bar 20 fixtures were brought in for Tiesto’s headline spot on Sunday evening. Lighting crew chief was Aiden McCabe, with Chris Scott operating using GrandMA2 consoles. Video crew chiefs on CF01 were Ollie James and Colin Mudd.
Above the stage, the LED header was made up of ROE MC-18 Hybrid LED, enabling content designers to use it for content matched to the rest of the screens.
On Horizon, the 18mm ROE Visual LED panels were built into the structure with specific horizontal rows missing on the wings. The spaces in the frame structures were then used to rig a variety of lights including 2 Lite Molefays and SGM Q7 blinders. Below the wings dozens of the new high brightness Icon Edge moving lights were used as beam lights.
Gordon Torrington commented: “We were very happy to supply lighting to LarMac LIVE for three stages at this year’s Creamfields. It’s a brilliantly organised festival, with a huge crew. Everyone works very hard, with a strong sense of collaboration, and the end result looked amazing.”
For all the video elements, PRG XL senior account manager Paul ‘Macca’ McCauley took care of the specifications, with project manager Ian Jones taking care of the technical delivery. For lighting, account manager, Gordon Torrington, and event services coordinator, Chris Scott, took care of the design and implementation on site.
(Jim Evans)

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