Coda Audio on tour with Fantasia
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A Grammy Award winner for Best Female Vocal Performance on her single Bittersweet, Fantasia has sold almost three million albums in her native USA alone. During a career that has produced seven albums, she has starred on Broadway twice, receiving a Theatre World Award for her part as Celie in the Color Purple. On her recent Sketchbook Tour, this consummate performer demonstrated that she remains a force to be reckoned with, wowing audiences and critics alike with exceptional vocals and a stage presence to match. Writing in The Buffalo Times, Ben Siegel described a “riveting” performance “in full command of her production.”
Part of that production for the 29-date tour was an ultra-compact Coda Audio AiRAY system, supplied by production specialist Solotech.
Lee Moro, VP, Live Productions USA for Solotech and production lead for the Fantasia tour, comments: “We were one of a first companies in the North American touring market to recognise from the outset the great advantages offered by Coda systems. We’ve deployed AiRAY very successfully on a number of occasions including Corey Hart’s very well-received comeback arena tour of Canada, last year. Front of house engineer on that tour, Gary Stokes, rated the system very highly indeed.”
FOH engineer for Fantasia, Gordon Mack (Lionel Ritchie, John Legend, Madonna, Justin Bieber) also enjoyed his first experience of using Coda and was very impressed by its performance: “I must say, when I first saw the hang, I was a bit sceptical that it would have the power and coverage to cover an arena show but boy was I pleasantly surprised! It covered as well as any PA I’ve used and maybe even better than some.”
The system deployed for the Sketchbook Tour, which featured guests Robin Thicke, Tank and Bonfyre, comprised 10 AiRAY over 4 ViRAY as front hangs (L&R), 4 AiRAY over 8 ViRAY as side hangs (L&R) and 6 APS for front fills. 16 SCPF subs were used in a horizontal cardioid block centre stage, with the system driven by a total of 8 x Linus14D (per side) amplifiers.
Expanding on first impressions, Mack continues: “As for the subs, OMG! They were punchy, thick and warm, and handled the weight of the super-lows with ease. Again, I was pleasantly surprised. I received quite a bit of positive feedback from concert-goers on what a great sounding show it was. I’d listen to the PA with no processing and I must say, with just a little EQ’ing for the room, it was ready to go.”
