Matrix Audio Developments, the pro audio amplifier manufacturer, has launched the F1 compact loudspeaker system, which has been designed specifically for the commercial installation market. The system comprises the highly-compact, and easily-mountable mid/high F1 cabinet (measuring just 17cm x 9cm x 8cm) and the B1 bass cabinet, which can be either free-standing or incorporated into fixtures and fittings. When combined, one B1 and two F1 cabinets are capable of producing 100Wpc RMS at a frequency of 35Hz - 18kHz.
JBL Professional has recently released the EON G2 ‘Generation 2’ line of powered speakers. Among these is the EON10 G2 compact powered speaker with 10" woofer, increased power and a three input mini-mixer. This is ideal for AV applications, smaller musical and spoken word performances and, when combined with the new EONSUB G2 powered subwoofer, provides a full range sound system with full range power for more demanding performance and playback applications. The EON10 G2 features increased power over the first generation EON 10, with 125W for low frequencies and 50W for the highs. The 10" Differential Drive low frequency driver uses a neodymium magnet for light weight and reduced distortion. As with other EON G2 speakers, the EON10 G2 is kept cool, not by heatsinks or fans, but by JBL's Thermomaster Total Thermal Management System.
The latest product to be available from ASL is the VAR-4 Digital Audio Router. This unit uses digital signal processing to provide a self-contained Public Address/Voice Alarm control system and includes built-in digital message storage for emergency or routine announcements. It allows connection of up to six audio inputs routed to four outputs and for the monitoring and control of up to 64 amplifier mainframes (V400) and associated amplifier interface card/surveillance units. Each mainframe connects to the VAR-4 via an Audio-CAN serial data network and audio monitor bus. The router includes digital storage for 2 x 32-second emergency messages and 2 x 10-second test messages, and provides four microphone inputs, typically for two fire microphones and two general purpose paging microphones. Two connections are provided for background music sources, either of which can be selected for routing.
PCM has added a new webbing ladder to its inventory of professional rigging accessories. The new product replaces conventional, bulky ring and tube-style ladders with streamlined rods of carbon or glass fibre. The rods are inserted into tubular braid sleeves made from synthetic fibre which are sewn into side members of the same material for maximum strength. The product is ideal for all entertainment industry applications - theatrical, performance, industrial, live event, touring, television and film. The ladder is available in standard lengths of 10, 15 and 20 metres, and custom lengths can be produced as required.
At the recent NAMM Show in Anaheim, Soundcraft launched a new range of compact mixers - the Spirit M series. The Spirit M4, M8 and M12 offer 4, 8 and 12 mono inputs respectively, and all feature four stereo inputs, four stereo returns, 100mm faders, and an S/PDIF stereo digital output. All channels have peak and signal LEDs, complemented by a high-resolution stereo output meter.
Physically, the layout of the desk will be instantly familiar to any experienced engineer or musician. The mono input mic preamp design comes straight from the award-winning Soundcraft Ghost console. The powerful three-band EQ has a swept mid and tightly focused HF response that delivers a cleaner and more controlled sound. The electronic design of the desk incorporates ‘ground-tracking’ architecture, usually found only on more expensive mixers, and attention has been paid to details such as grounding around the faders.
The latest version of ShowMagic, the sound and lighting control system, was released in December. New features include a device library for RS232 control - plain English commands can now be used for devices listed in the library (VTRs, switchers etc); extra support for laptops (Sunlite USB DMX device); new MIDI control features for external audio processors; ‘Latest chase takes precedence’ option; lighting control output through DMX, PMX and MIDI simultaneously and an updated fixtures library.
In the run-up to Christmas, L&SI’s Lee Baldock visited the offices of OptiMusic to learn more about the success of its versatile OptiBeam system . . .
Born from an idea to create a musical instrument consisting of multiple beams of light, played through movement and dance, the OptiBeam is a system by which beams of coloured light can be used to trigger sound, or other effects. When the beam is bounced back from a reflective surface, it triggers a pre-programmed action via MIDI. The system - one of the ‘Millennium Products’ so designated by the Design Council - consists of the light unit itself, which can be either the standard seven-beam version, or a single beam; the dedicated light-to-MIDI control box [OM-1] and any MIDI keyboard, sampler or sound module, to generate the sounds.
From there, it can become increasingly complex: groups of OptiBeams in sets of up to 32 units can be programmed via PC to produce up to 99 sequential or simultaneous steps apiece. The MIDI signals can be converted to virtually any other protocol, including DMX. Alternatively, you can place a reflective sticker on the floor beneath a beam, and reverse the operation to trigger when the reflected beam is broken - in this way, a person or object passing through the beam will trigger a cue.
The inventor of the system is Guy Sigalov (inset, left), a talented musician and innovator; working alongside him is commercial director Mishka Klotz (inset, right), and between them, they look after R&D and commercial development from their base in North London. They are joined by Anna Prie
Celco has entered the New Year with a trio of new product developments.
The Ventura console has had a software update. Version 3 incorporates an easy-to-use, yet powerful, effects generator, WYSIWYG mode for cue programming and MIDI/SMPTE (previously a chargeable upgrade). The software can be downloaded free of charge from the re-styled Celco website at www.celco.co.uk
The company has also extended its control range with the Platinum (pictured) - a powerful 1024 channel PC-based lighting control system for generic and moving lights. The Platinum utilises a stable Windows NT environment and features include connection to any DMX-controlled desk for playback, drag and drop patch features, unlimited number of presets, cues, sequences, and a graphical shape editor for pan/tilt movements.
The Fusion 2000 is a new 12 x 16 amp rack-mount digital dimmer which complements the existing Fusion range. The specification includes two extra non-dim auxiliary channels, 30 memories and three sequences for stand-alone use. Fully flexible soft patch, choice of dimming curves and Socapex/Harting outlets are fitted as standard.
DARE Professional Audio has released a shielded version of its highly successful Micro 12 loudspeaker. The Micro 12 is passive as standard, handles 650W and has a dispersion of 90 by 60 degrees. The speaker has seven integral flying points, the horn can rotate for horizontal installations, and there is also a wall/ceiling bracket available. The Micro 12 provides a high powered compact solution for audio visual applications where a quality audio performance is expected. It is also available in portable weatherised versions.
Hayden Laboratories report continuing sales of the Rolec hard drive background and foreground music systems into a variety of venues and installations. Le Petit Blanc in Oxford, one of the renowned brasserie brand of chef Raymond Blanc, now has a Rolec DHD-200C onboard, supplied by Installation Technology. Recent retail environments with Rolec systems include Boots stores in Milton Keynes and Kensington, both via Reflex Systems and fashion store Envy at the Bluewater shopping experience in Kent, via Music Marketing Services. Hocken Sound and Music Marketing Services are installing Rolec hard drives into Litten Tree pub venues for Surrey Free Inns. Restaurant Bazaar is a Chinese restaurant roll-out, expanding rapidly in the Greater London area, owned by Taipan Taverns. All sites are including Rolec hard drives for music, installed by HTL from Blackpool. Other HTL Rolec installs include the Marriott Hotel in Swansea and more with Forte and Posthouse hotel installations through Balance Audio. Liverpool-based Orritt Electronic Services now always supply the Rolec system over multi-CD machines. Recent examples are Edwards, a Bass Leisure young person’s destination venue, O’Neill’s Irish bars and Bass’s City Town bars and Arena venues.
London-based pro-audio distributor Autograph Sales, has announced the supply of a Clear-Com Matrix Plus 3 digital point-to-point intercom system to the Royal National Theatre. The fully-progammable intercom system will be installed in the 890-seater Lyttelton Theatre in April 2001. At the heart of the communications system will be a Clear-Com Compact 72 mainframe, expandable up to 72-ports. Various system interfaces will allow the RNT to incorporate its existing complement of Clear-Com Party-Line equipment - including over 30 beltpacks and four master stations. As part of the Matrix Plus system, Autograph Sales has also supplied more than 14 Clear-Com ICS-92 9-key switch stations, all featuring electronic labelling of the destination keys.
Britannia Row Productions has expanded its hire inventory to include 12 of the new TQ-440SP loudspeakers from Turbosound's Qlight range. Audio designer Derrick Zieba was the first to use them on two major televised events: Jim Davidson's Christmas Special - Coming Home for Christmas - filmed onboard HMS Invincible, followed by Miss World. Zieba explained: "The new self-powered TQ-440SP bears a strong resemblance in terms of voicing to larger Turbosound enclosures I've used before." To keep an even sound pattern, Zieba, with the help of Brit Row's Nick Maddren, designed a system comprised of single stacks of Turbosound Floodlight, delayed down the elongated space. Four stacks per side, with four pairs of suspended TQ-440SPs, created the arch necessary to give good coverage.
As Brit Row's head of audio for the Miss World event, one of the last held at the Dome in London, Zieba brought in the TQ-440SPs again for the vocal aspects of the sound reinforcement. The FOH system comprised a Turbosound Flashlight system flown stereo together with 10 TQ-440SPs flown above the stage.
Compulite Systems have been at the hub of high-tech development for the entertainment industry for two decades.
The company has recently released a mobile version of its popular CompuDim 2000, which supports all previous features. Designed for theatres, opera houses, TV studios and concert halls, CompuDim 2000 is an intelligent, high precision, fully digital dimming system. Due to its modular design it is possible to offer several cabinet configurations up to 96 dimmers. The dimmers offer both DMX and/or Ethernet communication with status reporting either locally to the control module or to the Compulite console.
A small Copenhagen playhouse is staging one of Europe's theatrical events of the year: the reunion of composer Tom Waits and director Robert Wilson on a production of George Buchner's 'Woyzeck'. This is Wilson and Waits’ third collaboration, succeeding 'The Black Rider' and 'Alice'. The production, with music by Tom Waits and lyrics by his wife Kathleen Brennan, is the first to feature an all-Danish cast of actors and musicians. Sound designer Nicolaj Aarup has miked his 10-strong cast with DPA 4065 headset microphones, teamed with Samson UT6 wireless systems. "I've worked with a lot of headset mics, but I've never had such an excellent performance," says Aarup. "The 4065 gives me so much headroom, it doesn't matter if the actors are whispering or shouting, I can get the true voices coming out of my system. It's like listening to them in the dressing room, only louder. "Tom Waits thoroughly approved of the vocal sound, although sometimes we had to add a little effect to 'squeeze' the sound because it was almost too good. His score sets out to paint a very rough and harsh picture, and it would be inappropriate to make it sound too clear and smooth." The Betty Nansen production of 'Woyzeck' has attracted attention from theatre impresarios all over Europe, and it is hoped that the show will play internationally in 2001.
Fostex has introduced the VFO8 digital eight-track recorder/mixer - offering a truly digital multi-tracker at a highly-competitive price, say the company. Although an eight-track system, it is technically a 24-track because it has the advantage of 16 additional "ghost" tracks for multiple takes or for holding alternative versions solos, etc. A large 5.1GB hard drive is fitted as standard giving more than two hours of non-compressed eight-track recording. An optional SCSI interface provides fast backup, and WAV file import and export to external SCSI media provides unlimited storage. Familiar, easy, non-destructive audio editing is offered via Copy/Move-Paste/Erase commands. An innovative mastering mode gives ten independent pre-set digital ASP effects on tracks seven and eight. A choice of Flat, Wet Mix, Light Mix, LiveMix, Pop Mix, Dance, Hard, 70s, Hall and Lo-Fi mode are available.
Hayden Laboratories Ltd, UK distributor for Denon, has launched the Denon CDR-1000 and the CDR-W1500 (pictured), two professional machines designed to take advantage of the burgeoning CD recording market - in clubs, DJ environments, studios, live and multi-purpose venues of all types. Unique features include 19" rack-mounting option - available in kit form; digital level control - for enhancing and ‘brightening’ analogue recordings in a digital domain, and CDR playback on both decks of CDR-W1500. The machines are fully-featured and quality engineered, offering all the robustness and reliability expected from the Denon brand.
Audio Technica has released the new ATW1400 series of UHF radio systems. Offering three fixed channels on licence-free frequencies, and additional regulated frequencies, the ATW1400s have been built with sound contractors in mind. The ATW1451beltpack system can be used in conjunction with a wide range of microphone options from A-T's Wireless Essentials range, including lavaliere, headset, boundary and gooseneck microphones options. The ATW1452 handheld system uses a internal shock-mount for reduced handling noise, and a high-energy vocal capsule for improved output. Both systems feature the ½ rack width, 1u high ATWR14 true diversity receiver, and employ Audio-Technica's Invisible Link technology.
CLD Distribution reports that it now carries stocks of the new Neutrik audio analyzer, the ML1, first seen at PLASA 2000. This compact and comprehensive audio test device has created world-wide interest since its introduction, which has led to a delay in meeting demand, but production has been increased and the product is now available in the UK.
Stage Accompany has announced that the first production batch of the ES 40 amplifier has left the its factory. This new flagship model for the Efficiency Series amplifier range, is based on the same high speed/high current class G design for increased efficiency. The ES 40 boasts a power output of 1810W/2850W @ 2 ohm per channel (cont/peak <1% THD). It features individual power supplies per channel for ultimate reliability and a capacitor bank rating of 210 Joules per channel for dynamic power reserve. State-of-the-art features include Dynamic Damping Control (SA’s proprietary circuit that compensates for signal loss in long speaker cables), Extended Function Network (EFN) and Active Clip Eliminator (ACE).
Also new from Stage Accompany is the latest addition to the Entertainer-series, the E 27. Designed as a compact, medium-power, full-range loudspeaker, the E 27 is suitable for sound reinforcement system in theatres, discotheques, clubs, houses of worship, auditoriums, theme parks, etc, without the need for additional bass cabinets. With a frequency range of 55Hz - 30,000 Hz and a continuous power of 400W, the E 27 is capable of producing high-definition, distortion-free sound at both low and high SPLs, up to 127 dB. The main reason for the excellent sound quality, say Stage Accompany, is the Ribbon Compact Driver, SA’s exclusive transducer for mid and high frequencies. Because of the directivity of the driver, no compression horn is needed, which eliminates sound colouring completely.
A new application for the company’s Optiscreen technology was given its official launch on Friday by AV company Gearhouse. The company is using its modular video screen system to create a new style of advertising hoarding which allows for advertising to change throughout the day. Newly-appointed Gearhouse director John Hemming unveiled the new system at the company’s Birmingham premises.
Sony Broadcast & Professional Europe has reported shipment of over 300 units of its new DMX-R100 digital mixing console in the first six months of availability. David Bush, general manager for professional audio, said: "Sony BPE had felt for a long time that there was a huge gap in the market between a number of small, low-cost digital mixers and high-cost larger alternatives." Andrew Hingley, senior product manager for the DMX-R100, added: "The console has found a home in a wide range of applications, from project studio to broadcast to theatre and front-of-house." A major new software upgrade to the DMX-R100 is expected to be announced shortly.
Further to our news piece last month on the West End musical Napoleon, we can tell you a little bit more about the soundtrack and effects elements of the production. Sound designers Martin Levan and Henrick Marsen, masterminded these aspects, and for full control and realistic localisation of all sound effects, specified Out Board’s TiMax level and delay matrix, supplied by Autograph. All the sound effects within the production are distributed via the TiMax system, which is triggered by MIDI cues and the Cadac show control system. As well as the sound effects themselves, Levan and Marsen utilised TiMax to add artificial reverb enhancement to the auditorium as the natural sound environment was very dead. Two of the TiMax inputs were fed from an ambient mic cluster through to all the loudspeaker panels, just to create a more lively atmosphere!
ARX Systems (Hall 4.1, Stand A70) will be launching a wide range of new products at the 2001 Frankfurt MusikMesse (7-11 March). These include several additions to the company’s powered loudspeaker range including the SPL20 powered sub-woofer, the Level 8 line interface, 8 Pre eight-channel microphone preamp and the ZA5.1 six-channel surround amplifier. The newly-revised and updated ARX V4.1 product CD-ROM detailing all matters ARX will also be available at the Booth, as well as the usual Australian hospitality.
Adam Hall has announced the release of the AC series BNC 75 Ohm receptacle connectors, from Amphenol Australia. The design features an Amphenol BNC adapter mounted in the AC series receptacle ensuring a rugged flush-mounted product. Designed for broadcast, video and other applications that require impedance matched performance, the connector is completely isolated from ground. The industry standard D series XLR panel housing provides the installer with the convenience of having standard metalwork cut-outs for both XLR and BNC installations. Available in standard Nickel finish or optional black.